Feature Requests

Hola, me encantaría que premiere pro ya tenga la opción de detección de tiempo en la musica de manera automática, hay programas muchos mas básicos que ya tienen esta opción y dudo que a los desarrolladores se le complique agregar esta opción a premiere pro.

Hi,  I know this might sound crazy but can we pls get the "zoom in" "out" timeline shortcut in such a way that it works in ervery part of the App.  See: when the timeline is not activated the shortcut of zoomin in an out of the timeline is deactivated. Maybe because the windows are activly knowing where the mouse is.  Is is not a big deal if you work on a worstation with many monitors. But when you are working with a laptop and your space is limited you allways need to jump to the timeline to get the zoom activated if the CTR is not visible.  This would be a problem if we would have a shortcut to center the timeline around the CTR, but we havent.  If you are working with longer projects this gets very frustrating.  I hope someone understands my point.  cheers Peter  

Hey, I hope you can make an option to rotate clips in the bins.. Thanks

As we all know, Premiere projects cannot cross major update lines, a standard project created in v23 cannot be opened in v24 without first creating a copy of the project compatable with v24. Typically, with offline projects, Premiere will warn the user when a project created with a previous version is opened with a new version so the user can decide whether to upgrade the project itself or revert to using the older app. Unfortunately, Team Projects do NOT warn the user in a similar manner when a project that was created with a previous version of Premiere is opened with a new version. This can create issues if an editor unwittingly opens a team project using a new version of Premiere and shares their changes from the new version, effectively locking the team project into the new version and forcing all other team members to update to the new version prematurely. Upgrading Premiere to a new major version in the middle of an active project is definitely not what a team wants to do w

Lumitri/Premiere lacks the feature to balance tones other than white, so projects that require rather clinical correction require the user to manually slide the wheels or curves (instead of using them after the tone balance to tweak). Other tools including AE, Vegas, Resolve etc~ allow the user to sample a part of the preview to align not just the white point, but also the mid-grey, and black. Below is how it's presented in other tools and a mockup to show how it could be implemented in the Lumitri GUI.Currently, Premiere is one of the few PRO options to lack this feature, and very often I hear it's a reason people can't use it for color applications.    

Lumitri only contains a dropper for white balance, yet After Effects has the color neutralizer and Vegas has a similar option where you can quickly adjust white, mid-grey, and black by simply clicking the dropper with that range and clicking on the image. In that aspect Lumitri is very far behind, is there a chance for getting such a feature considering the functionality is already in AE?

In the old FCP7 and many other programs you can simply select the wireframe of a clip in the program monitor to move it around. This is ideal for simple compositing. But Premiere making this near impossible, by only allow the top track to be selected in this way. You should be able to select any visible clip, or even a non-visible clip that you have selected in the timeline, and move it around in the program monitor.

When creating a photo montage, it is very tedious to add keyframes - one-at-a-time - to the beginning and end of each image's 'Position' and Scale'.  And then if you want to add a transition effect, that means manually moving each keyframe so that its movement is constant.   I'm getting tired just typing this explanation. PLEASE PLEASE PLEASE add a 'Batch Add Keyframes' feature with the ability to select the parameters we'd like those keyframes to be placed on.   This would be an enormous time-saver to anyone creating a photo montage.Thank you

Please Premiere Pro add the feature like in after effect that when rendering that it uses 100% cpu cores aswell in exporting. maybe even gpu. it never uses 100% when exporting normally like 50-60% max so why do we just let away 50% of the power?

When you put forest, mango and rose as colors, you make me think harder than is needed. Please provide previews to these labels. Thank you!   

Dear ADOBE,Congratulations on Pp 24.0 and thanks for the effort you put in to make it better and better with each iteration....I almost found this picture from the WIN 8 era and a wave of nostalgia hit me...My question is... is it possible to bring back this color in today's Pp (please note, I use Pp since version 1.5 and this UI color does not exist in today's Pp), I hope it is possible and this color would go well with LIGHT theme from WIN 11...I will be persistent, until you bring her back to Pp...ha,ha,ha....all the best..  

Hello, I've been exploring premiere, I have a use case, I have a video background that is fixed for all files, and a CSV file with multiple names and phones, I want to create videos in bulk by replacing text from CSV file keeping the video background same. similar to the feature I used to create multiple psd using data set and variables in photoshop but it is for images, can we do the same for videos? any youtube link would be appreciated  Thanks

Hi, I work with both Premiere and AE and often have the issue, that for unknown reasons AE-files are shown as offline within Premiere even though they still exist in the exact same place with the exact same name. I don't know why they're offline in the first place but even if they're offline for a reason... Why can't I just click on auto-relink and continue editing? Manually relinking takes a lot of time and is pointless since Premiere knows where the file is. Can't this be a standard feature? Or how about Premiere just trying to relink files automatically a couple of times unless they were made offline by the user?

Many other programs allow you to select multiple clips at once, and whatever properties they have incommon can be changed simultaneously. If they are the same value, they show that value, if they are different "multiple values" is indicated.Premiere pro just greys out the effect controls when multiple clips are selected.At the moment you can copy/paste attributes but this isn't as granular or immediate as, for instance being able to shift the vertical position, or the vertical anchor of a series of clips that are side-by-side. This should be able to be done with one slider, but at present a simple operation like this is requires each clip to be manually adjusted.

Many other programs allow you to select multiple clips at once, and whatever properties they have incommon can be changed simultaneously. If they are the same value, they show that value, if they are different "multiple values" is indicated.Premiere pro just greys out the effect controls when multiple clips are selected.At the moment you can copy/paste attributes but this isn't as granular or immediate as, for instance being able to shift the vertical position, or the vertical anchor of a series of clips that are side-by-side. This should be able to be done with one slider, but at present a simple operation like this is requires each clip to be manually adjusted.

I'm sure I'm not the only one who thinks that nested sequences that auto populate in my main project bin are an unnecessary hassle. And I'm certainly not the first to request a feature like this.  My request is in the title -- just let us set a location for nested sequences to populate once created. Either on a per-project or per-user basis. Anything would be an improvement than constantly creating a bin and dragging nested sequences each time I start a new project.

I'm in the process of turning over a mix prep and one of the specs from the mix team is to have a "Burned-in Overlay with Scene & Take Number".  Our audio tracks are labeled in that fashion, but there's no way for me to point the "Clip Name" effect to the audio tracks.  Would love this feature in the future.  

Adobe Premiere Pro's speed ramping process should be more user-friendly and quicker as other platforms. The current method is time-consuming.

Danish language support in auto transcription.There's both Swedish and Norwegian but not Danish and Finish.Please add these languages to Premier.pls pls pls🙂

There should be an option somewhere to make Premiere always export to the project folder. Now, eveytime that I export a project, Premiere always place it on the last folder I saved a video previoulsy. I don't know why this is the "default". I lost count of how many times I saved videos in the wrong folder because of this. I was used to never check the folder because in Media Encoder it always saved on the project folder. Why change and make it worst???

When using a Universal Text Engine, Hindi text displays correctly during text editing, but when pasted into a Motion Graphics template, it appears correctly within the template but doesn't display properly in the program monitor. Can someone provide guidance on how to address this issue and ensure proper Hindi text rendering in both the template and program monitor?

There's Dip to Black and Dip to White, but you have to create a color matte for anything else. Alternative: add color selector to the other Dip dissolves.

Is there a way to take a clip or an image (in my case I have a .png with opacity) on a track and set it to somthing like Overlay etc... but also be able to blend based on underlying layer features, or features inside the image itself.In my case I'm going for "Underlying Layer" In photoshop you can do this.   I attached as screenshot as it helps far more than my description.Basically you can have the effect of the top layer appear on a range of values present below it.  So for instance a checkerboard overlay only shows up on pixels 0-20% out of 100%.   Looking for any way to achieve this in Premiere Pro. Thanks!  

I would like developers working on Adobe Premiere Pro to be able to program a function (a shortcut) that would add two keyframes with a single click instead of having to add one keyframe at a time. The two keyframes could be at a distance of 10 frames from each other or even better if we could adjust the default distance separating them. This would make it faster and more efficient when you want to make an adjustment in the sound of an audio clip that is placed in the timeline or to be able to more quickly change the opacity of a video clip that is placed in the timeline. timeline. A few years ago, I was working with Final Cut Pro 7 and this software allowed it.

Hello, Is it possible to turn off the yellow border box around the Source monitor when the Multi-camera View is disabled, please? I absolutely understand the necessity to highlight the selected camera when Multi-camera View is ON. But if the user purposely disables Multi-camera split-screen view and wants to play the *selected camera* only, there is no need to be reminded about that by the yellow box anymore. The playback should be clean and unobscured if needed... Since the Multicam-source Sequence is the only working alternative to Merged Clip syncing workflow (due to it's metadata-damaging nature) it is sad that this distracting yellow box is unavoidable even with the single cam projects. Pretty please, just make the yellow box go away without the splitscreen. Many thanks!