Feature Requests

Yeah I get it, there is one under transform, but it's clunky and backwards. Anchor points are competing between the motion tab and transform, it's extra steps and the UI is just archaic. Doesn't work well with multiple keyframes and so on. Is it really that hard to listen to the growing feedback from the community and write a few lines of code to incorporate the feature?? Just add the darn thing to the motion tab. Heck add that setting under every effect, just like you did with masking. Add it to the text. I'll take it a step further, you should also incorporate a decent graph, similar to the one in AE and a few other very basic AE features. The graphs in premiere are extremely archaic and lack finesse. It's 2024, come on now. AI features are great but we also need precission and not have to keep jumping to the dynamic AE link for every basic thing out there. Incorporate AE lite straight into premiere, just like Davinci does with their system. For the price you're charging, you can do

I can't stand these interactive handles. I keep accidentally creating a cut and long dissolve when I'm just trying to move clips around or change the length of a clip. How do I turn these off?   Mod note: Your post was branched from an announcements post. A new title was added.

I wrote down the last feedback post, but I write additional inconveniences as I try to use it live-action. 1. In the case of fade handles, pull corners to inform you that this is a useless update regarding where you are using it.First of all, it was the best and fastest way to put in the fade handle using the shortcut key, and rather, after the update, I accidentally put in the fade when adjusting the length of the layer or moving the layer.It was also inconvenient that it could not be deleted as a delit if you used the corners to put in the fade. 2. In earlier versions, the clip keyframe line did not appear when the timeline video track was zoomed in three steps, and the clip keyframe line appeared when zoomed in four steps.From the update version, it is quite inconvenient for clip keyframe lines to appear from step 3 enlargement.In my case, I would like to have a way to disable the clip keyframe line because I often move the layers, and I prefer to look at it with a bigger

The new update has sort of destroyed my workflow and I just wanted to let Adobe know how insanely inconvienant these updates are. The specific issue I need help with is with scrubbing through footage in the source monitor. Previously I would highlight the source monitor and use my mouse wheel to scrub through footage quickly. The mouse wheel even unlocks and scrolls at high speeds. I review tons of footage so this function is everything to me. Now, I can only do this when the mouse is hovering over the section right above the play button. Meaning, whereas I used to use the entire monitor to perform this function, now its an insanely small window. If I scroll anywhere else in that area it just resizes the footage. This is causing me to resize the footage most of the time when all I want is to scrub the footage. Then I have to go back and resize before continuing to scrub. Why would I want to resize the footage that often instead of scrubbing? The scroll speed seems to have been tuned do

Please allow a 'classic' timeline view to come back in some capacity. My constant power preset is useless now because I can't quickly click and drag it to adjust where the audio transition point is.   Mod note: Edited for content. A title was added to reflect your issue.

Can the new Essential Sound icons/labels be turned off? I keep accidentally clicking them, which opens the Essential Sound panel and disrupts my workflow.   Mod note: Edited for content. The title was changed.

Please add denoiser ( better GPU accelerated) in to PP 2024.It is so strange... PP is equipped with VR Denoiser but there is no normal Denoiser)))Do Adobe Marketing Team checking stats what the percentage of VR videos is posted against normal video?I think VR videos on YouTube even not 1%.So Denoiser for normal video is "must have" in every professional NLE 

I'd really like to see a keyboard shortcut to apply a ripple edit  tool (B) only to one selected track, the same as pressing "shift" when using the "select forward" (A) tool. Currently that is only possible by locking all other tracks or individually toggeling off "sync lock" for all tracks which slows down my workflow a lot when I rapidly need to switch back and forth between needing the ripple edit tool to affect all tracks and only one specific track, for example when I'm editing animatics and need to match the duration of  storyboard panels to voice recordings that have already been set up in the timeline. As a very smilar feature already exists for the "select forward" tool I can't imangine this would be particular hard to implement and would make my life (and probably others) a whole lot easier. 

So, I've been using Premier Pro for 15 years now, and you'd think I'd remember, but I still get confused with the Position Controls in Effect Controls. I should remember that the numbers on the left are for side-to-side, and the right is for up and down, but I ALWAYS get them confused. It would help me a lot (and I'm sure a lot of others) if we had little arrows showing the direction the values would move the picture.  See sample (red used for effect).

In the current version, the speakers can be separated during voice transcription, but the create captions is still combined together.And you can't select one of the speakers for create captions through the filter in the transcription window.Suggest to add the option to separate the speakers when create captions

I'm looking for a multicam settings and/or plugin to help with some multi cam footage.So Google Hangouts (and probably more video conferencing software) has this feature that makes a specific person who is talking the focus video. I was wondering if there is something like that for Adobe? I want to create a multi cam sequence, but depending on what audio channel is doing the talking, switch to that channel.So if i have 2 videos in multicam sequence, if the audio in video 1 starts to get past a certain threshold, switch to that camera angle, until video 2 meets that threshold (and vice versa)OR- if something like that doesnt exist, can you point me in the direction of making plugins so i can try creating it myself.

I wanted to provide some feedback regarding the recent changes to the Color Label & waveform display in the latest version of Premiere.In the new version, I find that the Color Label & waveform design lacks the clarity and visual appeal of the previous version. The previous layout was more intuitive and easier to navigate, making the editing process smoother and more efficient.I kindly request reconsideration of the design elements to align more closely with the previous version. Bringing back the previous layout would greatly enhance the user experience and maintain consistency for longtime users like myself.Thank you for considering this feedback. I appreciate your dedication to improving Premiere and look forward to future updates.

Sometimes a source video has 48.000 hz audio.   Exporting to MP3 from Premiere gives some options (like changing the kbps say from 256 to 128) but not to change the sample rate, these are not the same thing.   The resulting MP3 ends up with whatever sample rate the source had, this is fine but it gives compatibility issues with some applications like Adobe Animate which do not accept 48.000 hz audio. Web content in many instances is also limited to 44.100 hz max.   Either let us choose the sample rate ourselves or cap it to 44.100 hz for this specific format.

The problem:After the transsciption of a 1 hour interview you end up with a very, very, very long text that is hard to read. Unfortunately the PP text window doesn´t have any formatting options, so text structuring  is pretty hard and confusing.  Solution:Text highlighting colors  like in word would help extremely to get a better overview of the content. The different colors of the text formatting should then also generate the corresponding colored edits on the timeline. Such a workflow could speed up interview editing tremendously - expecially In combination with the color select and editing options of the  timeline.  So please give the text window some basic formatting functions (bold / roman / highlight colors...) like in any other word editor. 

PS, AI, ID, and many other Adobe apps already support advanced text features. It would be nice to be able to access stylistic alternates for example. I may choose certain fonts because they contain an alternate with a special number 0 that makes it easier to separate from the letter O. In other Adobe apps this is trivial. Is there a reason it can't be done in PP?

Would love the ability to resize caption tracks in the timeline panel the way you do with audio and video tracks. They are so small compared to other tracks I often over looking them when moving thing around and they come out of sync or get deleted. Releated note is the ability to keep them synced to the relevent clip with something like linked selection.

Add a Watch Folder feature, where footage are automatically imported if added to a specific watch folder

Can you put a frame calculator in Premiere?

I am currently trying to export transcripts from Premiere Pro for a podcast episode monthly at this point.There is still a lot of time spent after every time the CSV file is exported as that is the only way to take the text to quickly remove the timecode and combine speaker lines into paragraphs.If only in the premiere, I could combine the text in the timeline transcript. Every time there isn't a time between audio clips and the premiere can recognise that as detecting where ripple deletes on a gap can be applied and see that as a reason to combine text back into a paragraph. Either at the premiere, that can be cleaned up, and the recombined speaker turns in paragraphs of what happens in the transcript export process. It would also be nice to export a doc file with the option of having paragraphs and turning off the timecode if need be.

Ao passar o cursor a seleção de takes na timeline não está funcionando.. mesmo com a camada A1 / V1 selecionada, sendo que no Premiere normal está funcionando, qual o problema em tirar essa função do Beta? Não estou entendendo do porque fizeram isso, e essa função é vital para a decupagem do material. 

It would be nice to be able to drag any timeline I made over an unopened project and it would not only open the project for me, it would move the timeline there.Workflow in practice: drag all my dailies into a bin, string it out onto a timeline, drag that timeline over an unopened (or opened) STRINGOUTS project in my production panel (not an open project tab) and the project file would open and place the timeline in there.And this could work for smaller stuff like if I am being lazy and throw a bunch of SFX, Music, titles, caption presets, stock clips, etc. and I can easily just drag those elements over to the appropriate projects listen in the production panel without having to stack my tabs or find those open projects.UPDATE - IF the project is already open, this functions as requested. Would love the option to do this with closed projects, too.

It would be great if there was a option to delete all clips in a sequence that are disabled.Working in film trailer marketing we edit offline material with watermarks and have to prep/clean up a lot of sequences before delivering to the studio finishing house where they have the clean footage and export the finals. Assistant Editors have to clean up the sequences and organize the audio by dialogue,sfx, and music. A lot of the times there are a bunch of old sfx or dialogue lines that are still in the sequence but not being used.It would be fantastic if we could just remove all of those clips that are not needed with one click.

is there a way, in my case, translate Dutch subtitles to English inside Adobe Premiere? Now I do it in a roundabout way by exporting a text file, having it translated and putting it back in Premiere, not really a convenient way.Like to hear...ThanksAndré   Mod note: Title was changed slightly for search purposes.

Please make the pause length in-sequence frames. I don't like having to calculate the decimal points manually. The number of frames out of one second is what percentage to get to decimal points. If the time measurements for those lengths are not in percentage, pause length per speaker. The duration is based on the timeline's setup. It does not have decimals in the timeline; it has frames.

The FIT CLIP DIALOG is a meaningless tool. It serves to confirm what I already indicated... Copy the Avid Media Composer method and make the world happy?