Build better products with our product team
Please make Firefly 2 available as well AND create a sort option in the galleryFirefly 2 offered a much better watercolor result. Also, being able to sort through the gallery by medium would be very helpful
Hi Photoshop Team,I have a feature suggestion that could improve the Quick Mask experience. Currently, when using Quick Mask mode and brushing a large circle or shape, it only paints the mask along the brush stroke — it doesn’t auto-fill the inside of the shape like the Remove Tool does.It would be incredibly useful if Photoshop could recognize a closed brush stroke (like a circle) in Quick Mask mode and automatically fill the enclosed area, similar to how the Remove Tool or Lasso Tool with Content-Aware Fill works. This would speed up masking workflows, especially when selecting large or simple shapes.Optional behavior could be:If the stroke closes, Photoshop detects it as a shape and fills the inside.Maybe a modifier key (like Shift or Ctrl) could trigger the fill behavior after completing a closed stroke.Thanks for considering this! It would be a powerful addition to the already great masking tools.
Add sound to videos like in Kling and Freepik.
ENGLISH:It would be very useful to allow selecting multiple clips (such as PNGs, text layers, or videos) in the timeline and adding keyframes (scale, position, rotation, etc.) to all of them at once directly from the Effect Controls panel.Right now, Premiere Pro only allows editing one clip at a time in Effect Controls, which is limiting — especially for animation workflows.In CapCut, this is already possible: you can select multiple clips and animate them in sync with keyframes (scale, zoom, movement, etc.) without nesting or combining them, and without any loss of quality.Being able to do this in Premiere would make animation workflows faster, easier, and more precise — especially when using high-quality PNGs, where nesting often causes a visible drop in resolution when zooming.SPANISH:Sería muy útil poder seleccionar varios clips (como PNGs, textos o vídeos) en la línea de tiempo y añadir fotogramas clave (de escala, posición, rotación, etc.) a todos al mismo tiempo desde el panel de Controles de Efectos.Actualmente, Premiere Pro solo permite editar un clip a la vez en ese panel, lo cual es limitante, especialmente para quienes hacen animaciones.En CapCut esto ya es posible: puedes seleccionar varios clips y animarlos sincronizados con fotogramas clave (zoom, movimiento, escala, etc.) sin tener que anidar ni combinarlos, y sin pérdida de calidad.Poder hacer esto en Premiere haría que el flujo de trabajo de animación fuera mucho más rápido, simple y preciso — especialmente cuando se trabaja con PNGs en alta calidad, ya que al anidar muchas veces se pierde resolución al hacer zoom.
It is as simple as it sounds: why just don't add solid settings which now are within a separate window ("Layer - Solid settings" or Ctrl/Cmd+Shift+Y) into corresponding layer's dropdown? It would be a lot simpler to access solid's color and size properties as well as keyframe them and add an ability to make gradient fill like it is in Photoshop. And of course, this feature will have a positive impact on the workflow of any user from a beginner to a professional.
I would suggest that when creating images of large moving things, a speed adjustment switch is available. I asked for my Elephant to flap it's ears. It did this very well indeed, but it was alittle fast, given the size of the ears in reality!
When creating AI masks using the people mask tool, i can select individual features of a person: hair, clothes, etc. All good. These masks are then called Mask 1, Mask 2.Would it not make more sense to have these masks labelled as Hair, Clothes, Eyebrows, etc?
Hi Adobe Team, I’m reaching out to propose a practical and user-driven enhancement to the Creative Cloud pricing model: on-demand access. While the subscription model works for full-time professionals, many users — hobbyists, students, freelancers, occasional editors — only need Adobe tools intermittently. Right now, they face two options: overpay for unused time or turn to pirated versions. Here’s a better way:Introduce a flexible, usage-based pricing model alongside subscriptions:• $5/hour for quick edits• $12/day for project work• $30/week for short creative sprints• Prepaid credit packs for flexible usage*example prices This gives users control over how and when they pay, without locking them into a recurring commitment. Why it matters:• Reduces software piracy by making access affordable and legitimate• Expands your reach into previously untapped markets• Builds loyalty and goodwill among casual users• Generates new revenue without undercutting subscriptions• Gives your product team real data on which tools people value most The creative landscape is more flexible than ever. Users don’t just need powerful tools — they need fair access to them. This move would show Adobe is not just an industry leader, but also an innovator that listens and adapts. Best regards,Konstantin AndreevPhotographer hobbyist
I have two monitors, and in Develop mode, I keep the Grid visible on the second monitor. When I'm cropping, I like to use the second monitor for the crop preview, since the main monitor shows the grid overlay. It would be convenient if Lightroom would automatically switch from Grid to Loupe view when I start a crop operation, and switch back to the previous view (Grid) once the crop is accepted. I know I can press Shift+E to switch the second monitor to the Loupe View and Shift+G to switch back to the grid view. This is handy, but automatically switching (maybe with an option) would be even better. This would save me the trouble of switching manually every time I want to crop an image.
Kindly consider adding an Auto Mask checkbox to the Brush Tool. It would be a highly valuable feature. I'm familiar with the Object Selection Tool. Just not the same.
In Lightroom Classic, I’ve been working in the same catalog for years, and now it contains over 50 collection folders with more than 50,000 photos. Since the more photos there are, the slower Lightroom gets, I want to create a new catalog just for this year. However, I don't want to download all the old photos to my computer — I want them to remain on the server. The idea is for Lightroom Classic to have an option where, when you click on SYNC, a window pops up asking you to select which collections you want to download to your computer or mobile devices. For example: Select collections you want to download to this catalog Download all photos from all collections to this catalog In other words, pressing SYNC shouldn't automatically start downloading all photos from the server into the catalog, which can take days. The best solution would be: display a list of collection names, each with an icon indicating that the photos have not been downloaded yet — only the collection names are visible. If the user wants to download photos from a specific collection, they could click a small download icon next to it. There should also be an option to Download all photos from all collections if needed.
When using "Join Through Edit" or even the "Join All Through Edits"-Shortcut Premiere should warn when the clips have diffrent attributes. I often cuts music-clips and edits the clip-volume (instead of using keyframes) when e.g. voice over appears.When using the "Join Through Edit"-command Premiere will set all attributes as used in the first clip.May a dialog-box "Join Through Edit will delete clip attributes" is helpful when the clips have diffrent attributes and will be erased by using "Join Through Edit"-Command.
It's great we can send HDR video to an HDR monitor, but we need a way to assign a color profile to a specific monitor
Let Replace work for a selected Gap too. In Premiere, filling a gap with a clip is not very intuitive.Since we are able to select gaps like those were clips (e.g. to tipple delete 'm), it would be logical to let the Replace function work for a slected gap, just like it were a clip.
Edito meus eventos pelo câmera RAW e utilizo a tira de filme na vertical para aproveitar os espaços que a foto não ocupa na tela, assim a foto fica maior, mas acho um pouco incômodo a tira de filme ficar do lado oposto das ferramentas de edição, gostaria muito que houvesse uma opção de mudar a tira de filme para que ficasse ao lado direito da tela junto com as ferramentas de edição
I'm working on an ongoing documentary set in the Arctic and doing a number of interviews in different languages. I'm keen to explore using Premiere to transcript from either Icelandic or Finnish into English.There are a number of documentaries being made in the Arctic region currently and I'm pretty sure I'm not the only film maker who'd benefit from these languages being available on premiere.Well done for already adding Norweigan and Swedish.
Hi all,I love Scene Edit Detection, however I've noticed that it's only an option when a clip is on a timeline. I'm wondering if it's possible to add the feature while a clip is in the Source Monitor, prior to bringing down to the timeline? I get that it wouldn't be able to add the cut points, but at least being able to add markers before bringing to the timeline would be great. Thank you!
If anyone knows a way to do this that already exists, please reply and tell me.
We need a neural filter auto face swapper - there are free softwares outside of Photoshop that do it with AI assistance and it looks great - Its not something most people will need but previs, digital comics etc it would save so much time - not to mention the fun of face swapping as a goof.
Already have an account? Login
Enter your E-mail address. We'll send you an e-mail with instructions to reset your password.