Build better products with our product team
I would love a function to zoom in on the Source Monitor timeline to reflect only the part from in to out point.
When will Lightroom CC on IPad and IPhone show location data like the desktop version?
I cannot find the ability to find and replace words in captions/transcript. Having this facility would save a lot of time when correcting APP's mistakes or insistence on using a different version of a language, when creating captions. Will this feature be available for version 26? Many thanks
As the title suggests, this is a problem I've run into with premiere forever. To my knowledge there is no way to copy the key attributes (anchor point, position, size, etc) of a text graphic and paste those attributes to another text layer. I know styles exist but I don't believe they control where the anchor point goes either (Especially when upgrading captions to graphics).If someone does know how then please let me know. Otherwise this seems like a no brainer that should be in an update for essential graphics/captions.
I propose a quick button that flips your sequece from either horizontal to vertical or from vertical to horizontal. In sequence settings, there should be a button you can press on the Frame Size line that with one click -- swaps the frame sizes from vertical to horizontal. Perhaps if you click Horizontal the frame goes horizontal and if you click Vertical, the frame is then vertical. I know we have Auto Reframe, but for what I do, it's almost more work to fix the auto reframe than it is just to manually copy and paste my vertical attributes to the clips in my sequence in one go. And with everything I cut today, most of it ends up in the vertical space as well, so this is just a standard part of my workflow. Currently I just retype the frame sizes and move on (it works), but it just seems like such an easy fix to swap the numbers and the frame orientaiton in the Sequence Settings panel. Atttached is a mock up of the Horizontal selection. Just a thought.
클립을 마우스로 딱 찍었을 때, 인디케이터가 소니베가스 처럼 클립 마우스로 클릭한 곳에 인디케이터가 자동으로 따라오게 못하나요? 너무 불편하네요 ㅠㅠ When you click on a clip with your mouse.Like the Sony Vegas program.Can't the indicator follow in the clip location the mouse clicked?It's so uncomfortable
I use the colors for particular classifications as most probably do.... If images are marked yellow and green and they are not selected, the colors are are too close and easily confused. I understand the dulling of the colors when images are not selected is good, you don't want bright colors when you are scanning a grid or the filmstrip....but if you are looking for the yellow or the greens it is easy to get mixed up. Mix ups mean time lost, time lost means money lost. If the yellow and green are right next each other, it is plain enough but if either of those colors not near the other one, it easy to get mixed up.
I'm being asked to create captions both for animations/videos created in After Effects with little or no crossover with Premiere Pro or more elaborate captions than Premiere can handle on its own. I know some plug-ins exust but they're a very mixed bag with most really for Premiere Pro but with the ability to use MOGRTs created in AE. I'd love to simple be able to generate captions right in After Effects in a similar fashion as Premiere Pro so I can work with them directly in AE.
Display small color swatches next to the name of each color label in the context menu. It's not easy to remember the difference between Caribbean and Cerulean!
A function. the multyplies the subject of the reference image. in different angles.
I was wondering if in a near future it would be possible, once the transcription is generated by Premiere, to save it (as metadata?) and having it 'attached' to the file, so that when the file is imported into Premiere is already available?
I believe there was a bas relief filter under parametric filters in the past. I'd love to see this back again. Thank you.
If I edit my photos and create a curstom order (which I always do on wedding projects) and I have to denoise some of them - they are added at the end of my folder. This is very annoying since I need to move them back again to were they belong manually. This is very cumbersome on projects with 1000 or even more images. My suggestion: Why not put the newly added DNG files next to the original (which has the same name)? This would be so much more convenient. The same is true btw when you edit an image in an external editor (photoshop etc). In other threads it has been suggested to use the order by timestamp than >> but this is definitely not a solution! Since I intentionally move images around to tell a story.
Hola Señor Adobe, soy usuario de Premiere y me gustaría que agregues la funcion de rotar los videos antes de ingresarlos a la linea de tiempo asi no tengo que girar mi cabeza para poder previsualizarlos, se que una vez dentro de la linea de tiempo los puedo rotar... pero sería de gran ayuda que le agregues la función antes, asi agiliza el trabajo de selección del material. (usando transformar en el clip de origen quedan bordes negros alrededor del video haciendo más pequeña y por ende mas dificil de previsualizar rapido.) Lo ideal es que exista una funcion de rotar y que se previsualicen como si la cámara lo reconociera bien. Gracias por su tiempo y quedo a la espera de esta actualización.
En el monitor de origen cuando pongo reproducir y hago zoom el cursor se va de la pantalla.Seria ideal que avance el cursor con el video, no que quede atras y aparezca cuando pauso.
En los ajustes de las secuencias, si la secuencia es 1920x1080 y necesito hacer un reel (1080x1920) agreguen un icono que invierta lo valores, no me hagas escribirlo nuevamente 1080x1920 si ya estaban escritos.
Hey, Adobe! Make a filter for stray hairs removal.The retouchers have to do it manually (either with a Stamp or a Healing brush) which takes too much time. The only existing filter which can be used for this is the Dust & scratches.But it's hard to choose the values for removing the most contrasting hairs without blurring all the rest. Usually you can only make them less contrast which is not the result we need — it's blurry and has noticeable artifacts.So, we need a new time saving filter for that purpose.It should detect the most contrasting single hairs and replace them (like the Content aware fill) with the nearest darker color. The same as we do manually with a Clone Stamp in the Darken mode. This retouchers' routine needs to be done by a machine. Either on the basis of the Dust & scratches filter or smth completely new. Probably, the new filter will consider not only the micro contrast (brightness), but also the main direction of the hair to better detect those for removal.
Has anyone else taken a bunch of images they have applied the adapative colour profile to, and then used "match total exposures"? I find that when I do this totally messes up... now the adaptive profiles obviously do a lot of jiggery pokery behind the scenes and from what I can see try to get a vaguely evenly distributed histogram (which is great btw). So my guess is that one shouldn't really use match total exposures when using adaptive profiles, which I have no issue with, in which case should LR not pop up some sort of warning like it does if you click on the "auto" button when using the adapative profile? Maybe an idea for an improvement? Am using v14.3 of LrC
We need something that works like Final Cut Pros magnetic mask. A brush that will auto select and stick to its selection. Just like AE and Ps
Already have an account? Login
Enter your E-mail address. We'll send you an e-mail with instructions to reset your password.