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Please add lens profiles for tilt shift lens. Specifically I'd love to see one for a Canon TS-E 24mm f/3.5L II Tilt-Shift Lens. However, I'm sure a lot of other would love see a lens profile for varieties of tilt-shifts. Thanks
When I nest a clip with an alpha channel, the clip no longer has an alpha channel on my main sequence.
I'm writing to request editing multiple identical MOGRTs at once from the Properties panel. Why?There are many cases where I have multiple copies of a MOGRT in my sequence, and need to update colors, effects, fonts, etc. for all of them. Currently we have to do this one at a time for each MOGRT. When there are 3, 4, or dozens of copies of a single MOGRT this is extremely time consuming. How will the idea help your workflow? When I have multiple copies of a single MOGRT in my timeline, I would like to select all MOGRTs and edit their MOGRT properties (sliders, color controls, etc.) at once in Properties panel. Properties panel already recognizes "Multiple clips selected" and allows editing Transform & Crop at once. Please add the MOGRT properties. LimitationsIf the user selects multiple MOGRTs which are not the same, I understand not showing MOGRT props. But when they are all identical, we should be able to edit them all at once.
This has been a long-standing issue. Whenever I activate an Adobe font it does not appear in Premiere Pro right away. I have to click the option in the CC app to "Install Family" -- which is supposed to be just for non-Adobe apps yet it's the only way to get the font to appear without restarting Premiere. Activating an Adobe font should be instant. #premierepro #fonts #adobefonts
Hi, I think magnifying glass in guided lines should also be included in the mobile version of Lr. It would make it a lot easier to operate 🙂 Cheers
PHOTOSHOP DEVS: The Selection Brush tool is a great way to take a rough idea and generate derivative art by setting the opacity around 50%. The only problem is I will usually need to adjust the opacity up and down to get the generations that I like (this process either gives the AI more creative freedom or tells it to be more derivative). To do this I need to re-brush my selection each time. It would be great if there was a checkbox called "Dynamic Opacity". After I brush my selection I just can adjust the percentage in the input field and it will update the selection's opacity, allowing me to run another generation quickly.
I use Adobe Audition to record dialog for an animated web series that I create. For years I had difficulty getting clean recordings due to background sound. As many know, without an actual recording studio, it is difficult to have a completely quiet place to record. It never fails, when I would try to record, someone was running the vacuum, mowing the grass, banging pans, etc. Even the sound of a fan or air conditioner is bothersome. Well… I no longer have that problem. I bought a new laptop, with Windows 10. Surprisingly, I found that when I recorded audio, it will ONLY pickup voices. It will NOT pickup any other sound. I can literally clap my hands right into the microphone and it will NOT pick up the sound. I can bang my hand on the desk and make the loudest sound possible and it will NOT pick up the sound. It is amazing. I can run the air conditioner and it will NOT pickup the sound of it. As I noted, it will ONLY pickup voices. I tried to do some research on this. Apparently this same phenomenon was happening to some others with HP Laptop (Envy x360 and Windows 10). I read about online music teachers that could no longer record the sound of guitar or piano as it would ONLY record voice, not musical notes. For those people it was not helpful. However, for people recording mostly voices, it is a game changer! So to make a long story short… this recording phenomenon can be VERY BENEFICIAL to certain recording artists. As I noted, for me it has been awesome. Yes, there has been times when I wanted to record a weird sound such as a sigh, groan, a sneeze; and it doesn’t always record properly. For those sounds I use a different recording device. However, to record voice audio, it is amazing. Now to my problem. I cannot upgrade to any other version of Windows. This phenomenon only works with this particular computer, with these particular components, with this particular version of Windows. I upgraded to Windows 11 and lost this awesome feature which was VERY upsetting to me. I tried everything… many different computers and setups, but I could not get the “phenomenon” back. I finally resorted back to Windows 10 on my HP Laptop and got it back. I don’t think it is just a Windows 10 issue. I think it is a combination of Windows 10 with this particular HP Laptop (Sound Board??). I think if this feature / phenomenon could be recreated and infused as an option, it would be an awesome feature for many people making voice / dialog audio recordings. I know there settings such as noise reduction and clean up of audio after the fact or noise gates when recording. However, this particular “phenomenon” blows all that out of the water. My hope is that someone can figure out how it works and hopefully recreate it so that I can use it on other computers and with upgraded versions of Windows.
"The name of the selected Output Module is already in use" This message pops up when two Comps have the same Output Filename.Has nothing to do with the name of the Output Module - a confusing message. Please make the message more descriptive by supplying the involved Comp name - hard to find in a project with hundreds of Comps.
Large video (1G+) downloading is hard on mobile
Hi all, I would love it if there was a collage feature for Lightroom CC and mobile so just putting the suggestion out there. Thanks
When u are trying to find a Album with specific person's face it's very difficult to find. I have almost 50,000 pictures on my drive. Hundreds of people faces. If I want to find a specific face in that people gallery it's very difficult. Feature suggestions would be to add a link from the pictures itself. In details section of the photo it's shows the photos of the people. But doesn't take u to their album. If we can have that feature. Then finding a person would be a lot easier
Playhead Follows Selecion only changes the selected clip when playback is stopped. Which is a huge problem when doing color with a control panel. In Audio work, control panels typically change levels only during playback, and Premiere respects this. So even though the clip highlighted as 'selected is 3 clips back from the Playhead, turning our audio control will affect the clip being shown, NOT the clip showing "selected". We need the same thing for color work. So we can playback a sequence and do color trims "on the fly" without having to constantly stop playback to move the fricking 'selected' marking.
Adobe Express is a great, simple, lightweight tool with great features.Now, if only I could share my client-specific folders with specific clients, it would be amazing. Alas, we are forced to share one. file. at. a. time. Then, we need to approve them. One. file. at. a. time.Requesting FOLDER/LIBRARY sharing/collaboration for Adobe Express with other CC members!
when working on the line in the curves tool (1), any change in one area result in massive changes in other areas (2). The pencil option is ugly and inaccurate (3). Could we have a new option, in which a diagonal line, divided into sections which will protect other areas of the histogram from changes in one zone will be displayed automatically (4)? 1: 2: 3: 4:Making these points yourself for every image is tedious and moves the line a bit as you determine the points. THIS IS TRUE FOR CAMERA RAW TOO!
I'm still disappointed that Premier pro still didn't make the option to view all color graded frames in one screen like Davinci resolve has and it's called LIGHTbox... (color matching and video matching). Yes... I know I can create a comparison view, but that's not it... it's much nicer when everything is on one big screenI would ask the team from Adobe (Premier pro) to take this into account because it will be easier for us to do color matching.
I didn't know that the you still can't animate the focal lenght until I needed it today.
I know there's a way to use the Toggle the Track Targets function to hold a single clip of "select at clip playhead."However, it's a bit annoying to use that function in my way of workingIt would be nice if you could add the option of 'select at clip playhead' so that you can select the top clip of the video trackex) Top selection, selection track priority, etcIf there are quite a few tracks to use the Toggle the Track function each time, you must keep turning it on and off There are many clips on the track, so it's a hassle to do a lot of things to choose oneYou might think, "Shouldn't I set it up once and work on it?" But in my case, I have to work on two or three things at the same time in one project, so I have some restrictions
generative fill in Photography plan (20GB) Use only 100 times It's too little. / Why limit? When buying genuine Restrictions should be waived for Photoshop. / The number of generative fill should be increased from 100 to 1000. For those who use the genuine Photography plan (20GB) [Reference to illegal activity removed by moderator. Extraneous Topics unmarked.]
hi guys .. my name is dani, i have a beast of a PC with 28 cores to work with and Audition only knows to use one of them, two at best .. my suggestion is to work on multicore usage .. thank you ( btw i have a 150k subscribers youtube channel :D, i have somwhat of a voice) 😄 thank you ..
Photoshop Devs: I'm currently using an AI tool called Expression Editor [link removed by moderator] which is based off an open-source AI technology called Live Portrait. In my line of work facial expressions need to be nuanced. Eyebrows, corners of lips, teeth, pupil direction, hand direction, and many more subtle facial details are critical. Currently your Smart Portrait filter is not powerful enough to do all these thing so I use Expression Editor and bring the output back into my file. Please consider mimicing their features. Perhaps consider embellishing with other neck movements (e.g. crane, lean back). I like how they use sliders for all their attributes so the exact expression can be dialed in.
It would be great for AE to begin supporting normals relighting and STMap texture projection. Fortunately, Normality still works, but the STMapping can get a little jagged, and the AE lights it supports are limited. It seems to be well past the time for AE to support these things, especially as actual-3D workflows are increasingly a part of the program.
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