Please add a Zoom-in functionality in the 'Review for Import' process Reasoning: When using the 'Review for Import' dialogue to import only selected photos all candidates for import are shown together in very small size with no option to zoom into the individual photos. The decision whether to import a given photo is, however, oftentimes driven by the details of the photo that cannot be seen properly without zooming into the photo. Thus, a zoom-in option is needed to allow a meaningful review to import.
I hope adobe can add RGB values under the histogram like lightroom classic has. I dont know if anyone has any workarounds for this, but I would greatly appreciate it if anyone has a solution for this. The RGB values would be great for balancing the colours. It would also be nice if they could add some sort of pipette so you can add a point of where you want to check the RGB values. So that you can lock in where you want to adjust, and then adjust it from that point. Have seen a few of these requests… some from a few years ago!… so I am not really sure if they will ever add this, but one can hope…
Would be great to allow users to access the "Move playhead to cursor" shortcut in order to move the playhead within the effects controls panels. Currently, you have to click and drag this small sliver of the timeline to move the playhead, rather than just using the "Move playhead to cursor" shortcut to freely move the playhead around within this window.
Есть приложение «Adobe» для создания приложения с помощью искусственного интеллекта?
As said in the title, the “Add Noise” destructive Filter has an option to use trichromatic or monochromatic noise, but the non-destructive and very useful “Grain” Adjustment Layer doesn’t, and it would be nice if it did.
It would be great/useful to have a ‘mirror’ option for the warp/split warp tool. I often need to retouch bottles to amend the shape to a specific mould/drawing for visuals, and it’s really fiddly having to change each side individually and try to match by eye.It would be so much easier to have an automated warp which mirrored the manipulation in real time as you work. No more guess work or setting up a load of guides (which is still hit and miss!).Thanks
Preciso que o app me de a opção de trocar de idioma, pois criou o vídeo perfeito que queria, mas com o áudio em inglês. Preciso do áudio em português.
pas de détail, le site mouline sans cesse, sans jamais rien produire… une bien belle fumisterie sponsorisée par Adobe, bien sûr! bravo...
hola, al generar una imagen o algo tengo un error, al igual que a la hora de editar, no se me permite hacer nada
Firefly consumió mis créditos y no generó ningún video de los que pedí. Entro a mi galería a ver si se encuentran y no están; voy al historial de generaciones y tampoco, y me cobraron créditos por ello. Necesito un reembolso y solución del problema.
normalment je suis sencer pouvoir generer a nouveau du contenue
It would be helpful to use a user uploaded image or video to inspire generated content, or to be able to add backgrounds and objects to the uploaded video like you can in photoshop with a still image
Apenas diz para esperar, mas ja fazem horas...
Thank you for all your hard work on the development every day.When I use Lasso tool, I often look the alert "No pixels are more than 50% selected". Compared to horizontal movements, I often find that I cannot move my arm as intended in the vertical direction, which inevitably leads to this warning appearing.It is clear from both my arm movements and the results that I have made the wrong selection, so personally, I find this warning to be an intrusive and annoying nuisance that merely interrupts my work and disrupts my rhythm.I would like to see an option to disable this warning.
I work mostly in documentary editing (but this apply to any format), where media organization often relies on thematic sequences and/or selects sequences (by subject, character, scene, etc.). This is a well-rounded and common system. Then, once the edit is more advanced and/or notes are coming in, I frequently need to revisit source "selects" sequences. This is where I encounter frustration : reopening these sequences is more cumbersome than it has to be. For instance - a shot needs to be replaced and I want to look at my selects around the same scene. I have two options :Less thinking, maybe quicker, but creates a messMatch Frame → Reveal in Project → Full screen the project window → Check video usage → Open my "Select sequence" → Reverse Match Frame.Downside: This opens bins and often long list of media in the Project panel, disrupting my workspace organization. More thinking, flow breaker, but way cleanerMatch Frame → Manually track down the "selects" sequence in the project panel + open → Reverse Match Frame.Downside: This method seems shorter in theory, but in practice, it requires more mental effort to locate the sequences.Both approaches take me out of my creative flow and slow down my work.Suggested ImprovementAdd an option to directly access the Video and Audio Usage of a clip via a contextual menu FROM THE SOURCE MONITOR? You know the list that pops up when looking at clip usage ? Make it available from the contextual menu. See a mockup here : This would greatly improve workflow efficiency, especially for editors who, like me, rely heavily on organized source sequences.Thank you for your consideration! I’d love to hear if other users face the same challenge.
After creating a brush preset, if you'd like to make a change to that brush preset, there's no way to update the brush or save the changes. After making a change to a brush preset, you have to save it as a new preset (with a new name) and then delete the old one. I'd like to be able to save it into the current instead of having to create an entirely different brush. “Update Preset” or “Update Brush” would be great. The reason for this is I do a lot of work that uses actions and the brushes are built into those actions. So I'd like my new brush to have the original brush name, which is currently impossible without going through the process of deleting the old brush and renaming the new brush to the exact same name as the old brush so that it works in the action.
As a passionate illustrator and publishing designer, I have always relied on Adobe software to bring my creative visions to life. Recently, however, the introduction of generative AI features has sparked some concerns for me. Like many artists, I believe that true creativity comes from the human spirit, and I worry that AI might overshadow our authentic artistry. My publisher clients appreciate this genuine approach, often including in contracts that generative AI cannot be used in their projects. It's important to recognize that not all creatives want AI in their tools; the choice should be in the hands of each user. I encourage Adobe to consider offering an option to completely switch-off generative AI features, respecting the diverse needs of their community and supporting the artistic freedoms that define us.#adobeai #adobe #adobeillustrator#graphicdesign #aiart #photoshop #ai #digitalart
Schools should be able to turn on a filter that blocks profanities from showing up in audio transcription. I recently had a non-profane word get transcribed as something very different for a student.
A long time ago I posted about tweaks to the Export panel. I have another idea.Problem 1. The export Range defaults to “Work Area.” By default Work Area view is disabled. This should default to something else, like “Entire Sequence.”Problem 2: If I’m slicing up a timeline to export sections, I’ve been using “Sequence In/Out” as the range selection, but I always forget to check that and change it since it always defaults to Work Area. How about this: If you detect a sequence in/out mark on the timeline, have the export range default to Sequence In/Out. Likewise if Work area is active, and a work area range is set other than the whole timeline, have it set export range to “Work Area” by default.Happy coding!
> *Tajuk Permintaan: Penambahan Aset / Ciri Bunga*>> Salam sejahtera,>> Saya ingin mencadangkan penambahan ciri berkaitan "bunga" dalam Adobe. Sebagai pengguna yang sering membuat rekaan untuk kad ucapan, poster dan media sosial, saya memerlukan lebih banyak pilihan bunga yang realistik dan pelbagai.>> *Cadangan saya:*> 1. Tambah koleksi stiker/vektor bunga (mawar, orkid, bunga raya, tulip) yang boleh di editDiharap pihak Adobe dapat pertimbangkan cadangan ini. Terima kasih
I'm a shortcuts person, and I like customizability. Please make the new Header Bar feature of Version 22.3 optional. I have no use for any of the buttons or information on the header, all of which are redundant and can be accessed either through the toolbar or via keyboard shortcuts. I appreciate that the Header may be convenient for new Premiere users, but for power users it is wasted screen real estate.
PPro had a bad trimming mode. In the example i compare Avid Media Composer and Adobe Premiere Pro trimming.1) Screen while trimming.In PPro we can see only in program monitor and when you use laptop, screen is too small to see, what's happening in 2 sides(A-side and B-side). In Avid MC Source monitor is only A-side, Program monitor B-side and it is very usefull when you use laptop(in timeline setting you can choose use source monitor as a trim side or only in program monitor trim A-side and B-side) 02) LiveTime Trimming (Avid and Premiere Pro Examples: https://youtu.be/XedhKrVLAVk) .In PPro when you trimming in trim mode(when you use keyboard shortcut) trim red/yellow/roll "thing" it is stuck and a it is annoing when you trimming, because you did not see movement.In Avid(in DaVinci also) you can see how a "thing" move when you edit, and it is much more convenient. 03) LiveTime Track Selection (Avid and Premiere Pro Examples: https://youtu.be/ZNeVSCv8Jwg )In PPro I want to edit a "J-cut" or "L-cut" or select only audio or video file. When I am in an edit mode, I cant choose only video or audio tracks in livetime, as an Avid MC. In Premiere U want go out from trim mode, diselect video track, when again press my shortcut to edit my audio files).In Avid MC I do that in real time, I can select or deselect when I am in trim mode and this made a trimming better and convenient)
Please add a native 4K output option for GPT Image 2.5 in Adobe Firefly.GPT Image 2.5 is extremely impressive for high-quality image editing, especially for professional product and jewelry photography.However, the lack of a native 4K output option is a major limitation for professional workflows. Please add a resolution selector such as:1K / 2K / 4KA true native 4K output would make GPT Image 2.5 much more useful for commercial photography, advertising, e-commerce, jewelry, and high-end retouching.Please consider adding this option to Firefly. Thank you!
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