Build better products with our product team
It VERY helpful to have the shooting info (aperture, shutter speed, ISO, even focal length) availabe in the Edit module. Edits are often tied to settings, for example sharpeining decisions are often tied to ISO. it is also helpful when reviewing or comparing images.As it is available in LrClassic, it would be equally helpful to have it in Lr as well; i.e. stop dumbing down Lr as if it for rank amateurs!
Very happy to see Smart Albums in v8! Unfortunately, when I went to create one for 'keyword=foo or keyword=bar' I was disappointed to see that the only option is for criteria to be ANDed together - there is no OR option. Please allow us to create smart album criteria with all of the common logical operators (like we've been able to do in Apple Photos for a decade). Thanks!
Background rendering like Final Cut Pro would be nice. If you do nothing for a few seconds, it would be good if premiere calculates effects in the background automatically. It saves a lot of rendertime in the end.
PLEASE PLEASE PLEASE let us have the ability to LOCK a workspace once we have the panels and windows in place. Accidental click and drags causing windows and panels to shift and resize or disappear all-together when you're in the middle of editing is really frustrating.
Please Please, for a very long time, I've been lazy to suggest this, but if resolved it'll save me a lot of time while editing: When I click any text box in the Video display that I want to edit, change size or change colour....where there are two or more text layers in one timeline row, the effects panel selects ANY layer. So for example, if I select a text in view that is completely on the opposite side of the video, and double click it to select all the text, and went to the effects panel to change it's colour, it can potentially change the colour of the other text box layer in the same timeline row. It would only be common sense for the software to know that the text I double clicked is the text I want to change it's colour.It should automatically select that layer in the effects panel, I shouldn't have to yet again select it manually from the layers by clicking the drop down, to change the size or colour. It's common sense. I double clicked that text, it's the text I want to change colour. I could understand if there were two overlapping text boxes in the same timeline row, but this is usually never the case. Please resolve.
1. When sizing the shape in Shape Properties it should respect the anchor point position. Sizing from the centre makes no sense. I should be able to scale the shape like it is in Illustrator or Photoshop. They respect the position of anchor point. Please fix this.2. Enabling "Bezier Path" in the toolbar is not always a good option as sometimes I want to keep the shape parametric. The option to convert it afterwards should be extremely easy but now it has too many steps to complete.
Disclaimer I am VERY new to After Effects, but one thing I struggle with in both AE and PR is using nests and pre-comps without a way to see/compare it easily to the main sequence or composition. Why isn't there an option to view your main content at a lower opacity while you're working in a nest/pre-comp, like an "onion skin" effect? When I am rotoscoping in AE there are different view options to see it with the pink outline over your foreground or with the background highlighted in red. I think something similar could be helpful when working in a nest/pre-comp so I can better align things on the screen by seeing my main content and adjusting accordingly. If something like this exists please let me know!
Hi, this issue has bothered me for long time.I often have captions in mixed English and Chinese. The English font does not apply to the Chinese font but I need to use certain perticular English font anyway.If it is in MS Word, I can select all text using Chinese font A, and then all text with English font B. The second action will only apply to the text in English using font B and not affect the font A. However, in PR if you use the same approach, the Chinese font A will also be affected, change back to a strange font I don't where it comes from. Thus I have to manually select every English word and set them using font B instead, which is so time-consuming and does not make sense.Could you please fix this? Thank you.
Hi, ladies and gentlemen. How come in v25.1 we still have this "resolve fonts" problem which is still unresolvable? Will there be any fix for it?Everytime I open any project that has mogrts in it I get this window (the fonts mentioned may differ):The checkbox above is inactive.In Premiere Pro preferences I have it set to substitute the missing fonts to the font which can be found on any system - Arial regular:And I have the warning messages turned off here:But the most interesting thing is that I do have those fonts and Premiere Pro shows them and lets me work with them:So what the hell? Why does Premiere Pro have to warn me about missing fonts on every load? Isn't it time to add an option to completely turn off this warning message if the person has set the default font anyways?PS: I know how to fix it, I just don't want to have to do it or see this message about it. Oh, yeah, and for those who will ask this - yes, I do have the fonts in CC too
I would love to beable to use the CTRL-G and Shift-CTRL-G short cuts while in the Develope Module. I use it quite frequently for HDR merge and going back and forth into Library is just an additional step.
When leaving AE idle; going to another App or for a break, the AutoSave timer continues. Then, you get back to AE, you have to wait for an Auto-Save to happen. This is irritating, especially on large projects. Perhaps a quick fix might include - Perform AutoSave Even When Idle option in PrefsStop hogging AE when I return from my break!
Hallo, mein Vorschlag wäre, wenn man in der mobilen LR Version mehrere Dateien entsprechend LR Classic umbenennen könnte. Es wäre nett, wenn man diese Funktion integrieren würde. Beste Grüße Günter
Ive got an Idea, Please add Radial Blur to Premiere Pro! I even have video editing apps on my phone that have radial blur effects, chromatic distortion effects (way more interesting than vr chromatic aberrations),and some other effects that Premiere doesn't have. Premiere being "Pro" should have a Radial Blur which at this point is a basic effect. It shouldn't be necessary to have to use a plugin or use another program for that. Same with motion blur like the RSMB. If you include Radial Blur in Premiere, After Effects will still be important for us. It exists in a different realm don't make us go to After for this one, please. 🙏
Hi, Is it possible to open multiple parts at once?For example sometimes, IGES assemblies comes in multiple files (depending of the option selected in the native CAD).you get a file for the main assembly with no parts, and one for each individual part... By default, Substance 3D Viewer open only one file at a time. could it be possible when using the option Openfolder to load all the files at once? so in this case we could get all the parts visible at once.Many thanks
Für eine zukünftige Version von Adobe Lightroom Mobile wünsche ich mir Folgendes: Wenn ich etwas maskiere, dann soll ich in den Farbeinstellungen dieselben Einstellungen tätigen können, wie ich es auch habe, wenn nichts maskiert ist.Ein weiterer Vorschlag wäre: Ich maskiere etwas und möchte zur Maske etwas hinzufügen, oder subtrahieren. Es sollte auch die Möglichkeit geben, eine bereits erstellte Maske zu subtrahieren oder hinzuzufügen. Nicht nur den Himmel oder das Motiv.
So, deploying character ranges for the new text styling feature is a PITA. So, I'm thinking we have the wrong tool(s) for character ranges. So, howzabout we have a new type of slider that has TWO controls instead of the regular single control. The Left Control defines the start range and the Right Control, the length of the range. And via scripting/Expression control, we simply add arguments to get at each of these controls.And we'll call this 2-Control Slider, S2lider. 😄 My thoughts are with S2lider, it'll be much easier for average and even experienced users to start enjoying using the very cool text styling feature and hopeful/wishful that it'll be more performant than the verbose lines of code that's currently required to achieve identical results. So, we'll have a specific S2lider for Characters, another for Words and another for Lines and one more for Paragraph. and it's essentually the same slider but with functionality Based On a DropMenu to select the Selection Mode which also gets applied when the user applies this option via the Expression Controls Menu.
Would love it if you could reverse the Sort By order of albums in the Mac app like you can in the iPad app. I name my albums by date with year first. Constantly having to scroll down to get to my newest albums is wild, and the fact that this hasn't been an option yet is mind boggling 😐
Hi,Character Animator has many great built-in tools for adding dynamic motion and animations with swap sets, cycle layers, controllers, replays, magnets, etc. But I think it would be really awesome to have a pin or point added on the mesh in record mode that can be tagged as a "null layer" that is attached to the .chproj file or exported to After Effects as a 2D position tracker for adding extra elements in the compositing phase that can be connected to a character or an animated object. This would be valuable in that AE's plethora of built-in and third-party effects can be added to 2D characters with a direct position link of a layer animated in Ch. without having to track or position manually. Also, to not have to pre-render animated effects into image sequences to bring them into Ch.-Andy
Hi everyone, one feature I really miss in Premiere Pro, which I previously used in Avid, is the ability to view a clip in the Preview panel as a timeline. The big advantage of this timeline view is that you can precisely analyze the waveform before setting In and Out points.Right now, my workflow in Premiere requires me to place all my raw footage on a separate timeline just to inspect the waveform properly, and then copy the selected parts into my master timeline. This feels unnecessarily cumbersome.A native timeline view in the Preview panel would significantly improve the workflow, especially for editors who rely heavily on audio waveforms for their cuts. Does anyone else think this would be useful? Please upvote if you think this would help your workflow too! 😊
Can we have search field in keyboard shortcuts dialog as in new Illustrator. It will be nice to quick find command and remind shortcut or to assign new, Photoshop have more and more commands, who is going to remember all shortcuts and commands, especially when using Creative Suite or Creative Cloud.
Already have an account? Login
Enter your E-mail address. We'll send you an e-mail with instructions to reset your password.