• Global community
    • Language:
      • Deutsch
      • English
      • Español
      • Français
      • Português
  • 日本語コミュニティ
    Dedicated community for Japanese speakers
  • 한국 커뮤니티
    Dedicated community for Korean speakers
Exit
0

Washed Out Colours on the Source and Program Monitor panel in Premiere Pro

New Here ,
Feb 27, 2021 Feb 27, 2021

Copy link to clipboard

Copied

I have had a problem for a while on Premiere Pro v14.9 and even older I have not found a solution to it, which is when I import a video that was shot with a Canon camera 80D (H.264) BT.709 Color range: Full, the colours look washed out, and there's less contrast on the Source and Program Monitor panel,

 

but when i import a video that was shot with a samsung galaxy note10 plus camera everything looks fine, does it because note10 camera is Limited Color range.

 

Device that I use Premiere Pro on it:

Alienware Area-51m R2 internal monitor

Processor: Intel(R) Core(TM) i9-10900K

Nvdia GeForce RTX 2080 Super

Ram: 64.0 GBcanon 80D DSLR.jpgSamsung NOTE10 .jpg

TOPICS
Editing , Error or problem , Export , Formats , Hardware or GPU , Import , Performance

Views

516

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Community Beginner ,
Aug 29, 2022 Aug 29, 2022

Copy link to clipboard

Copied

Same problem, exports fine, when program is paused it looks fine, but while playing it is washed out and desaturated.

Votes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
LEGEND ,
Aug 29, 2022 Aug 29, 2022

Copy link to clipboard

Copied

LATEST

Full is not a 'normal' setting for Rec.709 media unless the clip is RGB ... all YUV (technically Y:Cb/Cr) Rec.709 media should be encoded as 'limited'. Which has nothing whatever to do with the dynamic range recorded, simply how it is encoded to the file.

 

And RGB media is typically the heavy 12-bit stuff ... out of spendy cameras.

 

So if your camera is set to use Full, set it to Limited. You don't lose anything but extra pain in editing.

 

As with Full encoded YUV Rec.709 media, you need to go to the Effects panel, and find the Full to Legal preset and apply it to the clip on the sequence.

 

Neil

Votes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines