Feature Requests

Please add an option to import and export keyboard shortcut presets with ease. So I can quickly import my shortcuts to other Premiere versions, like Beta, and my secondary Premiere copy on my laptop. Could it be synced with an Adobe profile at least?  Thanks.

Hi everyone,I saw this post about how could you "allow one track to be soloed at a time". And unfortunately it seems that it doesn't exist. As the author said, this is a common feature in audio software. The "latch" solo allows you to solo multiples tracks, and the "XOR" solo cancels previews solos to enable the only one you clicked.Someone in his comment was wondering why this feature was "something that a lot of users like and/or wanted". The answer is very easy :This is the best way to compare a sound. By quickly switching from one sound to another without cutting.I try to see if there was some hidden shortkey like Alt + Left Clic on the solo button to change his behaviour, but the only thing I found is Shift + Left Clic on the solo button which enable all tracks on solo. (This is not extremely usefull, but it is convenient if we want to shut all solo buttons that has been activated.)So I though it would be such a great thing to implement a similar feature, but w

I can't match speech or a beat to what's inside a NEST. It would be useful to have markers to show where clips inside start.  

When copying a NEST in the project panel and there are NESTs inside it, the inside ones don't get duplicated SO you end up changing that element elsewhere in the project without realising it.When coping a NEST, all NESTS inside should also become a new instance so you can edit it without breaking other parts of your sequence.

I can never see what is selected when adjusting a mask. A simple update would be to make selected handles on a mask red for easy identification. 

If I click on the Description field of a folder, a box temptingly appears, but it's impossible to type anything into it. I'm sure I'm not alone in wanting to add a description to folders/bins in the Project Panel (exactly as I can add a description to anything else in PPro's Project panel). It's been impossible to add a description to a folder for many (all?) versions of PPro. Maybe it's "as designed", but it's not logical or useful. It's exactly the same if I show the "Comment" column: I cannot add a comment to a folder/bin. Let's have describable* bins, please! *To be pronounced in the style of "capable": https://youtu.be/3MWpHQQ-wQg?si=QtdESkhgp7faqjT1&t=28

Similar to "Reveal in Project" or "Reveal in Finder/Explorer" it would be nice to have an additional "Reveal in Media Browser" option that opens the chosen file in Media Browser, including showing the folder path in the left hand column. One of the common uses of "Reveal in Finder" is to quickly find other takes from the same card/folder that have not yet been imported. Because some file types can not be natively previewed in Finder or Explorer (eg RedRaw, or ProRes on a Windows machine), it would be much easier to reveal the files directly in the Media Browser so that the other media can be previewed and imported from there.

I rendered out a 4K deliverable of a short film that is due for a Sundance today and Premiere Pro/Media Endcoder rendered out the Warp Stabilizer warning banner.   I'm just wondering why it would do this as it has ruined the film for one scene of the entire film. There is no option to turn off the rendering of warning banners globally but I didn't worry about it as I never thought it would render it.   I would have checked through the project and pre-rendered it but there wasn't enough time to do everything. All I did was add a dip to black which triggered the warning banner but I knew there wasn't going to be an issue as the tracking data was still the same, hence ignoring the banners.   Please consider not rendering warning banners for future releases or at least giving the option to switch it off globally for rendering.   Thanks, Chris

This is an idea that we've had to correct a couple times, and while we appreciate the 'missing media' alert, an 'un-analyzed clips' alert would be just as useful, if not more useful. Perhaps a different color bar over clips that have a stabilizer on them or? Thank you! Michael  

I edit a lot of big, long projects in Premiere. Weddings that are hours long, etc... Often times, I use a lot of warp stabilizer filters. Then when I close the project and come back to it another day to export it, the filters will have unanalyzed, leaving the blue banner across the footage. Since I don't have time to go through and scan the entire timeline myself in order to check for these before export, I often either don't notice it until I've already published the DVD and given it to a client and THEY notice it (obviously not good), or while I'm authoring the DVD and skimming through in order to add chapter marks (still not good, as I now have to waste time going back to premiere and re-analyzing, then wait hours for it to re-export). Is there any feature in Premiere that allows me to simply check whether there are any unrendered or un-analyzed filters in the timeline? Similar to the feature in Encore where you can "Check project" and it lets you know if there are any problems with

Would love to be able to click and drag my way through the Premiere timeline (i.e. After Effects) to move quicker than switching back and forth between the Selection and Hand tools. As well as using the mouse scroll wheel to scroll up and down both the video and audio layers.

Many people render video through different pieces of software, so maintaining the original video quality through each step is important until the media is ready to be lossy encoded. For whatever reason, Premiere cant do this even when they support codecs that literally have a lossless option (h264, h265). There is a 3rd party codec that can export to lossless AVI but its old and hasnt been updated in years and doesnt handle media that are HDR or color bit depths higher than 8 bit. 264 and 265 can though.Please for the love of god add a lossless option to Premiere exports for h264 and h265 since these codecs Premiere leverages literally can do lossless.

Please can we allow Audio Gain processing to happen in the background, with nortification as to when processing is complete... On Mac Studio using Sony FX6 footage running off of SSD drives, I lose a solid 5 mins or so whilst waiting for Audio Gain processing to complete on a 45 minute interview, preventing me to continue working whilst this happens. 

This is a minor bug, and probably more of a personal issue but maybe I'm not the only one!When you go to export a project. File>Export>Media...The "Send to Adobe Media Encoder" button is underneath the "Media" button. 5/10 times it never fails to accidentally click "Send to Adobe Media Encoder"This then opens up Adobe Media Encoder slowing the process, having to force quit the app, etc. The idea is to move it somewhere else where an entirely separate app doesn't have to open up if you click the wrong button.Hey, maybe even a pop-up that says "Are you sure you want to open Adobe Media Encoder" Version 25.1Premiere Pro Mac

Boa noite,Recentemente assinei o pacote Adobe e, apesar de toda a expectativa, fiquei bastante decepcionado com uma questão simples, mas importante, que acredito já deveria ter sido resolvida há tempos.O fato de o Adobe Premiere (ou outros programas da Adobe) não aceitar arquivos de vídeo no formato MKV é algo frustrante. Somos forçados a converter o formato para outro, enquanto outros programas de edição, mesmo menos conhecidos, suportam o MKV sem dificuldades.É difícil compreender como, em pleno 2025, uma suíte tão reconhecida e amplamente utilizada no mercado ainda carece desse suporte básico. Espero que essa funcionalidade seja considerada com prioridade em atualizações futuras.Atenciosamente,Fernando

Give me more information please. In all facets of this program, give me more information.Maybe give me.... oh I don't know, what the sequence setting is? What the clip setting is? Obviously the program is reading these metrics to detect the mismatch? Maybe TELL ME THE MISMATCH.Give me more information!!!!!! I don't know what proxy file is selected, I don't know what file was matched to what file, I don't know what sequence and clip settings are mismatched, I don't know so many details of the workflow that I use every single day because it's hidden behind a dialog box I can't click out of.Over $580/yr for these kind of slights in user interfacing. Unbelievable.

The Media Intelligence search looks great and I believe it'll be better if there was an option to use the feature within existing bins. So, I could search AND list based on further search criteria such as Shot Size or do a Boolean - Shot Size of Coleen. So, I'm looking at Listing Criteria to display based closest match to furthest match AND the ability to 'train' the engine if it displays less than expected results.So, if I searched CU Coleen AND Indoors, the Bin will display, at the top, all CU shots of Coleen indoors. Then the engine displays other clips in order of search-result relevance with relevance based on the first criteria stated. So, if I searched the following, Coleen CU AND indoors, the relevance will be weighted more for Coleen followed by CU and then indoors and then other clips that are unrelated but perhaps relevant based on the engine's algorithm. And when searching from the Main Search panel, there should be a way to place the search results into a new bin.&nbs

Hey! would love to create a hot key to be able to find the "show clip keyframes->Time remapping" option. I hate having to right-click and scroll all the way down, and sometimes the window closes because I have to scroll through all the options. thanks!

Please go back to the old export window. Either that, or separat out the tools panel from the export panel. Every time I export, I have to resize and move the export panel away from where I have the tools panel (as a tiny box between source & program monitors), then resize and move it back. Totally unnecessary steps. 

HelloPlease Support Arabic Typing in Montion Graphics Templates

I use subsequences a lot. As soon as they are created I want to organize them, by naming & putting in relevant bin.In Avid, as soon as you create a sub clip or subsequence (that use the *same* command/keyboard shortcut btw) and it creates the sub clip/sequence it selects the name entry ready for overtyping. Which is very useful. It's also predictable where it puts subclip/sequence - in the last place you had it put them. Which is reset by holding alt as you make the subclip/sequence - where it offers a list of open bins, or 'create new bin' as an option. In Premiere I create subsequence - which creates it loose in the project that the sequence is in, I think, and loads it into the source monitor (which I guess is useful to someone). I then have to 'reveal in project's to rename & move to the project&bin I want it in. Generally this is to a different project in the production - e.g. Gfx/Name supers or Gfx/locations or Sfx/WooshTransitions. I guess this wo

My question is whether there are plans to add new languages for transcription. I am especially curious about the Polish language?

Productions workflow offers many advantages, but still has a long way to go, and simply is overly complicated, or comes up short in a lot of ways versus using just one Project File per project. One simple feature I'd like to see in Productions is the following: In a regular project file, if you click on a piece of media in the Project Panel, it will show in the Preview Area at the top (if it's turned on) if the selected piece of media is present in any sequences, and you can even click a drop-down list and select any instance of that media in any sequence.  This functionality is lost in the productions workflow. Unless a piece of media sits in the same project as a sequence that contains it, this dialogue comes up and it seems like there is no instance of that media being used. This is hugely helpful in many ways, but with Productions encouraging the siloing of media to one project and sequences to others, we lose this very helpful functionality.  For example –

When I apply the Warp Stabilizer to a clip using a set of presets I have developed that all have the warning banner disabled, I find that the Analyze button in Effect Controls is buggy and often grays out or shows the wrong clip's progress. For instance, I can drag and drop Warp Stabilizer on several different clips in a timeline. It doesn't automatically process when using presets, so I select the first clip and click Analyze. Once that analysis starts, I select another clip and find the button grayed out, but the notification shows progress counting up frames from the first clip that I don't have selected anymore. If I click off that clip and back on to it again, the button works now, and I can analyze only up to 5 clips simultaneously. In this screen recording, I'm selecting the first clip, then toggling back and forth between the next four clips until the button becomes available while the first clip is still processing. Ideally, I would love for this to be a ba

For the love of everything good, and thousands of people activily paying you every month, will you please make an ability to disable zoom on the program window or change the mouse scroll wheel behavior. You have screwed over thousands of people with a feature that most people did not ask for or want. Its wrecking our workflow. Having to place my mouse in time ruler is time consuming, annoying and not sufficient.Yes it makes sense having that in After Effects but this is premiere, a place we were scrub though footage and the time lines 100x more than we zoom. Whereas in After Effects you zoom more than you scrub through footage.I am very frusterated with the Adobe Team because it feels like they rarely listen to their community and instead do willy nilly things that a bunch of people sitting a room who don't edit for a living think would be useful. I speak for thousands of people when I say please change this. Just because not eveyone is wasting their time asking (lets be honest it