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Please give us a warning on export when New Frames need to be analyzed. and not just when Click analyze to begin is showing.
It would be really useful to be able to "update" versions of edits rather than just save new ones. I often save a version, try something different and then want to update the saved version. At the moment I have to create a new version and then delete the old version.
Let us solo a Layer, even if it is invisible - maybe with a kind of 'peep' mode in which the layer is shown while the solo button is pressed, and is made invisible again when the button is released.Sometimes we need to see what a hidden layer (e.g. a matte) is looking like. Inthe current version, we need to turn on visibility first before it can be soloed. That is rather tideous.
Hola!!¿Se incluirá el catalán dentro de las aplicaciones de Adobe? Ya existen más programas de IA con este idioma.
Hi Adobe Team,To deliver great video products it would be very handy to get a audio phase correlation meter directly at the audio meters next to the sequence.Checking the phase correlation is mendatory and right now in premiere pro several clicks are required to display it. Another solution would be to add hardware but we would like to get rid of hardware and also not having additional clicks in the software 😉How this could look like: (RTW PPM 1206D)Details from RTW regarding the phase correlation meter:https://www.rtw.com/en/blog/focus-the-multicorrelator.htmlPhase CorrelationLet's start by understanding the term phase correlation and how we typically show it in our meters.Mostly, phase correlation is used to determine the mono compatibility of a stereo signal, but depending on where you use it, it can also reveal other things, such as bad microphone placement.The term phase correlation refers to the phase relationship between two sources, and with a phase correlation meter, you get a simple view of the changing phase relationship between those two sources.There are three main ways two sources can relate - and anywhere in between.Identical: They are 100% identicalUnrelated: They don't relate at all and have nothing in commonSwitched Polarity: They are identical, but one of the signals has its phase invertedIn a phase correlation meter, these three stages are normally described on a linear scale going from -1 (switched polarity) over 0 (unrelated) to 1 (identical). The numbers -1, 0 and 1 are not randomly chosen as they are the cosine of the angle of degrees of the phase difference between the two sources.Phase relations below 0 are shown in red and relations above 0 are shown in green.If left and right channels are identical, there are zero degrees of phase difference between them, and since the cosine of 0 degrees is 1, that's what the meter will tell you.If left and right are different, unrelated signals, the phase correlation between them will be 90 degrees and the cosine of 90 degrees is 0.And if left and right are the same, but right is inverted, the phase difference would be 180 degrees, and the meter will show -1, which is the cosine of 180 degrees.Normal stereo mixes usually show correlation values between 0.3 and 0.7.Many thanks in advanceAndreas
Hi adobe, Firstly, the auto transcribe and then convert to captions feature in Premiere is absolutely brilliant. It's completely changed my workflow, is intuitive, and fast. I love that it's been brough into the package. However, on checking the srt from an auto generated sets of captions I noticed that Premiere had added in a swear word that wasnt said in the audio. I appreciate it's a complicated system and that it's just trying to find the best match to sometimes complex, diverse audio but this could have been terrible if missed. I obveously always check the auto generated transcript/captions but what would be great is if the system had a filter that flagged any inserted swear words, or negative words that the user could define before the system started transcribing. There's obveously the potentilal for a swear word to be included in an edit but in this case the software misinterpreted an innocent word for an innapropriate one and a failsafe filter would be a nice addition to the process. Many thanks,Alan
The preview window for Select > Color Range is way too small. As an artwork seperator for screen printing, it would be great to have an option to preview my selection in my entire window like you can with layer masks. This tool is incredibly useful, but for selecting graduated areas you have to refine your selection by trial and error.
So I use and animate with rounded rectangle a lot. I animate the size of it, and it always want's to animate the size from the centre. of the shape, where as I'd like to animate the size from a corner. I've been doing a round about way for years with an expression. https://youtu.be/_CucPSu7plM?si=e0ZS1OQyLvQiBmivbut I think there should be a drop down menu where you can choose a corner of keep it in the middle or have it be a free transform.
The most useful thing you could do for me right now is to enable Welsh as a target language in the Translate Captions feature. Google Translate aready fully supports the language, so hopefully it's an easy win! 🏴
I would love for Premiere to have a ripple cut. It has a ripple delete and a ripple paste, but it does not have a ripple cut. Right now I have to click a clip, press command+C to copy it, press shift+delete to ripple delete it and then press shift+v to ripple paste it somewhere else. I would just like to press shift+x to ripple cut it and copy to my clipboard and the shift+v to ripple paste it elsewhere. Final Cut 7 had a ripple cut and I used it all the time. It's been 10 years now and Premiere still doesnt have a ripple cut.
Hello, Premiere Pro doesn't seem to be very convenient to use for an industry standard editing sofware. When trying to select a feature, item or pane, unexpected results occur all day long. For example, when in the Effects Controls pane, and trying to scroll down to automate an effect, the Font slider starts moving and changes the font size even though the handle of the slider wasn't selected. With Premiere Pro currenlty, you never know what pane, feature and clip or text is selected, or the items and frames have to be clicked several times back and forth to figure out a simple task. Kindly improve the usability of Premiere Pro for the average user without getting too smart with the features!
Hi - I'm working in PP2024 Productions, and I noticed that the option to transcribe a sequence disappears if the sequence isn't in the same Project as the source clips, even though they are all in the same Production. Is there any way to get around this? Thanks
Do not allow photoshop to clear history on an image until that image is closed, history is manually cleared by the user, or photoshop is closed. Example: I flatten a layered image, accidentally hit ctrl-save and history is cleared. I now cannot revert in history to regain my layered psd because I saved over it with the flattened psd. My fault. But WHY is the history wiped when the image is still open? What good is history if it is cleared before you close the image?
Just curious, as to how many "left handed" users are part of this community? I'm sure I'm not the only one. With all the changes and wonderful updates Adobe releases every year, I'm wondering if they will ever give the option to change the interface for some of the major tools used in PS to accomodate us left handed people. I would love to actually scroll thru my layers and be able to see the thumbnails at the same time instead of having my wrist constantly in the way and that's just one of the tools that has the scroll button on the right side of the tool. Lightroom came out with the update to move their Developement dropdowns to the left side, which is a great beginning. Having used this software since the late 80's, I think it's about time to give us left handers the ability to use the tools without some appendage in the way. I'm really kind of surprised this hasn't been brought up before, I mean one of the main brush designers and a major contributor to Adobe's new iPad drawing software, Fresco; Mr Kyle Webster is left handed for goodness sake!! Where's the love??!!!! Respond to this thread, "LEFT HANDED" users!!!
Hi PS team,I was wondering if more handles could be assigned in the warp mode, the current 16 handles seem not up for the job for precision editing such as horizon and sea level involved when stitching several frames together. Thank you! Cheers, Donald
Having the ability to perform upscaling within Photoshop would be a fantastic application. I am an editor of illustrated books and we often encounter the problem of wanting to enlarge a drawing, but the printed resolution limits us. I am familiar with the Super Zoom tool in Neural Filters, but it's not the same because that function involves cropping, which is not ideal. It would be a tremendous asset to incorporate this feature into Photoshop. Greetings and thank you.
I felt the need to get this out of my system. And I want to hear if others experience the same things. Am I just going mad? I am fluent in both Premiere and Avid and i've been using both for around 15 years. At the moment I'm editing a feature length (around 2-2,5 hours) film. It's the first time I'm editing a feature in premiere (all of my previous features I've edited in Avid). And here are my take aways: It doesn't work. I feel confident premiere is NOT made to work for theese kinds of projects without big workarounds to just run. Let me alaborate. The last film i did in Avid i used a Mac mini M1 with 16gb of ram. Sure there where times I wished I have had a faster and better machine, but it worked. For my current project I had to upgrade to the latest Mac studio M4 Max because premiere where so laggy. But even now, every edit i make, every trim in my timeline - heck even when I just scroll on the timeline - there is lag. It got even worse with the latest update. I had to downgrade to the previuous version which helped alot. But there's still lag. Every save takes around 15 seconds. And with every lag I'm longing for Avids smooth easy, lag-free experience with quick save times. I've tried emptying cache. And it makes it a little tiny bit fast for a while. My feeling (yes, I don't know code or software engingering) is that there are to many, for film editing, unnecessary functions. Sure, they may be very handy when editing quick short form projects, but are just weighing down the softeware on longer formats. Adobe should really consider, if they want to keep feature film editors, to develop a stripped down version of premiere pro. Maybe starting from scratch. Re-imagined. Maybe you could let people choose which functions they need. I will never use premiere again unless MAJOR changes are made. If anyone can relate and have figured out solutions PLEASE share. I've still got time left with this project.
Ability to change the font size of the caption/description window in the IPTC Large Caption mode.
When a face has been identified, add the name into the ‘Persons Shown’ field instead or as well as keywords.
Hi Adobe, I find my workflow has now settled into a fully Adobe applications one, great for you guys. However I am not an Enterprise user, therefore can't access Frame io from within Photoshop and indeed Lightroom. I can do this from within Premier & Aftereffects. So why do I have to be an Enterprse user to avoid the workaround of exporting files then uploading them outside of Photoshop ? It's an annoying and seemingly uneccessary restriction. It would be great if this barrier could be lifted. Thank You Jonathan
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