Feature Requests

The transcription of the video is a great feature, but most videos are made from numerous source clips. What I want to be able to do is select audio channels in my composition to transcribe, rather than source clips - this gives me a usable transcript for the end video. The composition will change, and the audio should update in real time as I edit. You could even make this an editing method eventually like in some of those other fancy video editors. 

Mask tracking between key frames is only linear. There is fade in and fade out but only for the edges. When tracking periodic motion, it would be helpful if there was sinusoidal interpolation and other options for tracking between key frames

I frequently incorporate speed ramps into my work, but the current implementation in Premiere Pro makes the process unnecessarily difficult. Unlike After Effects’ Time Remapping, Premiere Pro’s speed ramping constantly changes the clip length, making it frustrating to refine the timing of edits.Requested Improvements:Consistent Clip Length – Implement a speed ramping method that does not automatically alter the duration of the clip when adjusting speed keyframes. This would allow users to experiment with different speeds and easing without affecting the overall edit structure.Time Remap-like Behavior – Introduce an option where speed ramping functions similarly to After Effects’ Time Remap, enabling intuitive keyframing and easing without disrupting the timeline.Workflow Integration – Provide a way to achieve smooth speed adjustments without requiring Dynamic Link to After Effects. Keeping the entire process inside Premiere would streamline the editing workflow. These improvements

I don't know why Premiere Pro doesn't include an "Easy Ease" keyframe interpolation preset like After Effects does. In many cases, this is considerably better looking than Auto Bezier. You can simulate it by applying both an Ease In + Ease Out, but it's annoying to have to apply both to achieve that effect when a simple option would solve that.Also it would be nice to have automatic presets where we could define the default keyframe interpolation for first, last, and middle keyframes, rather than just always defaulting to linear.

Hi everyone, It’s 2025, and we still don’t have a simple way to automatically center the Anchor Point in text or graphic layers in Premiere Pro—why?Subtitles for social media are becoming more and more common. An option to “auto-center” the Anchor Point would be a huge help in everyday workflows.Is this feature planned for a future update, or is there any workaround I’m missing?Thanks! Sven

Whenever I add a dissolve, I'm happy with the default duration I've set in the prefs (it's 25 frames). But whenever I add a morph cut, I want it to be around 6 frames long, but it defaults to 25 frames. It would be incredibly useful if every transition could either:Remember the most-recently used duration, and apply that when the transition is added...or, even better:Have a 'duration' column in the Effects Panel, where we can set each transition's default duration, like this: 

I would love to have the dust & scratches effect back in premiere pro 2025. I understand that it wasn't gpu accelerated, but it worked so well in my workflow. I've tried the same method but switch dust & scratches with Gaussian blur, but the results are nowhere near as good as the original dust and scratches effect.  Is this possible to add back? If not, does anyone have an equally good solution/replacement for the dust and scratches effect?

I use the same "project file" for everything, i just swap out or add new videos. I know the "offline" videos are missing, I deleted them from the timeline.  Now after updating, when I go to export, i get issues about offline items that are not on the timeline, just in the folder. It should be clear they are not meant to be in the video. "remove all offline videos" would help as well, i have hundreds in one file

After Effects allows you to use Bicubic, bilinear, and nearest neighbor ("draft") for scaling. (Also known as "sampling" or "interpolation.")Premiere should absolutely have the option for the Motion effect to use Nearest Neighbor. (It would still be bicubic by default, as it is now.)This is very important for sprite art, screenshots, screen recordings, etc.Here is a forum thread on the issue from 2012, where most people unfortunately don't even understand what the problem is:https://forums.adobe.com/thread/1061901NOTE: The TRANSFORM effect currently has the option for bilinear and bicubic. It would be good to add nearest neighbor here, but that should not be the ONLY place where it is available. The Transform effect still has severe issues with buggyness, instability, and choppy movement. Again, it is important that the MOTION effect has the option for Nearest Neighbor.

Hello,I would like to know if there is a solution to acquire an analog axis (gamepad) on a audio track in adobe premiere.If this solution doesn't exist yet, what would be the best solution to do it ?Thanks for your help 

Hi Community, I got the idea from @PaulMurphy who agrees that this issue comes up a lot. What do you think @Stan Jones  Any other ideas? Any other common issues that can be solved with a simple warning?   For others wanting this feature, please upvote!   Cheers, Kevin  

There are portrait aspect presets for making sequences but not for rendering exports. Please make some.

I have bought İntel ARC A750 GPU but it seems Premiere and ARC doesnt supports each other, only CPU works in %100 power. Its the same in timeline and in export. So have longer export times than my old 8 years old GPU. With this mode of operation computer produces freezing while playing timeline and too much noise.I tried in Adobe Premiere BETA version  but results was same.In other hand i tried different editing program and they were working great together. Honestly I am not ready to change my editing software yet, so I want to ask you that is there possible to improve coordination between ARC GPU and Premiere Pro with an update ?NOTE: i5 13400f, 64GB DDR4 Ram, İntel Arc A750GPU, 

New switch to MacOS I've become frustrated with this. Not only is this incredibly annoying for exporting projects or selecting the appropriate length clips in the Source Window, using the "selected in/out points". This is a bygone era of film splicing. On Windows software machines the out-point is exactly where the out point is supposed to be, not one frame forward of the scrubber.Also: If I Set Out Point in my Source window to drag a clip into my timeline, the footage portion of the clip is 1 frame forward of the audio portion, and disrupts my timeline organization. This does not happen on Windows machines. I run a KVM and the exact project on my Windows machine produces a different result. If this is a cultural stake in the editing world, can we have a toggle to remove this extraneous frame in the Project Settings -> Timeline submenu for those of us that want to be more efficient?

I use a lot of selects sequences in pancake editing style. I have Shift+O set to 'open in source monitor' AND 'open sequence in timeline'. Press once to open the selected sequence in the source monitor, repeat to view the sequence in the pancake. This works well, but...IF the source sequence is ALREADY open then 'open sequence in timeline' is ignored.It would be FANTASTIC if the command would switch to the already open timeline. 

Is there a way to do a slip edit in Premiere Pro using the Trim tool, similar to how one might do so in Avid? It's something I need to do all the time, and the Slip Tool in Premiere gets the job done, but not in as easy to use a way as in Avid:

It would be helpful and efficient if Premiere had the ability to create multiple In and Out points in one timeline. If I'm editing a number of short clips or I would like to batch export a bunch of b-roll clips as single files, it would be great if I had the ability to create multiple In and Out points, maybe with a keyboard shortcut of Option+I. Perhaps by default, it would sequence the In and Out points (01, 02, 03,...) and have the ability to custom label them. This feature might then have to default to using Adobe Media Encoder as the Render app. I'm not a developer or coder so I don't know how feasible this would be but it would eliminate having to create multiple sequences and speed up the work flow. If something similar exists, please enlighten me. Maybe I've just never known. Thank you for giving me the opportunity to pitch this.

  A new item (dark grey) dragged into a colored bin (light bliue) should update to be that bin color (light blue) upon drop in. This would make timeline editing and bin organization even more efficient. 

The change from Essential Graphics to graphics Properties made that panel very wide and it no longer fits neatly into the narrow space it previously occupied. It would be helpful to have dynamic resizing so those of us who prefer having it stacked with Graphics Templates/Lumetri Color/Essential Sound can again place it there instead of having it stacked with the wider panels in the Source space. (The attached photo hopefully explains this clearly.)

After updating from Premiere Pro 25.0 to 25.1, the font size adjustment setting has shifted to the far right. As a result, it has become inconvenient because adjustments can only be made by either double-clicking to maximize the text settings or enlarging the panel. I would like it to be possible to use the same settings as in version 25.0.

Dear Officials, Most of the time, we work with many clips on the Timeline. We name them, but exporting them with their names is quite difficult. I have prepared GIF animations showing the issue we are experiencing. Of course, in normal use, I assign the Rename function to the F2 key as a shortcut to rename clips. When I hover over the clip I want to rename, I press F2. However, I cannot assign a shortcut to the Send to Media Encoder button in the Export Window. I have attached a screenshot. 😥 I spent about a day editing videos to prepare these GIF animations. I hope you like and consider them. Also, if you could bring back the old Export Window from Premiere Pro 2020, we would be very happy. If you can provide a solution to these issues, millions of mice will be happy. You will save the world from millions of unnecessary clicks. You are amazing, and I hope you make this happen. Thank you in advance, and I wish you all the best. With love and respec

I wouldn't go as far as to call this an issue but just a bit of feedback."Uhm's" and "and's"  currently prolong the time of the last subtitle word on screen. No idea if you guys can or want to do something about that but it eats up a lot of time having to correct that so I thought, and still hope, you appreciate that kind of feedback. Thanks team! 

Hello, We are seeing people shooting using steadicam low mode or top-down rigs where the camera records camera orientation in the metadata.There's both horizontal and vertical information recorded - this shows later in our workflow in Davinci when we come to grade.Do we know if there's a way to add this to ingest so that Premiere detects by default?

お忙しいところ失礼します。表題のとおりです。現状、１）シーケンスにあるクリップ上で右クリックし「プロジェクトパネルで表示」を選択   ２）プロジェクトパネルに表示された　　当該クリップ上で右クリックし「フッテージの置き換え」を選択する  ３）置き換えるファイルを選択して完了と、遠回りです・・・。ーーーーーーーーーーーーーーーーーーーーーーーーこれを、シーケンス上の当該ファイルで右クリックのワンアクションで「フッテージの置き換え」が選択できるようになるととても便利です・・・。ショートカットで「フッテージの置き換え」を割り振ってみたのですが、何故かうまく動作しません（無反応）でした。ご検討くださると幸いです（どなたにお願いすればよいのでしょうか笑）。【追記】MAC STUDIO M1 UltraMAC OS：SONOMA 14.7.4Premiere 25.0.0（ビルド 61了

Hi there,I'm curious why there isn't an option to reorder bins in the project panel according to user preference in the list view.For example, why can't I put the "Sequence" bin at the bottom of the list?!