Feature Requests

I need to get the full control over the prores raw (both from iphone and from atomos devices) like user on final cut can have. At the moment you just supported the reading of the file and the gamma (which BTW is very well hidden!!!). Please let's give full support to this format! Best, Davide

Hi, this is a request / feedbackPlease create a way for text / font to scale appropriately in Premiere Pro on the UI. I just installed Premiere on a freshly updated Windows 11 PC, and I can barely read the text on the panel labels on my 2K monitor.I've already tried increasing the scaling in the Windows Settings section (100%, 125%, 150%, 200%); this changes certain areas of the text in the Premiere program, but does not change the panel tab titles and other important sections.Please consider making all of the text parts of the UI scale accordingly so users can continue to use the product without headaches.Thanks

The way it's now in Premiere Pro is not convenient at all. I mean how one can search through and choose luts in the current version of the software. Basically all you have is just a drop down menu:It is small, not convenient and not informative. Plus you cannot organize your luts in folders, they all go in one long list. I'd like to request a Luts browser. It could be a separate tab of the Lumetri color alongside these:And it needs to be preview-based, not just a list of names.We already have a Lumetri Presets folder in the Effects tab and it's a ton better, but you cannot import luts there, only luts as presets and only one by one. Well, I have 2970 luts. I don't like any of the current lut mechanisms.Just a reminder: Blackmagic have long solved this problem - you have folders you can organize, you have nice scalable and informative previews plus they pre-apply once you hover your mouse over them: Please, Adobe. Dropdown menus are good for lists comprising 3-5 items. 

Podcast Ai audio enhancement has become an integral part of my workflow and I'd love to see it integrated into Premiere Pro natively.  Exporting the audio, opening the browser, signing into the website to process the audio, export, re-import the audio, and lining it up is fine for a couple sources but for projects with more, it isn't an efficient workflow.Podcast Ai is such a great tool that saves time on set when you cant control an interview/dialogue environment completely, and in the edit when you have quick turn arounds.  Integrating it into Premiere Pro would be a absolute godsend for many and it would give Premiere another unique feature to help speed up workflows (which are honestly the only updates I care about now days).Thanks,

When will Adobe create a Fade to Black effect for Premiere Pro that can be added to the top layer that fades all the layers below it? You know, like Media Composer has had --- ALWAYS? ...an effect that keeps us from having to create a piece of black video, or an adjustment layer, or nest all the video layers, and then add keyframes? No, Dip to Black doesn't work. Cross Dissolves(which have to be added to ALL the layers) cause the graphics to become transparent, showing the layers below the graphics, which looks like crap.How has Adobe not created a simple Fade to Black effect?WHEN will Adobe creat a simple Fade to Black effect? 

In Premiere we should have single native "one-click" magic button to perfectly separate all media types into folders automatically, and  organize  footage, audio, and sound effects (SFX) into separate bins efficiently. because like me i have tons and tons of footages and music in a project and manually organise them is a task, Kindly incorporte this feature in this version...

台灣使用premiere pro的人算多，卻一直沒有繁體中文蠻可惜的請問不能有繁體中文的原因是什麼？怕中國生氣是嗎？

With Premiere Rush coming to an end, I’d really like to see the new Premiere Pro mobile interface made available as an optional view within Premiere Pro on desktop.I really like the simplicity and clarity of the new mobile Premiere Pro experience, but I much prefer editing on a laptop with a keyboard, trackpad, and larger screen. Being able to switch Premiere Pro (desktop) into a mobile-style UI mode would be ideal for quick edits, simple projects, and focused workflows.This would also be an excellent way for new users to learn Premiere Pro. Starting with the mobile-style interface on desktop would make the learning curve far less intimidating, while still allowing users to gradually transition into the full professional layout when they’re ready.I don’t particularly want to use Premiere Elements. What I’m asking for is Premiere Pro itself, just with the option to use the same streamlined interface as the new mobile version, but on desktop.I think this would help retain Rush users, sup

Even though I have a huge screen, the markers panel limits visibility of the marker name to a tiny postage stamp no matter how large you expand the panel. This effectively truncates the marker name after 16 characters. I use these markers to list sets of tunes and then I have to use a 3rd party tool to to extract markers and timestamps information because I guess Adobe doesn't expect users to ever post their ideos on YouTube using timestamps with descriptive information.  <eyeroll> Anyway, it seems like a simple ask--let us stretch the column in the markers panel to make the marker name readable. 

When using the Sequence Index with "Update Timeline Selection" ticked, would it not be a good idea to allow the selection (in both the timeline and the index) to follow the Linked Selection toggle.I almost assumed this fucntionality would exist but it doesnt seem to.   [Moved to ideas by mod]

Maybe this exists but I haven't found the functionality.  I'm working on a doc that has hours of footage and I'm using markers to log everything.  It's cumbersome now to listen to the clip and then add a marker and log it.  I would love to be able to hit the marker button and type while I'm listening to the clip on the timeline in real time.

We all know there is a bunch of things in Resolve that makes Resolve the leading choice for commercial production and for proffesional use with colorgrading.  And I know if we only could get at least 50%. Most people would not switch.  I know that there are a lot of young people who is getting into film making and when you have a free software that you could practice and master until you buy it is too tempting for most people. So why would they choose a software that is paid monthly and have less options? More and more people want to focus on film making and not just content, which makes Resolve a absolut attractive start.So what type of features whould change that view? What should Adobe adopt to become the Colorgraders choice?Just having Vectorscopes in curves would be a simple thing to start with.Depth map maybe?We are soon getting our own "Magic mask" which is a great start for not needing to jump between PP and AE. I'm just here throwing out ideas and discussio

There are many effects that could benefit from a 'mask limiter' instead of using the mask as opacity. The issue with many effects is if you want to tastefully limit them the mask data should drive the effect rather than cut/fade it away.   The most typical examples would be Mosaic or other blurs and lens flares. In DaVinci Resolve, if you add a mask input to certain effects the effect itself is limited rather than the result blended.   Here you can see that a mask with no feather, the coverege against the mosaic resolution dictates contribution. As effect it reaches outside of the mask and doesn't become a cut off circle.   Resolve: Premiere Pro:   It would be really nice to have a mechanism for this with a switch button on the mask to tell whether you'd want it to affect the opacity or the effect itself.

I’d love a keyboard shortcut that selects all clips in front (to the right) of the playhead. This would behave exactly like the 'Track Select Forward Tool' (default shortcut A), but without requiring a mouse click. My aim is to stay on the keyboard as much as possible and avoid constantly reaching for the mouse. I know there’s a workaround using 'Set In Point' followed by 'Select In to Out', but that only works on targeted tracks. That’s pretty annoying, since I’m usually working with specific track targeting. Having to toggle targeting for all tracks, then re-toggle them afterwards massively slows things down. (While we’re on the topic: it would also be amazing to have shortcuts to explicitly set track targeting On or Off, instead of only toggling. That would allow for preset targeting setups… but I won't go about that one again!  https://community.adobe.com/t5/premiere-pro-ideas/track-target-presets/idi-p/15336664)  Being able to quickly s

It would be great to be able to rearrange styles in the Style Browser! The Style Browser is such a useful feature!I’ve created many styles to work more efficiently,but unfortunately, I can’t freely move the style icons around within the browser.I’d love to be able to organize them by simply dragging and dropping with the mouse — just like in many other apps!   スタイルブラウザーはとても便利だ！ たくさんスタイルを作って効率的に使いたい！ しかしながら、スタイルブラウザー内のスタイルアイコンは、任意の移動ができない。 よくあるような、マウス操作のドラッグで移動して、スタイルブラウザー内の整理をできるようにしてほしい！！！  

I am needing to sort bins of footage for a docuseries shot over about 2 years. The footage was shot on cinema cameras, the filenames of which are often something like "A00#C00#_yymmdd##". It'd be super helpful to have the option to sort the source clips by Creation Date. The date would probably be the date we made the proxies, but that least that would get us in the ballpark. (We did transcode in DaVinci, can the bin be sorted by Tape Name?) 

Enable editors to save customized states of After Effects MOGRTs (including text, media replacements, and slider settings) as local presets.This would eliminate manual re-entry of recurring data (ex. like name keys or titles) and allows for user-defined "default state" for a MOGRT. This would greatly benefit MOGRT workflows and speed up editors graphic work in Premiere. I imagine it being  similar to saving effects presets in After Effects. 

As a very long time user of Adobe Premiere, and as a working professional editor I am finding that Premiere and Adobe Media Encoder are crashing more than ever. I have a state of the art system. I am using the most professional workflow we have available. And yet, if I do not delibertly turn off automatic audio type tagging, automatic audio file transciption, AI media anlaysis, etc, Premiere pro crashes...constantly.  These features have the potential to be great, but they shouldn't be the default, not until they are far more stable.  Additonally, when trying to work with video created on modern phones, permiere pro and media encoder seem to have a very hard time. We shouldn't be having these issues at this stage with the technology we have. It is maddening as an editor to have to constantly spend my time solving these issues.  Thanks. 

Hello,It would be valuable and more reliable, if the Export settings user selected File Name would be saved with the project, so that next time the file name would be the same by default, especially for replacing the previous file. Open the Export tab of a previously exported Project and see, if your previously typed in File Name has been stored in the input field and ready for another export. On Mac Sequioia / Latest Premiere Pro. Thanks!

Hi! Not quite a "wow" idea, but it would be a great quality of life update: let us zoom in and out in the keyframe area of the Effect Controls panel by using the Alt (or Option) + Scroll Wheel, just like we do on the timeline. It would be a lot easier and faster than grabbing the zoom bar's handle.  Thank you!

Hi Adobe Team,I am Himanshu Kumar, Student & Aspiring professional video editor, and I’ve been using Premiere Pro for years. However, the latest 2025 update has introduced some changes to the FX Badges that are severely slowing down my workflow. I would like to highlight two major issues:Selection & Click Area Conflict: In the new version, the "hit zone" for the FX badge is problematic. When I'm zoomed out on a complex timeline, clicking a clip (even 1-2 frames long) often triggers the FX badge instead of selecting/dragging the clip. I can’t delete, move, or enable/disable clips without zooming in significantly. This is frustrating and kills editing speed. In previous versions, the selection was seamless regardless of the zoom level.Removal of Functional Colors: Previously, FX badges had distinct colors (Yellow for Motion/Opacity, Purple/Green for external effects). This allowed me to scan a complex timeline in seconds. Now, everything is a dull, low-contras

Hi there,Would it at all be possible to add a toggle to disable the Program Monitor from automatically entering Trim Edit mode when multple edit points are selected (ie. by holding Ctrl and dragging across multiple edit points). Selecting edit points individually while holding control doesn't force this mode, it would be great if we could extend this as an option when you drag and select multiple.This mode isn't really useful in my workflow and often acts as nothing but a hinderance - it can be slow to swap back and forth in large timelines which I generally exclusively work in, and forces your play/stop toggle to turn into the "play around" functionality presumably to see changes to any trims - this however is just never really what I want in my workflow and is a little annoying if I've tried to exit the trim mode and it doesn't register for whatever reason. I'm generally selecting multiple edit points to simply add a default fade transition between multiple lavs then moving on,

Possibly already suggested but a feature like that seen in Mac OS Finder for all media/file directory windows. This would be particularly helpful when relinking media - being able to just start typing to quickly locate the folder or file in the list instead of scrolling back and forth until the correct folder is found.

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In an Offfline workflow it's common to edit with low file size proxies of a diferent file type, then for finishing reconnect to the camera originals. Premiere is able to do this with one issue: In the Link Media window, when you seach for a file with "display exact name" checked, it will not find the file if the file extension is diferent. So... you have to navigate to the file yourself, select it, and premiere will reconnect to the file and it will also "relinik other automatically" however only those files in the same bin. This is the issue. If you have a lot of footage nested in bins per card which are also in bins per shoot day, you have to reconnect each bin individually. In contrast, if the file name and extension is the same, you can simply search the top level folder and premiere will find the file, then when it attempts to "relink other automatically", it will successfully relink all your media because it is looking from the root folder of all your footage. But