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Hi, ladies and gentlemen. How come in v25.1 we still have this "resolve fonts" problem which is still unresolvable? Will there be any fix for it?Everytime I open any project that has mogrts in it I get this window (the fonts mentioned may differ):The checkbox above is inactive.In Premiere Pro preferences I have it set to substitute the missing fonts to the font which can be found on any system - Arial regular:And I have the warning messages turned off here:But the most interesting thing is that I do have those fonts and Premiere Pro shows them and lets me work with them:So what the hell? Why does Premiere Pro have to warn me about missing fonts on every load? Isn't it time to add an option to completely turn off this warning message if the person has set the default font anyways?PS: I know how to fix it, I just don't want to have to do it or see this message about it. Oh, yeah, and for those who will ask this - yes, I do have the fonts in CC too
Ive got an Idea, Please add Radial Blur to Premiere Pro! I even have video editing apps on my phone that have radial blur effects, chromatic distortion effects (way more interesting than vr chromatic aberrations),and some other effects that Premiere doesn't have. Premiere being "Pro" should have a Radial Blur which at this point is a basic effect. It shouldn't be necessary to have to use a plugin or use another program for that. Same with motion blur like the RSMB. If you include Radial Blur in Premiere, After Effects will still be important for us. It exists in a different realm don't make us go to After for this one, please. 🙏
Hi everyone, one feature I really miss in Premiere Pro, which I previously used in Avid, is the ability to view a clip in the Preview panel as a timeline. The big advantage of this timeline view is that you can precisely analyze the waveform before setting In and Out points.Right now, my workflow in Premiere requires me to place all my raw footage on a separate timeline just to inspect the waveform properly, and then copy the selected parts into my master timeline. This feels unnecessarily cumbersome.A native timeline view in the Preview panel would significantly improve the workflow, especially for editors who rely heavily on audio waveforms for their cuts. Does anyone else think this would be useful? Please upvote if you think this would help your workflow too! 😊
Quoting from the Adobe Premiere Pro Classroom in a Book: The Overlay, Insert Before, and Insert After edits are available only when dragging a clip onto the appropriate drop zone in the Program Monitor. There are no buttons or single-key shortcuts that achieve the same results. Why? This must be the easiest fix in the world. The features are already in place. The only things lacking are the keyboard shortcuts. Why? Please add them! Plus one for Append (add after last clip in timeline). We needed them in CS5 and before, and we still need them.
Hello Adobe Guys...I really love premiere pro.. But i see that Premiere Pro should be More Stable On Windows Os Like Mac Os And Much Effects Should be More Accelerated Specially With RTX Graphic Video Cards .. So here Are My Suggestions, I hope that u Make A Window For Effects Like it Showing a thumbnail Of The Effects Before Applying them Like CupCut & Filmora do ( Idea Num 1 )💡 .... ▶️I really hope you Add Some Of Trendy Text Animations Presets Like ( Glow - Neon - Type Writer - Pop Up - Storbe - Flicker - Wiggly Text Effect ,Etc... THESE EFFECTS SHOULD BE IN PREMIERE SINCE 2020 ,Guys😅 ( Idea Num 2 )💡 .... ▶️I hope That U improve The Match Color Feature In the Lumetri Color Panel Cus it Needs To Be More Accurate By Matching The Same Light Levels & Colors We Are in ( 2025 ) Come On Adobe U Can Do it 💪❤ ( Idea Num 3 )💡
If we could get an effect that when added, automatically fills any space (or black bars) with a scaled-up and blurred copy of the original video. Doing this manually is possible but a hassle when you factor in animated or any more advanced scaling/positioning.
If there is one thing I believe would really assist longform editors using Premiere Pro, it would be re-imagining label colours from the ground up. Please, please learn something from Avid Media Composer. Any clip can be assigned any colour from a full palette range - both within the bin (and reflected on the timeline) or just locally on the sequence. A lot of longform editors like myself, especially in documentary organise a whole project using colour labels for contributors, scenes, cameras - and is fundaamentally how I navigate a timeline speedily. Having a predetermined amount of colours per project that Premiere currently has just comes nowhere near being usable.
In Premiere Pro, is there an equivalent adjustment as the Dehaze in Lightroom?
Seems crazy that if you have a project where you are editing your usable footage down to clips and you have, say, 200 clips on your timeline, you cant set up premier / media encoder to export all clips on the timeline. I know there are a few things you can do like render and replace (for individual clips, doesnt work if you have nests making clips) or nest all the individual clips and then export the nests but that is unbelivably time consuming if you have lots of clips. Surely this is a problem people encounter regularly and would be much more valuble to the end user than some of the gimmicky stuff like morph cut. Anyone else see it as a complete oversight by Adobe?
I would like to see a folder button next to the location dropdown in the new project dialog. I know it's petty but it would be easier to go directly to the system file location dialog than clicking on the dropdown and scrolling to the bottom and choosing the choose location option.
Bring back Adobe's immersive video environment to playback directly on Meta Quest
I would like all projects within my production to auto-save to the same folder. This keep my production folder tree clean, and keeps me from having dozens and dozens of Auto-Save folders. This seemed to work for a while, but now I keep having all these Auto-Save folders pop up in my Production sub-folders. There's like 8 of them now. In my Production Settings I have Auto-Save set to "Same as Production." Anything else I can do? It's annoying and confusing to have all these Auto-Save folders scattered about.
Reveal In Finder used to show where proxies were located, now it doesn't. I found this a really useful shortcut and I don't personally see any benefit in removing it. Please add it back.
Hi, I am tired of having to put a layer of After Effects composition on my Premiere Pro timeline (via dynamic link) for adding basic text animations to my edit. I have made a mogart that allows you to have simple text animation right inside Premiere Pro. But the thing that is breaking it for me is that the whole line of text can have only a single text style applied to it. In contrast, when working with text inside After Effects, we have the ability to select certain segements of the text and give them a different styling (attached video link for reference). Video: Ae vs Mogrt Text Styling This feature is extremely important since design and hierarchy with different styles is very essential to communicate your message. Is this a feature being worked on by the MOGRT team? Or is there a workaround that can be used when exporting from Ae Essential Graphics? The only workaround I can think o
Aloha, I work for a Native Hawaiian organization. I understand that ʻŌlelo Hawaiʻi is probably not a language that Adobe would naturally support as there would not be enough users to make it worthwhile. However, it is part of our mission to expand the use ofʻŌlelo Hawaiʻi and Iʻm wondering if Adobe would partner with an organization like mine to work on adding the language. Mahalo,Jacob
Selceting a transition on a clip has become very un-intuative. Not suited for fast working.When you click on a transition many times it does not get selected.Instead you select the whole clip.And I copy transitions a lot and work fast.When Pasting the transition (i think) I instead copy the whole clip.I think this is nog useable this way. I want ALWAYS when I click on the transition that the transition is selected and not the [move beginning-tool] or the whole clip.Can you bring this back? It used to work fine.
It would be great if future Premiere releases included a motion blur ability in the Motion controls of the effects control panel. I currently add the transform effects to get shutter blur, but to have a similar blur ability to After Effects' button would be fantastic!
Would like to see a feature that when I export my video projects, I can set a custom thumbnail for the file that websites such as Vimeo, LinkedIn, Facebook, Youtube, etc., can see and use as part of the file's uploading process. Currently we have to create and upload an image file alongside the video file each time we post across platforms and they ask for a custom thumbnail. This feature will reduce a step in the platform uploading process, and allow anyone with the file who doesn't upload to sites via Premiere to always have the correct thumbnail to use for that video.
It would be super helpful if we could have the ability to use color labels and "sort by" options to manage the tabs of in the timeline window. For instance, if we have the color label set in the Project window, it'd be great for that color to be reflected in the Timeline window on the tab. Also, it'd be fantastic to be able to sort the tabs alphabetically (or grouped by label color). It's simply inefficient to be dragging and rearranging sequence tabs when you have many open and active sequences you need to hop between.
While editing long-format projects, such as wedding films, it is often very difficult to manually find a specific family member across multiple clips. An AI-powered face detection feature that automatically identifies and displays all clips where a particular person appears would be extremely helpful.This technology is already available in many photo-based software, so incorporating it into video editing should be feasible. If Premiere Pro introduces this feature, it would make an editor’s job significantly easier.
It would be immensely helpful for Premiere Pro to be able to automatically build a sync map for me and automatically create multicam clips by selecting a day's worth of footage (multiple cameras) and a day's worth of production audio. Similar to Avid's "auto sequence" function.
When I go to create a new item in my Premiere Project; I get a dialog box for settings and sentiments for that specific item; resolution, bitrates, width, height, pixel resolution, etc.At this time, in my current workflow I have a folder system and inside each Bin I create my file structure; FOOTAGE, SFX, MUSIC, AUDIO, GFX, VFX, TOOLS, etc...But when adding items to those folders I find the act of "create item, accept item, find item, click item, rename item" much more annoying than if the dialog box just immediately highlighted a "title input field" and when pressing enter completed the entire action in the same bin.It would create a much more streamlined workflow for this scenario in my and all of my coworker editors lives.
Is there a way to make Premiere stop asking me if I want to turn on auto transcription? It seems like every time I open the Text window, it asks me.
I wish this would stick to where I left it. When I uncheck the "Set as default for future sequences" and check "Set by first clip", the next time I use this feature "Set as default for future sequences" is checked and "Set by first clip" is unchecked. So when I have to change the starting timecode of a lot of sequences it is a pain.
i have no idea why this isnt already in the software but can we have a way where we can apply a track mixer preset instead of having to re do it every single time we work on a new project. i work with a client and his track mixer settings are the exact same every time. 4 hard limiters, 4 single compressors each with different settings. it would be mcuh more efficient if i could click 2 buttons and it already be applied (and yes ik about the copying track effects but i dont get why it wouldnt just be quicker to make a preset) can we not just save layouts for this?
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