Feature Requests

Hi, I'm using a lot of audio transition to avoid "clicks", so i use audio transition of only one frame.Currently i can't lower the default duration less than two frames, so i have to manual change it everytime i use a transition  Is there a technical barrier or is it a choice of the dev team to not let the user set the default transition to one frame ? Could it be changed ? Is there a work aroud i could use ?  Have a good day 

As more and more people use timecode devices like Tentacles or Diety to sync consumer grade mirrorless or DSLR cameras by embedding timecode into the camere's audio track, the ability for Premiere to natively identify this would help rememdously.  Currently i have to use a editing sodtware from a well known brand, and it slows my workflow to sync in this other software, then import back into Premiere as XML, then output another XML back into the other editing software for someone else to perform the coloring process. thanks

Keyframes are something we constantly use in Premiere Pro, especially for common tasks like zooming in, zooming out, or zooming to specific corners. Over time, people have come up with creative ideas to make this process less tedious and more enjoyable. I'm not suggesting getting rid of the Effects Panel, as we still need the ability to fine-tune keyframes in detail, but I think there should be a quicker, more intuitive way to work with keyframes—something more engaging and fun than constantly clicking on stopwatches.One feature I’d love to see in Premiere is something similar to DaVinci Resolve’s Dynamic Zoom. Essentially, you’d have a set of presets with quick access in the Effects tab, and Premiere Pro could apply a default zoom effect to all clips, which would save a lot of time. Another tool I’m a big fan of is a plugin called DragAndZoom Pro for Premiere.It allows you to drag a box over the area of the screen you want to zoom into, and a transform effect is automaticall

When cutting from a Source Sequence, it would be great to be able to match frame to that same frame in the Source Sequence (not to the original clip). For example, if I have a series of 20 resets in my source, and I am not sure which one I used in the cut, all I need to do is use this 'FIND FRAME IN SOURCE SEQ' command to take me exactly to that point. Then I can see what else I might want to use and try that as an alt. Sure, I could do that from the original clip but:- then I'd have to get back to the source sequence.- I also wouldn't have a way of marking things on the Source Sequence (which is the whole point of stringouts)

The new Premiere Pro 25 visibility icon has a Grey, crossed-out eye icon when OFF.... And a Grey, uncrossed eye icon when ON. When designing, I think it would be more helpful if the eye icon used two different colors to distinguish between the on and off states.

Hey Adobe Team, I’m touching base to talk about an area in Premiere Pro that I think could use some enhancement: batch exporting. While Premiere is doing great as an NLE, it feels like it’s missing out on some batch export functionalities that other software, particularly those geared towards finishing like DaVinci Resolve, Scratch, and Baselight, handle quite smoothly. Someone recently pointed out to me that the reason Premiere might lack these functionalities is that it's primarily an NLE, unlike Resolve which leans more into finishing tasks. That made a lot of sense, especially considering that other NLEs like Avid and FCPX also don’t focus much on this feature. However, given the evolving roles in post-production where editors frequently need to juggle finishing tasks as well, adding a robust batch export feature that handles effects like Lumetri Color adjustments could really elevate Premiere’s game. It would help us save time and streamline workflows by avoiding cu

You did an amazing job bringing a full version of the Photoshop and Lightroom app to the iPad! How about doing the same with Premiere now? The new processors like M2 onwards are extremely powerful and we certainly have a community of video editors (I'm one of them) that will take advantage of a full and more functional version of Premiere on the iPad Although the video editor options are good, we know that Premiere dominates the market and bringing it with all the functions to the iPad will definitely be a game changer

I would love to have the option for Premiere tot automatically detect the longest silent part(s) in an interview clip. Sometimes in need set noise from an interview to hide cuts, or to add pauses in between quotes and I think this option would be really useful for finding those useful parts of the interview without speech, but with set noise.

Please integrate a loudness meter in the audio tool. By doing that the meter is always open and docked in the workspace. Now it is a trackeffect in the audio track mixer and always a floating window. I would like it if the loudness meter is aways visable. 

This is one of the biggest reasons users are ditching Adobe and moving to Davinci, and I think I may be next.  Are you sick of having to clean up a cascading waterfall of clips after using waveform sync to create a multicam sequence? I know I am, and I know Premiere users have been complaining about this for at least 10 years. Hey Adobe, can you help a homie out? When you selects a batch of clips in the project panel, right click, create multicam sequence, there are options to sync by in point, out point, timecode, sound timecode, and audio. Under the timecode option you also have options to "create single multicam source sequence" and track assignments by camera angle or camera lable. WHY YOU NO OFFER THESE OPTIONS FOR AUDIO SYNC??? I'm a documentary editor and in the indie world we often don't have the luxury of shooting with timecode. Waveform sync is often times the only syncing option I have, and when I create a waveform sync multicam sequence I'm stuck with an

Why can we only ever export one sequence at a time directly from Premier Pro? When doing a batch export we have to do it through a dynamic link to media encoder which I find to be slow and sometimes it freezes on the 'Preparing data for extport' progress bar.Why can we not have a built in Premier export queue like we have in After Effects? This is particularly frustrating when I'm trying to export a large campaign which can sometimes consist of 60+ seqences.

Our security team do not want users to be able to post directly to any social media platforms within Premiere Pro. I'm aware that the tabs can be turned off, but the users can simply switch them on again.Is there a way that these can be disabled so they are "greyed" out so they can't be switched on at all?

Hey everyone, We work on a lot of projects where accessibility is important, and we follow WCAG guidelines to make sure our subtitles are easy to read for everyone. A big part of that is sticking to limits for characters per second (CPS) and characters per line (CPL). Premiere Pro doesn’t show CPS or CPL when editing subtitles. It’s a bit of a pain because we have to use separate tools to check if everything’s in line with accessibility rules. It’d be amazing if Premiere could display this info directly while we’re editing subtitles. Is this something Adobe is working on, or does anyone have a good workaround? Would love to hear your thoughts!Dries

I will often times change the color of my clip in my timeline in order to define each clip/type more individually. As of now, I am disappointed with the color selection for the clip labels. Most of the colors are blue-ish or revolve around blue/purple/green and I find that the labels are not different enough to be able to discern between them. I think it would be a lot easier for my workflow if the colors were a little brighter and more diverse, even red, orange (not just mango), bright yellow, bright green, white, rich brown, etc. A lot of the colors are very similar for example rose and magenta, iris, teal and cerulean, violet and purple. 

Can Adobe please develop a motion blur within Premiere like the RSMB? It would take many projects to the next level without having to go for an external plugin

This has happened to me multiple times. I set In and Out points to render something and I forget to remove them. I started editing a different part of the project, and at some point in the process, I accidentally deleted all of the footage that was in the In and Out points. There is no visual communication that this change has occurred, so there's no way for me to know that I made the mistake. Now I've potentially wasted hours of work by accident.I want this function to be removed or changed. I think this could be another option that is in the menu that appears when you right-click on the timeline (where the other options for In and Out Points are). That way no one accidentally deletes their footage. So if you're editing in a different part of the project and hit delete when nothing is selected, you won't accidentally delete footage you want to keep. On the other hand, the function is still available for anyone who wants to delete a portion of their video.I understand this is partially

Hello, it would be great if we are able to customize the color of the highlight when selecting "reveal in project" as I am finding that my eye is not drawn to the selection, especially in icon view . The color of the highlight currently is too close to the un-highlited version. If not customizable, then simply brighten it up, or perhaps change it to white or something. Thank you. Dan

When using premiere pro I can snap the main window to the screen as is normal in windows, but any popped out panels I have on other monitors (I use three) must be manually corner-dragged to fit the screen they are on. This is a pain. Ideally each window would act as a window in windows (:p), and snap/move/fullscreen the same as any other app. This would also stop panels getting lost in the ether between screens when moving between setups.

With masking, in Premier Pro, once you draw that mask you have to click and drag each masking point to the new spot unless you get perfect mask tracking. A big problem I see with clicking and dragging a lot of the time is it misses the point to move it and instead tries to curve the mask. Along with this, it is hard to determine if the mask is on point or not because of how big the blue boxes are. If we had an option to draw the mask from scratch instead of moving each point I believe that would make masking a whole lot easier. When you draw the first full mask around whatever you need masked, you go to the next frame and have the option to use the existing mask to keep masking or redraw the mask. This could also speed up the process of masking in some instances. On small masking projects where there are only a couple of points it would make it easier. Another way this could improve masking is it would make it easier to draw the mask when you have so many tiny little points close toget

We would like the option to export closed captions as .vtt files in Premire Pro, as you can for SRT files for closed captioning. VTT is the only format that can be used for transcripts, which is a requirement for accessibility in addition to closed captioning (SRT). Creating VTT files manaully or with different software is  very time consuming. Would be extremely benefecial if this capability was added to Premiere Pro, as it is availble for SRT export. 

Create two graphics elements in the timeline, or upgrade captions to graphics. Select both graphics to see that Transform controls (specifically "position") is not available Hold shift and select another type of clip in the timeline (video or adjustment layer, for example)   The properties panel does not offer transform at step 2 but does at step 3. Can we please move multiple graphics without selecting an additional type of asset?

Hi, is there a way to either 1) have more than one "audio default transition" duration or 2) make custom transitions of different durations and then assign to key commands? I'm constantly using 2 frame or 24 frame transitions, and it would be great to not have to keep modifying one of them.  

This screenshot was taken from a sound clip after it had filler words and pauses removed.As you can see in the latest version of Premiere there is still the issue of single frame lengths of sound are still left from deleted transcribed words and sentences. This leaves random bits of sounds silent or full of soundwaves in the middle of a sequence where the expectation would be that when a word or sentences are deleted no sound clips remain. The detection of sound waves and silence needs to improve to avoid inaccurate cutting.  This is not the 1st time I have mentioned this about text-based editing and its glitches. It has improved significantly, but there is still more to do.Maybe analysing the clip can include user refinement where the noise floor and highest peak can be defined manually as well if that will help with the accuracy of the start or ends of peak detection. But the random single sound frames are very annoying. It makes the QC so much more tedious and time-consuming wh

I would love an overhall of the project manager - but the specific one feature I need is for more information on what the project manager progress window is doing when it has the analyizing project window come up - I can see in the background that it is usually copying footage already, but I need a live window into this - I want to see specific file names its copying, a percecentage copied for each file, the speed of copying progress on a per file basis, the elapsed time, etc etc. There is no way to know if the project manager has hung or frozen currrently as there is just a blue percetage bar that never seems to animate even though at the finder app level I can see progress is being made. Please fix this! Another option that I personally would love but don't know how feasible it is, is for there to be an option to avoid copying files on specific tracks (i.e. v1) I work in a collaborative editing paradigm as a freelancer, and frequently am asked to send project files back and fort

According to the CEP cookbook, the CEP engine decides which folder to use with this logic: ```How does CEP decide which extension to load?CEP first searches the product extension folder, then the system extension folder, and finally per-user extension folder.Extensions without an appropriate host application ID and version are filtered out.If two extensions have same extension bundle ID, the one with higher version is loaded.If two extensions have same extension bundle ID and same version, the one whose manifest file has latest modification date is loaded.If two extensions have same extension bundle ID, same version and same manifest modification date, CEP loads the first one that is found.``` However, if an extension load FAILS due to any issue such as a Signature Verification error, then it stops trying to load that extension altogether. So the suggestion is that in case of a failure, we work down this existing list and pick up the next best version of the same extension, e