Questions

In Premiere Pro Beta version 23.1 build 40 or later, new enhancements for mask creation make it faster and easier to create detailed masks.   In previous versions of Premiere Pro, it could be challenging to create detailed masks. The rotation tool could interfere with adding additional points that were close to existing points.   Now, when creating a mask, the rotation tool is not active until the mask shape is closed. This eliminates situations where masks could be rotated unexpectedly.    Tolerances have also been modified so that it is now much easier to create a series of points that are close to one another.   Additional magnification (zoom) levels of 800 and 1600 percent are also now available in the Program Monitor.  There is a separate forum post for that change -DISCUSS: Larger Magnification Factors in the Program and Source Monitors   OLD BEHAVIOR NEW BEHAVIOR   Please try out the new behaviors by creating detailed masks in

For the past few months of testing Speech to Text I have not seen an update to the functionality of exporting a transcript besides plain text exports. If you are in the transcription tab, you can export a text file which is a good bandaid for now. It formats paragraphs nicely, but no timecode or speaker labels. If you are in the captions tab and export a plain text file or SRT file, there is no paragraph formating, just the CC lines as they appear in the PGM monitor. Exporting a transcript in the transcription tab still gives you a file extention of .prtranscript that cannot be opened by any normal text editor. If I try to open the .prtranscript file with a text edit app, all I get is machine language which is not very helpful. If there is a specific app I should open this type of file extension in, pleae let me know, I'd love to use it. If this functionality is not finished, or users are supposed to apply other steps to get this to work, what needs to be done?  Tes

The new beta build has a new option available in Keyboard shortcuts:   Send Directly to Media Encoder   And if you give that a keyboard short, with an active sequence in the timeline, you go DIRECTLY to Me without needing to use the "Export" page, and can then set your export name & presets & such "the old way". Thank you to the Team for this option ...   Neil

Like to see some sort of grid in the Icon view. As of now, before selecting any asset, it is kind of hard 'reading' the panel. Name on the left and number of items on the right touching nearly the next name.

4 November 2022   At this time, grading any HDR content in Lumetri is difficult and frustrating. And I would really appreciate comments from @Francis-Crossman17221443  or any other staffers as to how this is realistically expected to work .As we all know, there are three "general areas" in SDR work: shadows, mids, highlights.   But there are FOUR in HDR workflows: shadows, mids, highlights, and speculars.   When the first attempt at allowing HDR work appeared in Premiere, Lumetri was given a fourth color wheel for speculars. That, in my testing, worked as expected. In fact, all of grading HDR worked as expected.   But then that 4th wheel was removed, and since then, there is no way in Lumetri to check and set detailed highlights versus speculars. The only useful tool for this ... is the RGB Curves tool. Period. So, ok, with some fidgety work, you can work with the speculars brightness versus lower values mostly.   If we try Basic White vs Highlights, that

What if I want to read them again. Some of them are not to be found under all changes.  

I can no longer see the Start, End, and Duration of the clips in the timeline by hovering over the clip. Any ideas?

I could not find one single request in the user voice for this Would have been happy if it said e.g. Corner Pin or 4 color gradient or ...

Steps to reproduce:    1. Transcribe sequence2. Edit a word or two3. Try to "Split Segment" -- it does not work.  Result: ...Clicking on "Split Segment" does nothing. Expected: ... System info    Application: Premiere Pro (Beta) v22.2.0.21    OS: macOS v12.1.0, RAM: 32.00 GB GB, CPUs (logical): 8

When assembling a Sequence using the new Transcript 'source' pane, I am expecting it to behave like Source AV pane:I love being able to highlight text while Premiere automatically creates in/out points. BUT when assembling a string of clips to the sequence using the '.' (overwrite) function, the clip is placed in the sequencebut the CTL does not advance ahead of the placed clip like it does doing the same thing from the AV Source Panel.Then when continuing from the Transcript Panel 'Source mode' and pressing space to play the source clip, sometimes it reverts to play the sequence instead.Are these intentional?

We have decided to take a slightly different approach and moved the conversation over here: https://community.adobe.com/t5/premiere-pro-beta-discussions/discuss-timeline-tonemapping/m-p/13387919   We are excited to announce Tone Mapping in Premiere Pro Beta when using HDR clips in SDR sequences   We are actively seeking feedback on this feature, to make it work for everyone! This feature will also see continuous development in the upcoming days, so please make sure you keep checking it in the new Beta releases.   What is Tone Mapping and why do I need it? When you create a new sequence using your clips (SDR, HLG, PQ), Premiere pro automatically creates a sequence from the clip’s color space. Let’s say we create a sequence with an iPhone HDR Clip- the sequence’s Working Color Space is now set to Rec 2100 HLG. This is a great way to edit your HDR clips while keeping the full dynamic range and Rec. 2100 colors of the source.   However, many of us want to create a

 

PR Version 23.1.0mac OS Version 12.6Create transcription > Create captions > edit subtitles on the program panel(It would work for one and twice, then I can't edit)The subtitle should be able to edit both on the program panel and the text panel(Now only available on the text panel.)

So I work nearly totally in Productions, using a Production per year for my small mostly one-person operation.   But how do you recommend migrating a Production forward?   Last year I created a new Production, then manually created my main folder structure, then created new project files for all the projects I wanted to carry forward, and of course used MediaBrowser to import/ingest the previous Production's projects into the new one.   Is that really the only main way to do this?   @Bruce Bullis  ... anyone?   Neil

Bonsoir,j'ai effectué des sous-titres sur premiere pro (version Beta 23.1.0) avec le nouveau système et je les ai exportés en version .txt afin qu'ils soient traduits en anglais.Comment ré-importer le fichier txt traduit qui comporte le timecode pour ne pas avoir à tout ré-synchroniser manuellement ? J'ai essayé de transformer le fichier txt en srt en ligne mais quand je l'importe le timecode apparait à l'image...Y-a-t-il une autre solution ?Merci d'avance! 

Now there are transforms for Canon, Sony, and Panny log formats in the Modify/Interpret Footage color management "Override" options.   I'm curious as to how the transforms are working for the various cameras and formats? Any posts of experience would be very helpful!   Neil

1- we on PC2- connected to a 1,5 Peta Byte Server based storage with a 10 gig connection. We have lots of large projects. When opening them : we see that Adobe starts to relink those files. On many occasions, it gets stuck and there is still media pending and the performance is very bad. - Open Large project - alle media on a network server storage (samba) - Progress widows starts linking and gets stuck.  1/ Opening all bins is sometimes a trigger 2/ Changing workspaces is a trigger If not all media loaded all is slow and performance bad. But not seem to work always and opening a project takes 5-10 minutes is way too slow

I know h264 is hard to transcode ecc. But if final cut can handle it, why not premiere Pro?I used to edit with vegas h264 back in the days and zero lag. If you use one h264 track is ok. But if you have to do picture in picture then two tracks and it explode. It happens a lot on my windows machine aswell. I'm always on the last beta version, because the normalone lags more. I remember there was a release in the beta not much time ago that was perfect for windows, it stopped the lag for h264 footage, but a version later it appeared again. What?  When i edit on two tracks 60 fps it lags so bad that is impossibile to edit.When i edit in 30 fps is almost ok with occasional lag on M1on windows the timeline is faster but overall editing is clunky and not smooth.Please consider that a lot of creators nowaday are using h264 for editing, so is important to have this CODEC. I personally use it because i like that it has small file size and is more pratical for what i have

In Premiere Pro Beta version 23.1, build 40 or later, you will find new magnification (zoom) factors of 800% and 1600% have been added to the Source and Program Monitors. These new options can be useful for creating intricate masks or inspecting small details in your footage.        You will see these new options in the magnification menus in the source and program monitor window, the context menu, and the application View Menu   Note: Custom Keyboard Shortcuts can be assigned to the Program Monitor to make it easier and faster to zoom in, zoom out and zoom to fit.  The Program Monitor needs to be in focus for these shortcuts to work.  These functions do not have a shortcut mapped by default, but you can map your own. Zoom Monitor In Zoom Monitor Out Zoom Monitor To Fit   We want to know what you think.  Please join the conversation below.                

Hello, We are on PC's. Z840 -64Gig Ram, 10Gbps connection to storage.We. are on 22.4. but been testing the beta's too. We have with bigger project the issue that SEND TO AME not works. It gets stuck on 75% of the program bar. If we go to AME settings and deselect : import sequence native . It seems to work, the project loads into AME. Downside. we can not activate that he not encodes with offline media. And second one, we had some project who had a 5h render time. (instead of 10min).  A direct export out of Adobe Always works. And is fast 10-13min on these projects, what is good.   When i put that project and media on a local SSD. And try the SEND TO AME again( from the local media) it works perfect, no need to change preferences on AME, all works fine and fast . So fast conclusion... it is an network issue. Because we see on the network scans that AME is scanning for all the files.. but never seems to stop scanning. We let it open for 2H, but still stuck

Just wanted to report that I'm seeing a tremendous improvement in stability and performance using Beta 23.x on our new M1 macs. On 22.x we were seeing constant hangs and crashes. So much so it was severly impacting our work output. We are a team of 5 editors and artists and had thought upgrading to the latest M1 systems would only be a positive thing. (Based on the reviews and experiences we read before hand.) NOPE! It was so much pain! However, 23.x appears to be addressed those issues and our team is looking forward to updating to 23 when it releases. (I, for one, will be working on Beta 23 until then.) Cheers!

 This message keeps appearing on my timeline and audio stops.  I stop playback and then it's fine but keeps appearing.SPECS (ATTACHED)I am running an AMD 24 core threadripper3960 (3.8ghz)  and Nvidia GeForce RTX3070 graphics card, TRX40 Aurus Pro WIfi.  32mb of RAM so a pretty powerful computer. Sound harware: C4RG9x (NVIDIA)SPDIF Interface, Realtek USB2.I have searched forums but not seen any resolution for this issue.

HiI am having an issue with this Beta release where some of the functions of my Loupedeck CT are not working. Specifically, I am not able to use the dials for position keyframing, for scale adjustments, crop, rotation, opacityBestAlex

I wish we could change the color of the wireframe in the Program monitor. When working in high resolution and blue images the wireframe is very hard to find and view. E.g points in 4 color gradient, ramp, mask.   https://adobe-video.uservoice.com/forums/911233-premiere-pro/suggestions/45760513-change-color-wireframe-program-monitor  

Premiere Beta runs out of memory on my Mac Mini M1 (16GB RAM). To be specific, the window that pops up is from Mac OS, and Premiere seems to be OK but I save and close to be safe. The weird thing is, the popup claims Premiere Beta is using 70GB memory. But I have it configured to optimize for "Memory" (not "Performance") and to use 8GB memory max. The project has over 100 raw media footage files in it, each 2-3 minutes long. They're not all in use in the open Sequences, but they're imported in the project. Is Premiere Beta loading all of those clips in RAM, even if not used in any open sequences?