Feature Requests

Is there any way to set the default new sequence settings in PP25.2.1?For example; on this sequence dialog,  I would like the output to ALWAYS be Rec709, and working Space Also to be REC709, regardless of the media type on the timeline.   In my case I have lots of HLG footage I put on the time line, but need everything to be REC709 out.  Currently, I change it every time I create a new sequence, but would really like to have a default; As a side note,  I wish they would mark the timeline visibly so you can see what it is is (for output color space and working color mode) so you don't have to edit the seq settings to confirm;  it doesn't even seem to appear as metadata options for sequences in the project window either.  

In Premiere's transcription you have the ability with "filler words" when selecting a particular filler result to "ignore" it. However, with "pauses" this same functionality is missing despite being the same result interface.This would be *very helpful* to implement as sometimes laughter is picked up as a pause, which would be helpful to remove/ignore from the result pool.

I use losts of transitions.. audio and video. Occaisionally I need to remove  many , but there is no way to do this except    one   at   a   time.   Painful and slow.   Can we please have feature to select a range of items on timeline, right-click  and "remove transitions" ?   Thanks.

Hello,I've noticed that the AI used by Premiere for transcription is not very accurate when it comes to punctuation. It often misses commas where there are clear pauses, places periods where a comma should be, or uses commas where a period is more appropriate.Additionally, it struggles to recognize certain words related to 3D software, such as iClone, which it consistently transcribes as "icon" or even "AI icon". At first, I thought this was normal due to the names being uncommon, but when I tried transcribing with Azure and Google, they were able to capture the correct pronunciation of those terms.It would be great to see an update to this AI that significantly improves its accuracy especially regarding punctuation and the recognition of product names, software, and technical terms.

Visual search is amazing. So helpful. But, for me it woud be even more helpful if I could be more granular about what it's targeting.  Often I'll know the bin that something I want is in. Or the project. But, when it searches every open project the results are diluted by things I know I don't want (and if you have a bunch of stuff in the project, it can be a massive amount of results. It'd be great to be able to target only specific open projects, or even specific bins. Maybe filters to include or exclude Multicam sequences, Stills, etc?

I really like what you all have done outside of the box and testing on day one. My two suggestions come from the options I have and use with otter.ai which is our current way to auto generate captions that I then clean up. 1. I didn’t see an option how to add speakers to the closed captioning from the transcript. I can do it on the transcript side but then making that into cc names were not included. 2. Give the option of the closed captioning to be 2 lines instead of one easily. I know I can go in there and combine and do return to make them two lines but with otter I can tell it make them to lines and it does without any additional work or time involved. This looks very promising thus far but the two above are what I need at my job to do the entire captioning process in Premiere. Thank you for listening.

It's possible to add speaker names in Premiere Pro's backend but not in the caption track where it matters. This should have already been added in. 

I've used Premiere Pro under Windows for several years. However, a major shortcoming, IMHO, is that Premiere's import source folder location defaults to the folder last used. As I work on many Premiere projects simultaneously, workflow would be much improved if the import source path were saved with each project. Currently, each time I switch to a different project, I have to take the time to find the source content folder associated with that project. Prior to Premiere versions released this year, I used a wonderful third-party add-on called "Compass" which enabled Premiere to save a unique import path with each project: https://knightsoftheeditingtable.com/compass Unfortunately, with the latest versions of Premiere, Compass no longer works. I contacted the Compass author who tells me: "From my knowledge, import option is not supported on latest versions of Premiere Pro (API changes), that is why removed it from Compass." Could this capability be restored to P

Hi, I'm getting older. I can no longer tell if I've properly selected a clip in a bin or project window, because the selection or highlight indication is only ever-so-slightly lighter than the background color of the window. There used to be a way to change this; is there now? I'm using the "Dark" or middle appearance setting. This screenshot actually enhances the contrast that I see on my screen, but what if I wanted the selected clip to be highlighted in a different hue? 

Hello, I've been using Premiere for a decade, instead of adding new features no one asked for, why don't you fix the program at it's core. Every update has new bugs and glitches that make basic tasks frustrating. All I want is the software to work as intended, is that too much to ask? There is a reason many editors I work with are leaving for Davinci Resolve. Fix the program or I'll be leaving as well. - Kyle Couture

Premiere 25.2.1 (build 2)Mac Studio: 32GB, Sequoia 15.3.13 monitors  Recently you added (new) CROP controls for any item on the timeline (into the effects controls panel. Generally, a good addition! Only problem is, unlike adding (old) CROP from the effects panel, you can't click on the object and see all four adjustment handles.   That’s a really easy way to adjust cropping on-screen. Now I have to fiddle with percentage numbers for each of the four aspects.  In the new crop version, can you simply group them together as one menu item the way they are from the effects panel? Then you could adjust left right top bottom by using the adjustment handles on screen. Thanks.

Hello all! Long time reader, first time poster.  Doing some digging into trying to have a sequence name appear on screen much in the same way the Clip Name effect does. However instead of the clip name, I'm hoping to have it say the Sequence Name instead. The project I'm working on goes through many many sequences with different versions and codes embeded within the sequence name, and having that crutial bit of info automaically fill in with an effect would be amazing.  I know Text Overlay exists in the export settings, but It would be ideal if I could apply this effect to just one clip (in this case the slate at the top of the video) rather than have it on screen for the whole thing. Is there such an effect that exists? It would be amazing for our use case. Thanks for reading!

As the title suggests, I'd like the option to have Lumetri Scopes ignore the subtitles. I can't think of a situation where I'd want my subtitles to be part of my colour grade, so it'd be nice if (by default) Lumetri ignored any subtitle/caption tracks.

It would be great to have a quick way to delete all dialogue from a specific speaker in the Transcript panel. For example, once speakers are labeled, we should be able to right-click "Speaker 3" and choose “Delete all.”This would save a lot of time for editing interviews, podcasts, or multi-speaker content—especially when certain voices need to be removed entirely. 

So, I'm going to make movies and I did quite a bit of research to decide which NLE to go with. Most people on the internet said Avid Media Composer is the best NLE for people who want to make movies, but they said that Adobe Premiere Pro is also a good option. The main down side to Premiere Pro is that you really can't do much to edit and enhance audio. I've done extensive research on how to edit and enhance audio and I've found that the industry standard is Izotope's Post Production Suite, in particular, Izotope RX 10 Advanced. It seems that much of Izotope RX 10 Advanced is compatible with Premiere Pro, but there are some very important features that are not compatible with Premiere Pro (for example, Dialogue Isolate, De-rustle, Ambience Match, and others). Much if not all of the rest of the Izotope Post Production Suite seems to only be compatible with Pro Tools and not Premiere Pro. This is a major problem for filmmakers like myself who need the very best audio editing, mixing, and

I've been editing in the content creation industry for over 6+ years and trust me when I say it would be a MONUMENTAL leap to add these 3 things in the Premiere Pro UXP API: 1. Making it possible to save bezier keyframe data. Not just interpolation for the keyframe, but the handle info as well. 2. Saving masks 3. MAKING TEXT/GRAPHIC LAYERS!! All of my friends are editors who have also been in the industry for years and I assure you adding these feautres would be incredible. The tools we could make would be an insane game changer. I know for a fact people have requested these features in the past so please, consider it.

Hello. I am Sabzipour. I'm a film editor and I work professionally with Adobe Premiere Pro. Adobe Premiere Pro is my favorite software and I've been working with it for over twenty years and I want to do something to improve it.After you nest several clips in Premiere Pro timeline, you may need to separate them again and “unnest” them. So you double-click on the nested sequence to open in another timeline.My suggestion is that when we double click on the nested sequence, it will open in the current sequence, not in an independent sequence. Or when right click on the nested sequence, add an option in the menu named “Unnest” , which by clicking on it, the nested sequence will be opened in the same current sequence.

Premiere 25.2.1 (build 2)Mac Studio: 32GB, Sequoia 15.3.13 monitors Much of my work involves preparing recorded medical lectures for continuing education viewing. This means my graphics source is almost always a series of PowerPoint slides. Presently, I make corrections to the PowerPoint file, export each slide in it as a PNG file, defining I wat them as 4000x 2250, import the PNG files into Premiere. And then place them on the timeline. Then I scale, place, crop as needed. Every time I update a slide, I have to go back and re export PowerPoint slides to PNG files either singly or as a complete set. Several parts of this are quite cumbersome and time consuming. Is there any chance that much as with Photoshop layers, we could import the PowerPoint file itself in the Premiere with each slide coming in individually? Allow defaults to be changed o import as sizes larger than 1080? Thanks.

AI feature where it grabs 3-5 second (or however long the user wants) clips of whatever im searching within the AI search panel.

Loving the text to edit function - I usually edit on AVID and this seriously saves alot of time.  Just working through the functionality of the transcription and text based editing - one piece of functionality that would be a DREAM to have - since we can EXPORT the sequence transcript or the raw source transcript. I took that text file and used a PAPER EDIT in TXT.  What I'm wondering - is if there's a way to IMPORT and paper edit TXT file and Premiere will automatically splice in the paper edit script directly onto a sequence (rather than having to splice in paper edit manually).  This would save so much time - since I work with producers on the paper edit, usually we need to export a paper edit for shareholder approval. So - once we've locked in the paper edit (with corresponding TC) - it would save alot of time if we can just simply import the TXT paper edit into premiere and it automatically inserts each sound bite (in the order from the paper edi

PLEASE!!  I have HOURS of captions and transcripts to go through each week in Premiere and my computer screens are set for a high resolution for more effective editing. This has the unfortunae effect of text sizes visible in Transcription and Captions panels being very small--even with slider all the way up. Eye strain results.  Can you please allow even larger font sizes to be available in text panels? Thanks.

In the clips on the timeline, I can see their individual names but I cannot see the individual duration... I have to select IN/OUT or stop with the mouse over it (and thus look at the pop up), every time I want to know the duration individual? Why don't they also allow you to show the duration, in the same way as the individual name, like in Avid Media Composer?

Time remapping in PR really painful....V2025 still inconvenient to use.Even compare to cap cut(mobile app). Please make the PR to really professional software. Please.

I occasionally need to use the Copy Paste Includes Sequence Markers. I have created a shortcut to toggle this function, but the only way I can see it's current status is to go to the Markers Menu with my mouse. Would love for there to be a button that I could add to the Source or Program monitor that shows current status similar to Proxy or Loop Playback. Alternatively, there could be two different keyboard shortcuts: one for turn On, and the other for turn Off. That way, I can turn it on with confidence when I press the 'turn on' shortcut key and not wonder whether I just inadvertently turned it off.

In recent years, new releases of graphics cards have included more than one encoder for significantly enhanced performance when writing video files. For instance, the NVIDIA RTX 40 series cards have two NVENC encoders while the RTX 50 series have three. What it allows for is the ability to divide the encoding task into multiple segments for each encoder to perform simultaneously. This process is called "Split Encoding" and this allows for much faster exports of videos in less time than them being done on a single encoding process, which is what both Premiere Pro and Media Encoder currently do at the moment. I strongly believe many video editors can benefit a lot from Adobe implementing Split Encoding. Export times can be greatly reduced without compromising on quality and save a lot of time for quick turnaround projects. Competing video editing platforms, namely DaVinci Resolve, have support for it. I feel Premiere Pro and Media Encoder can greatly benefit from it a