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Hello, everyone!
This is my first time posting here, so any feedback about how to report a bug is welcome.
Thank you in advance for all the attention given to anyone who reads and for the opportunity to create a community like this.
The issue: the difference of what see inside the Premiere on tab "Program" vs the final render with overexposed highlights and visible red saturation of the image
Technical info:
What I've already tried:
1. Input look profile (From_SLog2SGumut_To_Cine+709.cube) from sony official site
2. Tried to only change input look profile, and return to color space "Rec. 2100-HLG" that premiere set
3. Removed the Look from sony website, color space "Rec. 2100-HLG", and i made the color correction in Lumetri Color. The result you can see the result in the images below
Program view (inside premiere, print screen by command+shift+4)
MacOS preview & Quicktime view (print screen by command+shift+4)
Even at the Export tab inside Premiere we can see something is wrong
Thank you for the answers,
Heavy Fingers.
What you haven't done is the suggested workflow, by properly setting the Premiere color management correctly. And as it's pretty new, many users don't really know about it yet.
Go to the color Workspace, Lumetri panel Settings tab. All CM from project, clip, sequence, monitor space are there now.
Display Color Management should be on, as well as Extended Dynamic Range especially on Macs.
Make sure auto detect log AND auto tonemapping are on.
Set your sequence color space to what you want ... Rec
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What you haven't done is the suggested workflow, by properly setting the Premiere color management correctly. And as it's pretty new, many users don't really know about it yet.
Go to the color Workspace, Lumetri panel Settings tab. All CM from project, clip, sequence, monitor space are there now.
Display Color Management should be on, as well as Extended Dynamic Range especially on Macs.
Make sure auto detect log AND auto tonemapping are on.
Set your sequence color space to what you want ... Rec.709 for SDR, HLG or PQ for HDR.
For SDR/Rec.709, set the monitor gamma to your preferences. Broadcast/2.4 is "the standard" but Mac monitors typically use the odd gamma 1.96, so you might prefer that. Or "web/2.2".
And use only presets that match the color space of your sequence.
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I really appreciate your time and response!
Thanks!
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It's all so new to most people ... another thing to learn how to use it ... 😉