Questions

The export panels do not show up after closing and opening the betas, the only way to fix this is to clear the preferences every single time Premiere is opened. Is there any final solution to this issue? much appreciated !

Hi, After the latest update which happened this morning 3/20, playback is sluggish. I get the beachball spinning forever soon after launching the application and starting to play a clip in the sequence. And I'm quickly stuck and need to force quit. Help!

If I create a mogrt in AE and bring it into PPro, any sliders I added cannot (easily) have non-integer values. For example, I have just made a mogrt where you can specify (in seconds) the time before a piece of text fades off. This would normally be somewhere around 5 seconds...maybe 4.5....maybe 8.3....whatever. But the only way for the PPro user to specify these decimal values is to click on the number and type in the value - not very user-friendly. And then, the value displayed beside the slider is an integer - not the actual value.A solution to this would be if, when creating the mogrt in AE, we had some kind of "precision" attribute we could set, and PPro would respect this and display the value with the correct number of decimal places. And the slider woudn't round the value to integers when being dragged. 

I am able to mark a clip in the timeline. However when I use the Clear Selected Marker command (default keyboard shortcut is option+M) it does not perform the task.

Dear Adobe Support Team,I am writing to you to report an issue that I am experiencing with my AMD RX 7900XTX graphics card and the activation of OPENCL in Premiere Pro. When I enable OPENCL, I experience significant lag, and the preview barely works.I can only preview 10-15 images before the application freezes entirely. My system configuration includes a Ryzen 7 3700X processor and 32GB of RAM, all hosted on NVME SSDs. I have also updated my graphics card drivers to the latest version. I have attempted to resolve the issue by switching to CPU-only rendering, but the performance is still suboptimal.I believe that the issue may be related to a conflict between Premiere Pro and the AMD RX 7900XTX graphics card. Could you please advise me on how to resolve this issue or provide any updates on when a fix might be available? I would greatly appreciate your assistance. Thank you in advance for your help.

Is the Auto Tone feature being updated in Beta or is it the same in the non-beta version?

Occasionally when switching into the multi-cam mode. The "Media Pending" error fills the screen. The media is obviously there as it plays from the timeline when not in multi-cam mode. I give it time (minutes) to find things and sometimes it works sometimes it doesn't. Running 3 camera sources. All source material on SSD drives. A combination of MXF and Prores footage. All HD. This is a new issue with recent beta builds. Duplicatable on a MacBook Pro and on an iMac.

I spent a good deal of time trying to migrate a big documentary project into a production. Here are my findings on bugs and improvements needed for productions. 1. Reassociate clips don't always work, even when the same clip has all of the same exact metadata. The clip remains in the project you don't want it in. We need to have a media tool, a page just like in Avid where you see all of the clips associated with that Production/Project. Perhaps give each piece of media a unique ID that we can see in the metadata fields. 2. If you move a clip that's used from one project into another, the video and usage shows the correct usage in the original project but then the usage disappears when moved to the new project. Then if you consolidate duplicates, it removes the clip that was moved from the original project. When you go to a sequence and match back in the original project, you get an error saying that clip is no longer in the project. This happens on clips that don't reas

PP23.4.0 BETA (build 15) MacOS 12.5So AME, like PP, has a global 'auto detect log color space' toggle in General settings. This is NOT LINKED to the PP 'auto detect log color space' setting and also appears to be locked in at the moment the sequence is 'sent to media encoder' - either by direct keyboard command or via the export tab. (i.e. if you change the AME AutoLog toggle after it is in the AME queue the interpretation in the sequence export will NOT be changed) Thus it is VERY LIKELY that exports that are sent via media encoder will NOT MATCH the levels/colour in PP unless PP and AME have the same AutoLog settings. I think these settings are per machine - so in shared environments would need to be set across all machines and also would need to be re-enabled if/when preferences are reset. I can see this getting very messy on bigger shared projects with multiple editors with multiple source colour spaces. Maybe the AutoLog setting should be with the ToneMap choic

Took some EBU HDR colour bars - inserted them into an existing Slog3.Cine3Gamma flagged Sony XAVC MXF file (thanks to Avid insert edit export) - then put in a 709 PP timeline to see what the results of various AutoLog and ToneMap options are. Mostly a science experiment so I could get my head around what is occuring - but maybe useful to others figuring out the workflow. The original bars are not designed for Slog3.Cine3Gamma, so the colours will not land on vectorscope targets, plus the export is to a PNG file so levels may be clipped where they wouldn't be to a YUV file. NB the GIF shows inline when I edit - but not when message is posted, so attached as file.

The current setup for log-encoded media can work fairly decently. Without too much extra/wasted steps, click, mouse to keyboard to mouse movements. The auto-tonemapping for instance works quite well with some clips, decently with others, though not so good with other clips, at least as we need them to appear.   But the current ... process, not a system really ... has a couple inherent failings. At least, as far as being able to work quickly and smoothly.   You must know the precise log format from the list in Interpret Footage that will work for each clip. And all clips need to work either equally well, either all with, or all without auto-tonemapping.   In an Ideal world, that would be the case. But often we get say something that we think is from a Canon, it's log, but ... what log? No way of knowing. There's two options, very different in effect. You simply have to guess.   Or it's a Sony clip ... with what, three options?   And how about from something log-

Any idea when the Metadata & Timecode Burn-in effect will be moved into the public version?  The obsolete timecode effect in version 15.4 does not interpret footage correctly and leads to a ton of extra mouse clicks to get the correct timecode settings. 

Steps to reproduce:1. Work on a project in PPro, with the program's zoom set to 100%2. Save & quit3. Relaod PPro, load up that projectResult:Zoom is set to "fit"Expected:Zoom should be as I left itNot a major bug, but a minor inconvenience. System info    Application: Premiere Pro (Beta) v23.3.0.2    OS: Windows v10.0.19044, RAM: 127.92 GB GB, CPUs (logical): 32

When trying to reach the "Export" interface it just shows the loading animation. Also using Export -> Media does not switch to the Export interface System info    Application: Premiere Pro (Beta) v23.4.0.10    OS: macOS v12.4.0, RAM: 128.00 GB GB, CPUs (logical): 20

For those of you that have tried Text-Based Editing, we are hearing lots of good feedback from you. Please also fill out our survey so that we can confidently launch in Premiere Pro. https://forms.microsoft.com/r/f86uf84b4g   If you haven't tried Text-Based Editing, check out the tutorial here:  https://community.adobe.com/t5/premiere-pro-beta-discussions/now-in-beta-introducing-text-based-editing-in-premiere-pro/m-p/13552305  

Hi! Whenever I am extracting text in the text editing feature of my video, it keeps jumping ahead to a random spot in my sequence after every single extraction, so I have to constantly scroll back to find where I had made the extraction and try to keep going from there. Please help! This is majorly slowing down what could be a wonderful assembly editing process!

In Premiere 23.0 we’re changing the default preview codec for most new sequences created from media to Apple ProRes 422 LT.  The previous default was I-Frame Only MPEG.     We’re making this change to improve playback and export times when working with rendered preview files.  In most cases, ProRes is a better choice than MPEG for rendered previews in terms of video quality and playback performance, although the speed and hardware acceleration available on your system will also come into play.   Note: This is only a change to the default setting for preview codec for most sequences.  You can always change your preview codec by going to Sequence > Sequence Settings and selecting a different format and codec in the “Video Previews” section.   Why ProRes LT We chose ProRes LT because it's a good middle ground regarding data footprint vs quality.  It's a very close match in terms of quality with MPEG, so you should not notice any quality degradat

Hold down any of the following keys during launch to bring up this dialog (Command, Option, Shift / Control, Alt, Shift).  You have the choice to reset any or all the following options: preferences, media cache, plugin cache, and also bypass third-party plugins from loading.  Savvy users already know about these troubleshooting steps, but we have combined them all into one dialog to make it more convenient.   The corresponding key used to bring up the dialog will auto-select that setting in the dialog (e.g. using ‘Option/Alt’ to bring up the dialog will auto-select the ‘Reset app preferences’ checkbox.  You can also combine keys that will result in multiple options selected (e.g., ‘Shift + Option/Alt’ will result in auto-selecting ‘Reset app preferences’ and ‘Reset plugin loading cache’).  Once the dialog is up, you are free to make any selection you like.   Shift                          &n

I've loaded an MP4 file -- several of them -- that are clear and understandable with good volume levels. The transcription window has all kinds of popups -- auto transcribe, something unreadable because  the words are wider than the button ... The blue transcribe button does nothing. Clicking on the three dots lets you pick "Static transcription." It runs the little progress graphic for about 3 seconds and ends without transcribing anything.  Steps to reproduce:    1. ... Result: ...Expected: ... System info    Application: Premiere Pro (Beta) v23.3.0.41    OS: Windows v10.0.22621, RAM: 31.93 GB GB, CPUs (logical): 16

새로운 인라인 입력 방식 에디터를 소개합니다! 이 에디터는 프리미어 프로 모니터에서 자막 작성 시 추천 단어들을 보여주고 입력할 수 있게 해줍니다.   이 새로운 기능은 중국어, 일본어 그리고 한국어 작성 시 보다 나은 환경을 유저들에게 제공할 수 있습니다. 그리고 이미 포토샵과 몇몇의 다른 어도비 프로그램에서 지원 중인 기능과 매우 근접합니다. (애프터 이펙트도 추후 이와 비슷한 기능을 지원할 예정입니다.) 한국어 입력 글자 키를 누를 때 초성이 입력됩니다.  초성 작성 후 나머지 글자를 입력할 때 글자는 소리 나 단어에 맞게 정확히 입력될 수 있습니다.  아직 한국어는 추천 단어가 자동으로 나타나지 않지만 한 번 정확한 단어가 작성되면 입력이 됩니다. 스페이스 바를 누르거나 새로운 단어를 작성하지 않는 한 그 후 바로 새로운 글자를 작성할 수 있습니다. 프로그램 모니터에서 한국어 인라인 입력 방식 에디터 창     입력 방식 에디터를 사용하실 때 글자 밑에 파란 줄을 보실 수 있고 이는 정확한 글자 구성들을 보여줍니다. 현재 글자를 입력하면 파란&

I have just found this bug (in February 2023)...and how to reproduce it and how to fix it:How to reproduce it (in version 23.3.0 BETA Build 35 on Windows 10)1. Do a ctrl-alt drag of a clip to swap its place with another clip2. That's it. If you then try to drag/move any clips in the timeline, the pointer turns to a 🚫 "no way" symbol and the clips are immovable. It's still possibe to trim, copy, paste and all manner of other things, just forget about dragging a whole clip around. How to fix itAs someone suggested in this post, docking the timeline panel into another panel fixes it. You can then drag your timeline panel back to its original position and everything's great again.

I have projects that contain hours of speech. Every time I open Premiere Beta it does speech to text transcriptions even though I already let Premiere complete the process and even though I have not added any video to the project. The process takes a long time. And, even though it's happening in the background, when I'm in my timeline, my video playback will hesitate for about 10 to 20 seconds every time I hit the play button. I have to stop the transcription process every time I open a Premiere project.

So, it's been a while since I've started a new project.  I loaded the files into a folder on my media drive, then started Premier and clicked to start a new project. The first thing I see is a display of clips from the wrong folder in the Import page. The first thing I saw was the breadcrumbs, so I drilled into my media folder, and all the files appeared, and I expected that to set the destination for the new project.  But then I looked up and "Project Location" was still set at the folder for the last project I was using.  Annoyed, I set that to the correct folder, gave the project a name, and then clicked "Create" (which is at the far bottom right of the screen, hard to find). The project created and all the clips were now on the timeline, but because the first image was a vertical still shot, the whole timeline had taken on those parameters. Totally wrong. I'd like to see New Project give the old dialog box that allowed sequence settings. Then if I want

There are an awfull lot of them (imo too many and they do not fit all in the top bar) I only use two or three of my own. Cannot you put in an option to select a few or all and move them in one go to Do Not Show instead of me having to move them one at a time.      

I would like to suggest Adobe to include an option to disable the auto scroll function in the transcript and caption (text) panel. As much as it's convenient for the caption to scroll according to the playback time, but it's annoying when you try to edit a previous or next caption, and the caption keeps move up and down while you click. The other issue is the double click to edit. It's a waste of time. And it's buggy too. Sometimes, double clicking doesn't work, and I have to click back and forth to get it to work. It's more apparent when it's at the end of the sequence. I really love how the subtitle now enjoys the same clip editing method as video clip. But I still very much prefer the old way of editing the text in subtitle.