Skip to main content
Rikk Flohr_Photography
Community Manager
Community Manager
February 7, 2025
Question

P: Adaptive Profiles

  • February 7, 2025
  • 84 replies
  • 38252 views

This post applies to Lightroom Classic and Lightroom Desktop.  
Feedback for Camera Raw should be posted here.

 

Update February 2025:

Adobe has introduced two Adaptive Profiles – Adaptive Color & Adaptive B&W.

 

Getting started with the Adaptive Profiles: 

  • Access a profile inside the profile favorites menu. 
  • In addition, there is a new section for Adaptive Profiles in the Profiles browser. 
  • Enable the profile and adjust the ‘Amount’ slider as desired. 
  • Use the rest of the Camera Raw tools just like you would otherwise. 


Check out the Help Page for more detailed usage information. For more technical information on the underlying technology, please refer to this blog post

 

Please try the profiles and share feedback in this community forum thread. It would help to include details like how you access Camera Raw (via Adobe Bridge or Photoshop), your computer system details, and as much information as possible about what you like or do not like about the resulting image quality. Our team will continually monitor this thread to track issues and improve the future experience. 

 

Best practices for using the Adaptive Profiles:
 

Try the new profile in the following scenarios: 

  • For food scenes. 
  • In situations where simply moving Tone and Color sliders may not be sufficient, such as for: high-contrast scenes, landscape or cityscape scenes with skies. 
  • For High-Dynamic-Range (HDR) photography, simply select Adaptive Color or Adaptive B&W as a profile and click on the ‘HDR’ button. 

    Note: Adaptive Profiles generate HDR and Standard Dynamic Range (SDR) data jointly, creating photos that look consistent with one another. In other words, after applying either of these profiles, if you toggle the HDR button on or off, you will see either the adaptive HDR or SDR look, depending on the position of the toggle.  


To maximize the value of using Adaptive Profiles, please follow these steps: 

  • Always start from the Adobe Default or Camera Default rendering (with no other edits) and enable the Adaptive Profile first. 
  • Reset any other settings before applying the profile. 
  • Make additional global and local edits after assigning the profile, just as you would begin to edit photos with Adobe Color or any other profile. 


Boris Ajdin: Product Manager, Emerging Products Group 


Posted by :

84 replies

alexskunz
Inspiring
April 20, 2025

The Adaptive profile is an extremely mixed bag in my experience, so far.

 

For certain high contrast scenes (interiors for example), the results are amazing, and take a lot of difficult slider-pushing to the extremes away, giving one a much better and easier to handle starting point.

 

On the flip side is the color rendition, which appears to be based on "Adobe Color", and it is simply EXTREMELY bad for my Nikon files (just like Adobe Color is). Skies turns turquoise instead of blue. Orange and yellow are not truthful at all. 

 

On top of that, for the Southern California desert scenes I photograph, the results are often almost comically bad, with mid-tones being pushed into the highlights and an odd "bleach bypass" look that I simply cannot explain. These aren't even high contrast scenes, just standard "exposed to the right" raw captures. The Adaptive profiles render a starting point that is less useful than the standard profiles.

 

Whatever the training set for the ML was, it wasn't the Southern California desert, and it wasn't Nikon cameras... 😜

Cairngorm
Participant
April 19, 2025

This is an excellent upgrade. Using the Adaptive Profile enhances the photo without moving any of the sliders, making it much easier to improve the photograph.

Paul_Blake
Inspiring
April 16, 2025

These are good profiles, particularly combined with HDR. In nearly every instance however I have to brighten the shadows quite a bit manually.

Jacques Chombart
Known Participant
April 14, 2025

Bonjour, intéressant mais je rencontre beaucoup de problèmes de halot dans le ciel. J'ai réinitialisé tout les paramètres et est simplement appliqué le profil adaptative couleur et voilà le résultat.

Si je change de profil le halot disparaît.

Cordialement

Jacques

Ps Cela arrive très fréquemment.

Participating Frequently
April 14, 2025

Adaptive colour profile gives a good starting point. When I am done editing a batch a images I like to pick a few and add a creative look by using the color profiles. This is not possible since I have already chosen a colour profile (the adaptive profile). The solution would be to enable a second colour profile or rename the adaptive colour profile to "Auto exposure" and place that button next to the existing "Auto" button on top of the exposure sliders.

 

Read more: https://community.adobe.com/t5/lightroom-classic-ideas/p-possibility-to-add-more-than-one-profile-to-an-image/idc-p/15187918#M23830

Participant
April 1, 2025

Je trouve ça assez génial! Je découvre et il faut que je fasse de nombreux essais sur différents fichiers RAW mais les premières impressions sont très positives! 

 

Participant
March 24, 2025

Trying Adaptive Color for landscapes. Default (Amount = 100) rendering is consistently too bright, colors (especially greens) over-saturated. Reducing Amount to ~ 65 makes rendering more useful, with over-saturation of colors (again especially green) still a problem. Tool is useful enough that I'll keep experimenting with it.

Participant
March 14, 2025

Initial impression is nice, but it would benefit greatly from a couple improvements:

 

  • Love that it feels like it gives me a much flatter starting image. Sometimes I feel like standard profiles start me off with too much contrast, or weird colors. This seems to be able to land you at a proper neutral.
  • Having just one slider called "Amount" feels weird. Like LR is just giving it one shot and you can't tweak anything except how much you dump onto the image. Only suggestion I have right now is a version of the "Blending" and "Balance" sliders from the Color Grading tool. But what you'd do is create 2 looks. Look 1: Whatever the Adaptive Profile currently does. Look 2: Something closer to the "flat" look of log footage that's just flat, but not necessarily trying to recover details or do some sort of over-intelligent Apple computational photography thing.
  • Skin seems to get over-textured by the Adaptive profile. It's kind of a mix of the look you get if you overcook the Shadows slider, and when you overcook the Texture & Clarity sliders.
  • Big thing: Syncing. Once I got a look I liked, syncing that look to the rest of my very similar images took forever because it was AI-analyzing each of them individually. I get why, but unnecessary & slows down my workflow compared to what I was doing. What I think makes sense: Add the option to bake a profile / preset / LUT / whatever from the Adaptive profile you like. That way it can un-intelligently dump that onto the rest of your images just like old times. Faster & easier.

 

Overal cool new tool. Would love to see how it improves over time.

Participant
March 14, 2025

These look nice, but it's a real bummer that I can't use them along with LUTs. If I have to choose between an image with more HDR, and an image with the correct 'mood' based on an LUT, I'm going to pick the LUT. Could there be a way in the future to use the adobe PGTM but use another profile's RGBT?, Or, even better, allow for stacking of color profiles on top of each other..

WSHRocDoc
Participant
March 13, 2025

Sounds great, but after upgrading to LR Classic 14.2, opening a .heic image in Develop and opening the Profile Browser, I don't see any Adaptive Profiles at all. I tried a .dng image and I even tried uninstalling LRC and reinstalling v14.2. I'm on a Mac Studio. What am I missing?

Inspiring
March 13, 2025

The profiles are for RAW conversions