used to use HDR editing and one day about 2 weeks ago it stopped working and says it's not compatible with my Pixel 10 Pro XL. I've tried all the troubleshooting steps.
Could Adobe Lightroom Classic incorporate a feature that automates window masking in real estate photo editing, facilitating 'window pulls' without the need for manual brushing? Love the products! greets!
So we now have large buttons on the options toolbar to select ‘AI assisted’ or ‘Pro Editing’ not sure if that’s a good idea or not, but what is defiantly NOT a great idea is that the Cross and Check Mark on the toolbar have been ditched - yes I know we can always use ESC and ENTER, but when you’re editing, especially with a stylus, Its a real pain to have to put the stylus/mouse down or reach across the keyboard with your other hand. It was far more convenient just to click on the Cross or Check mark
facilitare l'acquisto di nuovi crediti aggiuntivi perché non si trova sul sito dove sia possibile farlo. L'ideale sarebbe poter acquistare pacchetti di crediti una tantum e non in abbonamentonon si capisce dove è possibile acquistare nuovi crediti: sul sito non c’è nulla che lo indichi
I would like a feature that makes photo and video editing easier and more powerful. Users should be able to upload a photo or video and simply describe the changes they want, such as changing the background, removing unwanted people, improving photo quality, changing clothing, or placing the person in a new location.The feature should preserve the person’s face, body, clothing details, and overall appearance so the edited result still looks natural and recognizable. It would also be helpful to have several background options, previews before applying changes, and the ability to make additional edits without starting over.For example, I could upload a photo and say: “Remove the background and put me inside a luxury salon,” and the feature would automatically create a realistic result while keeping me looking like myself.
Currently, Adobe Lightroom on the web offers direct integrations such as "Send to Google Photos," yet it lacks native support for exporting files to Google Drive. For photographers and teams who rely on Google Drive or Google Workspace for client delivery and centralized cloud storage, users must first download rendered images to their local disk and subsequently upload them manually. This redundant multi-step process creates unnecessary friction, clutters local storage with duplicate files, and disrupts an otherwise seamless browser-based workflow.Also, let us select the JXL (JPEG-XL) format, lossless, when exporting to Google Drive.
Please add support for exporting and downloading images in the JPEG XL (.jxl) format directly from Lightroom for Web (lightroom.adobe.com).Current Limitations At present, the web interface only offers standard JPEG options for downloaded items. While Lightroom desktop and mobile have introduced broader modern format support, the web ecosystem remains constrained to legacy formats, limiting modern delivery workflows when accessing collections remotely.Key Benefits HDR and Wide Color Gamut Preservation: JPEG XL provides superior handling of high dynamic range (HDR) photography and wider color spaces without requiring lossy conversion or banding artifacts. Efficient File Sizes: JXL achieves significantly smaller file sizes than standard JPEG at equivalent or superior visual fidelity, saving bandwidth and cloud storage overhead. Workflow Consistency: Bringing JXL export options to Lightroom Online creates parity across the cloud ecosystem, allowing seamless handoffs regardless of whether the user edits on desktop, mobile, or browser.
il me reste 1010 crédits sur mon compte et je ne peux plus générer de la vidéo. Le logiciel réclame plus de crédit s????
The ease of identifying tracks in the timeline is very important. In the current situation, instead of the boundary line, I create a thin track. I also divide the tracks according to the type of telop. I think it would be very manageable if you could color the tracks. Furthermore, when using many tracks, it is difficult to understand mute and solo with "switch only". I'd like to have a net mark like when the track is locked, or a visual cue for the entire track once it changes color. タイムラインのトラックに、ラベルカラー機能がほしい(任意のトラックに色をつけたい) ・タイムラインのトラックの識別のしやすさはとても重要。 ・現状では、わざわざ境界線の代わりに、細いトラックを作成したり、テロップの種類別にトラックを分けたりもする。 ・トラックに色がつけられるとても管理しやすくなると思う。 ・さらに、トラックを多く使用する時、ミュートやソロが「スイッチだけ」では分かりにくくて困る。 ・トラックをロックした時のように網の印をつけたり、色が変わってほしい。 ・トラック全体に対してトラック全体にビジュアル的な目印をつけてほしい。
With Photoshop or Lightroom, removing unwanted objects in your frame is a breeze nowadays. I’m suggesting a similar feature for After Effects. Thank you, Rebecca, for taking notes for this idea at IBC26.I imagine it working like this:The first step is to create a mask, either manually or with the same engine as the new object mask tool in Premiere. Then, within a new floating window (as in Photoshop), you can either click to remove the object or describe a prompt for what to add. Also, there should be an option for a reference image (with an eyedropper to quickly grab a frame from the project). Maybe you can also reference a composition. There also should be an option to choose the right video model. Maybe also a button to expand/shrink the mask when the selection is very tight. This would avoid hard edges between an object to remove and the background, and the AI would give more room to work with. Removing object:When removing objects, the AI should take temporal information into account. For example, you have a shot of a person in front of a building, but a car is driving through the background, and you want to remove it. There are enough “good” frames of the house the AI can reference when trying to remove the car.Also there should be the option for a prompt:Maybe you have a person and want to give it a hat. You mask around the head and the room above and type your prompt. In this spot the AI will create footage of a hat there.And the last idea is referencing a comp:Example: You mask around a part of the shirt of the person in the frame. You prompt, “Add the logo there," and reference a comp with a logo (maybe even animated). The comp has to have at least the same length as the main clip. Then the AI adds the content of the comp to the desired spot but also takes into account lighting, position, stretching, deformation, etc. It also takes the first frame of the comp as the first reference frame and so on. This means if you have a logo where it cycles through colors or the shape changes, the AI adds the logo to the shirt, and the color or the shape matches what you set up in the comp. I can imagine this would be an easy method for changing the content of phone or TV screens.I hope the community agrees on these ideas and Adobe will listen. Especially the object removal would make the life of many editors easier. Also there is a similar idea in the premiere community but I think this is better suited for after effects:
hayatımda ilk kez aldığım bir üründen bu kadar pişman oldum hiç bir işe yaramıyor hiç bir şe yapamıyorum, bedava üyelik alıp modelleri kendi yerinden kullansam da olurmuş. Niye para verdik ki buna.
Ensuring that each of my images has an accurate location is an important part of my workflow. I can page through a set one image at at a time but I would LOVE to be able to use filters for this. I can pull down Filter | Locations and it will show me a list of all locations in the current album, but none of them is “is blank”. This ability, to search for empty values, would be very much welcome (and has always been possible in Apple Photos!)Empty location is just one example - if this feature gets built, I hope the logic applies equally to all filters - I want to be able to quickly find images with missing titles, or with no keywords, etc.
Add a voice cloning feature to the Text to Speech tool that allows users to upload a voice sample and generate speech using that same voice. This would make it much easier to create consistent voiceovers while preserving the original voice's tone, pronunciation, and speaking style. The feature could include consent and verification options to prevent misuse.
I’d like to be able to treat artboards as a group for moving, printing and other operations. The option to enable bleed for individual artboards
In Adobe Bridge CC, the Output/Contact Sheet PDF feature now truncates long filenames from the middle (e.g. Schinia...CNCLEP00001.jpg) instead of displaying the beginning of the filename and clipping only the end (e.g. Schinia jaegeri_CN....jpg) which is was what was done in previous versions of Bridge.For my scientific imaging workflow, the beginning of the filename contains the important specimen identification information, so this change makes the contact sheets significantly less useful. I routinely create 5 × 8 contact sheets with filenames beneath each image, and the previous behavior worked well for this purpose.Please restore the previous behavior or provide a setting allowing users to choose how long filenames are truncated. Ideally, users should be able to display the beginning of the filename, wrap the filename, or reduce the font size rather than having the middle automatically replaced with an ellipsis.This change is significant enough that I am reverting to Bridge CS6 in the meantime. Anyone know a workaround?
Hi,I often automate Render Queue setup and ran into a limitation: scripts and C++ plug-ins cannot set the Output Color Space found under Output Module Settings > Color.This would be especially useful when the same composition has multiple Output Modules. Each module may need a different output color space, while After Effects can use the same rendered frames for all of them. Right now the only practical options are editing every module manually or maintaining separate Output Module templates, which becomes difficult to manage and can also affect unrelated format and codec settings.Could you please expose read and write access to these color settings for each Output Module through ExtendScript and the C++ SDK? It would be useful to control Output Color Space, Preserve RGB, Embed Color Profile, and the OCIO display/view when applicable.This would make color-managed render automation much simpler and help prevent exports in the wrong color space.Thanks!
For video recordings, add an option where the host and guests can add a custom background, blur their background, or select from a list of pre-created Adobe Podcast backgrounds.
Open a footage or multiple footages from Frame.io In Firelfy create a sequence or rough cut Export in XML to open in Adobe Premiere or Resolve on desktop.
Please add a Zoom-in functionality in the 'Review for Import' process Reasoning: When using the 'Review for Import' dialogue to import only selected photos all candidates for import are shown together in very small size with no option to zoom into the individual photos. The decision whether to import a given photo is, however, oftentimes driven by the details of the photo that cannot be seen properly without zooming into the photo. Thus, a zoom-in option is needed to allow a meaningful review to import.
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