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sto guardiamo i video tutorial in inglese ,quando cambio i sottotitoli in italiano non appaiono
When I open a RAW file in Camera Raw, I proceed directly to develop the photograph. In my workflow I immediately create a duplicate of the layer to work on, thereby preserving the original. It would be useful if the preferences offered an option — a checkbox — to automatically create that duplicate of the original when exiting Camera Raw.
When you do Layer > New > Null Object it comes into your comp as Transparent. But when you open a new comp and want to use the same null dragging it in from the SOLIDS folder, it’s now opaque. I can’t imagine anyone using a 100x100 Null Object as an actual solid. Can you make it so that all Null objects always stay transparent (even in the solids folder) as if you created a new one? 🙏
I edit real estate photos and replace ugly grey New Zealand skies all the time. I have a library of about 500 skies that I’ve uploaded to Adobe. When I hit F7 the default is always the top sky in my box. I scroll down till I find a suitable one (e.g. sky 365). But when it’s not looking good and I want to choose another sky, I don’t want to scroll from the top sky again, rather carry on from sky 365. This is wasting a lot of time. Simply changing the colour around the last sky selected from blue to something bright, like red, will go a long way.
Ability to purchase an (additional) ‘block’ of AI Credits without having to upgrade your plan.Normally I find my current plan gives me enough AI credits for my needs. However very occasionally I have a project that requires a few more than my normal monthy ‘allowance’ under my plan.It would be really useful to be able to buy a block of additional credits that could be added as required.
カラーモードでゾーンを使用して色調補正を行なうときに、その閾値はサンプルハイライトやサンプルシャドウで行なうのだとおもいますが、それとは別に、モジュールを使えないでしょうか。ゾーンを選択すると、コントラストは使用できなくなり、露光量では黒レベル(マウス左右)が使えません。露光量調整の際に、上下で露光量、左右で閾値の変更ができると、より便利になるのではないかと考えました。
Feature Request: Dedicated Processing Queue for Image processing and Background TasksIdea/SummaryIntroduce a dedicated, interactive Processing Queue panel in Lightroom that allows photographers to manually queue images for various purposesResource-intensive operations —such as AI Denoise, Lens Blur, AI Masking, Upscaling (Super Resolution), and background exports—and manage them in priority order using context menus and dedicated keyboard shortcuts. When there are 100’s/1000’s of images and I would like to process in a queue - would like this process. This can be manual editing or Resource intensive operations, or a mix of both.The ProblemApplying heavy AI operations (like AI Denoise) or triggering large exports forces immediate processing or utilizes a rigid, automated background sequence. This frequently bogs down system performance, causing lag in the Develop module when trying to move to the next image. There is no way to quickly "save heavy processing for later" or pause/reorder the tasks without completely canceling them, breaking a fluid editing rhythm. Proposed Solution / Workflow Context Menu & Keyboard Shortcut Integration: Add an "Add to Processing Queue" option to the right-click context menu in the Library Grid, Filmstrip, and Develop modules. The Shortcut: Assign a dedicated, customizable keyboard shortcut (e.g., Ctrl + Q / Cmd + Q, or a user-defined combination) to instantly push the selected image(s) and their pending heavy adjustments into the queue without ever lifting hands from the keyboard. Dedicated Queue Panel: Introduce a collapsible "Processing Queue" panel (similar to an export or download manager) that displays all pending tasks. Priority Management: Within this panel, users should be able to: Drag and drop items to reorder and change processing priority. Pause, resume, or cancel individual tasks or the entire queue. Trigger Control: Allow users to either let the queue run silently in the background with limited resource allocation, or hit a "Start Queue" button to process everything in bulk when walking away from the workstation. Why This Benefits Photographers Interrupted Workflow Prevention: Photographers can maintain a fast, fluid editing rhythm. By hitting a quick keyboard shortcut or right-clicking, they can flag a heavy task and immediately move to culling or basic adjustments on the next image without waiting for the machine to catch up. Resource Optimization: It gives professionals complete control over when their hardware is pushed to its limits, preventing system thermal throttling or lag during critical, high-speed editing sessions. This is different from a target collection which is just a bucket for sorting images; this proposed feature is a traffic controller for computer horsepower and as number of images to process goes higher, works better.
Hello!I would like to work with OpenType in After Effects.I have to import the character I want from Illustrator (and then create a shape for that character), and I don´t want that. I want to be able to work natively in AE. Could you make that?Thanks
I would like to request that we add to the export options. Currently I have been using "Export to: Same folder as original photo" and then moving the sub-folder it creates in Library View, but it would be great to just have the following option: "Export to: Parent folder of original photo" Here's my use-case... My photography drive structure looks like this: Working Drive Pictures Clients YYYY-MM-DD-ShootName RAW Edited-JPEGs High-Resolution Low-Resolution Rejects When I am editing a shoot, I begin with the RAW files. After culling, I move over all 0-star images to Rejects folder. Next, I perform all basic edits in Lightroom and I then export full-resolution full-quality JPEGs to a folder named Edited-JPEGs which currently goes under the RAW folder, then I manually move it to the parent folder in Library view. Then I do any retouching to the Edited-JPEGs in Photoshop. Once I've completed any retouching I then go back into Lightroom and export High-Resolution (smaller than full-resolution) and Low-Resolution files for my clients, which I deliver via digital download. I would love to not have to bounce back and forth into Library mode moving folders around, it's extra unnecessary steps for me. I also do not want to manually select folders on each export, it's tedious and prone to errors with my ADHD brain. Exporting to the parent folder with an option in the drop-down would allow me to export with fewer clicks to the desired location and would make me super happy!
I think, will be great to add ready aspect ratio in Premiere as an effects, like Avid MC does. Sometimes I need 16:9 or differect aspect ratio and yes, I can use adjustment layer and crop effect or download png file from Internet, But will be cool to have Astect Ratio as an effect and then choose in effect control what kid of ratio do you want in list menu
Disable the zoom feature via Magic Mouse scroll only in the “Settings” and “Program” windows, because accidental zooming is very annoying.Bonus Request: Social Captions. Dynamic captions for social media in the style of Instagram’s features, where the spoken word appears in a colored box. This would be a huge help for those who edit content for social media.I’m eagerly awaiting thistnx!
When I work in a competitor product like Descript, I can highlight or make notes in the transcript so that when I’m working on a long project (say, a podcast with 100 middle schoolers), I can run through the transcript and make a plan that’s easy to see/change. Even with more normal projects with just two speakers, being able to highlight is a necessary feature for me.
While working on a document, you can use the scroll wheel on the mouse along with the control key to zoom in and out on a document. This is a very useful feature. Unfortunately, if any editing window is open (ie. font, shape, text box, etc.) and you go to use this function, the site defaults to zooming in and out of the browser. This is annoying and decreases the efficiency of the workflow. It is not common practice to make sure a menu isn’t open before trying to zoom in or out.
Pathfinder tool to allow the creation of custom shapes and graphics.
el uso de impresiones sobre shirts con DTF. en grandes dimensiones lo hace muy pesado , por lo tanto el uso del efecto semitono se hace necesario tenerlo en un solo lugar de diseño
Les 2 dernières propositions sous forme d’image snt très floues et incomplètes
Hello Adobe Bridge team,I would like to report a possible regression in filename sorting for Chinese folder/file names.In the current version of Adobe Bridge, when I sort folders by Name, Chinese names do not appear to be sorted by pinyin or by the expected locale-aware order. Instead, the order seems closer to Unicode/code point order.For example, these folders are displayed in this order:皮衣睡衣破布童装However, if sorted by pinyin, I would expect an order closer to:皮衣破布睡衣童装This issue makes it too difficult to browse and manage Chinese-named folders efficiently.I remember older versions of Bridge handling Chinese filename sorting differently, so this may be a regression or a change in locale-aware collation behavior.Windows version: Windows 10Adobe Bridge version: 16.0.3.21System language/region: Chinese / Japanese / EngilishSorting mode: Sort by NameCould you please check whether Adobe Bridge is currently using proper locale-aware sorting for Chinese filenames?Thank you.
I wish to uninstall Adobe. Lone and behold i cannot remove this predatorial program cause i need to perform multiple updates to do so. Imagine if i didnt have internet… Thanks Adobe engineers. Claude really cooked that one up
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