Build better products with our product team
aboneliğimin her ay yenilenmesini istemiyorum
I’m fighting to get the “add photos from or use camera” overlay to not be in the way of the bottom right hand photo when I want to select it. There seems to be some sort of logic to make the overlay disappear but it’s not consistent.I think this logic could be better. Or maybe the overlay could be flickable to the left side like the front face camera preview in FaceTime.
While generally I've only lurked the Adobe forums I've finally worked up guts to post this. I also know that about every 1-2 months this question is asked but I think it deserves a another go around. My premises is this: Adobe joined the Linux Foundation in 2008 for a focus on Linux for Web 2.0 Applications like Adobe® Flash® Player and Adobe AIR™. Currently Adobe holds a silver membership status with the Linux Foundation. So why in the world do they not have any Creative Cloud Programs available in Linux without the need for WINE and other such workarounds. I think it's a sucky move to support the Linux Foundation and use Linux in the back-end while not doing anything to support actual Linux users who have for at least a decade requested Adobe desktop products on Linux. Sure it's going to take a lot of manpower, financial resources, etc. But to truly support Linux and the Linux Foundation I think it's necessary that y'all do make things like Photoshop and Lightroom available for the Linux desktop. In any regards the wider Linux community would most likely help with testing and debugging programs. We're used to it.
The People often marks non-people as faces. The most notable one is anytime there is a Starbucks cup, it always marks the Starbucks Woman logo as a person. Though of course course countless other misidentifications but that is the most common one I've noticed in the years in LR Classic and now in LR Cloud. While hopefully the algoritm improves, in the meantime is there a way to mark a face as not a face to help teach the system? The only option is "Hide Face" that I see. But that won't signal to LR that it's not a face thus it won't improve and also not sure if Hide Face may mean it will still try to find that non face in other photos?
Are there any suggestions/solutions for those of us who wish to disable or block AI tools like Firefly or the generative AI within Photoshop? I understand I don't actually have to use tools I do not wish to use within Adobe programs, but I think it would also be nice for some of us with strong ethical opposition to generative AI to have an option for it to not consistently pop up in our feeds or have our work training AI models without permission (hence why I disabled the content analysis option for my account). Title edited by mod
Gracias a la IA la detección de rostros será más fácil y sencillo de esa forma se podría agregar un blur a los rostros de personas seleccionadas o al usar un pincel,no sería solo un desenfoque pero si un bloqueo para eliminar las facciones y evitar el reconocimiento de las cosas ya seleccionadas
Sony cameras such as the a6700, FX30, A7sIV can capture photos in HEIF format, with a .HIF file extension. These files are supported by current versions of Adobe Camera Raw, Lightroom, and Photoshop. However they are not supported in Adobe Premiere. HEIF is the standard format of the Apple / iPhone ecosystem since 2017 (iOS 11). It is a superior alternative to JPEG for Sony shooters along with / instead of RAW. Sony HEIF supports 10-bit color 4:2:2 and HLG color space for HDR. A HEIF photo taken on an iPhone 12 with .HEIC file extension will open correctly in Premiere. However trying to import an HEIF photo from a Sony FX30 with .HIF file extension results in “File format not supported” error in Premiere 26.2.2.If I rename the .HIF Sony photo to .HEIC or .HEIF file extensions, then Premiere will allow them to import, however the photo never appears in the Source or Preview monitor, instead it just shows black.Please support Sony .HIF photos in Premiere, as they are already supported in other Adobe products. They are supported in Davinci Resolve 20 and Final Cut Pro 11 as well. The Sony .HIF photos open perfectly in MacOS Sequoia 15.7.7 Preview app and Photos app.The only workaround to get these photos into Premiere is to export them from Photoshop, Lightroom, or Apple Photos into another format like TIFF that supports > 8-bit colors and HLG. Until Premiere supports Sony .HIF files, this seems like the perfect opportunity for me to finally learn Resolve.Sample .HIF 4:2:2 HLG HEIF photo from Sony FX30 is attached, and Premiere errors. FX30 firmware v6.0.1. (Your website wouldn’t allow uploading a .HIF file extension, so I put it in a .zip file.)
Hallo Liebes Adobe Team, ich kann seit gestern keine Videos mit Sora erstellen? Ich habe das Programm geschlossen. Den PC runtergeladen, neu gestartet, ohne erfolg. ich habe sogar meinen Prompt mehrmals geändert. es hat trotzdem nichts gebracht. Bitte um Hilfe
Please consider adding an On-Device Harmonize feature to Photoshop. I believe this would be one of the biggest and most impactful updates ever made to the application. Faster processing, better privacy, and local AI support would greatly improve the user experience.This is Biggest Feature For Photoshop if Comes Photoshop On Device
Right now when you use the time remapping feature in Premiere Pro, it does not influence the audio linked to the video, so if you want to make a gradual speed ramping, your audio looses synchronization after the point where the speedramp starts. I suggest adding speed ramping for the audio as well - an automatic one that changes the audio pitch to the same extent as the speed of the video, and a separate one - to manipulate the speed of an audio that is unlinked from the video or has no video at all. I'm not talking about changing the pitch but rather changing the speed with the time remap handles like it's done with the video, so the duration of the audio track is changed as well when applying this time remapping for the audio.I know, I can cut the part I want to change the speed of and use "Maintain pitch" checkbox but this is not time remapping, but rather changing the speed abruptly. Suppose I have a video of a basketball match and I want to speed-ramp the goal moment retaining the sound change as well, make it gradually slow down and lower the pitch - I'll have to do the time remap for the video and then cut the audio of this moment from both sides and apply an animated pitch effect trying to approximately set it to the level where the sound would be as slow and guess its length. This is dreary and ridiculous especially when there's a "software for phonies and tiktokies" - Capcut that does it with JUST a single remapping feature.PS: do not sugest After Effects where it works with the sound as well. Capcut loads faster and I'd better go there instead... AND it's done with a SIMPLE custom curve there!
Enter a body text to meet forum requirements
Why can’t I assign a keyboard shortcut to File > New > Black Video?Hi everyone,I’m trying to assign a custom keyboard shortcut in Adobe Premiere Pro for:File > New > Black VideoBut I can’t seem to find this exact command in the Keyboard Shortcuts panel, or I’m not able to assign a shortcut to it.I use Black Video often, and it would be much faster if I could create it with a keyboard shortcut instead of going through the menu every time.Is there a reason why Black Video is not available as a shortcut command?Is this a limitation in Premiere Pro, or am I missing the correct command name in the Keyboard Shortcuts search?Also, if there is any workaround, such as using a preset, macro, script, or extension, I’d appreciate any suggestions.Thanks!
We need the ability to resolve missing fonts by selecting an alternative installed font from the computer, not just an Adobe font. Ideally it would also be possible to replace specific fonts in a project, even if they aren't missing. The same way most other Adobe apps handle it.
Feather and Edge on LR Mobile for Sky mask. Some of these features can be exclusively added for us that have the subscription. I'd like to see anything you are adding in Camera Raw/LR for desktop on mobile as well. I edit more with mobile that desktop and these features would help a lot of us.
It would immensely simplify workflow to add color grading inside masks for LR Mobile.
Gerar um celular com um movimento suave. na tela de um navegador sem modelo ou marca, apenas sugerido. preenchendo o espaço do hiperlink co o site bolaolobits.com.br . e logo após carregando a tela com a imagem em anexo. o Kling 3.0 foi a única plataforma que me atendeu melhor, mas ela só está dando erro, as outra estão péssimas.
currently when you use the amazing camera raw on a layer, it opens a separate interface which is great, but... alas, if you are in need of color matching you are facing a problem because you can't see the color correction in the composite psd document until you close camera raw.if camera raw could be applied in both windows or have a view of the composite in camera raw as one of the views at the bottom this would be amazing. (btw, spliting the views with a way to actually move the split vertically or horizontally and not the layer would be nice)if you want an example this is same as a color correction is applied to layers as an effect in after effects.
Just the option to make the menu bar ('file', 'edit'...) in Premiere etc. Black instead of pure white would go a long way, as it can get really irritating during longer sessions.That along with other elements, like the right-click-menu, that are solid white even when program and OS are set to dark mode.
I just finished a session with one of Adobe’s help desk officers, trying to find a way to import SVGs from Affinity Studio into After Effects in a way that would generate a composition of individual shape layers for each vector layer. Unfortunately all I get is one shape layer with a bunch of groups nested inside. Apparently this is due to the way in which Affinity exports SVGs, where layers are somehow turned into groups. That’s a bummer and of course rather Affinity’s problem than AE’s, but if there was a way in which the SVG import could be improved with an option to turn SVG groups into layers too, that would help my workflow a lot :-)
I would like the new Actions Panel (as of 27.0) to allow displaying multiple columns of Actions. Should that option already exist and I have overlooked it please forgive me missing that.
Fundamental to gaining an understanding of what 'works' is knowing not just the exposure of an image, but its Exposure Value (EV). Showing +/–EV would also help with HDR images. We can see the + and – images, but were they +/– EV 2, 3 or 5? This would be helpful in both Desktop and Mobile (iPadOS) versions. Besides--DxO PhotoLab shows EV. It's about time Lr caught up!
Exposure compensation (the change from base exposure) may not be the first data point many photographers look for, yet to me and many like me, it is more helpful to know than, e.g., shutter speed. I’m past the stage of remembering every little detail of exposure, so when I analyse my work. I want to know how I compensated from base exposure and by how much (e.g. EV +⅔ or EV –1⅓ ). It is particularly helpful to know when using images for teaching photography.I realize I could use Lightroom Classic to find this info, but more and more of my work is being done using Cloud-based Lightroom.
We urge you to consider a transformative feature for Lightroom: an AI-powered batch editing tool, finely tuned to each photographer's unique style. Imagine a feature that learns from an individual's editing history, creating a personalized AI profile. This tool would not only expedite batch processing but also evolve with the user's artistic growth. An essential addition would be intelligent AI-assisted culling. This feature would automatically discern and prioritize images, streamlining the initial selection phase and focusing on quality and composition. Moreover, the introduction of adaptive 'SmartPresets' is crucial. These presets, unlike any currently available, would dynamically adjust to each image, informed by the user's historical editing patterns, ensuring consistency and quality across varied lighting and contextual scenarios. The integration of such advanced AI features would dramatically revolutionize the editing workflow, cutting down editing time and freeing photographers to focus on their creative pursuits. Currently, many turn to costly external solutions for these capabilities. By incorporating these features into Lightroom, Adobe has the opportunity to redefine the landscape of digital photography software, offering an unparalleled in-house solution that would render external tools obsolete. This is not just a feature request; it's a call for Adobe to continue its legacy of innovation, to empower photographers at all levels, and to lead the industry towards a future where technology and artistry seamlessly converge.
Following the recent introduction of AI-based photo culling, I am writing to ask if there are plans to implement a personalized AI batch-editing feature in Lightroom. Specifically, a tool that learns a user's editing style from previously edited photos and automatically applies it to new RAW files.Currently, professionals must rely on external, third-party services like Imagen or Aftershoot to achieve this. Having this capability built natively into Lightroom would solve this problem and allow users to keep their entire workflow within a single application.
Already have an account? Login
Enter your E-mail address. We'll send you an e-mail with instructions to reset your password.
Sorry, we're still checking this file's contents to make sure it's safe to download. Please try again in a few minutes.
OKSorry, our virus scanner detected that this file isn't safe to download.
OK