Feature Requests

Can anyone help me? I just recently turn off my computer for a night's rest then the next day this pops up. My premiere cant seem to find the change to color filter and I dont know how to get it back. pls help need this asap, big thanks.     I altered lot using this filter!!! Pls help me need this asap!! Big thanks!!!   Mod note: Title changed slightly.

Just like After Effects, when you Create a new sequence from multiple clips, premiere should offer the option to either:A) Single sequence with all selected clips (current functionality)B) One sequence per clip (requested functionality)

I am looking to see if anyone knows if there is a plugin that will take the GPS data meta data from a video clip, and both/either show you the meta data (and friendly location name (city/country eta least) within premier project window, and/or this data can be used to convert to a map location name to display on your video (hopefully by just dragging it on to the video), and for bonus points, the option to show a small map from google with the pin for the location. Here is an example of the data embedded into the iphone video:+24.9913 +121.5849 +126.715 And a converter tool as apparently google maps doesn't like that format:GPS Coordinate Converter, Maps and Info Thansk in Advance for any direction you can provide Added:Premier can show the Metadata in EXIF from the video file,  I just need a way to convert this to a city name without cutting and pasting each location into google,   some sort of plug in that lets you map it, a

Good morning,In my opinion, it would be a good idea to add a blur and border smoothing to the panel where you can modify the position and scale.It would also be good to add more effects and transitions like Seedles natively. This helps avoid issues with third-party plugins and helps improve today's demanding workflow in most cases...What Black Magic is doing with Davinci Resolved is fantastic. I'm not talking about merging AF with Pr, but putting Premier on par with Davinci because many users are migrating.Regarding performance, they've improved a lot, so I congratulate them...Where I work, they've been using Premier for over 10 years, but they're already migrating to Davinci, and it's really a shame!

when nesting clips that are larger than the sequence frame size it is not possible to add movement keframes because Premiere "bakes in" their dimensions to the size of the sequence they’re nested into — so anything outside the frame gets cropped, and the keyframed movement gets very limited to what's visible inside that frame. this makes pan, scale, rotation, position keyframing not possible.. can you add an option to nest while keeping the actual size and the outside-of-the-frame images/videos info so that keyframing will be possible?this will be a huge update!

In many cases, I don't need to see all of the audio waveforms simultaneously. It would be much more useful if we could enable waveforms on a per track basis. This would help alleviate some lag when dealing with multiple audio tracks in a sequence as the software wouldn't have to draw and buffer waveforms that were not relevant to the user.  For example, if I am working on a music track, I don't need the audio waveforms for my other tracks at that time.  Avid Media Composer implemented per track waveforms some time ago and it's extremely useful. 

Would love to batch twirl down multiple at once. Working in Production and have dozens of bins I need to constantly twirl down one by one.

Hi, I would like use the mouse wheel to scroll frame by frame in Timeline Panel as Program and Sorgent Panel.Thank You.

1. Need choose option in window File - Export - Captions for subtltles2. In the export tab, I can't select export ONLY subtitle tracks, only audio + subtitles or video + subtitles. This is very inconvenient.3. I also need a function to export all tracks one by one in 1 click to srt or another format (C2 on the timeline - file 1, C1 - file 2, etc.)

Hey there, Long time premiere user, just downloaded 25. The Preferences > Appearance window is actually now inferior to the older version in that in Prem 23 I have a sliding scale of "brightness" which allowed me to customise the appearance of Prem. I prefer a the lightest grey possible as it seems to cause me to strain my eyes the least. In this new version that sliding scale has been swapped for 3 modes, titled Dark, darker or light.  The light one which is just white.Dark is very dark, almost a black backgroundDarker is still very dark, much darker than I would like it.  I've got it set to Darker as it's the closest to the old setting but it's still much darker than i'd like it meaning I'm struggling straining my eyes during long edit sessions. Can this please be put back to a sliding scale? Seems much more user friendly.  

As User of Adobe Premiere,I want to automatically blur or pixelate faces in video footage so that I can protect people’s identities without manually tracking and editing every single face in Adobe Premiere Pro.While I’m aware of manual techniques using masking, tracking, and Gaussian blur, they are time-consuming and not reliable in fast-paced or crowded scenes.What I’m looking for is an AI-based out-of-the-box solution within Premiere Pro or the Creative Suite that automatically detects and anonymizes faces throughout an entire clip — similar to what platforms like YouTube or Descript offer.Such a feature would be invaluable for documentary editors, journalists, educators, and content creators who need to meet privacy regulations and handle sensitive footage efficiently.Does Adobe already have plans for this? Or are there any existing workflows, plugins, or beta features that enable this kind of automation?Thanks in advance!

Hello Adobe Team,at the moment it's only possible to export transcripts in .srt, .txt and .csv files. But I can't import csv files again after exporting them?...I have multiple projects where I have to send the transcript to my client for an external review and changes. Exporting a txt-file is extremely complicated for my clients and a source of errors if the client doesn't stay EXACTLY in the form of the txt file. Srt-files need to be converted and are therefore also complicated. Nearly every client works with excel, so a csv file is great for them (the export of a transcript works perfect.) BUT I need the possibility to import these files again after they were revieved.PLEASE add this feature. It makes no sense for me, why I have the ability to export a csv-file but can't import it again.

It would be nice to have a similar feature than Indesign to automatically balance ragged lines in subtitles.

Hi Adobe Team,I wanted to share a small but potentially helpful feature idea that could streamline workflows for many of us creating content in both horizontal and vertical formats.In my projects, I often create horizontal sequences first, then repurpose them for vertical platforms like Instagram Reels or TikTok. While I’m aware of the “Auto Reframe Sequence” option, I often find that the automatic reframing doesn’t quite align with my creative intentions—especially when it comes to precise edits. So instead, I manually go into Sequence Settings and change the frame size from 1920x1080 to 1080x1920.This works fine for single sequences, but when I have to convert multiple sequences, the process becomes repetitive. With that in mind, I’d love to suggest two simple enhancements:Add a quick toggle switch in the Sequence Settings window to flip the Horizontal and Vertical frame values. (I've included a mockup of what this could look like.)Enable bulk orientation switching for multiple selec

This issue seems to be new to version 25. If you click and select a caption in the captions tab with 'Selection follows playhead' turned on, it used to just select that caption on the timeline. However, now it also selects clips on the timeline which have targeting enabled. This wasn't the case in version 24. To me, this change is not great design. I often use the Captions tab to edit subtitles, sometimes joining two captions together by pasting from one to another, and then deleting the empty caption. The problem is that, if I click on an empty caption and hit delete, it doesn't just delete that caption, it also deletes whatever has also been auto-selected on the timeline. If you're focussed on the Text panel, then it's easy to miss this, only to discover that multiple clips on your timeline have accidently been deleted, when all you were doing was editing captions. The workaround is to turn 'selection follows playhead' off when editing captions. But it would be helpful if t

Adobe, please support Arri's HDE raw format soon! Would really speed up mine and many other's workflows as this is going to be a very common filetype shot on set moving forward. Thanks

Is there a way to sort my project files by File Size? 

久しぶりにアップグレードをしたら仕様が変わっていました。細かくエフェクトの位置を変える自分としては作業効率が非常に悪くなるため、バージョンダウンしました。この仕様である限りアップグレードできません。モニター上でマウスホイール操作をした際、ズームイン、ズームアウトか1コマ移動かを選択できるようにしてください。この変更には非常に憤ってます。

It would be great to press "auto" color correction on Lumetri Panel and get an auto generated Lumetri-color effect for all selected clips in the timeline. Now you have to do this one by one. I know that we can add an adj layer and calculate an unique Lumetri color for similar clips, but however usually clips are different and require different adjustments.  Plus: auto generated Lumetri-color should consider continuity and matching the colors between near clips

It's really simple. Transcriptions are not correct. But if I use almost any other major transcription service, the accuracy is a lot more useable. And if I can't trust the language I can read, I definitely cannot trust a language I cannot.  Simple example - My brand is called "Geekazine". Transcriptions have done "Geek is in", "Geek Ezine", "Geek align", "Geek scene", "Geek cuisine" and other variations. Never has it done "Geekazine".- Premiere Pro has yet to get this correct. - If I use any other AI transcription service, when I say "Geekazine", it shows up as "Geekazine" - I use Vibe - an Open source transcription program - https://thewh1teagle.github.io/vibe/It also gives me accurate SRT and text files. - Even my Name "Jeffrey Powers" gets transcribed incorrect a lot of the times. I am not in the UK, so not sure why I'm seeing the English "Geoffrey".  I am not "Geoffrey Perez", or "Jeffrey Pow is".  Audio from my videos is fairly clean an

When supports Premeire Pro, Audition Dolby Atmos? I have to pay since now,  Da Vinci Resolve as well . Only to make my Dolby Atmosphären Track. I dont like Da Vinci Resolve......

Current Limitation:When using File > Export > Markers in Adobe Premiere Pro, the exported CSV and text files include marker names, timecodes, comments, and durations, but completely omit marker color information. This means that any color-coding workflow using different marker colors (red, blue, green, etc.) is lost during export. Requested Feature:Add marker color information to the CSV and text export formats when exporting markers from Premiere Pro. This could be implemented as:For CSV exports: An additional "Color" column containing either the color name (e.g., "Red", "Blue", "Green") or hex color valuesFor text exports: Include color information in a standardized format alongside existing marker data Use Cases and Benefits:Post-production workflows: Many editors use color-coded markers to categorize different types of notes (e.g., red for technical issues, blue for creative notes, green for approved segments)Collaboration: When sharing marker data with other team m

Keyboard presets, caption presets, Lumetri presets, Essential Sound presets, Workspace layouts - and on and on and on.   We all create so many presets as we work, and they become pretty essential to the workflow.  But where are they all?   I can never, EVER find them, because they're all over the place - some in ~/Documents/Adobe/PremierePro/xx/Layouts,, some are in ~/Documents/Adobe/PremierePro/xx/username, some are in ~/Library/ApplicationSettings, some are somewhere else etc etc.   You know the deal. While there's no way we'd expect you to start moving all these around in the filesystem the app references, because doubtless there's specific reasons you have to put things where they are etc, surely there's a way to create hard links or whatever to them all, and flile them in a folder called for e.g. ~/Documents/Adobe/PremierePro/UserPresets, and place them all in subfolders beneath that?  We so often need to move a project to another machine/lo

Ich habe einen Ordner voller Kamera Clips und einen weiteren Ordner mit extern aufgenommenen Audiofiles. Nun möchte ich diese per Timecode syncen. Anstelle nun jeden Clip einzeln mit den Audiofiles zu verknüpfen, was Stunden bis Tage bei einer größeren Produktion bedeuten würde, wünschte ich mir eine Art Stapelverarbeitung für die Zusammenführung von Clips. Man markiert beide Ordner und drückt auf SYNC. Anschließend beginnt die Stapelverarbeitung und fügt jedem Videoclip eine zusätzliche Metadaten-Information hinzu, welcher Audioclip anhand des TCs nun damit verknüpft ist. So würden nicht unnötig "neue" Clips erzeugt, die ja bisher zwangsweise mit "Clips zusammenführen" entstehen würden.In Davinci Resolve funktioniert das bereits seit längerem sehr gut, was mir jedoch absolut nichts bringt, da ich ja gern in Premiere schneiden würde.  Mir ist bewusst, dass eine ähnliche Funktion über "Multicam Sequenz erstellen" vorhanden ist, aber wie der Name schon sagt, ist das e

There's a very useful 'replace clip' function that does not have a keyboard shortcut, be very useful if it did, e.g.  'Replace with Clip > From Bin, Match Timing'. As an additional - 'Replace with Clip > From Bin, Match TimeCode' and 'Replace with Clip > From Source Monitor, Match TimeCode' would also be usefulBrief overview of drag behaviour:Shift + Alt + Drag from BinMatches playhead-relative position between selected timeline clip and dragged bin itemExample:If the timeline playhead is 5 seconds into source clip 1, the replacement will begin 5 seconds into source clip 2. If the 2 items start with the same timecode then it is the equivalent of 'Replace with Clip > From Bin, Match TimeCode'2nd+ selected clips → remain in temporal sync with the first (no shot repetition)