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tythecopperParticipant

P: Subject Chooser for Highlights/Shadows within a subjectOpen for Voting

I've had Lightroom (Premium) for 2 years now and just one of the things I would love to add to my editing is where you could add shadows, exposure, highlights etc on a single thing. I would call it a  "Subject Chooser" it would consist of the same code/tool for subject detecting but with my suggestion, you can select a single object, person or part. For example, I want to add shadows to a specific person so within the "Subject Chooser" feature I can press "Manual Chooser" so it does another scan and finds it and only highlights/masks that thing. A photo below is an example of what I would use my suggestion for, the person in the middle is a bit under exposed and I would love some more shadows. That's where I could use that feature.   Hope you consider my idea, - Ty

0
Forum|Forum|1 year ago
ahmad326664135a98Participant

suggestionOpen for Voting

when released date exactly for adobe research like Project Music GenAI Control and i need request photoshop for audio or add feature on firefly name " rewrite or redub text edit for video or audio"

0
Forum|Forum|1 year ago
ahmad326664135a98Participant

suggestionOpen for Voting

when released date exactly for adobe research like Project Music GenAI Control and i need request photoshop for audio or add feature on firefly name " rewrite or redub text edit for video or audio"

0
Forum|Forum|1 year ago
default18h3si0p5nxbParticipant

There are two Premier features I'd like to seeOpen for Voting

Premiere Pro Feature Proposal1,Smartphone Notifications for Export Completion & Progress UpdatesExporting a project can take a long time, often requiring users to step away and work on other tasks. A notification system would greatly improve efficiency by providing:Export Completion Notification: Sends a notification to the user's smartphone when rendering is finished.Progress Update Notification: Notifies the user when the export is almost complete (e.g., "5 minutes remaining").This would help users manage their time more effectively.2,AI-Powered Automatic Person MaskingSince people are often the main subjects in video production, an AI-powered feature that automatically detects and masks people in both images and videos would be extremely useful.Use Cases: Background replacement, color correction, applying effects, etc.Benefits: Significantly reduces the time required for manual masking, improving workflow efficiency.With the advancement of AI technology, this feature seems feasible and would be a great addition to Premiere Pro.We would love to see this implemented in the future.

1
Ann Bens
Forum|Forum|1 year ago
Väinö38043699ooaxParticipant

Support for smaller languages like Finnish in video translationOpen for Voting

Adobe Firefly’s AI-powered video translation is impressive, but adding support for smaller yet digitally advanced languages like Finnish would make the feature even more powerful. Finland has a highly educated, tech-savvy user base and an active creative community that would benefit greatly from native-language video tools. Supporting Finnish would demonstrate Adobe’s commitment to inclusivity, innovation, and global reach, while opening new use cases in education, media, and the public sector. Smaller languages also provide excellent testing grounds for future AI development with lower risk. Including Finnish could set Adobe apart as a truly global and responsible creative tech leader.

1
Kartika Rawat
Forum|Forum|1 year ago
default4izhgopvevpwParticipant

How do I distribute multiple induvidual text layers premeire 2025?Open for Voting

They pulled the essential graphics windo from Premiere 2025 (I guess to make our lives harder?) and now it seems there is no way to distribute layers. FOR WHY???   Title edited by mod for clarity.

5
Ann Bens
Forum|Forum|1 year ago
andrewp53113852Participant

The ability to create a preset for Clip Color Management through Lumetri ColorOpen for Voting

When putting Rec2100 HLG clips into Rec709 sequences, the color management is extremely lacking. Colors and skin tones are all washed and blown out. A quick clip is to go into Clip Settings in Lumetri Color Management and turning down the exposure. However, when you have lots of clips needing this solution, you have to individually do this to each clip. The idea is to be able to make adjustments in this panel and be given the ability to create a preset or copy/paste attributes from one clip to another. We can do this with the general Lumetri Panel but not the Color Management panel.

1
R Neil Haugen
Forum|Forum|1 year ago
kevinjoconnerParticipating Frequently

Add disc burning capability back to AuditionOpen for Voting

With Audition 24 and above, Burn Audio to CD… is an option under the File > Export menu, but now an error message comes up: "Sorry, Audition doesn't support CD burning on Arm processors." This doesn't make a lot of sense to me. If it doesn't support CD burning, then why is it part of the Mac version? Not to mention that I haven't had any problems burning discs in Apple Music, or burning files to disc from my Mac's desktop. So, clearly it is possible. Yet, for some strange reason, Adobe chooses not to take the time to re-enable the feature. What's up with that? I would like to not have to keep several versions of the same program on my computer just so I can use all of the features it used to have… Kevin(Mac Studio, M1, MacOS Ventura 13.7.2, Sony external DVD/CD burner)

1
Forum|Forum|1 year ago
jezekjancom
jezekjancomParticipant

Where to create/save Audio or VST presets?Open for Voting

Where can I save presets of VST oder Audio Plugins in Adobe Premiere 2025 (or 2024)?Am I able to "save" complete plugin chains?  Example use case:In our productions we constantly have the same speakers. Each of them have their own voice signature and each voice needs to be taimed in a different manner. They need EQ, Compression, De-Essing etc...  Where can I save these chains (or single Audio Presets) for the whole channel?

3
jezekjancom
Forum|Forum|1 year ago
Dorielle35242488wy3rParticipant

Generative Fill Not InclusiveOpen for Voting

Dear Adobe Photoshop Team,I am writing to express my deep concern and disappointment regarding the exclusion of figurative artists, particularly those who depict nudity, from accessing the generative AI fill tool in Adobe Photoshop. As a female artist who primarily works with the human figure, this decision feels both wrong and deeply unfair.The human figure has been a central subject in art since the dawn of civilization, and nudity has been an integral aspect of artistic expression throughout history. Many artists, myself included, utilize the female form as a means of exploring themes of beauty, identity, and the human experience. By excluding artists who work with nudity, Adobe is effectively marginalizing a significant portion of the artistic community.The Generative Fill Tool holds immense potential for artists like myself, offering innovative ways to enhance and expand our creative processes. However, by restricting access based on subject matter, Adobe is limiting the tool's usefulness and alienating a large segment of its user base.Furthermore, the implications of this decision extend beyond mere inconvenience. Over-censorship of artistic content, particularly when it comes to depictions of the female body, perpetuates harmful stereotypes and reinforces oppressive norms. By stigmatizing nudity in art, Adobe risks contributing to a culture of censorship that silences important voices and stifles creative expression.I urge the Photoshop team to reconsider its stance on this matter and to ensure that the Generative Fill Tool remains accessible to all artists, regardless of the subject matter they choose to explore. By embracing diversity and inclusivity, Adobe can truly empower artists to push boundaries, challenge conventions, and create meaningful, thought-provoking work.Thank you for considering my perspective on this important issue. I hope that together, we can work towards a more inclusive and supportive environment for artists everywhere. 

4
Forum|Forum|1 year ago
lofloflof
lofloflofParticipating Frequently

Visualize protected regions of mogrt clipsOpen for Voting

It would be highly beneficial if protected regions of mogrts were visualized in the timeline. 

0
lofloflof
Forum|Forum|1 year ago
HimmelsWParticipating Frequently

Select path points of a shape layer with the lasso toolOpen for Voting

Currently, if a shape layer is selected, the lasso tool has no purpose.It would be nice if it could select path points, just like in Illustrator.

2
Forum|Forum|1 year ago
Kuro_3375Participant

Text from video frameOpen for Voting

It would be nice to have a transcript/translation feature that directly extracts text from video frames, similar to OCR tools, rather than relying on audio-to-text conversion, which may sometimes fail to capture words accurately.

0
Forum|Forum|1 year ago
Ruslan_Isaev_EditorInspiring

Colorising Audio Clip Mixer or audio tracksOpen for Voting

 Hello Adobe Team,I have some Idea.So, when we working on film or TV-series, we have got a lot of audio tracks and we choose wich one is dialog, SFX and Music, but in clip mixer, especially when we have got a lot of tracks, naming just missing,and I thought, will be great, If we can somehow colorising audio tracks or give some color labelsBecause when I labeled whem or add some color, I can see wich is dialog, SFX and Music, but when it is just grey color, its hard to understand 

2
Forum|Forum|1 year ago
FidelxyzParticipant

Rename camera in MulticamOpen for Voting

The name of cameras in multicam can only be specified when creating a multicam sequence. I want it can be changed after a multicam sequence is created.

2
Forum|Forum|1 year ago
nevaeh_4447Participant

Changing the audio mode in an already created Multicam sequenceOpen for Voting

Please add the option to change the audio type in an already created Multicam sequence. For example, switch from Audio mode from Camera 1 to Audio from all audio tracks.

0
Forum|Forum|1 year ago
jeljohnsspKnown Participant

How to get colors from library into swatches?Open for Voting

In Illustrator I can right-click on the color in my library and select "add to swatches". I do not see that option for Photoshop. I've been doing a workaround of making a square and using the eyedropper, then adding the color to swatches. Or I write down the hex code and manually enter it in.  There has to be a better, more efficient way to work with the libraries.  

42
Forum|Forum|1 year ago
RoylllParticipant

Can Photoshop adopt UI Scaling system same as Illustator or Indesign?Open for Voting

I found Photoshop's UI scaling doesn't work in Windows 11, but Illustator and Indesign work very well. Comparing the setting interface below, I really think the Illustator one is much more straightforward and easier.

5
D Fosse
Forum|Forum|1 year ago
TeeKayCCInspiring

Allow Easing for Most TransitionsOpen for Voting

A number of transitions could benefit from easing. Some that come to mind are:- Push- Slide- Wipe- SplitThe Effect Controls interface is so old, I'm not sure how this would be best implemented. It'd be nice, at bare minimum to be able to choose between ease in, ease out, or both (if we can't have full control over bezier handles).

8
Forum|Forum|1 year ago
Lemur42Participant

P: de-couple vibrance and saturation from auto-toneOpen for Voting

Can we please de-couple Vibrance/Saturation from the new and improved auto-tone "feature"? It seems like whenever I hit auto-tone, the vibrance and saturation get jacked up way high. I tried a preset where I set them to zero, however, that is not an optimal solution, especially if I want to adjust something out of workflow order. I'd like to be able to have an auto-tone preset that leaves the V/S values the way they were, so if they're all set to -20 or 0 or 10, they stay that way.  

2
GoldingD
Forum|Forum|1 year ago
More ShortcutsParticipant

More shortcuts or Pie menusOpen for Voting

When I paint.I spend most of my time on the right-click menu,such like add mask,add generator,paint,fill,filter and so on.but none of these have shortcuts!!   I hope this pain point can be solved as soon as possible, enabling everyone to set shortcut keys for anything.or   Add a pie menus (Users can customize the functions) to replace the right-click menu just like Maya.Thanks!

0
Forum|Forum|1 year ago
kd81382743Participant

The audio translator requires script editing functionality.Open for Voting

We need the ability to edit scripts automatically entered into the audio translation function. I want to correct a word that is misrecognized, but it can only be translated with the word wrong.

1
Kartika Rawat
Forum|Forum|1 year ago
Carefree_art5E10Participant

comment avoir les image en 300dpiOpen for Voting

bonjour comment avoir les image générées en 300 dpi

1
Kartika Rawat
Forum|Forum|1 year ago
michaljanata
michaljanataInspiring

Dialog boxes positionOpen for Voting

When I'm opening or closing batch of images, dialog box for confirmation to open or close are not on the same position, so I have to move cursor for every image again and again.And of course I cannot use enter key, because dialog box windows do not keep focus on them. It is really annoying behaviour. Why dialog boxes are not still on fixed position?

0
michaljanata
Forum|Forum|1 year ago
mandi_3590Participant

Make it better if you're going to charge so much.Open for Voting

<span;>Proposal for Real-Time AI-Driven 3D Animation and World-Building Integration in Adobe Creative Suite<span;>To<span;>: Adobe Creative Cloud Development Team<span;>Subject<span;>: Revolutionizing Animation and Design with AI-Driven Real-Time 3D Creation Tools<span;>Introduction:<span;>As the world of digital media continues to evolve, the demand for faster, more intuitive content creation tools grows exponentially. One of the most exciting frontiers is the integration of AI to streamline complex processes, providing users with enhanced creative possibilities without compromising quality or detail. This proposal outlines a vision for the future of animation and world-building in Adobe Creative Suite by integrating real-time, AI-driven 3D animation tools that allow users to create intricate scenes, characters, and stories on-demand, as opposed to relying on pre-built templates or time-consuming rendering processes.<span;>Objective:<span;>The core goal of this proposal is to explore the feasibility and potential impact of implementing AI-powered 3D animation and scene creation within Adobe Creative Cloud. This would enable content creators, animators, and storytellers to generate fully realized 3D environments, characters, and narratives within minutes by directly interacting with AI systems that learn and respond to user prompts in real-time.<span;>Key Features:<span;>• Real-Time Scene Generation and Manipulation:<span;>• AI algorithms that allow users to prompt the creation of dynamic 3D environments based on textual descriptions or existing assets.<span;>• AI-driven real-time rendering that adjusts the scene based on user interaction, character movements, and evolving narrative elements.<span;>• Seamless integration into Adobe’s existing platforms (e.g., <span;>Adobe After Effects, Adobe Animate,<span;> and <span;>Adobe Substance<span;>), where the AI-generated scenes can be immediately exported or further manipulated.<span;>• Interactive 3D Character and Object Creation:<span;>• Users can directly modify and control 3D characters, their movements, facial expressions, and interactions through natural language or gesture-based commands.<span;>• The AI will automatically animate characters and objects, responding to user input in a fluid, intuitive manner (e.g., creating a “Paw Patrol”-like episode within minutes).<span;>• Integration with <span;>Adobe Character Animator<span;> to sync user-driven input (voice, facial expressions, body language) with AI-generated 3D animations in real-time.<span;>• AI-Enhanced World-Building:<span;>• World-building tools driven by AI that allow for the creation of expansive, interactive 3D environments (e.g., cities, natural landscapes, interior spaces).<span;>• Dynamic, evolving worlds that react to user prompts, such as environmental changes, lighting effects, and object behavior, all in real-time.<span;>• AI algorithms capable of understanding and applying art direction, stylistic preferences, and asset coherence to ensure the generated environments are not only functional but aesthetically aligned with the user’s vision.<span;>• Automated Story and Dialogue Generation:<span;>• Incorporate AI-powered narrative tools that help structure stories, dialogues, and character arcs.<span;>• Support for voice synthesis that allows characters to speak within scenes, with AI creating contextually appropriate dialogue based on the story progression.<span;>• Collaboration and Iteration:<span;>• Real-time collaboration features where multiple users can interact with AI-generated scenes simultaneously, enabling team-based creation.<span;>• Version control and non-linear editing support, ensuring seamless integration with Adobe’s existing tools and workflows.<span;>• AI assistance in refining and editing, automatically suggesting improvements or alternatives to scene layouts, dialogue pacing, and animation timing.<span;>Integration with Adobe Creative Suite:<span;>This AI-powered 3D animation tool would complement existing Adobe software, offering creators an advanced yet accessible solution for animation and world-building without requiring deep technical expertise. Here’s how it could integrate with your current suite of tools:<span;>• Adobe After Effects:<span;> Real-time animation generation and manipulation in tandem with After Effects for advanced compositing and post-production effects.<span;>• Adobe Animate:<span;> Integration with Adobe Animate’s timeline and animation workflow, allowing users to create and animate AI-generated characters or scenes directly within their projects.<span;>• Adobe Substance:<span;> Integration with Substance’s material creation tools, allowing AI to generate texture maps and surface details for 3D models in real-time.<span;>• Adobe Character Animator:<span;> Sync AI-generated 3D characters and motions with real-time facial tracking and motion capture for precise, dynamic animation.<span;>• Adobe Stock:<span;> Access to AI-generated assets that can be customized and incorporated into Adobe Stock’s library, enabling the seamless purchase and use of scene elements for other projects.<span;>Potential Impact:<span;>• Efficiency and Creativity:<span;>• Dramatically reduce the time spent on scene creation, character animation, and world-building, enabling animators and content creators to focus on storytelling and high-level design rather than labor-intensive processes.<span;>• Empower creators of all skill levels to realize their vision without needing to learn complex technical skills or rely on expensive production resources.<span;>• Accessibility for New Creators:<span;>• Make advanced 3D animation and storytelling accessible to independent creators, hobbyists, and educators, enabling a new generation of digital artists to create high-quality content without the steep learning curve or financial barrier.<span;>• Expansion of Adobe’s Market Reach:<span;>• Position Adobe as a leader in the AI-powered creative space, attracting a wider audience of creators who are eager to leverage AI to enhance their workflow and creative process.<span;>• Allow Adobe to tap into the rapidly growing sectors of independent game development, animation, and virtual worlds creation, opening new markets and expanding the user base.<span;>Conclusion:<span;>By integrating AI-driven real-time 3D animation and world-building tools into Adobe Creative Cloud, Adobe can revolutionize the creative process, empower content creators, and push the boundaries of digital storytelling. The potential for this technology to enhance creative workflows while enabling new forms of interactive media is immense. This proposal outlines a path toward a truly innovative, AI-powered creative suite that can meet the demands of tomorrow’s creators today.

1
Forum|Forum|1 year ago
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