Smooth playback of rolling crawl-style titles depends on the frame-rate of the media/sequence and the monitor refresh rate. This is why say pro colorists expect their Reference monitor to be capable of refreshing at either the exact framerate of their expected timelines or double that framerate. So first, check your monitor's available refresh rates ... and see if they can be set to match your sequences playback speed.
Another part to this is to have the crawl moving at precisely even pixel-per-frame increments of upward motion related to horizontal motion through the timeline. Say at one pixel of vertical motion for every three frames horizontal (time) movement. This way there are no "jumps" or "holds" ... or the weird partial-jumps and such.
In Jarle Leipoll's incredibly detailed ebook ... really still THE manual for working production processes and speeds within Premiere ... he details the process to accomplish this. His site, which has a ton of useful and accurate information besides a link to that book is here ...
https://premierepro.net/color-management-premiere-pro/
The book is "The Cool Stuff in Premiere Pro" ... it ain't cheap, but it's incredibly precise and detailed covering about every part of professional video post work you can do with Premiere, including dynamic links to AfterEffects. I have it on my tablet always with me when I'm working.
Neil
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