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It blows my mind how AE can be such a mature and widely used product and STILL somehow doesn't support thumbnails in the Project panel?! - like not even the option to enable them. What in the world are the design team thinking? Every app including Adobe (Premiere, Photoshop, etc) have all had thumbnails since the dawn of time. But in AE, I have to scroll through a list of potentially hundreds of images, individually clicking on each of them one by one and previewing them to see what they are. So incredible that in 2024 this is still lacking.
I do a lot of product photography using the iPhone 13 Pro Max running iOS 15.1.1 and Lightroom for Mobile version 7.0.2 176DFF/67. I use the "Select Subject" feature in the Masking Tool and it does an excellent job selecting the subject, but I'd like the ability to save it with a transparent background. Thanks for considering this suggestion.
Having removed the ability to create a color palette inside the software is A HUGE mis-step for the software, it borederline feels like a bad joke. Saving color and palettes is such a basic functionality of any creative software... but we are now forced to go outside of the software to create a palette and then import it? PLEASE, re-introduce a functional color swatch tool INSIDE after effects that does not require us to go elsewhere to create it and then import it.
Please add layers and a back button and forward button! Seriously like why isn't this a thing on the site???? The Adobe firefly website DESPERATELY NEEDS THIS, I have found myself making many edits on a image in the inpainting mode, but for whatever reason there is no layers and no back button or forward button! And I can't go back and change something! Why????? Please add! 🙏🙏🙏🙏
Was just wondering if the image format for webp will be allowed as a file type to upload? (this was originally posted in here https://community.adobe.com/t5/creative-cloud-services/ct-p/ct-cc-services?page=1&sort=latest_replies&filter=all&lang=all&tabid=discussions trying here as well :))
Lightroom--I would love to see relative presets as opposed to only absolute presets. For example, I may want to add +10 of yellow in Temperature to what ever setting exists and not a static number. This would be great for white balancing where pleasing color is preferable over accurate color. I may want to white balance a set of pictures and add +10 of yellow to warm things up. I find a lot of presets aren’t useful in my workflow, but a relative color temp/tint would be. Thanks, Reid
I just found this forum so I’m not sure if this post is in the right place. I hope that Adobe monitors this as I would love to see this idea go forward.I am a former professional photographer who now just shoots for the love of doing it. Back in my film days, I always was interested in panoramas, but back then, that would mean either very expensive equipment or advanced darkroom skills.I started doing digital photography in 2003. Later on, I learned about stitching software and began to start doing panoramas. Over the years I learned some tricks and came up with some techniques to improve the quality. For the past dozen or so years I have settled into using two applications, Photoshop’s Photo Merge, and Microsoft Image Composite Editor (ICE).Note: Before DPReview went away, I learned that I am far from being the only person who uses just those two programs.I realize that there are other Panorama apps, but they are expensive and between the two that I use, I get satisfactory results. I use both programs…for EVERY panorama that I stitch. I always start with ICE and then redo the panorama in Photo Merge. Overall, Photo Merge gives me better results, but it is a roughly 60/40 split and many times the differences are not that great.Here’s my suggestion… Adobe should buy ICE from Microsoft and incorporate it into Photo Merge. As Ice has not been updated or supported by Microsoft in many years, it probably would not cost too much. The only real expense would be utilizing engineering time to ‘merge’ their software into Photoshop.Why?Because there are many things that ICE does significantly better than Photo Merge…ICE is faster than Photo Merge.ICE is more robust. It can easily handle 100-200 image panorama or murals. Photo Merge (in my experience, my PC) maxes out around 20-30 images.ICE allows you to quickly review the difference between Perspective, Spherical, and Cylindrical while also giving you other options that Photo Merge does not give you, like Mercator, Fisheye, and Transverse. With Photo Merge, you choose one, and if that does not work, you have to close the pano, and start all over. ICE allows you to manipulate the image by dragging up/down, left/right to remove distortion BEFORE you actually save the file. With Photo Merge (PM), you get what you get and have to use the Camera Distortion function, later in the workflow.If the initial panorama is tilted, you can also correct that before saving the file with ICE. Again, straightening out the panorama is later in the workflow with PM.With ICE, if one or more of the images does not line up well to get stitched, the application will ignore those images and stich up the rest. With PM, you get a pop-up error and will have to close out that project and manually remove the bad image and start all over again.ICE has a better successful average. Many times, I will get a result from ICE that PM cannot do. I have never experienced a PM pano that ICE could not do.ICE does give you the option of Planar motion. PM does notTo be fair, there are also some areas that PM does better…Auto Fill. Although about 10% of the time the Auto Fill algorithm does some seriously funky choices, this feature is a major winner for panorama photography.PM does a better overall job of blending.Every ICE panorama has to be finished in Photoshop. From my experience, from release to release there has been some tweaking of Photo Merge Panorama. Over time, it has gotten faster and more dependable. BUT, it is basically the same functionality as ten years ago. Finding a way to incorporate the ICE functionality into Photo Merge would revolutionize the Panorama feature of Photoshop.I realize that panorama photography is a very small segment of the market. I also realize that phones and digital cameras have panorama functionality (although very poor IMO). BUT…from a marketing POV, Panos are sexy. When done well, people are always drawn to them.Adobe…please look into this.
While editing long-format projects, such as wedding films, it is often very difficult to manually find a specific family member across multiple clips. An AI-powered face detection feature that automatically identifies and displays all clips where a particular person appears would be extremely helpful.This technology is already available in many photo-based software, so incorporating it into video editing should be feasible. If Premiere Pro introduces this feature, it would make an editor’s job significantly easier.
They lack the most basic logic like "folder name is folder01 or folder 02 and type is not video" - sigh
Can you please support color management when enebleing Mercury Transmit.I will not get the second display to convert to the Display color space.
It would be immensely helpful for Premiere Pro to be able to automatically build a sync map for me and automatically create multicam clips by selecting a day's worth of footage (multiple cameras) and a day's worth of production audio. Similar to Avid's "auto sequence" function.
Es wäre großartig, wenn man die Perspektive des Betrachters auf ein mit FireFly generiertes Objekt mit einem Schieberegler verändern könnten (links-rechts und auf-ab oder Winkel). Ebenso wäre es toll, wenn man die Entfernung des Betrachters zu dem Objekt per Schieberegler erhöhen oder verringern könnte (rein-/rauszoomen). Beim Rauszoomen oder Perspektive ändern müssten die fehlenden Inhalte dann dementsprechend dazu generiert werden (ähnlich wie bei extend image). Schön wäre auch, wenn man den Winkel des Lichteinfalls oder Schattens auf diese Weise stufenlos variieren könnte.
Hi,I recently switched to AE 2025, and unfortunately, I've noticed that the UI font has changed to a bolder and blurrier version. After working with the new AE for a whole day, it feels as though I'm seeing everything with 0.75 diopters, and it's straining my eyes significantly. Is there any way to revert to the previous crisp font for the UI? Thank you,Andreas
When I go to create a new item in my Premiere Project; I get a dialog box for settings and sentiments for that specific item; resolution, bitrates, width, height, pixel resolution, etc.At this time, in my current workflow I have a folder system and inside each Bin I create my file structure; FOOTAGE, SFX, MUSIC, AUDIO, GFX, VFX, TOOLS, etc...But when adding items to those folders I find the act of "create item, accept item, find item, click item, rename item" much more annoying than if the dialog box just immediately highlighted a "title input field" and when pressing enter completed the entire action in the same bin.It would create a much more streamlined workflow for this scenario in my and all of my coworker editors lives.
Hi there! Is there any way of executing a context menu command?I'm trying this, which successfully returns the id 3064, but the action does not work on the selected layer. id = app.findMenuCommandId('Convert to Paragraph Text') app.executeCommand(id) Any idea on how can I make this work? Thanks!!
I'm currently working on a project that needs a bunch of assets in different pre-comps with the same resolution to be resized and repositioned and the fast way has been to use rulers, it would be nice if we could toggle it so rulers/guide lines stay on every comp till disabled.
Is there a way to make Premiere stop asking me if I want to turn on auto transcription? It seems like every time I open the Text window, it asks me.
Turning off all advertisement and popups in adobe creative cloud and its apps. I NEVER want popups and advertisement.I want a global turn off setting for all pop ups and advertisement. Please add a setting in my adobe account that will follow me to any computer I login to; that turn off all your annoying popups advertisements forever!Same to the Contextual Task Bar. I don't want to get use to it.. I want it off my screen; always. I strongly feel Adobes products are drifting from their core purpose; this makes your tool less useful. If I had a choice in how Adobe spends research and development funds; I would improve your core features; why each of your products were originally made in the first place.e.g. Adobe Premiere purpose is to make videos; Its output depends on Media Encoder. Is Media Encoder better than the competitors… A BIG NO! So, spend money making it better. What good is a product that’s fall behind in quality of its output/encoding. Fix your fundamentals. This isn’t just an Adobe Premiere problem. (but it does have a very long list of fundamentals to improve)
i have no idea why this isnt already in the software but can we have a way where we can apply a track mixer preset instead of having to re do it every single time we work on a new project. i work with a client and his track mixer settings are the exact same every time. 4 hard limiters, 4 single compressors each with different settings. it would be mcuh more efficient if i could click 2 buttons and it already be applied (and yes ik about the copying track effects but i dont get why it wouldnt just be quicker to make a preset) can we not just save layouts for this?
Hello LRC 14.1.1 W11 24H2 Before going to PS both number suffix (filename or original) are OK After going back from PS Filename suffix is gone but original is ok. Why not But if you use the denoise by AI that create a DNG from the initial RAW. Both are gone. So Bug. The original should stay Kind regards
Social media platforms have certain areas where the overlay assets at the video. It would be nice to have (regulary updated) safe margins directly from PP for different social media platforms.
I've been using Substance painter for years and very often I need to color pick from another layer's preview. Now that there's shaded balls previewing the layers, I'm unable to color pick cause I have the entire spectrum of a ball to pick from. The ball doesn't make sense, please just bring back the flat texture. Also seeing the mask preview was really great but I guess that never comes back.
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