How do I make sure LR is recognizing my display's full HDR range?
I just hooked up a new OLED that has a comparable brightness to my MacBook Pro's display, yet I only see approximately 1 additional f-stop worth of Dynamic Range on the right side of the Histogram divider with HDR editing turned on. The remainder of the HDR half of the histogram is greyed-out.
This doesn't seem right to me.
How does LR know my display's capabilities? Is it taken from settings baked into the current monitor profile? I use a Calibrite Display Plus HL colorimeter to profile my displays, and I built this profile to target D65, 2.2 Gamma, and the display's measured luminance (i.e., I didn't try to match 120cd/m² --I simply cranked it all the way up and made sure "HDR" was turned on in the System Display Settings dialog).
Am I somehow choking LR's HDR capability with my calibration profile?
EDIT (to clarify solution):
So, I learned a lot of stuff about my external display, and about Apple's latest OS "improvements" that moved various settings around, as well as rediscovered their contempt for third-party peripherals, and I re-learned everything I knew about building ICC profiles. Here are the key takeaways:
- The Target Luminance value we traditionally set in an ICC profile is the maximum brightness level (in nits) for SDR content. If your display is capable of additional nits above the target, that is what LR uses for Extended Dynamic Range.
- Set up the display in such a way that it is allowed to reach full brightness --for me (Aorus F032U2), that was "HDR - Game". Side note, for this particular OLED monitor, the baseline "HDR" mode disables the brightness control and caps the output at 500 nits. If you are setting up an external display, make sure it's giving both the maximum output and letting you attentuate that output with the display controls (you'll need this in #4).
- Calibrate the display using a colorimeter (I used the Calibrite Display Plus HL) with D65 as the target White Point, and 120 nits as the target luminance (or lower, if you prefer).
- Since you are telling the calibration software to build a profile maxing out the SDR luminance at an arbitrary level (120 nits, in this case), you will be prompted to measure the current luminance and adjust the brightness setting on the monitor before proceeding with the color swatches portion of the calibration. Pull the brightness down with the display controls until you achieve a measured luminance as close to the target as possible, and -this is crucial- leave it there. From this point forward, if the display needs additional HDR headroom, and LR is set to edit in HDR mode, it will use this additional headroom to display it. So long as you...
- Make sure to turn on "High Dynamic Range" in the system display settings dialog, or all of this is for naught.
