Questions

Just confirming what I am seeing on a new M1 Max MBP running Premiere 22.2.0 (Build 128). In the Premiere project settings you should not see any options to change the renderer settings from metal to software only.  

A lot of editing uses mulitple cameras of the same interview or scene, or matched cameras between scenes. Using chip charts from whatever source can help matching the images.   But the Saturation target boxes in the VectorsScope YUV are full saturation targets. Most camera clip chart work comes in as somewhere between half and 2/3rds Sat levels.   So one guesses ... you try to visually get the target inline, and about half the distance between center and outer target ... which is both slow and not entirely accurate due to visual guessing.   Having Saturation Target Boxes at half-Saturation would make this a TON faster and more accurate.   I include two examples ... this top one is on import to Premiere. And this one is after importing. The saturation from the camera is PLENTY for the actual imagery.   But note, the chips don't go past about half way of the distance from center to the target boxes. And I've used several different chip sets, from this Xrite one thro

Can anyone tell me please where the "edit clip in after effects" is gone in Premier Pro 22???   **MOD EDIT** added in that this is for the beta version of PP22

Hi, I have seen this problem by mutiple people, but haven't been enable to find a step by step solution. I have bought the new Macbook Pro M1 Max and when exporting in Premiere Pro, the colours are washed out/desaturated/gamma shifted, however you wanna call it.  I've seen a lot of posts/video's about it and some people say there is nothing to do about it, or just keep it because it's only on macbooks, but I really want a solution. I have read about color management and importing isseu's as in, that MXF files are imported as HDR. Other people say to use the BETA version of Premiere Pro. I get that there will be a difference in exporting and premiere itself, but it never occoured this much difference. Anyway, let's try to fix this problem as a community.  Does anyone know a step by step fix for this? I uploaded some stills for example. I don't wanna use a LUT or anything. I just want a clean export for all devices. Greets.  

Hey, experienced a bug in the lastes Beta verion. Nests won't work as they should. As soon as you change/edit clips inside a nest the nest won't show any content on the actual timeline and will therefore appear as black or missing. Furthermore I've experiences a bug regarding a drop shadow effect. It changed as soon the the file was nested and I had to increase to intensity to match it to the none nested file.Best regards,Daniel

I just downloaded the beta version of Premeire Pro v 22.3 onto a M1 mac. I do not see the AutoTone button in the Lumetri Basics panel. Has it been removed?

OK I am restating my issue as nobody responded to my last post.  I have segments exported from multiple projects. When I import them into a new project file two of the segments are zoomed way up and out of frame. The other segments are fine.  When I run one of these segments in a player, it fits the frame just fine.  But when I import them, they play 200% of the frame size (or more) and cannot be resized into the frame, it's like the rest of the video is masked off at the frame.  I'm exporting all segments using the same .h264 setting...I'm lost.  Help anyone?

I am no expert editor!  I am exporting a bunch of individual projects to complile a video.  All but two project files export perfectly well.  All files run properly in the preview screen when editing.  Two project files export with the video and images zoomed.  I edited all projects the same way so I am not sure what I'm doing wrong.  The export settings are all identical too.  Screen shot of my export settings below.  What else should I look at? 

Filmconvert Nitrate plugin worked on older v15 premiere beta, but does not show on the new one.. does anyone have the same problem?  thx

Captions and transcription has stopped working since most recent updates. After initiating the transcription, the blue loading bar loops and stays in the "Rendering audio data" state.

Not a problem anymore.

Team projects are no longer loading in beta. When selecting the team project, the window closes and the project does not open, instead I only see the home screen of premiere.

After clicking the burtton "Transcribe sequence" in Premiere Pro Beta, I get " Rendering Audio Data" (going on forever and ever) instead of "Transcribing sequence". What do I do wrong?

I understand that for most of its existence, Premiere Pro was focused on cinema and professional videomaking. Times, however, have changed and sometimes I feel like Premiere is still lagging behind with a lot of features when it comes to creating content for social medias.In the subject of subtitles for social media, the workflows most editors use is completely different than the ones intended for conventional formats.My job, for example, requires me to create very large quantities of 30 to 60 second long, 1:1 or 9:16 videos to be used on social media. Therefore, I need work with all my videos in a single timeline, otherwise I would have over 50 sequences in every project and changing design aspects of each clip would be a nightmare (yes, I know I can use nested sequences, but in many cases they dont help much).To create subtitles, Essential Graphics have always been my awful yet least troublesome option. I usually stretch a single clip of text over my videos, and slice the clip as I c

Timeline plays fine till I render or export video, then it shows up flickering.  This only happens on the 16" M1 Max MacBook Pro with Adobe Premiere 2022 (not on the 2019 - 16" Intel MacBook Pro).  I had to roll back to the 2021 version on the M1 Max as a work around but would like to be able to update to the 2022 version of Premiere.  Hope you can fix this issue with 2022 Premiere on the M1 Max).

Do you want to add ProRes to Quick Export?  Now you can . . . and any other preset too! Introducing the preset manager!     Quick export is a quick and simple way to get media out of Premiere Pro without much fuss and if H264 is what you need, it’s great for that.  It’s been in the product for a little over a year, and the most common thing we hear is “yeah, Quick Export is cool . . . but where’s ProRes . . . or DNxHD or HEVC or those custom presets I’ve made”. The Preset Manager allows you to search for all the system and custom presets on your machine and favorite them, so they show up in quick export.  Let’s face it, you probably use about 3 presets on a regular basis.  Just put those 3 favorites in Quick Export and save time searching each time you export.   Testing the Preset Manager without the rest of export mode The Preset Manager is part of the redesign for the new Export Mode and you can test it as part of that feature set, but we are also

I have posted this problem twice on the Premiere Beta Forum for latest the Beta Version.  No one has responded.  When playing videos on the edit page, the screen shakes periodically.  This does not occur in the Non-Beta Version.  I have an Intel(R) UHD 630 Graphics Card.  Is this graphic card causing the problem?

I love this feature, it produces much better (and non destructive) results than luts, however I'm getting color shifts when using Color Space overide in Premiere Beta 2022. Specifically in HDR sequences.I'm also experiencing intermittent crashes that prevent the program from relaunching unless I restart the computer. I don't see any of my hardware getting maxed out in task manager to cause a hangup/ crash.Camera: Sony FX3 shooting UHD 24-60p Slog3/Sgamut3 in XAVC HSPremiere Beta 22.3After Effects 22.1.1Updated Nvidia drivers today 1/28/22Windows 10 Version 21h211900k Quadro RTX500064gb ramMicron 3400 1TB NVME ssdPremiere Settings:Display color management and Extended Dynamic Range Monitoring are checkedSequences: UHD 24p in either Rec 709, Rec 2100 HLG, or Rec 2100 PQ color spacesFootage is using color space overide to Slog3/SGamut 3After Effects Comp Settings:UHD 24p, 32 bits per channel, linearize working space, compensate for scene referred profiles.Display color management is onFoo

I love this feature, it produces much better (and non destructive) results than luts, however I'm getting color shifts when using Color Space overide in Premiere Beta 2022. Specifically in HDR sequences.I'm also experiencing intermittent crashes that prevent the program from relaunching unless I restart the computer. I don't see any of my hardware getting maxed out in task manager to cause a hangup/ crash. Camera: Sony FX3 shooting UHD 24-60p Slog3/Sgamut3 in XAVC HS Premiere Beta 22.3After Effects 22.1.1Updated Nvidia drivers today 1/28/22Windows 10 Version 21h211900k Quadro RTX500064gb ramMicron 3400 1TB NVME ssd Premiere Settings:Display color management and Extended Dynamic Range Monitoring are checkedSequences: UHD 24p in either Rec 709, Rec 2100 HLG, or Rec 2100 PQ color spacesFootage is using color space overide to Slog3/SGamut 3 After Effects Comp Settings:UHD 24p, 32 bits per channel, linearize working space, compensate for scene referred profiles.Display color management is o

keeps on crashing when I move clips in the timeline. Anyone got this issue?

Program freezes making the simplest video adjustments on the timeline - both with graphic files and video .mov files when you grab and slide fwd or bkwd on the timeline. I've had to restart - literally 2 dozen times for a minute long video. There has got to be a better way or program out there that actually works. Steps to reproduce:    1. ... Result: ...Expected: ... System info    Application: Premiere Pro (Beta) v22.3.0.11    OS: macOS v12.1.0, RAM: 64.00 GB GB, CPUs (logical): 20

The transcription feature seems to be broken again in both the Beta (22.3.0 build 11) and public release (22.1.2 build1).  I select transcribe either through marking an in/out in the sequence or the whole sequence and after the progress bar uploads audio data to the cloud, no transcription is returned to my project. I have started a fresh 22 or beta project with one piece of media, run the test, nothing is returned. I have logged out of CC, rebooted, logged back into CC and tested, still fails. I have deleted all media cache, peak files, PTX files, reset preferences, started a fresh project and nothing is returned when I submit to the cloud. In the beta (22.3.0 build 11) under the Window menu, there isn't even an entry to the Text window? I can only see it in my source monitor window.  In the beta, once I try to create a transcript, the Text window progress bar is stuck on Rendering audio data if I choose the whole sequence. Only way to get out of this stall is

Beta version seems to ramp up RAM usage even without a project loaded. Non-beta does not have this issue. It starts at 1gb then slowly creeps up to whatever i've set the max ram usage for adobe to utilize.    OS: Windows 10 x64 RAM: 32gbCPU: Ryzen 3800xPremiere Pro (Beta) Latest Version     [Moderator note: moved to proper forum.]

Have been checking this bug for a year now. Since Premiere's 2021 update with the upgrade to the captions panel (now Text), the system won't import .mcc files correctly. The metadata in Premiere Pro says the media duration is about 5 minutes shorter than it actually is, because of that the system doesn't generate our program's full captions. I've reported this before and Adobe support did confirm there was an issue and a solution would be available in a follwing update but unfortunately the updates have not fixed the problem. For our broadcast program I am still editing in Premiere Pro v2020 because the .mcc file works fine on that version, but I feel like I shouldn't rely on that workaround and fall behind new versions of Premiere beign that there are new features that could also help us on our production. I can send you a .mcc sample file that we used, please email. Thank you.System info    Application: Premiere Pro (Beta) v22.1.1.7    OS:

Is it possible to remove the sample media so that it does not show up when I start a new project?