Feature Requests

Feature request: Make it possible to switch the log monitor to a different color space. Since the new color management improvements the colors in the source monitor and the timeline no longer match. I get  this from a technical standpont but from a creative standpoint this makes no sense to me.I use the source monitor to select my in and out points. I cannot do this if i have to watch the footage in log colors. The image looks washed out, this makes it hard to judge how it wil look on the timeline. It makes it hard to  appreceate the image from a creative standpoint, and it forces me to keep thinking about technical stuff in a creative process.Please make it possible to select a colour space for the source monitor, and default it to the timeline color space. Please upvote this request, thank you.  

As the title states, I'd like to be able to add warp stabilizer on a clip even if the clip dimensions don't match the sequence, and even if the clip has been slowed down or time remapped. 

I will often duplicate a sequence in order to make a new version before making major changes - keeping the workflow nondestructive.I don't recall ever leaving the default name "[sequence name] Copy", and will usually proceed to change the word "copy" with the version. It would be extremely useful if instead of "copy", Premiere would name our duplicated sequences based on number - so even if I named my sequence "rough cut 3", it will proceed to name the duplicate "rough cut 4". Perhaps one would be able to modify this behavior in the settings as well. 

It's too tedious to have to right click and go through two context menus just to enable time remapping. Make it accessible through a keyboard shortcut, or better yet, revamp the whole time remapping layout so that you can ease the keyframes easier. All in all, it feels like the feature is clunky and outdated. 

I just changed my computer to apple m3 and found that my regular change to color effect is gone. For some reason, many of my previous projects cannot use the change to color effect. I tried to use Lumetri that you recommended, but of course it is not a replacement and it is very time consuming. I had to go back and edit and use the change to color effect on my old mac and export the alpha to use on apple m3. I want the change to color effect back in Premiere Pro Thank you From User.       

In previous versions of Premiere, audio clip names were visible when tracks were fully collapsed. Now in 2024, they only show up if you increase the size of the tracks by three or more steps. I'd love to be able to see the names of the tracks when they are fully collapsed. My projects usually have tons of audio clips and an average of 35-100+ audio tracks. Seeing the names of which audio clip is which greatly helps my workflow. Now I have to increase the side of my tracks in order to see the name of the clip and it can be a time-consuming and messy process when wanting to work with fully collapsed tracks.

swapping between clips should be available also vertically, not just horizontally. this way you can swap clip A with Clip B bewtween different track. see an example:

Right now there is only one global setting for transition length, but I use different lengths for different types of transitions. I'd like to be able to set the default length separately for each transition type. This would save me a ton of time.

Hi there,I have a feature suggestion for premiere pro "Render and Replace" feature:Please make Adobe Premiere Pro's "render and replace' process a background task that auto cueues and completes in the background as I continue to edit 🙂  Thanks Nick  

Ich habe Clips, welche mit einer Sony AX700 Kamera in der Zeitzone von Singapore (UTC+8) aufgenommen wurden. Wenn ich diese in ein Premiere Projekt auf einem Rechner in der Zeitzone MESZ (UTC+2) importiere, wird das Erstellungsdatum um -6 Stunden verschoben anzeigt. Ich möchte, dass als Erstellungdatum das effektive Datum / Zeit - ohne Zeitverschiebung ! - angezeigt wird.Ich habe in Premiere Pro kein Metadaten-Feld gefunden, welches das bietet. Mit exiftool habe ich herausgefunden, dass in den MP4-Dateien (Sony XAVC) ein Feld 'Creation Date Value : 2023:08:27 05:42:05+08:00' existiert, aber dieses scheint von Premiere Pro nicht gelesen zu werden!? Hat jemand dieses Problem auch schon gehabt und eine Lösung dafür?

If all footage is transcribed I would like to be able to search a key phrase and have a sequence automatically genrated with all clips containing it. This would save countless hours of building strings of scenes when you are looking for the right take.

I'm missing EBU R128 meters / loudness meter, instead of the 'old' peakmeter.Is it possible to have this as an option?tia, chris

Hi, just a small improvement for the 'remove attributes'-option in Premiere.By default all attributes are selected when choosing this option. But I find myself often deselecting all those attributes except the one I need to remove. I can not imagine you need to remove all attributes (video AND sound) for a clip in one time (if so, wouldn't the option 'clear' be a better way.) It already bothered me a bit, but not enough to complain about it. But at the moment I am working for an e-learning programme which has a lot of sequences and clips. Because I made a color correcting mistake I need to remove the Lumetri attributes of a lot of clips in a lot of sequences and replace it with an adjusted one. For every clip I first need to deselect all attributes every time until only Lumetri is selected. This way it takes a lot of time (and patience) to change everything.I think it could be more efficient. Thanks,Itam.

Hey,I have a script idea for Automation Blocks and maybe someone can help get it going. When working on clips that need further fx in another app like AFX or Fusion I like to create a seperate track for those clips and when I get them back to also place the new clips in a nested sequence so if there are several versions I can all place them ontop of each other so that all versions are available in case I need to go back to former version for some reason.Right now this is a manual process of selecting the clip nesting it, naming it to the shot number and moving it to the bottom most track. It is not to much work at all but maybe could be automated. Some nice features would also include the option to add handles so if the shots get longer there is a bit of a wiggle room(maybe not placing the nested clip right at the start of the Sequence but offsetting it in sequence it is comming from so that it still aligns properly; not sure if this is possible) without the need to move arou

I am calling out the Adobe about this 4years issue. They didn't do anything to fix the problem. PLEASE SOLVE THIS.   AND READ ALL THE REVIEWS AND COMPLAIN FROM ANOTHER USERS HERE IN COMMUNITY.  

 I am a new user and I spent a LONG time looking at this, thinking that "Frame size:" was the input I was meant to fill in, rather than "horizontal".  If you tweak the UI it could be way clearer. 

It would be great to be able to mute the source window, especially if you're editing an event consisting of fooatge from an event recorded with loud music. I understand you can select allt he clips and use 'audio clip mixer' but I think it would be beneficial to be able to just mute the source window so you can, say, listen to music whilst editing. Thanks!

Wwhen a video export in premiere/AME fails due to insufficient storage space could we not resume where we left off with the 90% complete file instead of starting from scratch? Seems like an easy feature to add when you already have pause and resume.

I'm not asking here for help or a guidance how to avoid problems, I can help myself very well.For me it's a strange misconception in Adobe Premiere not being able to define pixel based width and height for a pixel based media when resizing or cropping pixel based sources. Many of the effects provide percentage values only instead pixel values. Why is it like this? Just watch to the all the other Adobe Tools working pixel based like After Effects or Photoshop. In these tools it seems to be not a problem to implement it.Please, Adobe, fix that misconception soon!!!I'm really tired to always doing trial and error to find best percentage values.Thanks!

Hi there - I'm from the University of Canberra and currently we need to export sidecar captions files in .srt format and use an external converter tool to convert caption files to .vtt for all content created that needs to be uploaded to our video hosting software Echo Video.  If we could export directly to .vtt this would be a gamechanger and save us so much time in our processses.  

Was it ever possible to option+click or cmd click in PP to revert an eased keyframe to a normal/linear keyframe?I feel like I was able to do this until recently or was I just imagining it because its possible to do it in AE(e.g. https://community.adobe.com/t5/after-effects-discussions/how-to-revert-an-easy-ease-keyframe-to-a-normal-one/m-p/2353575) Is there a way to switch it on in PP or does it need to be a kb shortcut?

¿Se podría habilitar que CERRAR ESPACIO funcione debajo de una capa de ajuste o una imagen o un Video? Porque para mi es una opción muy buena y funciona muy bien cuando no tiene nada sobre la pista en la que se aplica.

Hello community, The new audio fade handles are a great feature.  I'd like to see the same for video clips.  I think It would make the UI more consistent and quicker between audio and video track editing. Thank you!

Si le fond était noir et l'écriture blanche, la visibilité serait grandement améliorée. Et dans plusieurs cas, il serait aussi possible de mettre l'écriture plus grande sans que cela nuise. La solution que j'avais trouvée était de régler les paramètres de Windows pour que tout soit plus gros. Mais quand je fais cela, certaines fenêtres de Première ne peuvent plus être utilisées, car le bouton dépasse en-dehors de l'écran en bas. Donc la fenêtre de Première prend toute la place et je ne peux pas la fermer parce que je l'ai aggrandie par Windows.et ses boutons sont hors de l'écran. Je suis donc obligée de fermer l'ordinateur en pressant le bouton sur l'extérieur de  l'ordinateur parce que la fenêtre de Première prend tout l'écran, son bouton est caché en-dehors de l'écran, et la barre de Windows est cachée en arrière de la fenêtre de Première... je ne peux plus rien faire.  La solution est donc de rendre plus visible l'écriture sur Première parce que je ne peux pas ju

Everytime I open a project containing a multicam sequence, the Program view switches to display "Video" when I'm editing the multicam sequence, so I don't get to see the source camera thumbnails. Thus, I need to manually re-enable "Multicam" view in Program view settings every time I open the sequence for the first time during a session:           This is cumbersome. Please, store the view setting along with the sequence data and enable the previously selected view type every time the sequence is being opened.