Feature Requests

The align option currently gives us three options: to object, to artboard, to selection. It would benefit my workflow for a fourth option where one could align to bleed. This would be helpful in my workflow, reducing having to create a shape then size it of the bleed and using align to key object.

Auto spell-check only works for Basic text with no style modifications… please expand this to include text with appearance modifications – I always have a variety of text, and if some is highlighted as incorrect, but others in the same document are not, they can be missed. Please update the auto-spell-check to address all text.

Could we please get manual sorting back for colors in Creative Cloud Libraries? Automatic sorting is fine, but I usually need to arrange my palettes in a specific visual order, and drag‑and‑drop was the most useful way to do that. Thanks for considering it!

Dear Adobe,Whoever decided to remove the layer color controls in Illustrator 30… we need to have a little sit-down.For decades, this feature worked. Nobody was asking for it to disappear. It minded its own business. It helped professionals do their jobs. And then one morning it wakes up wearing concrete shoes.What the ???Every release, somebody in a conference room decides, “You know what would make professionals happier? Let’s move the controls they’ve used for twenty years.” Why? Who benefits from this? Is there a secret contest to see how many hours of collective productivity can be sacrificed before someone notices?I’m not angry… I’m just disappointed. Actually, scratch that. I’m pissed.Bring the feature back. PLEASE!!!!Because here’s the thing: every unnecessary workflow change chips away at the trust professionals have in Illustrator. We don’t open your software wondering what new adventure awaits us. We open it because we have work to do.So do the right thing. Put the feature ba

Create a control panel to run Illustrator Scripts instead of being forced to constantly use the slow and tedious File > Scripts menu selection.

The single-most used feature in InDesign is the convenient Fit Frame to Content option. There are so many times I am writing text in Illustrator and I want to reduce the size of the text frame to fit the content. I rely on this for quick spacing of elements (image and text frames; text frames and text frames) all the time. Please bring this feature to Illustrator so I am not frustrated every time I think I’m in InDesign but am instead in Illustrator. Besides, I use Illustrator a lot more than InDesign for small print pieces where I am already creating the vector art.

I would like to suggest an enhancement to the alignment tools. Currently, objects can be aligned to the page edges, but for print design workflows it is often more important to align elements relative to the bleed area.It would be extremely useful to have the option to align objects, nodes, and vertices directly to the bleed boundaries, similar to the existing page alignment functionality. This would significantly speed up print-ready artwork preparation, especially when working with backgrounds, full-bleed graphics, and other elements that need to extend precisely to the bleed line.Suggested options:Align to left / right / top / bottom bleed edge. Extend or fit an object to the bleed area. Snap nodes and vertices to bleed boundaries. Allow users to choose the alignment reference: Page / Bleed Area.For print designers, this would be a major workflow improvement, eliminating many repetitive manual adjustments that currently have to be performed on nearly every print project.

Una herramienta tan potente como la que tiene Figma como las Guías de disposición se echa en falta en illustrator. Y también como la herramienta de crear otro tipo de retícula isométricas como affinity 

el uso de impresiones sobre shirts con DTF. en grandes dimensiones lo hace muy pesado , por lo tanto el uso del efecto semitono se hace necesario tenerlo en un solo lugar de diseño 

Many times I find myself wanting to move an anchor point on a curved path to a different part of it without affecting my current curvature, but it’s just not possible so I have to redraw the curve every time, which could be a little frustrating at times.It would be very helpful to have an anchor point sliding function in Illustrator where the handle tangents of the sliding anchor point adjust based on how close or far it is from the anchor point before and after it, like in 3D softwares. I hope it makes sense.

las herramienta es para colocar dos imagnenes o vectores en dos capas y que la que esta sobre la otra se pueda hacer tranparente en el  area que el diseñador quiera. , en el centro , de arriba hacia abajo , de extremo a extremo .  

I rarely hyphenate in illustrator. Turn it off by default

I’d previously reported a bug along these lines for the release version of Ai, but I’m not sure if that feeds through to the beta version too, so here goes:I have a document whose scale is 1:200. I have set the scale in the Dimension Tool Options to 1:200, and I can use the lovely Dimension Tool to happily add dimensions to anything and it gives an accurate dimension. Nice.I want to get the area of certain parts (it’s a garden layout and I want to be able to figure out how many paving slabs etc. to order). Sadly there’s not an ‘area’ option in the Dimension Tool, so I have to resort to the ancient Measure Tool. Why have these two tools not been merged?? Isn’t it time to add features to the Dimension Tool and kill of the Measure Tool? Anyway…If, using the (useless) Measure Tool, I try to get the length of something, it gives some figure based on nothing useful nor relevant. There is no way to set the scale of the Measure Tool, so we’ll politely ignore this. If, however, I want to get th

The title says it all. 

For those of us who want to use the aps for what they were originally designed for, versions of every Adobe ap with all AI features removed. 

The only way to unlock an object is by clicking the lock icon on it.I think we should add a shortcut for unlocking selected objects as an alternative option.

The Hand tool reaches its limits when the mouse cursor touches the edge of the screen. On a fairly large workspace, this forces you to zoom out and re-centre to avoid scrolling for too long. In Blender, there is no limit; you can scroll indefinitely. The only limit is physical: the mouse touches the wall or moves off the desktop. It may not seem like much, but for someone looking to optimise their working time, it makes a difference.  L’outil Main atteint ses limites quand le curseur de la souris touche le bord de l’écran. Sur un espace de travail assez grand cela oblige à dézoomer et recentrer afin d’éviter de scroll trop longtemps. Dans Blender, il n’y a pas de limite, on peut défiler à l’infini, la seule limite est physique, c’est la souris qui touche le mur ou sort du bureau. Ca n’a l’air de rien mais pour quelqu’un qui veut optimiser son temps de travail, ca compte. 

I use the Blob Brush to outline the shape of a fill but then have to delete the floating vertices inside of the shape, it would be nice to have a checkbox in the Blob Brush Tool Options that removed/undid any Compound Paths. That way you can stop interrupting your Blob Tool brushing to delete the hollow center, so to speak. In this example, I’m using the Blob tool to create a cell that will eventually be a shadow. I would like the Blob Tool to have an option that releases the compound path after de-selection and remove the inside path. This would alleviate the need to deselect, use the Direct select tool to delete the inside vertices, and would let an artist continue using the Blob Tool without having to interrupt the workflow. Procreate doesn’t even do this yet.  

 add "show linked images filter " in links window options , Because we need it to embed all images for the final file 

The 3D feature offered today in Illustrator is great, however, it’s very limiting. Packaging Designer are not 3D designers and learning/using expensive modeling software is not practical. If the 3D feature in Illustrator can be expanded to model slightly more complex objects, like asymmetrical packaging components, will be extremely valuable for our industry.Thank you for listening,

wenn ein Dokument über 100 oder mehr Zeichenflächen verfügt, wäre es sehr hilfreich, wenn man die Namen der Zeichenfläche durchsuchen könnte um seine gewünschten Elemente schneller wieder zu finden.

I want to be able to flip my cursor or change it’s style 

As seen in “New Alignment Example.png” and “Irregular Alignment Examples.png”, a user would set a key object, and the source rectangles of the remaining selected objects would align their adjacent edges to the key object’s source rectangle edge.