Adobe Media Encoder

So I send my Premiere-timeline to Media encoder to simultaneously export a proresmov and a h264. Afterwards, I sort my files in explorer in creation date - only to see that th mov is made 3 days into the future. See attached image, the exports were made on may 25th...

A week ago, I discussed about how I transfered everything from my old computer to my new one and how when I put the same export setting on my old one to the new one it kept failing. The export settings I put on Adobe Animate and Media Encoder are the exact same. For example, (Format:H.264, Present: Default AME). In Media Encoder, I change the present to High Quality 720p HD. When rendering, it kept failing and I tried earlier to get help, but the last guy told be to use hardware encoding. Did that, but I had to use another way to get that on my screen because keyboard shortcuts don't work on my computer. At this point, should I just get the latest version or is there another solution?Apps used:Adobe Media Encoder 2022Adobe Animate 2022

Hello, I have a bunch of AE projects to export and I've set them in que in ME to render over night. To my suprise they did not finnish. I checked the logs and it needs 4-5h for one project to render. But then I realised that ME isn't using the full GPU or CPU power.  Any thoughts what I have set wrong or,..... (I have the lates drivers, updates,.. CUDA set in AE, PP and ME,...) Thanks

Status of the files in the queue list are presumably labeled "ready" and "done" in English, but in Swedish someone has chosen words that are so close to each other, making them somewhat confusing – "klar" and "färdig" can be used interchangeably. Instead, change "ready – klar" to "redo"and that way you could leave "done – färdig" or maybe change it to "genomförd".

I found a link on a forum for the HAP encoder version 1.2.0. I used it to encode a file but the audio doesn't show up in the HAP encoded file. I used a ProRes HQ encoded file to convert to an Hap Q encoded file. When I check the audio pannel in Media Encoder it says "No applicable properties".

 Porfavor para cuando esta funcion para Media Encoder poner para elegir la portada del video de inicio especialmente para que se vea al enviar por whatsapp por ejemplo Aclaro que CapCut tiene y es gratis 

Would love a way to collapse all of the render queue, like you can in the bins for Preimere.Option click I believe.Sometimes with proxies I have a ton to go through and its much easier to keep tabs or see progress fast when all are collapsed.Just an idea that seems pretty easy to implement.  

Hello everyone,I'm not able to open ME; this is the error I got: “Adobe Media Encoder 2023” is damaged and can’t be opened. You should move it to the Bin. - This file was downloaded on an unknown date. I uninstalled twice and install the old one but none of them worked.Still not working.

Hi, I need to disable network adapter for media encoder to start encoding. Why? I had exact same problem with AME 2019, and that was the main reason for me to switch to the newest one available.After a few monts I have the same problem with the newest AME. I mean, where does AME needs to connect prior to start encoding and why it is unable to do so?Logically,  disabled network adapter means there is no connection whatsoever for AME, telling it DO NOT EVEN TRY TO connect, and then it works.Ideas, solutions? windows10, latest updatelatest adobe 

I already know how to fix this in Premiere Pro as shown in https://youtu.be/z4lkODFtwHQ . That's by changing the Media Color Space to Rec 2020. However, the color space is greyed out in ME. So, how could I fix the overexposed video in ME? 

Hey folks. I just updated to the new 2019 Creative Cloud. I am encoding my first project since the update. When I export out of Premiere, everything appears the same and completely normal. When I am in Media Encoder, everything seems normal as well. When I hit Start Queue (green play button) It tells me that is has to prepare 3611 audio files. I don't even have 3000 assets in the project. I literally have no idea where to begin to triage with this project. One thing I did was to start a new project, then imported the project I am working on into it. My thought would be that it would properly index the project files, eliminating any sort of issues. What it did was reassign many of my audio files. I have to go beck, use Replace Footage, and reassign most of the audio. Why, I don't know. When I went to export out of this new project with the old project opened in it, Media Encoder tells me the same thing - Preparing Audio (x of 3611). Then it just chugs away at preparing this magical 3611

Dear Adobe Community, We have about 30 presets with automatic uploads to ftp after conversion which we need to share across several user accounts on 6 different workstations. Unfortunately, it seems that when we copy over a preset to a new user account (no matter if it's on the same machine or not), the password field gets emptied. Even Cloud sync doesn't do the job here as we'd hoped for. We urgently need a solution to transfer all these presets with publishing details intact, otherwise, we would have to retype everything by hand, which would bring our business to a halt. Thank you!

We're currently working on a script-based UI panel with buttons for different encoding presets. Most of our deliverables can be exported directly from AE, however a few require HEVC, and using scripting to call forth an Output module with an AfterCodecs h265 preset has been wonky at best. I can't seem to find any info about queing a comp in AME with a specific preset, any info or insight would be appreciated!

Ever since I got a new computer, I've been trying to import the stuff I had on my old computer into my new one. When I finished animating a file that I left out a year ago and that I transferred from my old computer, I then put the same format and preset I always do on animate, (H.264/Default (AME). For some reason, when I try to render that on Adobe Media Encoder, it keeps failing. I tried 6 times, and the 2 of those times was changing the preset to Match Source - High bitrate. Unfortunately, that did not work. I don't really know what to do. Apps Used:Adobe Animate 2022Adobe Media Encoder 2022

I can render the same comp out of After Effects in about 5 min, whereas it takes 30 min to render the same comp from Media Encoder. Why is ti like this. Happy to share project files etc to find out. 

We have been getting crashes, mostly while running Media Encoder CS6, where there is a crash... screen goes dark and fans run fast.  Here is the crash report, perhaps this may show a possible fix?: Process: AGSService [52]Path: /Library/Application Support/Adobe/AdobeGCClient/AGSServiceIdentifier: AGSServiceVersion: ??? (???)Code Type: X86-64 (Native)Parent Process: launchd [1] Date/Time: 2024-09-05 11:43:58.330 -0400OS Version: Mac OS X 10.6.8 (10K549)Report Version: 6 Exception Type: EXC_BREAKPOINT (SIGTRAP)Exception Codes: 0x0000000000000002, 0x0000000000000000Crashed Thread: 0 Dyld Error Message:Library not loaded: /usr/lib/libc++.1.dylibReferenced from: /Library/Application Support/Adobe/AdobeGCClient/AGSServiceReason: image not found Binary Images:0x7fff5fc00000 - 0x7fff5fc3be0f dyld 132.1 (???) <29DECB19-0193-2575-D838-CF743F0400B2> /usr/lib/dyld

Hi all, when I export through media encoder my third party effects (such as a keyer and transitions) don't end up in my export (either showing up as offline media or just not at all), but when I export directly from Premiere Pro they are! This is interrupting my workflow as I need to continually export when editing other projects (obviosuly not possible if exporting from Premiere directly). Anyone have any ideas? Thanks

My goal is to create an XMP with the markers from the source sequences (generated from Premiere) for additional processing. But I can't get AME to generate the XMP sidecar files when I render files out.If I select my preset, then select Metadata to bring up the Metadata Export dialog, I have the Export Options: Create Sidecar File selected, but I never get an XMP file created. Preservation Rules = Preserve All, Export Master Speech Track & Sequence Markers is checked, and Export Template = All Metadata. Verified in the app settings it's supposed to be doing this as well, but when I render, I only get the video file.Is there some special magic setting I'm missing?Running latest versions of AME & Premiere Pro CC

Hi All, I have been getting a failed error when encoding anything with H264 from AE using Media Encoder. Has anyone else had this problem? Here is the complete error message: - Encoding Time: 00:08:1311/19/2019 02:13:06 AM : Encoding Failed------------------------------------------------------------Export ErrorError compiling movie.Accelerated Renderer ErrorUnable to produce frame.Writing with exporter: H.264Writing to file: /Users/guillermochan/Desktop/11770 Staff Source Video - Rocky View County.mp4Writing file type: H264Around timecode: 00:00:44:14 - 00:00:44:23Rendering at offset: 44.628 secondsComponent: H.264 of type ExporterSelector: 9Error code: -1609629695 Please, anyone, HELP!

I suppose this might actually be an intentional choice but it seems like a bug, since for as long as I've been using Media Encoder, a file's Source Range has defaulted to the in/out of your Premiere (currently on v24.5.0 Build 57) sequence, if it had one. I'm on version 24.5 Build 50 of Media Encoder and, when exporting separate parts of a sequence, now have to manually adjust my settings for each queued file and change the source range from "Work Area" to "Sequence In/Out". Just looking for clarity on whether or not this was intentional. And if it was, I would love an option to default to in/out (or any of the other options for that matter). Thank you for your help! Attached are screenshots of my machine's information, a 20 frame in/out of a 30 minute sequence, and the resulting default preset in Media Encoder.

I just started using the Canon R5 as a secondary camera. Shot everything in 8K - editing using Canon’s RAW .crm files. I’m used to editing using RED RAW files .r3d with no issues.  I noticed it takes longer rendering the .crm to preview in order to edit on the timeline - but the edit is not the issue. When exporting out my final project as an MP4 file in Media Encoder - the time to compress out my edit that incudes the .crm files is roughly 8 to 10 hours on a 4 min video.A similar edit using all .r3d files - takes roughly 30 mins.  Are other people having similar issues with the .crm files in 8K? I don't seem to be having these problems with the .crm files when they are shot in 4K.  

Hello,I'm learning Media Encoder and Premier Pro  so that I can protype, iterate and tell stories on a website now, and prep my media for a professional editor in the future. I'm working with current versions of Adobe software,using an Apple M1 Pro chip, Sonoma 14.6.1.My media is  filmed on two (2)  Sony ILME 3  (422  & 4Ch audio) +  up to six (6) Tentacle Track E recorders (32-bit float), and  Tentacle Synch devices to generate TC for the cameras.Tentacle produces a synch map, synching all cameras and all channels of audio, and exports an .XML for Premier Pro.I  drag and drop the .xml into my Premier Pro 2024,, and it ingests the footage. Q.0 - do I need to use Tentacle synch mapping or can Premier Pro 2024 synch my daily shoot material just as easily as Tentacle Studio?  Assuming I continue using Tentacle Synch's Studio to make a synch map, and given that my computer is modestly powerful Q 1. When should i make my p

I've installed the latest Adobe After Effects and Media Encoder 2023 but I'm still struggling to export work quickly. It's currently taking over 4 hours to export a video that has very little animated elements in media encoder and is estimating over 8 hours to export in After Effects as a H.264. System I'm working on: 

So I have a set of 4 videos I'm trying to render with media encoder but whenever I try to do it, the render fails near the end after my C drive fills up. My issue with this is that I don't have anything set to go into my C drive. All my media cache files are on another drive that is more than big enough to fit everything but for some reason, it goes straight to C drive and since my C drive has about 20 GB left, it fills up super quick. Worth noting that I've tried this both in premiere and media encoder and all the cache & scratch disks in both are not on C drive and have plenty of room While writing this I've thought about rerouting my temp directory through windows away from my C drive and onto my other drives. Will update this post once I get home and can test this. My spec is:8700K32 GB DDR4 3200MhZRTX 2070 Super My render settings are:2560x1440 60FPSProgressive Field OrderRender at max depthHigh Profile5.1 LevelVBR 2 Pass24MBPS Bitrate Max & TargetUse M