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Steve Spurgin2
Steve Spurgin2Participant

With the remove distraction tool in the beta version, it would be nice to have one that is specifically studio photography based to remove things like lights and light stands , extend backgrounds etcOpen for Voting

The remove feature appears to work well with the real world scenarios of landscapes etc , but there must be a lot of photographers working in small cramped studios that occasionally get lights or other studio equipment in there shots or subjects that have arms etc outside of the recognised backdrop. It would be nice if studio accessories could be identified.

1
Ged_Traynor
Forum|Forum|6 months ago
digglescreativeParticipating Frequently

P: Tilt-Shift & Technical Camera Lens Distortion Correction ToolOpen for Voting

I've already posted this in the Lightroom ideas, but it is equally important for ACR to have this feature.   I’d like to request a dedicated distortion correction tool for tilt-shift and technical camera lenses in Adobe Camera Raw.   Many tilt-shift and technical camera lenses do not save shift movements in metadata, making automatic correction difficult. However, some modern lenses, such as the Fujinon GF 30mm TS and 110mm TS, do record shift data, enabling software like Capture One to apply automatic corrections.   Rather than attempting to create lens profiles for every possible shift position, a more practical approach would be to calculate distortion based on the full shift range of the lens when shift metadata is available, while also providing manual correction controls for lenses that do not record shift data.   Proposed Tool Features: Automatic distortion correction for lenses that record shift metadata, using the full shift range to determine the correct portion of the image circle for distortion calculations. Manual input for X and Y shift values for lenses without metadata support. Sliders for barrel, pincushion, and complex (mustache) distortion to fine-tune corrections. An adjustable field to specify the radius (in mm) where distortion correction begins, as different lenses exhibit distortion at varying distances from the center. A second adjustable field to specify the full image circle radius, providing accurate placement of the shifted image within a larger virtual canvas that encompasses the full range of shift movements. This would allow users to properly align the image before applying distortion corrections.   Why This is Needed:Currently, correcting distortion for shifted images requires tedious manual adjustments. For example, with the Nikkor 19mm PC-E, users must manually place the image within a larger canvas and adjust distortion—an inefficient and imprecise workaround.   Given that other software already provides automatic corrections for modern lenses and supports manual distortion adjustments for older tilt-shift and technical camera lenses, Adobe should consider adding this capability to ACR.   This tool would be a valuable improvement for architectural, commercial, and fine art photographers who rely on these lenses.   Thank you for your consideration!

2
JWMoon
Forum|Forum|6 months ago
szymon_5776Known Participant

Ability to LOCK workspaceOpen for Voting

I don’t think I’m the only one who has dragged a window (sequence/effects/etc) by mistake.I also don’t am the only one who feels like it is such a pain in the backside to drag the correct window to the correct original position. I feel like this user experience (dragging windows) could be made much smoother. Anyhow, it makes sense to add a “lock workspace” option to precent windows being dragged out my mistake.

1
R Neil Haugen
Forum|Forum|6 months ago
shibashiva
shibashivaParticipant

Allow for the ability to have a clean workspace in text to image with no prior generationsOpen for Voting

新しい画像生成の際に前の履歴の続きから始まるようになってしまったので、使いにくい。前の履歴は引き続き履歴から再開できるので、新規作成の際はまっさらなルームを用意してほしい。毎回クリアして新しい生成物を作るのは面倒。[Adobe Fireflyへ移動しました：モデレーター]

1
Ten A
Forum|Forum|6 months ago
Roland Kahlenberg
Roland KahlenbergLegend

Intelligent Layer Markers - lockedToLayer and lockedToTimeOpen for Voting

By default, Layer Markers are locked to layer - it will be good to have options for -  - lockedToLayer - and lockedToTime This will be great for music/VO spotting. And there should be a visual difference in the Timeline - perhaps something similar to the small strip at the start/end of a layer stem that demarcates its true start/end.  

0
Roland Kahlenberg
Forum|Forum|6 months ago
Roland Kahlenberg
Roland KahlenbergLegend

Transparency control for Layer/Comp MarkersOpen for Voting

Layer & Comp Markers provide critical Timeline navigation instruments but they can clutter the timeline and even worse, inadvertently cover/hide layer in-outpoints or Work Area start/end points. Being able to control the transparency of the Container/Icon and the comment separately will be really good while also giving the app a modern look. Their settings can be placed in the Labels Prefs Dialog with 20% being the lowest, allowed selection to prevent ‘accidents’. 

0
Roland Kahlenberg
Forum|Forum|6 months ago
BrianDavison
BrianDavisonKnown Participant

UXP: Access to read/write status in productionsOpen for Voting

I know that UXP is a work in progress and the team is working hard at porting over all functionality from Extendscript. I’m just humbly submitting my vote for getting access to reading and changing the read/write status (formerly setLocked and getLocked in extendscript) of Production projects.  Thanks!

1
BrianDavison
Forum|Forum|6 months ago
FeedbackCommunityMemberInspiring

P: CMYK soft proofing neededOpen for Voting

Following a discussion on the LR4 beta forum: Converting to CMYK and soft proofing in CMYK are two completely different things, so at least we need a CMYK softproofing. During the last years I ran into a lot of problems due to modern LED lightning on the scene, it is able to produce colors (especially in the blues) far away out of the CMYK color space. Converting pictures to CMYK later after my initial processing can change a picture dramatically, a bit similar to a conversion to b/w. So even if you have to deliver your material in RGB and someone else is doing a professional conversion later, you should be able to predict what can happen to your material! So if you deliver material that will be converted – earlier or later – to CMYK: You need at least a simple soft proof. Otherwise it can happen that you deliver material that simply can’t be published.

58
Forum|Forum|6 months ago
simfreak
simfreakInspiring

Material Picker Toggle/Shortcut from Brush to PickerOpen for Voting

I would like to be able to just hit a key to toggle my brush to material picker quickly, as when painting Normals and AO it is tedious to keep switching between the picker and the brush from the toolbar, especially on these gradient sensitive maps.  This feature would improve workflow incredibly when adjusting these items.  Photoshop, Illustrator etc all do this very quickly, but I was surprised that Substance does not.

1
Cyril Dellenbach
Forum|Forum|6 months ago
Jaydude-wbInspiring

Add round corners to Polystar ShapeOpen for Voting

For Rectangles, we can define corner roundness, but, unfortunately for Polystars, this is not available. The Polystar features ‘Roundness’ which is nice, but something else. (add that to Rectangle!)

1
sskaz
Forum|Forum|6 months ago
coen boumanKnown Participant

add proportional scrubbing and offset for shape groupsOpen for Voting

Proportional scrubbing and offset don’t work for properties and keys inside shape groups. Which is a shame. I use shapegroups if I don’t want to clutter my timeline or when I want to use one compound shape layer as a matte. Often these contain animated properties that would benefit mucho from the new proportional offset and scrubbing behavior. I guess this could benefit you too!

0
Forum|Forum|6 months ago
Phat_Cat_6t6
Phat_Cat_6t6Participant

I would like to see a search feature in the Firefly Gallery. It would make finding images and styles much easier than just browsing and hoping to come across something similar to what you'd like to create.Open for Voting

Here’s an example:I want to see images that other users have created of line drawings for tattoo designs so that I can use the same settings and prompts that they used to create my own version with different subject matter so that I can hand my artist a line drawing and have him use his own creativity to color it.With no search feature in the gallery, I am forced to endlessly scroll through user created images hoping to find something that comes close to what I was thinking.A gallery search based on keywords used in the creator’s prompt would help tremendously!! Thank you for your consideration.

1
Hajar Toutsi
Forum|Forum|6 months ago
Luis Azcona
Luis AzconaInspiring

"Total Usage" Would Be Nice as a Metadata Display (Sum of Video Usage and Audio Usage)Open for Voting

This will easily AND SAFELY enable us to delete files from Disk using Premiere. 

6
Forum|Forum|6 months ago
bellPostInspiring

Ability to change BIN color vs. the label color.Open for Voting

Currently all BINS are grey, but it would be super helpful if we could change the BIN color to anything we want. The “Label” color doesn’t do much for the BINS themselves. Yes, its that color what you put in the BIN, but for example, if my footage BIN for A-CAM was blue, my eye is drawn to that faster than the grey color and searching for that BIN. You could then lose the label color, as anything in that BIN would be that BIN color.

2
MyerPj
Forum|Forum|6 months ago
Ftopi
FtopiParticipant

Improvements to Splitting and Text Import in Transcript and Caption WorkflowsOpen for Voting

1. Line breaks are ignored when importing text files [Issue] When importing a custom script (.txt file), the line breaks in the text data are completely ignored, forcing users to manually split segments all over again. [Request] Please add an option to "Split segments based on text file line breaks" when importing text files.2. Manual splits in the "Transcript" panel are reset when creating captions [Issue] Even if we manually and cleanly split segments using "Split Segment" in the Transcript panel to match the context of the speech, clicking "Create Captions" completely ignores these manual splits. The software recalculates the splits based solely on maximum character length and duration settings, ruining the adjustments made. [Request] Please add an option in the "Create Captions" preferences to "Preserve current segment splits from the Transcript panel."3. The behavior of the "Split" function in the Captions panel [Issue] When splitting a caption in the Captions panel or on the timeline, the text is not actually split at the cursor's position. Instead, the entire original text is simply duplicated into both the first and second blocks. This forces the user into an incredibly inefficient process of manually deleting the excess text from both blocks every time they split a clip. [Request] Please change the behavior so that when a caption is split, the text data is actually divided at the specified cursor position, rather than duplicated.Improving these specifications would dramatically increase the efficiency of captioning workflows and further enhance the usability of Premiere Pro. Thank you very much for considering these updates for future releases.

1
Stan Jones
Forum|Forum|6 months ago
thxapproved2
thxapproved2Inspiring

Rolling titles that are easy to editOpen for Voting

I would like to request a feature in Adobe Premiere for a rolling title tool that works well with large amounts of text. I am trying to do credit rolls for TV programs. These credit rolls are a fraction the size of feature film credits, but still. When the paragraph box becomes quite long, the UI becomes so sluggish, that if I wish to highlight a word to edit, delete, etc., it takes up to 5-seconds to just select. Then, when trying to type, the response from keyboard press to actual character appearing on-screen is so slow, it makes it very difficult to type. So, in a nutshell, the longer the text box, the slower the UI becomes.This is on a PC with 64GB of RAM i9-13900K, RTX 4090. I think it’s not the machine or config.Not to bring up the past, but the old “Title Tool” used to have no problems with this.This has been a working problem for me for years.A look at improvement on the Essential Graphics Tool would be greatly appreciated. For example there is still a need for a text crawl (which became unavailable once the title tool was deprecated). Many Thanks!

0
thxapproved2
Forum|Forum|6 months ago
hellopaul4
hellopaul4Inspiring

Redesign the Creative Cloud app so it's not a badly designed, hideous mess that just gets worse.Open for Voting

I was delighted to see, when I launched the CC app, that it asked me for feedback on the ‘Home’ page. I gave feedback, and explained how it’s just dreadful, and needs a serious redesign. We do not want to be bombarded with adverts, AI crap, suggestions, etc.99% of the time, I want to check for app updates, and then probably install those updates. That’s it. I can do EVERYTHING else from within the apps. Please, Adobe, make the CC app what is was maybe a year or two ago - a simple interface to manage apps, and not much else. We pay a lot of money for this, and I do not expect to be advertised and shouted at by this hideous mess of a monstrosity. PLEASE take on board some input from designers (who are, may I remind you, the vast majority of your market) and tell the marketing morons to go away and stay away, and stop throwing ugly adverts and suggestions at this poor app. Or preferably fire all the Adobe marketing morons whose sole job is to make the whole Adobe experience much, much worse than it needs to be.

2
leo.r
Forum|Forum|6 months ago
Community Expert
Rick GerardCommunity Expert

The new forum is missing all posts between now and the end of November.Open for Voting

I’m not very impressed with the new format. Precise dates are missing from older posts, many of my replies, and conversations are not visible. I don’t care for the partial image preview when you share images or screenshots.The create a post system requires way too many steps to create a thread, and the Category section requires a bunch of scrolling when creating a new post, and the options are not in alphabetical order. More clicks, more scrolling, and it’s not as easy to find threads you were working on. Still needs more work. I know this post is not about After Effects, but I can't find a category for the forum… There used to be one.

3
Forum|Forum|6 months ago
anilthomastkd
anilthomastkdParticipant

P: (Masking) Like to reuse my LR masks in intersection or subtractOpen for Voting

I would like too see the mask marked in red (my mask) in the list marked in blue (options) in attached screen shot. Better if LR can automatically (using AI like body parts in portrait pictures) create some luminance and color masks too.

5
cappyd
Forum|Forum|6 months ago
JamezFilmzKnown Participant

Open A Bin With A Keyboard ShortcutOpen for Voting

Currently, to open a bin, users need to double-click with the mouse, which can be time-consuming, especially when working on large projects with multiple bins.I propose the addition of a keyboard shortcut that allows users to open a bin in place, similar to how pressing the Enter key in File Explorer navigates inside a selected folder. This feature would streamline the workflow by providing a quick and easy way to access the contents of a bin without the need for repetitive mouse clicks.Implementing this enhancement would not only improve the user experience but also streamline the workflow for editors working on projects of with may bins. It would make navigating project bins more intuitive and efficient, ultimately enhancing productivity and user satisfaction.Thank you for considering this feature request. I believe it would make Adobe Premiere Pro a more user-friendly and efficient tool for video editors.

6
ingrid_heidemann
Forum|Forum|6 months ago
real_5081Known Participant

Overhaul captioning workflowOpen for Voting

Captioning in Premiere is incredibly slow, cumbersome, buggy l, unintuitive and frankly just lagging behind all other apps.  I tested an NLE a random Redditor vibe coded and it did captioning better than Premiere. It's also insane that a slight change in captionih requires completely re rendering the timeline. It's just a mess and it needs to be better. 

1
Stan Jones
Forum|Forum|6 months ago
Andrew C. BrinsmeadInspiring

Feature Request: Toggle off source clip data window in timelineOpen for Voting

It would be great if we could toggle off (and on) the grey window that shows source clip data in the timeline when the cursor hovers over a clip - it's un-necessary for me and gets in the way of editing when I'm using waveforms to identify the start & finish of words (which is incrediby frustrating!).   

8
luis_3704
Forum|Forum|6 months ago
wernerk77875159Participant

Kann Firefly "Text zu Sprache" IPA verwenden und falls nicht, ist es geplant, dieses Möglichkeiten zeitnah zu implementieren?Open for Voting

Ich erstelle einen digitalen Reisebericht über die Bretagne. Dabei sollen Videos vertont werden. Jetzt habe ich das Problem, dass französische Namen nicht korrekt ausgesprochen werden. Eine Möglichkeit wäre, wenn Firefly “Sprache zu Text” die internationale Lautschrift “IPA” unterstützen würde. Tut sie scheinbar nicht. Habe ich da eine Möglichkeit von Firefly übersehen oder kann es das tatsächlich nicht? Wenn es nicht möglich ist, wäre interessant zu erfahren, ob es in naher Zukunft implementiert wird.

2
Forum|Forum|6 months ago
Jason_92
Jason_92Participant

Multiple usage requests in the China region！Open for Voting

I am an editor based in China who primarily works on the final cut of films and TV series. I have been using Premiere Productions for many years and am very fond of it. However, Adobe faces many challenges in China. I would like to voice a common concern shared by most editors in our country and hope you can help us resolve it. We can’t even find a single place in China where we can buy genuine Adobe software; we have to go all the way to Hong Kong to purchase it. I find it unbelievable how Adobe has neglected us. In China, we are unable to access many Adobe features, such as Adobe Firefly and Frame.io. We hope you can help us gain access to these powerful tools. We hope you will introduce more practical features specifically tailored for film and TV productions. In many countries and regions, the editing software ecosystem is being dominated by DaVinci Resolve, as Resolve holds the final say over the output process. However, I still believe that Premiere’s editing capabilities and ecosystem surpass those of Resolve; yet, Premiere needs more ways to integrate with Resolve. We often face challenges when handing off projects to colorists after final cuts, as collaboration is hindered by differences in the algorithms and logic between the two software programs. We hope there will be a way to quickly import Premiere projects into Resolve for professional color grading. If the difficulty of transferring between the two software programs could be reduced, it would encourage many film and TV editors to return to Premiere. We hope you can hear our heartfelt message. Thank you very much.

1
QCHOG
Forum|Forum|6 months ago
CS-CCKnown Participant

P: Client Review OptionsOpen for Voting

Can we please get a client review system from Lightroom Classic or Lightroom Web for shared albums that allow the client to see, view, and sort their hearts and others hearts.  They need the ability to turn on and off all the other photos that have not been rated by them or others as well.    It’s impossible to use Lightroom and I need to switch from using the application and platform because there is no easy way to share an album that allows a client control over the review process.The client currently does not have the ability to sort images by my ratings, flags, or color labels.   They can’t see flags, color labels, or ratings no matter the access level given.  They can’t sort by their own hearts or comments.  They can’t see others hearts or comments.   The whole ecosystem only allows one person to do anything and no way to have a client satisfied with their control to review the images in a shared album.  This current ecosystem makes Lightroom non-professional and not fitting for a professional workflow.Please fix this like Capture One or other systems.   Thank you!

1
Forum|Forum|6 months ago
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