Feature Requests

At the moment you have to hover over a clip in the timeline to show its duration. It would be much more helpful if you could just activate it like the "clipname" for example so it is shown directly on the clip.

Please improve the Synchronise feature to be as good as Plural Eyes, right now it is so bad, almost unusable, especially for multiple video and audio tracks.

Feature request: You know how the program is smart enough to know what changes can cause parts of the timeline to require re-rendering?  This optimization saves a bunch of time!  I would like the same 'logic' applied to exporting.  Here's a pretty typical use case...I'm working on a long, complex sequence with many effects.  I finish work, then export, which takes a good while due to effects.  Upon review, I find that I didn't set the in point correctly, or some other minor issue.  When I export again, I want Premiere to ask me if I want to use the previous export as an additional source--if I say yes, then the portion of the previouly exported file that doesn't need re-rendering can simply be a bit-for-bit copy of the stream.  This would save oodles of time. If I just forgot to move the in point from the beginning of the sequence to the start of the first clip, the 'differential transcoding' feature simply determines the new in point,

Text based Transcriptions don't let you choose speakers but static ones do? When transcribed they have different words and even then the transcriptions are so innaccurate on both ends, What gives?The first line should be:"Oh, what? I'm banning? What the hell?" Second: "It's your time to shine" At a quick glance you can see that so much of this is broken english and trust me the audio is not that bad when it comes to comprhension, especially the first speakers lines (blue) Btw, can't color code speakers? Static transriptions doesn't like curse words??Why isn't there an option to put in unique words like brand names etc.??? Adobe loves Ai so much now they can't even implement it to get the audio transcribed correctly???? Tiktok transcribes 1000% times better than this I'm so confused what is happening here? Wheres my money going????? Theres so many discrepencies and oddities to this archaic system how long is this going to last?????? Bonus iss

Most editors are very visual people. When I'm working on different timelines or pulling selects from a timeline, or using an old version of a timeline ECT. It would be so helpful to be able to assign a timeline color a to help keep things mentally orgonized. It could be a subtle color in the background or even on the specific tracks!The same way I have colored folders for various documents at home!MO COLOR BABY!!!!!!!!!!!!

Hey all!Wouldn't it be great to be able to duplicate a sequence from the actual sequence instead of going to the project panel?I'm thinking I'd love to be able to just click the sandwich menu onmy sequence and have some sort of 'duplicate and switch" kind of option where I can duplicate the sequence and switch to the new one.It would duplicate the sequence and add a number to the new one (an actual usable version number instead of the useless copy thing that happens now)For projects where we have loads of versions, like in the advertising industry, that would be a massive time saver.Instead of revealing sequence in project/duplicate/rename/close the original/open the new one and switching between panels twice in the process, it would be just "duplicate and switch."Maybe it's just me, but I have an insane number of copies of every sequence, and maybe a project has 2 hero videos, 3 cutdowns of each plus resizes, and you edit like 10 versions of each. It all adds up, and at the end, it's

Hello I have a suggestion and I hope it will be seriously considered. I am from the Middle East and I was hoping to support the Arabic language in the Premiere transcript. Thank you 

I have a lot of editing to do with texts and paragraphes over videos in Pr and I find the tools to be very bad compares to After effect, photoshop, indesign or illustrator...I just don't know why Adobe does not use the same system as the other product... Anybody else find that annoying? 

I feel the relinking process is still clumsy, I can't figure how Premiere can't still realize what to link after the same manual pattern of relinking is made. I wonder if IA can improve this process to make us life easier.

I propose the addition of a "Stroke Effect" feature, similar to what is available in Photoshop. Having a native Stroke Effect tool would streamline the workflow and enhance the efficiency of users.

This might sound a little confusing however, when you add automatic captions into your sequence, there is text display that is just constant black color. as such, what I am suggest is that like how in the transcript the word that is being spoke is highlighted  do the same for the captain track and highlight it into a different color.It would also be nice if the word's were spaced based on which timestamp they were spoken on.

I'm sorry but what happened to the clip colors. They were so nice and pretty, but now no matter what I do they look inverted and gross. Is there an option to revert? Genuinely feel its hard on my eyes to look at these waveformsPreview

Please return the original colors of the clips and audio tracks! In large projects, these colors burn out the eyes, and they quickly get tired. It became impossible to work because of the very contrasting and bright colors! Bring back the old color set, please! Rolling back to previous versions of the program does not change the colors to the same ones.There are three different colors, it has become impossible to separate them quickly, especially in projects longer than an hour.

several have complained about this sudden change to the classic default color scheme in Premiere Pro.  Including myself.  I will hope that Adobe will revert back to what the original, classic color scheme for all the timeline effects soon.  Having the option to change colors in the time line and audio, fades, etc. is nice.  However, changing a default color scheme to a timeline that is worked on by highly creative people - for two decades like myself - is really not in you customers best interest.  I love that I have the option to change a label (i choose my own shade for iPhone footage only). However, as you can read several on this topic, that wasn't a good move.  Please change the default colors - and everything else that you may have changed in default - back to original and let us continue to have the option to change the labels to our own preferences.   I just can't even really believe you did that to begin with.  Thank you.

As said in the title, the Split button in Captions should split the text at the cursornot copy two times the same captions 

How often do you find yourself travelling/working on site and you need to make a quick change to a project you've left at the office? Or how about you want to a freelancer/remote worker to pick up an edit from afar? So my idea is that built into a Team Project, you can render extremely efficient file size proxies - probably low bitrate H265 - and have them saved to a cloud storage server (integrate with a G-Cloud bucket, AWS, or Adobe's own) in a way that when working on the Team Project, seamlessly through Premiere all the proxies are downloaded to a local drive for you to smoothly work with. Then, when you get to export, Premiere can send the sequence to the render engine back at home where the original media is online. So workflow is:- Setup the edit project at office machine (MAC A), locally stored original camera files (OCF)- Create Team Project and check a new box to enable 'Hybrid Cloud Proxies'- MAC A renders proxies in the background and uploads them to Cloud storage

Please let me clear the cache of recent files on the 'open recent' list. I asked help about how to do this, their solution was for me to pay an extra $150 a month so I can have separate accounts for everyone who needs to use Premiere Pro in my workflow. Photoshop has a 'clear recent files' option. Surely it's not that hard to implement? 

I really don't know if this bothers anyone else. Still, in earlier versions of PP, 2022 and below, the transform effect when placed in a graphic layer only affected the text and shape layers under it, priority-based. It helped that you could create a text or object animation using the Transform effect to achieve Motion blur while still having a shape mask over the text or object.But in the recent PP versions, regardless of where the transform effect is placed, priority-wise, it affects all of the layers, which means trying to animate a text or an image whilst having a mask would no longer work, because the transform effect would animate every layer, including the mask even if it were placed under them. The only workaround is to use the transform properties of the intended text or object and lose that beautiful motion blur that comes with it

The ability to use the mouse scroll and the button to move and zoom around in Premiere Pro just like After Effects, this feature has been added in the latest update, but it's limited to the program monitor, what if it is extended to the rest of the panels :))

I would love to have real motion blur in Premiere like you can do in After Effects. A native "Force Motion Blur" plugin would be great. I want motion blur when I do speed ramps, and it's a pain to take the clip to After Effects each time.

Being able to manually select channels for transcription would be really useful. Not just one or all. A box to check which channels you want: Channel 1 (x)Channel 2 (x)Channel 3 (x)Channel 4 

In large-scale documentary projects it's really useful to keep the original TC visible for reference in all stages of editing (from rough cut to final cut). When you make a rough cut using the text-based editing tool a new time code is created (from 00:00:00), but it would be really useful to preserve the original TC as well. A lot of producers print out transcripts on paper or create their own documents outside the editing room. So keeping the original TC visible in text-based editing could be really valuable.

Please add compatibility with CDng footage.

Currently it is very difficult to keep timeline markers in sync with the clips in the timeline. They will only shift position with clips when using ripple edits. They cannot by lassoed as a group and are not selected when using track selection tool. The only way to select multiple markers at once is by using command(mac) + click in the marker panel to select multiple markers one at a time. This is tedious when dealing with lots of markers. The captions track is good model for how markers could work. Captions exist in their own track unique from a normal video track. The track is neatly tucked into the top of the timeline, and yet they can easily be selected and moved along with clips. It would be great if markers had a comparable "track" to sit in so they could be easily selected and move along with clips in the timeline. As it is, when use markers to break up different sections of a timeline - let's say if I'm organizing an assembly using markers to indicate certain sections

I would love an option for selection tools to grab timeline markers. This way timeline markers could be lassoed along with clips or included in a selection when using the track select tools so that the timeline markers move in sync with clips. This works well with ripple edits thanks to the "Ripple Sequence Markers" option, but not when simply grabbing and moving groups of clips, or using track select tools to move large sections of timeline. I posted a similar idea here: https://community.adobe.com/t5/premiere-pro-ideas/put-timeline-markers-on-their-own-track-like-captions-so-they-can-be-selected-along-with-clips/idi-p/13647457