Feature Requests
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Condition: You are in the process of dragging something onto the timeline, and Auto-Save pops up.Expected Result: Drop can complete normally; OR at least, the mouse behaves normally.Actual Result: After auto-save finishes, releasing the mouse-button will not result in a drop event, and the interface forever shows the dragging tooltip/overlay. We can still perform other tasks relatively normally.But if we move the mouse to a horizontal edge of the timeline, such as to get something from the Bin, or to access one of the File/Edit/etc menus, the timeline continuously scrolls in that direction while the mouse is outside the timeline.The only recourse is to close and re-open Premiere.
Premiere 23.1 crashes everytime I try to merge the output with an existent transcription.
Not technically closed captions -- but please send to appropriate dept. Thanks!Came up against challenges when doing subtitles for a film in Italian (subtitling for English). Please send the following suggestions up the chain and ask them to include in the future for subtitling:1) There should be a character count feature -- Netflix and other services have strict requirements for subtitles (number of characters etc). Even better would be a template / setting that keeps your subtitles "legal" for Netflix etc(2) The subtitle background should be LOCKABLE so that it's not so easy to accidentally drag the whole thing when you're trying to move a single subtitle(3) You should be able to select and move multiple subtitles at a time.
Premiere struggles to sync poly WAV files. Please make it possible to import polyWAV and sync without having to line up each video clip 1st. Here's a post In put on help forms with my experience on a project:Editing in Premiere and my sound guy gave me poly WAV files, whic I now need to sync using the scratch track from my camera (Zcam E2 S6). Pulled the (poly) .wav files into the Premiere timeline, which revealed all but one of the indivividual tracks (weird, I can see all 5 tracks in modify->audio channels but only 4 appear in the Timeline). Anyway, Premiere won't sync in timeline ("Synchronize" greys out) because some clips share tracks. There are a LOT of clips -- so creating a new track for each manually isn't feasible. Tried PluralEyes both inside Premiere and stand alone, exporting .xml each time, including a timeline with original camera audio replaced (not that that would matter). PluralEyes inside Premiere resulted in overlapping video and audio clips, a mess. PluralEyes
It's always difficult to close many tabs (sequences) on Timeline, partly because tabs (and close box) move as we keep closing them. It would be helpful if the leftmost tab was fixed on place.
Need to be able to pre-type titles and store them in bins for our editors. MAJOR ISSUE that titles are now graphics and can only be created and stored on the sequence. Destroys workflow and is super inefficient to have to store them on the timeline. PLEASE FIX IMMEDIATELY!!
NO ANDA EXPORTAR EN H264, DA ARCHIVOS VACIOS
When a user uninstalls a version of Premiere (as a troubleshooting method), it seems obvious Adobe should make the SAME version available for re-installation. I uninstalled version 15.4, which is the MOST CURRENT VERSION I'M ABLE TO USE. However, 15.0 was the only version I could wrangle from tech support. This version DOES NOT HAVE THE SAME TRANSCRIPTION FUNCTION AVAILABLE IN 15.4!!! WHY CAN 15.4 NOT BE MADE AVAILABLE TO ME for re-installation? UNACCEPTABLE!
I think that there is a bug in Premiere Pro, latest version (23.1.0).I'm using Windows 11, latest version. Steps to reproduce:- Create an adjustment layer- Add a lumetri color effect to that layer- Create a mask path of that lumetri- Toggle animation of that mask, and create at least three or four keyframes, moving the mask in different places of the video in those keyframes- Add a point to that mask, in a keyframe that's not the first- Edit -> Undo What I thought should happen:The point gets deleted in all the keyframes What happens:The point gets deleted just in the first keyframe, and in the keyframe you added it in (if the point was added in a time position where there already was a keyframe).In addition, the movement between those keyframes "jumps" and doesn't "smoothly move" between the positions of the video. Notes:I chatted with the support, and they told me it is an expected behavior as the only way to remove a point added "by mistake" is with ctrl+click (on Windows), or le
Bug: Keyboard functionality not working for the source window. Only been an issue in the latest version 23.0.0.Incredibly frustrating and slowing down workflow significantly
Premiere Pro is saving to the Documents folder on iCloud. Can this be fixed so that it saves onto the SSD?
When working on projects in the Production function, sometimes I need to quickly find the right sequence, but since the search now only works by searching for the title, is there an option to change it?
Um temporizador que marca o tempo quando se está sendo editado dentro do programa.Você aciona a função gerencimento de tempo e o programa começa a contar o tempo trabalhado ali dentro daquele projeto.Junto ao gerenciamento de tempo é necessário o trackeamento do acesso, ou seja, cada editor tem um acesso com seu nome e o programa monitora o tempo dele trabalhado naquele projeto.
This is very much needed and wanted especially from all my colleagues in the news editing department. When you have set audio transitions on your clips and you want to switch out the audio in the exact length you always have to redo all the transitions. This is very time consuming.
I would like to have the option to disable clip overwriting and/or splitting (such as what happens with the insert/CTRL+click function). If I add all of my clips to the same track, I would like them to just stack up behind one another, uncut. This would be extremely useful when adding intros, intermissions, or additional footage to the begnning or middle of a project. Having to constantly select/lock and move around my entire project just to add in an intro or some clips in the middle is really inefficent.Functionally, it would look like this: when moving or adding clips on the same track, they would be prioritized by whichever one starts first on the timeline. If a new clip is added overlapping another clip (on the same track), then the clip that begins first on the timeline would take priority. The "second" clip would stack behind it, and any other clip(s) would continue to stack behind that. When "disable clip overwrite" is set, then CTRL+click can still serve as the insert or "over
That Adobe doesn't provide proxy presets for vertical videos isn't just insane. It's comic legend. Here you have the shoe maker with no shoes. And what really makes this epic is that the user is expected to create their own vertical proxy presets - a process that is about as far removed from "intuitive" as "vomit" is from "ice cream." I'm reminded of the famous words of Clark Griswold: "Hallelujah! Holy ****! Where's The Tylenol?"
If you right click on an audio fade in the Sequence, you can change between Constant Power/Constant Gain/Exponential via a drop down menu. PLEASE!!!!
It would be good even for a setting to be added to turn this feature on and off but if you could for example double-click an effect and it auto be placed onto the highlight clip/s. It takes a long time to drag and drop and I for sure feel that this feature would be will beneficial in saving time.
I'd be great if there was an universal ID number or something similar with the name of the effects in Adobe After Effects (For example: Audio Effects > Hard Limiter - ID3252). I watch tutorials in Portuguese and English and sometimes it's quite hard to know what effect they are talkin about.
Simply make the timeline panel ACTIVE after clicking on a marker in the Marker panel. There's absolutely no reason why the Marker Panel would remain the active one after clicking on a marker. basically we'd liek to press Play/Sapce to get going..! or "Match Frame", without thus to have to select the timeline.It's good (obviously) that the playhead jumps to the marker but please make sure the TL gets active too.Thanks! That'll speed up the marker use very much.Best,Federico
I think it might be nice to be able to change the default clip effect to time remapping (or whichever of the three) when imported to the timeline. I find myself using Time Remapping for speed ramps far more frequently than I do for opacity fades. Jus think it would be a nice quality of life update because right clicking on that little box for every clip gets annoying. Thanks!
I find the Mac Finder Favourites column a great way to quickly organise projects I'm working on.It'd be a great timesaver if my 'favourites' showed up automatically in the Media Browser/Link media window within Premiere. I realise we can already add favourites but it's be great if they were already there. Maybe as an option for people like me use this workflow?
The audio waveform should be able to change it’s size when a clip gain modification is made, whether it is lowering / raising or making any volume automation to an audio clip. Just like in any DAW. This is not related to color change when the audio approaches peaking (which is still a good idea though)
It seems to me that a simple transition such as a radial wipe transition would be included with Premiere Pro. I even downloaded all of the free transitions from the adobe site but still no radial wipe. could you develop one?
Asus did a great job with its dual-screen laptops, but on adobe premiere, the right-click feature on the timeline doesn't show the full options on the second screen only due to its irregular display size. The option to scroll and find new options when I right-click is not possible on the second screen, I can only do that on the main screen. This is frustrating. Adobe solved this issue with lightroom, lightroom works perfectly with Zenbook duo laptops but nor premiere. I wish adobe can solve this issue on premiere as well knowing that this laptop is made specifically for editors and we invested more to have a second screen option on a laptop.
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