Feature Requests

Import media as proxy file.Often we are sent dailies/proxies (shooting 4k, dailies made at 1080p) which are used to start editing the next day. We do not receive full resolution media to up to a week or so later. It would be beneficial to be able to import the dailies as proxy media so it can mimic the 4k resolution and therefore eliminate the need to resize during the online process and attach the native source media easily.

Vector graphics are rasterized as they are imported. Scaling them larger than 100% results in a blurry graphic. After Effects offers a "Continuously Rasterize" option, and Premiere should offer the same. It could be an option under Interpret Footage.

The new version makes it impossible to navigate through markers.Whenever clicking the option to navigate to the previous or next marker Premiere won't do anything.Markers are on the sequence. The navigation hotkeys greatly improved my workflow, but now I have to click on the market to be on that time stamp slowing everything down.Noticed this bug in the last 2 updates.

Changes made to the Workspaces Panel via "Window/Workspaces/Edit Workspaces.." are not saved after restarting Premiere.Verified via the forms and with Adobe Community Professional.

I'm getting repeated failure of exports if there is an AE dynamic link in the timeilne (all ProRes LT media) and the export format is H264. Error message identifies time point in timeline w Dynamic Link footage. Seems to be new in V23.R.

Adaptive Audio Channels are causing noise on some clips upon export.In the timeline they play back fine, as expected.Upon export of the timeline, they give full scale, stuttering noise in the exported clip.These are 4 channel clips in a 6 channel timeline.In addition, what should be 6 audio channels in the timeline, appear to be only 4 channels in the "effects controls" window. I can re-edit the original media back into the timeline, and it appears as 6 channels. At some indeterminate point they start appearing as 4 channels once again. In the "effects controls" panel, these odd clips appear to have additional settings beside the "volume in" and "volume out" headings - they appear to be nul values for 6 channels.Edited to correct: these are 4 channel clips in a 6 channel timeline.To clarify - the channel settings are quite secondary to the issue of the very loud noise upon export. I posted details on those as they seem possibly correlated.

Sometimes, I have had the situation where I wanted to add a link to some reference website/sheet, but it seems like it's not possible at the moment. It would be amazing to have the possibility to do so!

I want crawling to be included in essential graphics as well.レガシータイトルに搭載されていた機能、横方向のロール（クロール）ができない。エッセンシャルグラフィックスにもクロールを搭載して欲しい。

The fact that Pr always defaults to the last export location, regardless of which project is exported from, is completely illogical. Why would a user ever want to export Project B's sequence into the last used export folder if that folder belongs to Project A, for example? (see illustration 1)There are already about a half dozen FRs that ask for this to be fixed, however since they only offer half baked solutions, I'm posting a new FR, offering a full fledged solution.The solution is simple:Provide a new 'Export' tab in the Preferences window that allows users to define the default location they want all of their projects to export to (both from Export Settings and Quick Export). (see illustration 2)A 'Relative path' checkbox would allow users to make the export path relative to each project. In the illustration's example, the location is set to .\Exports. This means exports from Project A will automatically appear inside a folder named 'Exports' next to project 'Project A.prproj',

That's a pretty essential feature.If we're supposed to design and move graphics there, we need motion blur there.

re activation of timewarp in effects for slowing down footage

Would love the ability to crop an image without having to mask, or search and add Crop from the Effects panel. This sounds silly and lazy, but it’s something I’m doing over and over in sizzle editing, where I have to make all graphics, animations and mock ups for advertising, for example.Please consider adding Crop into Effect Controls. A 4-point polygon mask makes a small box and you have to drag the points. (holding shift, and getting it just right visually) I want Crop embedded because I want to adjust the edges with numbers, quickly.Also, a request for the order to be 'Top' on top:TopLeftRightBottomA cropper can dream... 🙂Thank you!

Everytime I open my Team Project, Mercury Transmit Software render is activated. I always have to switch to GPU CUDA Render, close my timelines and open them again. Otherwise my timelines does not playback. It does not matter if I open the Team Project on my workstation or my colleague opens it on his one.WIN 11 ProPremiere Pro 23.1.0Studio driver version 526.98NVIDIA RTX 3090

Scenario:I'm editing a video that is a documentary-style film about someone's life. I have four interviews that are ranging from 15-40 minutes.The application of the idea:I'm going through each interview and there are significant pauses between answers which makes playing through the edit more time-consuming. I've already trimmed big pauses out but there are still smaller pauses (5-8 seconds) that I'm going through.Could the team create a function that would trim the video based on the volume level of the clip? So, any clip that didn't meet a certain threshold of decibels would be eliminated. Obviously, there would be a cushion/sensitivity slider so the cut isn't made directly when the person talks, this gives them a margin. But this function could automate tons of time going through and trimming parts of the video.

when drop or apply a effect to Essential Text at Essential Graphics Panel,can not click the effect layer to move up or down or drop to group ,only way is go to effect Controls panel ,click the effect ,then move up or down.but Premiere pro 2022 could.

Using the Essential Sound Panel to add effects creates a specifc effects chain that follows the layout of the panel: Repair effects > Dynamics > EQ > Hard Limiter.If you save a preset, it will reverse this order, creating a completely different mix.This is not just limited to user presets - it applies to the built-in presets as well.The only way around this is to manually rearrange the effects every time.

These are constantly covering up the waveforms, making it difficult to edit audio, unless you zoom in and/or increase the track height.Here's in image to show just how troublesome this can be:https://i.imgur.com/QwzkSeO.pngThe ideal solution would also have an associated shortcut, for easy toggling on/off, just as we have for audio track names.This is item 96 on my spreadsheet.https://docs.google.com/spreadsheets/d/1dVJb7kI_ZETLavrplfARgn9gL8HUpvkq6A0jCPxqA3w/edit#gid=1133868629

Audition has FANTASTIC fade handles. I need the same kind of fade handles in Premiere Pro. Thanks.

Export workspace was a pure stupid idea. Editing for 35 years, I have never seen something so stupid. I need to get to the export dialog without leaving my edit workspace. Put the Export back in the Windows selection in the Edit Workspace. I have to leave the application just to export a sequence, because the Export workspace is unusable!@!!! Or, let the Export dialog box overlay on the personally created edit workspace. I can't work like this and going back to version 21. You can tell the Engineers are NOT editors.Also, the buttons under the video windows do not stay mapped, they get lost every restart.I don't NEED ANOTHER WORKSPACE FROM ADOBE! I use my workspace that I've created over decades, now let me export from my workspace again. Please!!!!I bought a $3500 M1 Max to find 3 layers of video have to be rendered. WHAT? 32 cores of GPU and Premiere can't play back more than one layer of video with 32gig of ram and M1 Max 64 core CPU? Why did I buy such a big engine for your tiny tra

Make playhead return to original position like in Adobe Audition for speed up editing

Uninterrupted playback,playing video or audio in the timeline, have the option of letting you jump to different spot in the timeline, while keeping it playing.

Weird idea, but how about fixing, say, the top 200 bugs in Premiere Pro that cause your users to randomly lose hours of time every day?Today - a fairly typical day - time ramp caused the preview to go blank until I turned off hardware acceleration; audio didn't appear in a nested sequence; the first few seconds of audio played in a sequence at double speed (until I turned off the default input device - wtf). Some of these bugs have been in Premiere Pro for *years*.Yesterday there were others. Tomorrow there will be more.I'm sure this won't get loads of votes, but it's still the right thing to do.

Please re-enable Media Duration in Icon View inside Premiere Pro's Project Panelhttps://community.adobe.com/t5/premiere-pro-discussions/media-duration-in-icon-view-premiere-pro/td-p/12606259

Allow not only color code the clips but also the tracks, which would override clips color (so every time you add a clip to a certain track, that clip takes the track color. Very useful for audio, specially when lots of tracks) Also, the audio track faders should be same color of the track.

When using Paste Attributes there should be an option to overwrite any effect that's already on the clip rather than just automatically duplicating it and requiring me to go in and manually delete the old instance of the effect.This would be extremely useful because sometimes I make subtle changes to only a couple of parameters within an effect while leaving the rest of them intact.  Having an overwrite option would allow me to make adjustments to effects and then paste them in bulk to other clips without having to then go through each one individually to make the changes.