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I've been using Substance painter for years and very often I need to color pick from another layer's preview. Now that there's shaded balls previewing the layers, I'm unable to color pick cause I have the entire spectrum of a ball to pick from. The ball doesn't make sense, please just bring back the flat texture. Also seeing the mask preview was really great but I guess that never comes back.
Hello, Text transcription in Bosnian language is much needed. I hope so It will be added in fututre updates.All the best, Romano
This text panel is completely unresponsive to size changes, and does not indicate that if the panel is too tight that there are entire sections of input invisible to the end user.Here is the opened panel:Does anything look off? Because I was joking, that panel is tightened and has no indication of missing features or inputs. This next photo is the opened panel.These kinds of unoptimized panel hard points are extremely frustrating from a workflow and design standpoint. Maybe allow the end user the ability to drag those lined section dividers to deepen the space that those multiple controls utilize?1. 25.0.02. Windows 10 64bit3. Resize the Properties Panel, or almost any panel whatsoever4. Better adjusted empty space or decrease of that thereof. Unchanged empty space.
I would like to write automation (effect sends, EQ moves, etc.) on audio tracks (and bus tracks, but that's too much to ask, I assume) and have that automation be tied to the clip when I move it around the timeline. In podcasting we are constantly editing the timeline right until the mix is exported. In video, the timeline is locked so it's not an issue. I know that ripple delete kind of achieves this, but when you just want to move one clip and have the supporting sfx or music stay in place, that isn't an option. As it is, automation is completely unusable for podcast production, and that's unfortunate. If we want to throw to a reverb for a clip we actually have to copy a new version of the clip to a new track with reverb, so that it will move in sync when we select to the end of timeline and move clips around.
Could you add an option in the History panel (and Photoshop settings) to stack new steps at the top instead of the bottom? Most of the time, we only need to go back a few steps, and constantly scrolling to the end becomes impractical when the history gets long. This shouldn’t be too difficult to implement and would save a lot of time. Thanks!
Does this keyboard command exist? I have a smart object in PSD that is a few pixels off from the edge of the artboard... there must be a keyboard shortcut that expands the SO to fill??
This was a feature that was in Audition 3 but is currently not in 13. It was a feature that let you automatically find beats according to their decibel change and other factors. I recall it was in the Edit menu where the Markers are now. It's super helpful making radio edits for music on my work computer. It would be great to have this feature again in Audition 13
Why this no longer exists is mind-boggling as I swear it was part of PSD long ago. Anyways, don't care about Illustrator comments, I know you can set PREFS there. HAVE SEEN THIS ASKED FOR OVER AND OVER AGAIN TO BRING BACK!!!!!!!!!!!!!!!!!!!! PLEASE FIX THIS FOR NEXT UPDATE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Can we get noise reduction for video in Premiere Pro?Preferably GPU accelerated. Neat video is slow and crashes.
It would be great if there was a function to "lock" "any clip". Currently, there is a function to lock "tracks" on the timeline independently.In addition to locking individual tracks, I would like a function to lock specified clips (multiple clips at once)."Lock" → Clips do not move even when selected. Ideally, it would be possible to link them to the timecode of the timeline and prevent them from moving from there.For example...Currently, you can select multiple clips and enable/disable them.It would be great if you could lock/unlock multiple selected clips with a single shortcut key in the same way. 「任意のクリップ」を「ロック」する機能があると素晴らしい現在、タイムライン上の「トラック」を独立してロックする機能がある。トラックごとのロック以外に、指定したクリップをロックできる機能が欲しい(複数クリップをまとめて)。「ロック」→クリップを選択しても動かない(動かせない)状態。タイムラインのタイムコードに紐づいてそこから動かないようにできると理想だと思う。例えば・・・現在、複数のクリップを選択し、有効/無効 を切り替えることができる。それと同じ要領で、選択した複数のクリップを、ショートカットキー1回で ロック/ロック解除 できると素晴らしい。
Can we get rounded stroke for text? This is in After Effects but not Premier. Thanks
It would be great to adjust the drop of a pattern, like a halfdrop (1/2) or 1/3 etc... - not only straight view.
I'm not sure if this is already a feature or not, but I am on Version 10.1.2 and can't find any posts related to this.I usually import multiple models into Substance Painter. I have a folder for each of these and have to select them 1 by 1 and a new folder destination. It's alright for the first time I do this, but when I want to come back in and edit it, I have to do that same tedious process all over again. I'm doing this every day all day in-and-out of substance painter, it becomes a drag and really slows me down.My suggestion is to add a + button on the output directory to create a new output directory and allow me to link a specific texture set to that output directory. This way i can simply edit the texture > Shift + E > Click Export > Done. If this or something similar is already a feature, please inform me on how I can achieve this, and if not, please add something similar to this. Thanks
When moving any adjustment slider it would be useful to have a method of moving the slider in a more accurate or slower way. This feature would be similar to the hue "fine adjustments" toggle in the mask / colour mode. However, I imagine a more unified integration without any additional toggle. I have come up with a few ideas in which this could be achieved. Option 1: The artist would touch the slider knob and hold still for ca. 3 seconds. Then the slider would go into accuracy mode. If the slider is moved in under 3 seconds it would simply stay in the classic slide mode. Option 2: The artist would double tab the knob slider to activate accuracy mode. Option 3: The accuracy mode could be linked to slider acceleration. Similar to a desktop cursor. This way the slower a user moves the less units will be adjusted. My favourite is probably option 1 because I imagine most of the time you'd want to adjust quickly and roughly but occasionally you'd need the extra accuracy and therefore the little wait would be acceptable. Perhaps the knob could get a small clock spin to indicate the activation. Similar how it is done in many video games where delays are used. In all 3 scenarios accuracy mode would mean that the slidable area will expand past the current slider location. I imagine this could be done invisibly since most people focus on the image while adjusting. However, a ghost slider might also be a possibility. I.e. the current menu would fade out and a single translucent slider would spread across perhaps 80% of the screen. Perhaps some of the options reflect accessibility issues and therefore it would be ideal to have more than one option and let the use set their own preferences. This solution would increase my productivity, improve the quality of my output and also make Lightroom more accessible. I mostly struggle to adjust the white balance since it's such a sensitive slider but there are several other values where it's hard to hit the right values. When editing many photos this usually means constant back and forth on a slider until I hit the right value. I basically press the finger down and barely move it a mm to make a crucial change. Often I resort to copying something that's "close enough" to other images but then I wouldn't do any micro adjustment because I feel that if I touch that slider it will just make it worse again. Obviously I can tidy up these issue when I am back in Lightroom Classic but It would be nice if this step could be completed in the app since I overall enjoy working in it a lot more than on my PC.
Hi there! Question / Feature request:Is there any way we can access default camera settings from ExtendScript?We do quite a lot of scripting with cameras and exporting composition settings, but when someone changes the dafault camera settings, and there is no explicit camera, we're pretty must lost. Thanks!
When created with "Surface Anchor" and displayed in AR, the object will not be displayed if it is 60m away from the camera. 60m is short for architecture, so I would like to be able to enlarge or set the far clip.
It would be great to have a feature like in Photoshop's layers panel, which allows you to collapse all groups in your libraries panel, so you don't have to collapse each group individually.
Hi can you please make the following improvements to Adobe Premier PRO. 1. Better Improved Timeline Clearness where you can view the projects in a more LOGIC PRO timeline manor with ablity to auto zoom focus things quicker. Lots of times, the timeline becomes 2 cluttery. 2. Much better drag and drop special effects that offer way more vs the basic effects Adobe has. Effects like IG has are even cool. Simple stuff like add a filter on a face to make it smooth and speical effects for visuals would be great.
I would love for Audition to also use the text generate feature that Premiere has. When I record voice overs that are used for online training modules the content doesn't always go through Premiere. Instead the Audio goes from Auditon to an eLeaerning publishing software like Articulate, which can also use closed captions and I would rather not use an extra step and also run everything through Premiere just for that feature.
The adjustment brush tool is just a step away from being a big time saver.Prior to Mac and photoshop I worked on the old high end sytems of that day.I was an adopter when photoshop came out and team lead on migrating to Macintosh and Photoshop.Ok the adjustment tool would be best to come up with out a preset adjustment. This is a step that most will not use. The brush itself should show a preview inside the brush when moving it around the image , what this does is allow the operator to see the preview of they edit they will make in different color ranges of the image. When doing this the operator can tweak the range of what they are going to edit to make sure it's inn the range requested by the editor. So more or less curve is open , in the adjustment to , operator makes curve edit but does not apply , they move the brush around inside the image to validate the areas of tone bhy seeing a dynamic preview inside the brush itself , if they like the range the click and bush , if they dont like the preview range of the possible edit while seeing the preview thropugh the brush and moving around the image to show what the edit is going to do they just go back to curves thats already open tweak and validate the range is correct and brush away. Add this to the tool and you will greatly reduce operators time in edit sesssion while improve results.JohnB
Would be an amazing timesaver if we could have Layer Styles in the properties panel.Given a solid needs to be reloaded to change it's colour, I often drop a layer style on to quickly test colours etc.If i use a shape, sure it's a quick click to change a colour, but outside of using shapes or live text, the properties panel is a bit on the lean and useless side of practical...
It would be nice if there were a way to set the resolution limit for videos in Media Encoder, specifically the vertical dimension, and create a preset to handle this automatically.For example, I have footage that is either 3840 x 2160 or 4096 x 2160 (or maybe another horizontal resolution x 2160). It would be nice to set the resolution limit for the vertical dimension to 1080, and the horizontal dimension would automatically adjust to maintain the original aspect ratio.For this example, the result would be 1920 x 1080 and 2048 x 1080. Handbrake has this capability, but queueing a bunch of videos isn't the easiest.
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