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wirefusemediaParticipant

P: Ability to view original photo side-by-sideOpen for Voting

In Lightroom Classic we can press "Y" to view the original next to the edited one. I know I can press "\" to view the original but it only switches back and forth.It would be nice to have the ability like you can in classic to view the original side by side. Scenarios exist where you are unsure whether a specific edit improves the overall image or not, and more often I like to show my editing work to others and it's much easier to take a screenshot of the original next to the edited to send it off for either validation or feedback.

4
Forum|Forum|1 year ago
Kirk VoclainKnown Participant

Batch Rename **REQUEST** DigitsOpen for Voting

This is a small request but I used it every day and it has agrivated me for years.When doing a "Batch Rename" I use both Sequence Number and Sequence Letter. When I move from SN to SL the default is UPPERCASE. I prefer lowercase so I change it. Then I do my numbering. Next, I then change from SL to SN and I mostly use "2 Digit" but it defaults to 3 Digits. So I chnage it and then do my numbering. The day continues and I have to change back to SL and the default is back to uppercase and I have to change it. Then I move to SN and it's back to 3 Digits and I have to change it. I realize it's a little thing, but if you could make it just STAY on the last thing you choose this would save me UNTOLD house of clicking everyday. Once you choose lowercase it just stays there even when you switch too SN....and same with 2 Digits. Thank you for listening to my RANT. Kirk Voclain

1
Forum|Forum|1 year ago
defaultn4tel44bserwParticipant

P: Auto Upright live view in CameraOpen for Voting

I have two ideas for the Camera: 1. as an architect i always edit my picture with the upright tool. I would find it very useful, when there would be optional live upright correction while taking pictures  2. I have a shortcut for the lightroom camera at the lockscreen (iPhone) would be great if I would be possible to open the camera without having to unlock the phone first 

1
Forum|Forum|1 year ago
Jpd 5120Participant

Add Tamil languageOpen for Voting

Please add tamil language in all segments, Hindi is not a national language of India.

1
Forum|Forum|1 year ago
iDeareplayParticipant

Please consider adding the Color Mixer UI from LightroomOpen for Voting

“Please consider adding the Color Mixer UI from Lightroom (with color bubbles for HSL) to Adobe Camera Raw / Photoshop. It is far more intuitive and user-friendly.” Currently, the HSL/Color adjustment interface in Adobe Camera Raw and Photoshop is difficult to use compared to Lightroom’s Color Mixer.The colored circular buttons in Lightroom's Mixer tab are far more intuitive, especially for quickly identifying and adjusting color ranges. It also speeds up workflow for users who work with skin tones, landscapes, or product photos.Please consider unifying the UI experience across Adobe apps. Bringing Lightroom’s Color Mixer UI into Camera Raw/Photoshop would help beginner and professional users alike.Attached is a screenshot comparing both interfaces to illustrate the difference clearly."For many creators—especially photographers or hybrid editors—the bubble-based HSL sliders from Lightroom are far more intuitive than graph curves. It would be great if Adobe could bring this user-friendly color mixer to Premiere Pro or Camera Raw. This would significantly lower the learning curve without sacrificing color control."

0
Forum|Forum|1 year ago
matthew_dotcoKnown Participant

Timeline improvements - pin layers and type-in commandsOpen for Voting

In the modern world of apps like Figma etc, it would be good if After Effects could do a few 'smart' things in the timeline panel:1 - 'pin layers' in place - e.g. if I have some guide layers, it'd be good to pin these to the top of the stack. like lock and pin - just a timesaver.2 - built-in 'type commands' - i.e. the functionality of 'FX console' or Mo Bars feature when you can type 'fill' and a fill is added (and more)

0
Forum|Forum|1 year ago
Ritwik371758731chiParticipant

It takes a long time to generate thumbnails for each videoOpen for Voting

After importing a video into Premiere Pro, it takes a long time to generate thumbnails for each video, and the video needs to be on the screen to generate thumbnails for the video I want to generate. This is very annoying for me. I have to work with thousands of video clips, and it takes five to ten minutes to generate the thumbnails for each clip. What's even more annoying is that every time I close the project, I have to generate those thumbnails again when I reopen the project. Is there any way to automatically generate thumbnails and not have to generate those thumbnails repeatedly, even after closing the project? If not, I would like to request Adobe to provide a solution for this.

3
Forum|Forum|1 year ago
.jake.Inspiring

Highlighter for transcripts feature requestOpen for Voting

Ever since the transcription feature was introduced I use it heavily to edit projects, I have found that sharing transcripts with clients is helpful for them to highlight and select lines they want featured in timelines so it is obviously very useful. I think a feature addition that could enhance it would be to enable highlighting lines in the transcript similar to how adding markers to a timeline might work, flagging selections or areas needing corrections, etc... could offer use without requiring cuts in the timeline but could allow finding certain sections in the transcript quickly, even color coding speakers could be helpful. I would also love some frame.io integration for this where sharing the transcript and getting feedback might update with some type of indication in the premiere transcript. 

3
Forum|Forum|1 year ago
rmoore007Participant

organize and sort imagesOpen for Voting

add the ability to sort images to different job/client folders

1
Kartika Rawat
Forum|Forum|1 year ago
seanmcnally98
seanmcnally98Known Participant

More specific results in project panel/bin search using boolean operatorsOpen for Voting

I've just spent several hours on a project discerning footage between A-Roll and B-Roll, placing that into the "Comments" column in my project panel.  My intention was that once I was done, I could go into any of my many scene bins and type A-Roll into search, and find all the A-Roll for that scene.  Alas, this didn't work.  The way search currently works is that is matches ANY of the characters you put into the search bar.  So, typing in A-Roll will show you all of your A-Roll...but all of the B-Roll as well, because -Roll matches.  Yes, I'm aware you can make search bins that are a bit more specific, but those target the entire project, not a bin with a specific scene, like I need. This could easily be solved if the search bar used standard boolean operators that search engines like Google use.  That way, typing in "A-Roll" in quotes would only produce results that contain that full word, with those characters in that order.  It would be a nice addition if you could use operators like AND / OR, so perhaps you could do searches like "A-Roll" AND "Close-Up", showing you the close ups from your A-Roll, or something like "B-Roll" OR "A-Roll" AND "Long Shot", showing you all your long shots. This would be an extremely helpful feature, I hope it can be implemented!  Thanks. EDIT: Oh geez, I accidentally made this a discussion instead of a feature request.  Could an Admin move it?  I can't seem to find a way to delete.  Thanks.

3
DJP2014
Forum|Forum|1 year ago
yash-lucid
yash-lucidInspiring

How to replace audio after cuts have been edited?Open for Voting

EDIT: Feature request please upvote: https://community.adobe.com/t5/premiere-pro-ideas/precise-audio-replacement-without-resetting-edits/idi-p/15016141I have a 20 min video that has been edited with many cuts down to 1 min.I then have a new enhanced audio that comes in later, however it's the full 20 min and did not make it into the edit during the editing process. This is so that re-edits that can be made later to include new segments with enhanced audio ready to go. This workflow repeats due to various reasons - in this event, how can one replace the audio? I have tried:- Alt Dragging the 20min enhanced audio onto the edited audio cuts in the 1min, however they all start from 0, instead of aligning timecodes- Right click -- Synchronize, which is greyed out- Replace with clip - from bin - same result as Alt dragging. Other than previous workflow modifications, is there a solution for this circumstance? I'm not looking on ways to prevent this, I know them, I'm looking for ways around it

3
Forum|Forum|1 year ago
Paul Tansley
Paul TansleyKnown Participant

P: Ability to set the default value of the Denoise sliderOpen for Voting

Hi. I'm loving the new Denoise feature of LR. It really is superb and love the fact that it no longer creates a new file etc. However, the default setting of 50 denoise is a little bit over the top for my personal liking. I find it creates an image that looks overly softened. So I always go in and change it to 30 as my preferred setting. That's fine. Except that takes extra steps to achieve. It would be wonderful if in a future release the Default level could be set by the user. So for me, everytime I clicked the Denoise option it set to 30 as my default. Thank you

3
Forum|Forum|1 year ago
Jérôme38315681v2nrParticipating Frequently

Open Nested Sequences Inline in Timeline (Like Avid Media Composer)Open for Voting

Product: Adobe Premiere ProCategory: Timeline / Editing WorkflowDescription:In Avid Media Composer, when working with a collapsed group of video tracks (a nested sequence), it's possible to double-click and open it inline within the same timeline, make edits, and then collapse it again — all without switching to a separate sequence tab.In Premiere Pro, double-clicking a nested sequence opens it in a new timeline tab, which breaks the editing flow and makes quick adjustments more cumbersome.How this would help my workflow:As a video technician working in fast-paced environments, I often nest multiple layers for organization or effects. Being able to open and edit these nests directly in the main timeline would save time, reduce context switching, and make the editing experience more fluid — especially when working on complex sequences with multiple layers.Additionally, staying in the main timeline allows me to hear the full audio context of the edit, not just the audio contained within the nested sequence. This is crucial when syncing, mixing, or adjusting visuals to match audio cues that exist outside the nest.Request:Please consider adding the ability to expand and edit nested sequences inline in the main timeline, without opening a separate tab. This would be a major improvement for editors coming from Avid and for anyone working with layered compositions.

3
Forum|Forum|1 year ago
Stephen Marsh
Community Expert
Stephen MarshCommunity Expert

Release Notes from App Update WindowOpen for Voting

In the CC Desktop app, when going to Updates, there should be a link to the "whats new" release notes so that users can make a more informed decision on whether to update or not.   For example, if Photoshop has an update, over and above the internal link "View more...", it would be helpful to have a link to the full webpage:https://helpx.adobe.com/photoshop/using/whats-new.html

0
Stephen Marsh
Community Expert
Forum|Forum|1 year ago
hugos34245861Participant

Renommer automatiquementOpen for Voting

Bonjour,sur Premiere, il manque une feature dispo sur tous les autres logiciels de montage pro linéaire."Batch rename clips" sur Davinci ou encore le "Bulk Edit" sur Avid qui consiste simplement à pouvoir renommer, uniquement sur Premiere, les fichiers à partir de métadonnées que nous avons remplis.Ex : N° de scene et prises De plus lorsque nous faisons un multicam, ces infos disparaissent.C'est reellement chronophage pour une action que nous avons deja faite.Merci ! 

9
Forum|Forum|1 year ago
Kevin27098795k2vtParticipant

IMPORTANT (Middle-Mouse-PAN)Open for Voting

Hello, I'm a lifelong user of photoshop. But, one simple update I think would REALLY help bring in new users is if we had a (middle-mouse-pan) control option. Other software are much easier to use because of this. This is actually probably the primary reason I've heard people not use photoshop when coming from other software, and I think it's sad because I feel in 2024 we should be able to have this kinda of intuative control by now. Having middle-mouse-zoom, middle-mouse-pan, all in the right hand saves a lot of time, and is super easy to use for most people. I hope we can get this feature included in the future,Thank you for your time -  

3
Forum|Forum|1 year ago
Jérôme38315681v2nrParticipating Frequently

Expand Title Layers Inline in Timeline for Precise Timing ControlOpen for Voting

Product: Adobe Premiere ProCategory: Titles / Graphics / Timeline WorkflowDescription:In the current titling workflow in Premiere Pro (2025), titles created via the Properties panel can contain multiple layers (text, shapes, images). However, when placed in the timeline, the title appears as a single clip, and there is no way to visually manage the timing of individual layers directly within the timeline.How this would help my workflow:Being able to double-click a title clip in the timeline to expand it inline, revealing all its individual layers as separate tracks (similar to a nested sequence or multicam clip), would allow for precise control over layer timing, appearances, and transitions.This would be especially useful for:Animating the opacity or position of each layer with keyframes.Staggering the appearance of text elements or shapes.Syncing title elements with audio or visual cues in the main timeline.Currently, working in the Effect Controls panel is limiting and unintuitive for complex titles. Having a visual timeline for each layer — without needing to go to After Effects — would greatly improve efficiency and creative flexibility.Request:Please consider adding the ability to expand title clips inline in the timeline, showing each layer as a separate track with its own timing and keyframes. This would make Premiere Pro’s titling workflow more powerful and intuitive, especially for editors working on dynamic, multi-layered graphics.

1
Forum|Forum|1 year ago
karen5C5CParticipating Frequently

Feature Request: Automatically place nested sequences into user-specified binOpen for Voting

I wish that nested sequences could be designated to automatically go into a bin that I set in either preferences or project settings.  There is already a script that does this (Excaliber) so I know it can be done.  Would be so much better for keeping project panel neat and tidy. Thanks!

5
Forum|Forum|1 year ago
doghalf
doghalfParticipant

Final vertex of mask should NOT default to bezier handlesOpen for Voting

Please, please, please, please, please for the love of god change this. There is absolutely no earthly reason why the final click on the original vertex to complete a mask should convert that vertex from linear/corner to bezier handles. Please. I'm begging you, Adobe. Please change this. I literally can't take it any more. Never, ever, ever have I wanted that one last vertex to be bezier, when all other vertices along the way have defaulted to linear. Why on earth would that click have different behavior. And every single time, if I want to switch it from bezier to linear/corner, I am forced to ZOOM IN (WHY??????) to be able to make the option-click shortcut work, swapping from bezier to linear. If I fail to zoom in, my optoin-click will leave the bezier handles active but reset them to be directly on top of the vertex, another function that I cannot imagine anyone ever using or wanting. Just make it convert from linear to bezier and back, every time, no matter what, and if I want those handles reset to directly on top of the vertex I will simply option-click twice in a row.

2
R Neil Haugen
Forum|Forum|1 year ago
Phillip RohParticipant

P: Make "Alt Text" field searchableOpen for Voting

If I enter a term into the search field, I'd love to have the results include any matches with my photos' "Alt Text". 

0
Forum|Forum|1 year ago
superernestoParticipant

P: Better frequency tools to reduce the harsh "artificial look" from digital photosOpen for Voting

One of the biggest challenges when editing digital photos is reducing the artificial, overly crisp appearance that’s often associated with the “digital look.” While current frequency-based tools in ACR (texture, clarity and dehaze) are useful, they fall short when trying to soften this digital harshness. Pushing these sliders to the left often produces undesirable artifacts and side effects.   Main limitations with current tools (texture, clarity and dehaze): Color bleeding and smearing: Reducing clarity or dehaze tends to spread colors beyond their natural boundaries, causing them to mix with neighboring tones in an unnatural way. Unwanted darkening: If there is a large area without highlights, what area will become overly dark when reducing dehaze (adding haze). Usually this ends up darkening faces or other relevant parts of the photo. Dark halos and artifacts: When reducing clarity, a noticeable dark halo often appears around dark objects placed against midtone backgrounds, producing an unflattering overprocessed look (the opposite of our goal). Color temperature is massively affected by Dehaze tool.   The proposed idea would be to have a set of similar tools, but:   Brightness-only diffusion: Blur or soften only the brightness (luminance) channel, without affecting color saturation or hue (or maybe reducing saturation but never increasing it). This would avoid the "color smearing" and temperature shift seen in current tools. Plus: A slider to select how much of the color is diffused (apart of the brightness). Asymmetric diffusion direction: Allow brightness to spread from brighter to darker areas, but not the reverse. This is to prevent undesirable dark halos (clarity) and to avoid darkening already dark areas (dehaze). Ideally: Frequency-based curve control: Instead of fixed sliders for low, medium, and high frequency ranges (like texture, clarity, and dehaze), provide a customizable frequency-response curve, where: The horizontal axis represents spatial frequency (from low to high detail) The vertical axis controls how much diffusion is applied at each frequency   This would give users precise control over how softness is applied across the image, enabling more organic and subtle results, much like the way light behaves in analog film or lenses with natural falloff.   Why this matters: The digital image pipeline has become incredibly sharp and clean, but often too much so. There is growing demand among photographers, retouchers, and visual artists for tools that reintroduce softness and imperfection in a controlled and elegant way. This proposal would fill that gap.   Would love to hear if others also feel limited by the current softening tools, and if this approach resonates with your workflow.

0
Forum|Forum|1 year ago
hernánl1272851Participant

Feature Request: incorporating the "scale composition" script into the Composition Settings panelOpen for Voting

Hello powers that be! Maybe this is just a minor request, but since I use the "scale composition" script all the time (and it's been around since forever), it would be great to have that panel be a part of the (ctrl+k) "composition settings" window. A "scale composition" button could live there by the height and width values, and launch the script from there. Or be fully included in the "Advanced" tab.This approach can save a lot of clicks, compared to the current "run script" way. Thanks! [Moderator note: moved from discussions to ideas)

1
RobBarrett
Forum|Forum|1 year ago
derekwatson
Community Expert
derekwatsonCommunity Expert

Libraries OrganisationOpen for Voting

Can Libraries organisation be made simpler?Selecting individual items to move to another library takes so long especially as the popup window is so small.Merging Libraries would be so useful. Selection of multiple objects to say add multiple colours rather than. each one individually could save a lot of time. Single object option or multiple, as in Asset Export window is what I mean.

2
Jess Telmanik
Forum|Forum|1 year ago
MaaaritParticipant

disable automatic keyframe creation on audio effectsOpen for Voting

I would love to see an option in Premiere Pro to disable automatic keyframe creation when changing effect parameters in the Effect Controls panel during playback or timeline scrubbing (Audio Effects). Currently, Premiere automatically enables animation and sets keyframes without the user explicitly clicking the stopwatch.This can cause confusion or unwanted keyframes, especially in fast-paced workflows.Please consider adding a global preference like:"Only enable keyframe animation manually"This would give users full control and prevent unintended automation.

1
Ann Bens
Forum|Forum|1 year ago
ethan_4146Participant

image overlay with selecet toolOpen for Voting

lets you selecet a block or use lessco to pick a image to pick there

1
justlearnskills
Forum|Forum|1 year ago
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