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Thanks for suggestion, I have found how to post ! (in validation statement)
For voting it's here :
SOLVE SECOND MONITOR OUTPUT (from release 13.1) – Adobe video & audio apps
Neil, I'm not sure that's a good analogy. Less people freaking out and waving their arms and screaming for help is not a standard I'd like to bet an update has been ( generally speaking ) successful.
After all those who went down with the Titanic, there was a lot less noise in the water, and a lot of dead bodies floating around (if they even had life jackets ). A nice quiet place is not necessarily proof of success.
That is actually a very good 'barometer' ... the online comments in the application forums and other sources.
And holds up very well across apps and companies. Especially with such large user-bases as say Photoshop and Premiere have.
Being as the users are all still very much alive, of course, and the user base is apparently growing, the analogy of the Titanic is a bit ... questionable. 
But of course, when you're the person with the bug, it's not always of massive comfort to find that only a few others are joining you in your misery, frustration, and at times ... rather nasty fits of anger. Been there done that with this and many other apps over the last 40 years or so. Yea, I know that feeling well.
But I do maintain enough rationality to recognize that although my pain is real, it is not necessarily universal. Like ... not that many have full Tangent Elements panels like mine ... which don't work properly with multiple levels of Lumetri on a clip. Sigh. Supposedly, it's on the list, but ain't made the last couple drops.
Is that a HUGE problem for me? Yes. Totally.
But across the user-base, well ... not so much. 
Neil
Titanic not a good analogy but amusing at least.
I am still bungling my way through a final solution to calibration land where everything is perfect ( for me ). I'm really close, after all these years ( just for rec 709 2.4 ). Have to do a few more things to fine tune the video monitor out of SDI and then I'll finally be done ( save current settings on usb, do factory reset, do color bars and grayscale, blue channel only adjustment, etc etc. ). I don't know what the monitor was used for last ( commercial, music video, or movie ) and the tweaks done to it are anyone's guess.
It was either Beyoncé MTV or BulletProof Monk, or whatever.
Finally figured out how to use targets downloaded from color edge for the eizo primary ( they look like xml files).
Using resolve though, so it's a different animal than new PPro stuff .. as I only have cs6 creative suite in adobe stuff.
Next step is to get out and shoot something … ANYTHING at this point. Been a LONG Winter ( and now flood season ). Just like the Titanic passengers the cows in Iowa are now wearing life jackets !
That's wonderful !
Please mark your last post as the 'correct' answer !
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