Product ideas

10000+ Ideas

Allow a video preview. Just a few frames to see if it works. I'm wasting a lot of credits on things that don't work!!!!Open for Voting

The results are not always great. It can be due to bad input, or bad AI. But I still have to burn my credits to generate the video.I would like to to see a button “Video Preview”. It would allow me to see the results before I commit the credits. For video, it can be like just a few frames, maybe 1 frame/sec to see the effect. It can be low resolution. It should use far fewer credits to generate these previews. I suppose for images, something could be worked out as well. Perhaps a very low resolution?

Forum|Forum|30 days ago

PBJM StudiosInspiring

Adobe Firefly. A Major Pitfall. Buy before you Try!Open for Voting

I would like to provide some constructive feedback regarding the current workflow for generating AI videos in Adobe Firefly. I am a regular user of Adobe products and have always appreciated the quality and innovation you bring to creative tools. However, the way Firefly handles credit usage for video generation is causing significant frustration—not just for me, but for many users raising similar concerns.At the moment, Firefly requires users to spend credits before they can see what the generated AI video looks like. This means we are asked to pay in advance without knowing whether the end result will be usable, relevant, or even close to what we requested.To put it simply, this feels like being asked to buy a car without knowing what model, colour, or condition it will arrive in. The outcome can vary widely, and there is no opportunity to judge quality before credits are consumed.While I understand that AI generation has inherent costs, this approach creates a very real risk:Adobe may lose customers to competitors who offer previews.For example, platforms like DeeVid AI already allow users to preview the output before committing credits, ensuring that people only pay for the results they actually want. This model feels fair, transparent, and respectful of the customer’s time and investment.I genuinely believe Adobe Firefly could benefit from adopting a similar preview‑first flow—for example:A low‑res or watermarked preview before credit confirmation A “pre‑flight check” that shows a short, rough version of the generated motion An option to adjust prompts without being penalized for trial‑and‑errorThis would give users confidence in Firefly’s capabilities and reduce the feeling of gambling credits on unpredictable outputs.As much as I prefer to stay within the Adobe ecosystem, I will be exploring alternatives that provide previews before purchase. I hope this feedback helps illustrate why many users feel hesitant to continue using credit‑based video generation as it currently works.Thank you for taking the time to review this. I genuinely want Firefly to succeed and believe this change would significantly improve the user experience.

Forum|Forum|30 days ago

Ascended OGParticipant

Flux.2 [max] modelOpen for Voting

Bring the Flux.2 [max] model into Firefly and Photoshop!!! It is crazy that ElevenLabs has it there and not my flagship graphics programs :(

Forum|Forum|30 days ago

Nicollas.movParticipant

New Velocity Graph EditorOpen for Voting

The current velocity graph editor in Premiere is far too clunky and makes it unnecessarily difficult to get the exact curve you're looking for. It’s a constant struggle with the UI just to get a smooth ramp. We need a complete overhaul to make keyframe manipulation fluid and intuitive—similar to what the Smoothify plugin achieves.On top of a better UI, adding a native Curve Presets feature (like Ease In/Out, Elastic, or Custom Bezier presets) would be a massive productivity boost, allowing us to apply consistent motion without manually tweaking handles every single time. We need to spend more time editing and less time fighting the graph.

Forum|Forum|30 days ago

Carlos RoblesParticipant

Ability to see audio waveform and video in source windowUnder Review

The ability to see a waveform and the video at the same time.

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Forum|Forum|30 days ago

M35474498q9wmParticipant

Possible to combine the audio and video tracks panels?Open for Voting

I find it pretty awkward how the video and audio tracks are in their own separate panels with two different scrollbars working independantly. Is it possible to have all the video + audio in just one panel? I know it would mean more scrolling up / down overall, but I'd find it a lot easier than having two scrollbars

Forum|Forum|30 days ago

RussM10866Participant

Adobe, you USED to be easy to love. Firefly is decent for prototyping images and small product videos, but there’s no clear “in progress” or time bar after clicking Generate, so I WASTE credits and feel constant FRUSTRATION.Open for Voting

Adobe, you USED to be easy to love. Firefly is decent for prototyping images and small product videos, but there’s no clear “in progress” or time bar after clicking Generate, so I WASTE credits and feel constant FRUSTRATION.

Forum|Forum|30 days ago

Robert37012188x8f0Participant

Quickly convert marker ranges into subclipsOpen for Voting

An excellent feature that I believe many can take advantage of would be the ability to take markers in the marker pane and convert them into subclips with CTRL/CMD + U (indivudally or with multiple selected.) Subclips would be created either from marker to marker automatically or (if the marker had a duration defined) the subclip would be the length of the marker range. Subclips would automatically receive the name of the marker.

Forum|Forum|30 days ago

James_Keating8092Participant

Advanced Masking PanelOpen for Voting

Hi Adobe Team,I’d like to suggest an enhancement to Photoshop’s masking workflow that could benefit both intermediate and advanced users. Currently, creating precise masks from colour data often requires multiple steps — using channels, Apply Image, Selective Color, and Levels — which can be fiddly and unintuitive.My idea is an Advanced Masking Panel where users could: Select a source channel (RGB, Lab, or individual channels) Adjust hue range sliders to isolate specific colours Adjust luminance sliders to target highlights, midtones, or shadows Preview the mask live and refine it interactively before applying This would allow users to isolate very specific pixels — for example, only the brightest blue highlights in wave spray — without inadvertently selecting background elements. The workflow would remain non-destructive, visual, and much more accessible, reducing trial-and-error while retaining full creative control.It’s a small enhancement conceptually, but it could dramatically simplify advanced masking, making Photoshop more intuitive and powerful for a broad spectrum of users.Thanks for considering!

Forum|Forum|30 days ago

marco sanKnown Participant

Allow the Reference Layer parameter of an effect to select layers from any compositionOpen for Voting

Enable the Reference Layer parameter in effects to select layers from any composition in the project, allowing cross-composition layer referencing instead of restricting the selection to layers within the current composition.Also make it expression enabled. These small changes would greatly improve the compositing workflow and bring After Effects closer to a node-based compositing approach.

Forum|Forum|30 days ago

marco sanKnown Participant

Gpu acceleration for Keylight and Matte effectsOpen for Voting

Please add gpu acceleration Gpu acceleration for Keylight and Matte effects. The are really slow also on powerful machines.

Forum|Forum|30 days ago

RedPanda30Participant

P: Allow for adding a watermark and borders when exporting an image (iPad)Open for Voting

I would like an option for adding a watermark AND a border to an image when exporting. This is already a feature that's available on Lightroom mobile for android so I don't see why it can't also be added to iOS

Forum|Forum|1 month ago

juandiazyoParticipant

Create a node base workflow like ComfyUI, Weavy, Pika or Runway ML for more advance controlOpen for Voting

Hello Adobe Firefly Team,I’m Juan Diaz, Course Director for Compositing & Scene Finishing at Full Sail University. As part of our AI-integrated production curriculum, we actively test Firefly alongside platforms such as ComfyUI, Weavy, Runway, and Pika to evaluate real-world workflow integration.While Firefly’s generation quality and Creative Cloud integration are excellent, I would like to formally request consideration for a node-based modular workflow system within Firefly for advanced users and enterprise pipelines.A node-based architecture would enable:• Procedural prompt stacking• Mask and region-based routing• Multi-pass generation control• Style and motion layer branching• Depth and normal pass injection• Controlled iteration comparisons• Export-ready compositing structures• Seamless After Effects / Premiere / Photoshop pipeline flowCurrently, tools like ComfyUI allow modular control but lack Adobe ecosystem integration. Firefly is uniquely positioned to bring professional, non-destructive procedural AI workflows into mainstream creative production.As an educator integrating AI into compositing workflows, this capability would:• Elevate Firefly from generative tool to production system• Align with node-based industry standards (Nuke, Houdini thinking)• Enable deeper curriculum adoption• Support enterprise-level pipeline integrationI would welcome the opportunity to participate in beta testing or provide structured educational feedback if such a development path is being considered.Thank you for your continued innovation in AI-driven creative workflows.Best regards,Juan Diaz

Forum|Forum|1 month ago

Sammy Red the Betta FishKnown Participant

Can you put back the Essential Graphics panel in Adobe Premiere Pro 2026Open for Voting

Hi There, can you please put back the Essential Graphics panel in Adobe Premiere Pro 2026 Thanks Kevin

Forum|Forum|1 month ago

robertb62952038Participant

Request: Access to specific Premiere Pro point releases (e.g., 23.6) for Creative Cloud subscribersOpen for Voting

Now that Premiere Pro is distributed exclusively through Creative Cloud and Adobe no longer provides physical boxed software, I’d like to request that Adobe make individual point-release installers (for example, version 23.6) available to subscribers.Access to specific builds can be important for maintaining compatibility with existing projects, plugins, and established production workflows. When only the newest version—or a limited set of major versions—is available, it can make it difficult to reopen older projects in the same environment in which they were created.Since Creative Cloud is now the sole distribution method, it would be very helpful if subscribers could download and install specific point releases within a major version when needed.I’d appreciate Adobe considering this feature, and I’m curious if other editors have run into similar situations.

Forum|Forum|1 month ago

Roy79Participant

P: Allow for multiple watermarks per imageOpen for Voting

Is it possible that you can place 2 watermarks/logos in the watermark edit. So place a watermark at the top right and bottom right at the same time. Thanks, Roy Froma

Forum|Forum|1 month ago

adamograssoParticipant

Graph Editor OverhaulOpen for Voting

Would be amazing if the Premiere Graph editor UI looked and felt more like it does in After Effects.Thicker and less pixelated lines, more reactive easing. Right now it feels pretty clunky in comparison.

Forum|Forum|1 month ago

BlueRidgeButlerKnown Participant

P: Restore Full screen crop (iPad)Open for Voting

I still have my old iPad 7 and it has a previous version of Lightroom that still utilizes full screen crop mode. When it was taken away, i figured it would come back in a future update as a 'new feature'. The mobile app is the very reason I started using Adobe products. Since the removal of full screen crop, I've had to spend upwards of 5-10 minutes, sometimes, trying to crop my images properly. Honestly, I don't know why I have to request such a simple feature that we already had while, instead, getting magic wands that do nothing for professionals. If this is too difficult of a task, could you at least completely black out the shadowed edges AND remove the thick white corners?

Forum|Forum|1 month ago

RWSDerbyParticipant

P: Live display of auto-selected shutter speed and ISO in Lightroom CameraOpen for Voting

Feature request: Display live auto-selected shutter speed and ISO in Lightroom camera In the Lightroom camera (Pro mode) shutter speed and ISO can each be set to either Auto or a specific value. Current behaviour:If I set ISO manually, the interface shows the shutter speed the camera selects. If I set shutter speed manually, the interface shows the ISO the camera selects. However, when both ISO and shutter speed are set to Auto, neither value is shown. The selected values are also not shown when adjusting exposure compensation. This means that when using full Auto exposure it is not possible to see what shutter speed or ISO the camera is choosing before taking the photo. Please display the live metered shutter speed and ISO even when both are set to Auto, updating continuously as the meter changes. These are fundamental exposure parameters that most physical cameras display at all times. An even better implementation would be to display and lock the metered exposure values when the shutter button is pressed and held, and take the photo on release. This would mimic the half-press shutter behaviour of traditional cameras, allowing photographers to check exposure before capture without taking a test shot.

Forum|Forum|1 month ago

Espen FrivoldParticipating Frequently

Zoom on image previews like Adobe LightroomOpen for Voting

I dont know if I am using it wrong, but I feel like the Zoom/Magnification in adobe bridge is pretty bad. I would personally much rather have it like adobe Lightroom, where u can click and it zooms in slightly, and then hold + drag to zoom in/out as much as you would like. It would make it so much easier to see details in my photos. hope this can get updated pretty fast, would make checking photos so much easier in adobe bridge, and I feel like it should have already been a thing years ago.Thank you

Forum|Forum|1 month ago

Lucas_Duarte2407Participant

Integrated Notes Panel for Text SnippetsOpen for Voting

A built-in notes panel inside Photoshop where users can store and quickly copy text snippets such as titles, captions, hashtags, or recurring content used in designs. This would reduce the need to switch between external text apps and Photoshop during the design process.e

Forum|Forum|1 month ago

icelandic123Participant

Multiple Export Parameter Templates with Separate Output DirectoriesOpen for Voting

When iterating textures, it becomes time-consuming to repeatedly export each texture set into its own directory. Currently, exports are limited to a single output directory per export, which means I need to re-export each texture set separately into its respective folder. This becomes a time sink for any project with multiple texture sets.It would significantly improve workflow efficiency if we could create multiple “General Export Parameters” templates, each with: its own output directory an assigned texture set After setting these up once, re-exporting could be done with a single click while automatically routing each texture set to its correct folder.This would streamline iteration-heavy pipelines where textures are frequently re-exported.If there are technical or compatibility reasons this hasn’t been implemented, I’d also appreciate insight or recommended alternatives.Thanks!

Forum|Forum|1 month ago

Nawar AshoParticipant

"Favorite" (Star/Heart) icon to individual effectsOpen for Voting

"Currently, users have to create custom bins to organize frequently used effects. It would be much more intuitive to have a simple 'Star' or 'Heart' icon next to each effect in the Effects Panel. Clicking this icon would automatically add the effect to a dedicated 'Favorites' category at the top of the list. This would significantly speed up the workflow for editors who rely on the same 10-15 effects daily."

Forum|Forum|1 month ago

Nawar AshoParticipant

"Favorite" (Star/Heart) icon to individual effects Adobe PremiereOpen for Voting

Forum|Forum|1 month ago

rickd93422Inspiring

P: Custom sort order not synced from Ecosystem to Apple TVOpen for Voting

I have several collections in Lightroom Classic on my desktop computer that are sorted in a custom order and sync to Lightroom Mobile. The order displays correctly in LR Mobile app on both my iPhone and iPad. But when I want to view the pictures on the LR app on apple tv, the sort order is not correct, even when i select "custom" on TV screen option next to the photos,   Any idea how to fix this? Thanks.

Forum|Forum|1 month ago

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