ProRes RAW Color Management

[AW_249415187cpq]

Hi, 

I'm having problems with ProRes RAW Material Workflow in Premiere. 

I got footage from a Ninja V in ProRes RAW, the camera was an FX6. It was recorded in S-Log 3, 
but when I put it in the timeline the material immediately has a Rec709 look. 

Which I've already tried. 

1. When creating a sequence, select the color space "automatic tone mapping on/off".

2. Use Modify/Interpret Footage to turn off the input LUT, but everything is grayed out here. In previous versions of Premiere this was the solution.

3. I also tried to turn off “Automatically detect log video color space” via the settings in Lumetri, without success.

Does anyone have an idea where I can display this in version 24.6.3. 
I'm also willing to go to v25 if there is a solution there.

Thanks 
Andy

[R Neil Haugen]

I would love to have a sample clip of this to test. 

And ... you want a log image on your sequence? In what color space for the final export? What's your working sequence color space?