shooternz wrote: Ken Original Source Files go into a "Bin" in your Premiere Project Window. Create and Name the Bin whatever you want. ( A bin is simply a folder with a fancy name that relates to film editing.) I call Bins - Rushes Day one or Card one or anything that ids the footage conveniently. Rushes is a word that also comes from the days of "film" ( like me) Once in the bin...all the clips can be viewed in the mini monitor. Select Clip> Space Bar THey can also be dragged to the Source Monitor and played ( Space Bar or scrub) Besides every clip in the Bin is a number of columns for the editor to enter info they may wish to sort on or search on. Create and name other bins as you wish but an obvous one is "Selected Takes" - takes is a word from the days of film ( like me and every pro editor in the world) Drag whatever clips you want into what ever bins you want to use. THese bins are only relevant in Premiere. ( Non destructive and not affecting your source files on your hard drives) This, plus other comments you have made here shooteernz, are really putting some foundation to working within Premiere for me. Also, about film, we still use the terem 'footage' and others that no longer apply to the physical world of film, and we still use the word 'film' but there is no film involved nor celluloid and light-sensitive silver coating, but we should not forget where this industry came from and how it started. I appreciate you bringing your expeirence from that world into the present situation we now find ourselves in. That being said, what you have given me will definitely keep me off the streets, for a while at least, and I'm now gone into the world of creating bins and: I can see now why an additional monitor might be in the works for me. Screen real estate becomes an issue with so much going on. I feel I am at the point now where the boat is pulling away from the harbor, so to speak, and I'm actually navigating files and see what the flow is like in Premiere. A very nice working environment. Thanks Again To All, Ken
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