Skip to main content
Known Participant
June 19, 2014
Answered

Show Deprecated Formats in Output Module Settings don't appear in my output option!

  • June 19, 2014
  • 38 replies
  • 51074 views

Hello I'm new at using Adobe After Effects CC 2014 and all the help guilds I look up for After Effects say to change your video output to something like h.264 (MP4) out fit I need to click on the check box called 'Show Deprecated Formats in Output Module Settings', BUT will doesn't appear on my options area. Only three options are in that section, but nothing named that. Can someone please help me with this problem?!

    This topic has been closed for replies.
    Correct answer Todd_Kopriva

    See this for an explanation for this change and for the recommend workflow:

    using Adobe Media Encoder to create H.264, MPEG-2, and WMV videos from After Effects

    38 replies

    June 25, 2014

    What all others have said. Please give us our workflow back, this clunky export to AME is a royal pain. It has locked up my computer once, not opened AME another time and on several tries has opened AME but then the comp I chose to Export out to AME didn't show up in AME's queue.

    I'm also a little upset that you admit that AME, which you want us to use, has issues.  You have to give us an even clunkier work around for your product producing darker end video.

    Participating Frequently
    June 24, 2014

    I did a few comparison tests.  A 6 second piece with some layers and effects. Ran it through CC and CC 2014. AE & Encoder.   Here are the results.


    ADOBE • Export Comparisons

    6 Second Timeline – 1080p – 29.97

    Encoder CC2014 - H.264 - VBR 2 Pass  8/20  – 16 Min render - 

    Much Darker than AE - Enormous compression artifacting -  Looks like crap.  4 mb file size

    After Effects CC2014 - H.264 Quicktime 100% - 4 minutes –

    Color is OK - Much compression artifacting -  88mbs!!!

    ***After Effects - CC - Using Main Concept Deprecated H.264 Format – 6 mins -  VBR 2 Pass 6/12 –

    Color EXACTLY what I see in After Effects – Barely noticable compression – 4.5 mbs

    Encoder CC2014 - H.264 – Apple iPad – VBR 2 – 5/6 -  29.5  Min render - 

    Much Darker than AE – Marginally better compression artifacting then first Encoder Test - Looks like crap.  6 mb file size

    ADOBE RECOMMENDED APPROACH:

    AE CC 2014 Render – Losseless Quicktime – 4.75 minute Render – Looks Perfect. 740mb

    ENCODER CC 2014 RENDER – .5 minute render - H.264 – VBR 2 Pass 8/12 –

    Color is spot on – Compression artifacting is still significant.  6 MB file

    ENCODER CC 2014 RENDER v2 – .5 minute render - H.264 – VBR 2 Pass 12/20 –

    Color is spot on – Compression artifacting is Much better but still not as good as CC Deprecated Main Concept.  10 MB file. Can’t send via e-mail.

    BOTTOM LINE RESULTS

    Main Concept Deprecated H.264 creates a much higher quality H.264 in less time and a smaller file format that can be sent by email to clients.

    Directly rendering H.264 thru Encoder is useless. Color and contrast shift is enormous. Compression is horrible.  File sizes are much larger.

    ADOBE WORKAROUND - Add an extra minute or two to jump through the hoops of having to render out a Losseless through AE, bring that into Encoder….  Takes a minute or so longer on a 6 sec piece. Longer pieces will be exponentially longer render times.

    Final image quality still isn’t as good as the CC Deprecated H.264 even at high VBR.  Plus the files are larger.

    ---------------

    With all due respect…  Please put Main Concept format back into AE.  It is a real pain to have do the extra workaround for a lesser quality output.  And it just doesn't make sense.

    Participant
    May 13, 2017

    Hey Takasaurus. Would you have any advice for exporting a moving image to be fit for an iPad? H.264 isn't good enough quality and Quicktime isn't compatible with the iPad.

    Roei Tzoref
    Legend
    May 13, 2017
    Hey Takasaurus. Would you have any advice for exporting a moving image to be fit for an iPad? H.264 isn't good enough quality and Quicktime isn't compatible with the iPad.

    what exactly is the issue? I recommend you post it in a new thread with all the information so users can try to help you

    Participant
    June 23, 2014

    Adding multiple steps to the rendering process completely contradicts the new smooth workflow Adobe seems so proud of. SMH

    All of my exports are coming up darker using AME. Never had this problem rendering out of After Effects. Has anyone experimented with the AME H.264 presets?

    Todd_Kopriva
    Todd_KoprivaCorrect answer
    Inspiring
    June 23, 2014

    See this for an explanation for this change and for the recommend workflow:

    using Adobe Media Encoder to create H.264, MPEG-2, and WMV videos from After Effects

    Todd_Kopriva
    Inspiring
    June 23, 2014

    > All of my exports are coming up darker using AME. Never had this problem rendering out of After Effects.

    Use the first option specified here, the one with the lossless master and the watch folder:

    using Adobe Media Encoder to create H.264, MPEG-2, and WMV videos from After Effects

    Participating Frequently
    June 23, 2014

    Adobe: Please do not revert this workflow. The programming reasons are sound, the workflow from AE to AME is both efficient and proper for my business and my clients; I only need compressed clips for approvals and demos. I can do that easily and quickly using AME.

    Concentrate on the stuff in AE that improves how my effects are edited and designed.

    Participating Frequently
    June 23, 2014

    Glad to hear it doesn't affect your workflow, and you apparently don't care in the slightest how it affects someone who may have a different needs.

    Rendering low-resolution previews for me is taking 5 mins in After Effects and 28 mins in AME. Could you take a minute to explain how you're getting those "quick" renders out of AME?  

    Participating Frequently
    June 22, 2014

    I also tried to voice up my voice on this (After Effects CC 2014 - removal of H.264, MPEG-2, WMV, FLV, F4V, and SWF exporters - WHY !?)


    NOT being able to render out to FLV from AE CC 2014 at all, provides NO reason of updating...

    There is NO format left to be used to EMBED video INTO FLASH!!!!

    If one updates to new version, demanding of still keeping the old one is simply REDICULOUS!!!

    WHY on earth this was decided? WHAT weird mind thought of this !!?!?

    That is REDICULOUS!!

    Should we expect or should we abandon the whole idea of updating to CC 2014 at all!?!?

    An official response to this would be REALLY appreciated.

    Gino Scarpino
    Participant
    June 20, 2014

    I would respond to Mr. Kopriva that I expect your team to be expert at all things AE is capable of. Period. I would also respond, if you're so bad at codecs then why do you render at all. Don't just cut some codecs and cry ignorance. I require you to be better than that. I PAY for you to be better than that.

    I have no new info to add, but wanted to make sure another voice is heard on this issue. I don't need another application open, taking up system resources and I don't need to use an app that take WAY LONGER to dump out an mp4. I don't need that. I don't.

    This is now added to a long list of, what are you thinking Adobe?! Your illustrator/AE import sucks. And software design is more and more being done in IA and not in PS. But what do I know? I just work for one of the largest software developers on the planet. And the products I build motion for are only used by BILLIONS of people.

    Fix this please.

    Thank you.

    Participating Frequently
    June 21, 2014

    Interesting that all the Adobe staff are keeping well clear of this one even though it is the currently the most liked topic on this forum.

    Can anyone from Adobe give us further comment on why it is you are so keen on messing up our workflows?

    SnipeyX
    Participant
    June 19, 2014

    Just noticed the same. My guess is they gave us a transition period with CC that still had the formats added if you dug to get to the preference checkbox, and now for CC 2014 they completely ripped it away from us and we have to use AME instead. I also avoided using AME because it seemed to take longer, would crash sometimes, etc. Overall it just seemed like an unnecessary hassle when I was perfectly happy with the results I was getting straight out of AE.

    Edit: Confirmed via bottom of this page :

    "

    removal of H.264, MPEG-2, WMV, FLV, F4V, and SWF exporters from After Effects


    To export to final delivery formats such as MPEG-2, H.264, and WMV, use Adobe Media Encoder. You can either add compositions directly to the Adobe Media Encoder encoding queue (Composition > Add To Adobe Media Encoder Queue) or render and export a lossless master file directly from After Effects that Adobe Media Encoder picks up from a watch folder to encode to various final delivery formats.

    The SWF, FLV, and F4V exporters were removed because the recommended workflow for creating movies that play in Flash Player is to create an H.264 video using Adobe Media Encoder and then use Flash Professional to link or embed that video in a SWF container"

    JONES Terence
    Participating Frequently
    June 20, 2014

    I spend most days constantly exporting .mp4 files in just a couple of minutes or so and sending them by email to clients for approval. I rarely have any problems with this method.

    In AE CC 2014 I can no longer do this and have to use AME.

    How is it progress when the 'recommended workflow' with AME takes more than twice as long as exporting from AE using a deprecated format ?

    SnipeyX
    Participant
    June 20, 2014

    The problem is the decisions are being made by those whose job it is to just design the software, not actually use it on a daily basis. Hello ? Is there anybody from Adobe who can shed light on this matter ?


    Even though it's a year old, I think this thread from CreativeCow sheds some light, specifically Todd Kopriva's post 4 down. Makes sense I suppose, I'll just have to adapt.

    Todd Kopriva wrote:

    There have been many problems with the H.264 and MPEG-2 exporters in After Effects. The exporters in Adobe Media Encoder (AME) didn't have these problems, and the team that works on AME is continuing to improve these exporters.

    If you want the After Effects team to concentrate on things that we're good at (animation and image processing technology), then you should want us to not spend a lot of time on codecs, leaving that instead to the people expert in that area.

    Before you ask: No, it is not a simple matter of just dropping the AME code into After Effects. That said, we think that the best long-term solution is to have After Effects call Adobe Media Encoder to do the encoding work when you add things to the render queue.

    Participating Frequently
    June 19, 2014

    I'd just come to here to bring up the same point.

    Why is it that you are forcing us to go through Media Encoder just to create an MP4?

    I do not need a super high quality version to show a work-in-progress to a client. Going through ME is slower and buggier. I often find that after updating a comp in AE and duplicating the output in ME, ME renders out the comp without the updates in. This is not a good workflow. Please reconsider at least giving us the option of outputting directly out of AE.

    If it's not broken, don't try to fix it.