An adjustment layer with some color correction, audio wind-noise work (audio can be far more resource-demanding than we'd think it would be) and then some B/W major color work too. On 4k multicam, which means the computer is dealing with that applied while essentially playing several streams of 4k media.
That's a load & a half, actually.
Some things that help move the editing along ... for multicams, when you think you've got your cuts finalized, duplicate/rename and then flatten the duped file. Do a render & replace. Now you have a ton of the work already done, as the computer no longer is internally playing back mulitple streams nor doing the effects processing as that's already cooked into the file.
I do a good quality intermediate codec for the R&R so I can add more stuff as I wist and move on from there. Some will decide to "restore originals" before exporting the final, I don't see the need.
So for me, it's the multicam editing first. And yes, with multicam I most commonly apply the color correction to the clips in the bin so it's on the Source tab and applied to all instances of the clip in the project. After the multi is cut as I want, colored, I'll flatten & R&R.
Then I can apply any speed or other effects again as I wish without overloading the computer. And I'm running a 24 core Threadripper with 128GB of RAM and a 2080Ti.
If you're needing any Warp, I'd do that first, then R&R to do the multicam and so forth.
Neil
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