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I am inserting a file into a sequence that is 1920*1080
The file resolution is: 2048*858
When I drag an drop it in the sequence, it comes rotated automatically 90 degrees clockwise.
I check the effects control tab, nothing is there
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Very interesting. Media info has a rotation flag that shows under the video section. And it does not show for this clip, so that flag is not set. I do not know if Premiere Pro reads that flag to determine rotation. But I think it must, because it's some rotated footage is read correctly. I wonder if there's an app that can set that flag for this footage, and within allow PR to read it correctly.
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It worked in 2017. The same exact clip imports perfectly into 2017, but not in 2018. It probably happened when they rewrote the QT importer module. I don't see what you are referring to in the video section of the example I gave. besides the image is not rotated. It is actually known as Sensor Flipped on the Arri. That means it is both rotated 180 degrees and Flipped so a rotation flag is not going to solve the problem. That is why when a 2017 project with these clips is imported into a 2018 project they are still upside down. This shows to me that they actually dropped the flag for the clip itself.
Kevin
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KevinAGI wrote
I don't see what you are referring to in the video section of the example I gave.
Right; it is only listed if it is set. And good point; it is not "rotation" as such.
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Thanks Kevin. What a dumb mess. Would be weird if doing grading first is necessary BEFORE editing. duh.
Is that a real anamorphic lens on your camera ? I know some guy who started shooting today with alexa with anamorphic ( basically for the 'look' (horizontal flare, etc.), probably 4/3 crop, like old film 2 perf. But network doesn't want to go letterbox, so they are gonna lop of the ends for 16:9 full hd.
Your stuff would have to be letterboxed right ??
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rodneyb56060189 wrote
Is that a real anamorphic lens on your camera ? I know some guy who started shooting today with alexa with anamorphic ( basically for the 'look' (horizontal flare, etc.), probably 4/3 crop, like old film 2 perf. But network doesn't want to go letterbox, so they are gonna lop of the ends for 16:9 full hd.
Your stuff would have to be letterboxed right ??
Yep real anamorphic. We ran into the same issue everything was discussed about the look and letterbox beforehand, but someone up the chain did not like the letterbox. We had to reframe the whole thing.
Kevin
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Kevin, thanks so much for info and time spent to explain stuff. I can hardly believe in the same thread there is discussion about iPhone imports and Alexa imports having similar problems with rotating frames ( not reading meta data correctly ), etc.
What a crazy world.
: )
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The thing is that Metadata is a double edged sword. While it gives us a lot of extra information, any manufacturer can create their own keys. It is then up to the folks at Adobe to figure out what to do with that data. Camera manufacturers are forever adding their own info into metadata, but if Adobe does not know about or they get the info wrong then we are in this position.
Kevin
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The original poster does not want to do any work but with a small effort all clips can be put straight.
Or use 2017 which imports the clip correct.
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Hey guys, I'm having the same issue with Arri image (shot with the camera flipped on a Steadicam). Rotating the image is no issue, but if you want to create proxies then it all becomes a mess. Any ideas how best to work around this? Thanks!
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If you don't have this tool I would suggest you get it. I find it indispensable when trying to figure out how certain shots were filmed in the field when the AC does not provide a complete set of notes. It is called Mediainfo. if you are on a mac it's on the app store. CHEAP!!
Here is the complete output:
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt 2005.03 (qt /ARRI)
File size : 6.53 GiB
Duration : 5mn 0s
Overall bit rate mode : Variable
Overall bit rate : 187 Mbps
Encoded date : UTC 2018-05-19 14:19:45
Tagged date : UTC 2018-05-19 14:24:45
Writing library : Apple QuickTime
Media/UUID : 484E13D3-1647-4FC9-A88B-7E19FFBCC107
com.arri.camera.CameraId : R0S1
com.arri.camera.CameraIndex : A
com.arri.camera.CameraModel : ARRI ALEXA Mini
com.arri.camera.CameraSerialNumber : 21009
com.arri.camera.ColorGammaSxS : LOG-C
com.arri.camera.ExposureIndexAsa : 800
com.arri.camera.LookFileBurnedIn : No
com.arri.camera.NdFilterDensity : 2100
com.arri.camera.NdFilterType : 4
com.arri.camera.ProjectFps : 23976
com.arri.camera.ReelName : A004R0S1
com.arri.camera.SensorFps : 23976
com.arri.camera.ShutterAngle : 1800
com.arri.camera.SupVersion : 5.00.26
com.arri.camera.SxsSerialNumber : 154902300159
com.arri.camera.UserDate : 20180519
com.arri.camera.UserTime : 14h19m45
com.arri.camera.WhiteBalanceKelvin : 5600
com.arri.camera.WhiteBalanceTintCc : -2
com.arri.camera.CameraClipName : A004C001_180519_R0S1.mov
com.arri.camera.Product : 2
com.arri.camera.SubProduct : 1
com.arri.camera.look.name : ARRI 709.AML
com.arri.camera.look.user_lut : 0
com.apple.proapps.color.asc-cdl : (Binary)
com.arri.camera.look.lut3d : (Binary)
com.arri.camera.look.lut3d_with_cdl : (Binary)
com.arri.camera.look.video_param_with_ta : (Binary)
com.arri.camera.audio.Configuration : (Binary)
com.arri.camera.LensSerialNumber : 90500266
com.arri.camera.LensType : Anamorphic-50
com.arri.camera.UnitPreference : Metric
com.arri.camera.WbTracking : 0
com.arri.camera.ImageOrientation : 9
com.arri.camera.ImageSharpness : 0
com.arri.camera.ImageDetail : 0
com.arri.camera.ImageDenoising : 0
com.arri.camera.DynamicMetadataVersion : 65536
com.arri.camera.audio.BluetoothEnabled : 0
com.arri.camera.sensor.PhotoSites : 2560x2145
com.arri.camera.FramelineFileName1 : None
com.arri.camera.UserPixelMasking : 0
com.arri.camera.EfIsActive : 0
Video
ID : 1
Format : ProRes
Format version : Version 1
Format profile : 4444
Codec ID : ap4h
Duration : 5mn 0s
Bit rate mode : Variable
Bit rate : 181 Mbps
Width : 2 048 pixels
Clean aperture width : 2 048 pixels
Height : 858 pixels
Clean aperture height : 858 pixels
Display aspect ratio : 2.40:1
Clean aperture display aspect ratio : 2.40:1
Frame rate mode : Constant
Frame rate : 23.976 (24000/1001) fps
Color space : YUV
Chroma subsampling : 4:4:4
Scan type : Progressive
Bits/(Pixel*Frame) : 4.290
Stream size : 6.32 GiB (97%)
Writing library : Arnold & Richter Cine Technik
Language : English
Encoded date : UTC 2018-05-19 14:19:45
Tagged date : UTC 2018-05-19 14:24:45
Color primaries : BT.709
Transfer characteristics : BT.709
Matrix coefficients : BT.709
Audio
ID : 2
Format : PCM
Format settings : Little / Signed
Codec ID : in24
Duration : 5mn 0s
Bit rate mode : Constant
Bit rate : 5 760 Kbps
Channel(s) : 5 channels
Sampling rate : 48.0 KHz
Bit depth : 24 bits
Stream size : 206 MiB (3%)
Language : English
Encoded date : UTC 2018-05-19 14:19:45
Tagged date : UTC 2018-05-19 14:24:45
Other
ID : 3
Type : Time code
Format : QuickTime TC
Duration : 5mn 0s
Time code of first frame : 15:24:36:01
Time code, striped : Yes
Title : A004R0S1
Language : English
Encoded date : UTC 2018-05-19 14:19:45
Tagged date : UTC 2018-05-19 14:24:45
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Ahh! I use Mediainfo and I overlooked those fields. I'm not terribly familiar with ARRI metadata.
Good catch on the ImageOrientation. Here's the thing: I think CC2017 is actually importing the file incorrectly which results in the proper orientation. CC2018 is actually reading the ARRI metadata flags, seeing the ImageOrientation flag, and then following that flag by orienting the video resulting in the sideways and flipped video.
I did find this obscure metadata heading in Premiere under EXIF Schema for TIFF Properties/Orientation.
Unfortunately Premiere has no method of disabling or ignoring these attributes.
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Don't ask how I know where to look for this stuff:
<FrameRate>10594584000</FrameRate>
<FrameRect>0,0,2048,858</FrameRect>
<Duration>76291599384000</Duration>
<CodecType>1634743400</CodecType>
<OriginalImageOrientationType>4</OriginalImageOrientationType>
</VideoStream>
Don't know exactly what the other numbers that could fit in there.
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You are Correct in 2017 there is nothing in that field for the same clip
Kevin
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