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Kristian Gabriel
Engaged
Kristian Gabriel
Engaged
Activity
‎Oct 01, 2018
11:35 AM
1 Upvote
As Meg said, the process, according to your questions would be CAMERA RAW > PHOTOSHOP (PSD) > PREMIERE. This process will "bake" your color adjustment into the PSD. You can use RAW VIDEO in Premiere but stills are another matter. or convert your stills to a raw video format to retain the flexibility of color grading but this would assume you wish to adjust color in Premiere. My guess is that you are preferring to work in Camera Raw. If this is true, the following is the ultimate method (right now) of keeping your files in RAW and retaining any work you have done in Camera Raw: Import your RAW stills into AFTER EFFECTS. This will launch Camera Raw. Use CAMERA RAW to adjust your Raw Photo. Press OPEN IMAGE to bring into After Effects Cut Image into your Composition and save Import AE project/composition into Premiere dynamically Kind of a dirty workflow but it works and is the least destructive option. This will retain all changes and keep your file raw. Obviously the file rasterizes in Premiere--however, you will be able to manipulate the RAW file in AE which will automatically update in Premiere. The reason this works is that After Effects is like an "Animated Photoshop" and can ingest most RAW STILLS and VIDEO formats and it works wonderfully with Premiere. FORMATS AE SUPPORTS Camera raw (TIF, CRW, NEF, RAF, ORF, MRW, DCR, MOS, RAW, PEF, SRF, DNG, X3F, CR2, ERF) Note: This is what Adobe lists, however, we have found that many more formats are supported beyond this list. For Reference: File Formats that Premiere Supports File Formats that After Effects Supports
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‎Oct 01, 2018
09:04 AM
This happened a few times in an earlier version of CC for my team and we found that some of our clips had a little bit corruption. I'm not saying this is the case but this can happen. We also ended up reinstalling Premiere and re-encoding the clips using Encoder and everything seemed fine. Haven't seen this problem since though.
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‎Sep 16, 2018
09:22 AM
4 Upvotes
If your Premiere is working correctly, you should be able to edit text attributes in the following ways: Select the Graphics/Text Clip in your Timeline and then Use your Graphics Essentials panel Select the Graphics/Text Clip in your Timeline and then go to EFFECTS CONTROLS panel. VIP NOTE: To SELECT or jump into editing your text, use the TYPE TOOL from the TOOLBAR and click on your text in the PROGRAM MONITOR. The SELECTION TOOL can activate text editing by simply DOUBLE-CLICKING on your TEXT in the PROGRAM MONITOR but this can be a bit volatile or buggy. If you just select your GRAPHICS/TEXT clip in your timeline and you are on your SELECT TOOL, this does not activate all the text editing features. If you click on the TEXT LAYER at the top of your GRAPHICS ESSENTIALS panel, this will bring up your text editing features but you still need a way to target the specific TEXT ELEMENT within the clip. So, as stated above, do one of the following: DOUBLE-CLICK on the TEXT you want to edit in your PROGRAM MONITOR with the SELECT TOOL SELECT TYPE TOOL in your TOOLBAR and CLICK on the TEXT you want to edit in your PROGRAM MONITOR.
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‎Sep 07, 2018
10:18 PM
Image Sequences have NO VIDEO information at all because they are just a series of stills--so unless Premiere recognizes the format or metadata in certain circumstances (ArriRaw, Sony Raw, etc.)--chances are that your Framerate and other video related information will be incorrect. This can cause problems like you are describing. A lot of Images Sequences must be imported and then RE-INTERPRETED. Here is the basic process: IMPORT YOUR IMAGE SEQUENCE as FOOTAGE RIGHT-CLICK YOUR FOOTAGE in your PROJECT WINDOW/BIN and go to MODIFY > INTERPRET FOOTAGE CHANGE FOOTAGE INFORMATION: In your INTERPRET FOOTAGE window, click on ASSUME THIS FRAMERATE and set it to whatever framerate your footage is supposed to be or what you wish to be. This usually is the framerate of your SEQUENCE. MAKE SEQUENCE SAME FRAMERATE AS CLIP: If your Sequence is a different Framerate from your footage/clip, you will either get footage that is sped up or slowed down. Now place clip in Sequence and playback and/or export. There can be other issues but this is usually what causes playback problems with Image Sequences.
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‎Sep 07, 2018
05:54 PM
2 Upvotes
Adobe Premiere has native GoPro support and has a series of PRESETS in the EFFECTS panel that REMOVES THE DISTORTION in GoPro footage. We usually just natively import the footage and then use the appropriate presets to undistort the footage. You can add an ADJUSTMENT LAYER and then add a single PRESET to your entire timeline--or if you mix footage, you can add the presets to individual clips. If you have cut several clips from the same piece of video footage, you can use Premiere's convenient MASTER panel to add effects and have them affect every instance of that clip in the timeline. This should be very quick. Obviously, if you are mixing a lot of footage with variable framerates,etc--it would be better to process all your clips and camera footage into a single format like Cineform. It's so solid.
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‎Sep 07, 2018
02:13 PM
9 Upvotes
OussK is correct that an .MP4 in it's current variation and format cannot have transparency at all. Exporting your files into this format will be completely flattened. Just as a side note, there are very few acceptable video files with transparency for web. CSS, Flash and HTML 5 Video which have been used to trick transparency for MP4 files have been used before. If you want transparency, for web or editorial, here are your best options: VIDEO OPTIONS FOR TRANSPARENCY: Quicktime (.MOV/Cineform): For Offline/Online Video Editing Quicktime (.MOV/DNxHD/HR): For Offline/Online Video Editing Quicktime (.MOV/Prores 4444): For Offline/Online Video Editing Quicktime (.MOV/PNG): For Offline/Online Video Editing Quicktime (.MOV/Animation): For Offline/Online Video Editing Quicktime (.MOV/J2K): For Offline/Online Video Editing Of course there are other formats, but these mezzanine or intermediate/smart codecs are some of the best for ongoing editing. STILL OPTIONS FOR TRANSPARENCY: PNG (Portable Network Graphics File): PNG was made for transparency on web, however, it is used quite a bit in video as well. This format is best for graphics and videos with high complexity in color. SVG (Scalable Vector Format): SVG files are a modern day sensation. It can be both Raster and Vector and be used for Print and Web. It can contain transparency as well. PDF (Portable Document Format): PDFs are a staple for Print and online documents. PDF supports massive amounts of transparency depending on the version. GIF (Graphic Interchange Format): Index file with the potential for transparency. Best for graphics without color complexity or gradients.
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‎Sep 06, 2018
08:11 PM
3 Upvotes
If you are having issues with multiple framerates in a Premiere timeline--the best solution is to transcode ALL your footage to ONE FORMAT and ONE FRAMERATE. By doing this, you are eliminating so many issues and problems. Premiere is fantastic at mixing framerates--but there can be issues. Use the INGEST settings in Premiere to import all your footage into a single format or use Media Encoder by itself to encode BEFORE you edit. Most of us love Premiere for its ability to work natively with camera footage. Instantly import and edit in seconds! Premiere is the best editor in the world natively and I work with Avid and Final Cut professionally. Premiere has them both beat. This is all great--but the truth is, if you have the time and hard drive space, transcoding all your footage into a single format and framerate almost completely ensures the success of a project (how good or bad the original footage is another matter). In reference to one of your statements, it looks as if your bitrate is too high. If you are exporting your video for Youtube--as long as the video looks fine on your computer--Youtube should not reject it unless it is too big or the bitrate is too high. Even if you mix multiple video clips with different framerates--all will be converted to one framerate when you export to H.264. As stated previously, 150 Bitrate is too high. If you wanted a higher bitrate for a 1080P or 4K video--I would keep it within 8 to 45 Mbps. If you want a great video quality on Youtube--you have 2 choices. Use the official Adobe Youtube Presets (which are excellent: Youtube 1080P, Youtube 2160P,etc.) or high encode using a high bitrate. Once again, I would keep your bitrate below 50-70Mbps. We've used 40 to 45 quite a bit with great success. And, as a side note, Premiere + Media Encoder applications are some of the best in the world for encoding H.264. I use them daily for all levels of professional work. Just FYI--Here are the most recommended settings for Youtube now in 2018 (From Youtube's Website): Container: MP4 Audio codec: AAC-LC Channels: Stereo or Stereo + 5.1 Sample rate 96khz or 48khz Video codec: H.264 Progressive scan (no interlacing) High Profile Variable bitrate. No bitrate limit required, though we offer recommended bit rates below for reference Frame rate Content should be encoded and uploaded in the same frame rate it was recorded. Recommended video bitrates for SDR uploads To view new 4K uploads in 4K, use a browser or device that supports VP9. Type Video Bitrate, Standard Frame Rate (24, 25, 30) Video Bitrate, High Frame Rate (48, 50, 60) 2160p (4k) 35-45 Mbps 53-68 Mbps 1440p (2k) 16 Mbps 24 Mbps 1080p 8 Mbps 12 Mbps 720p 5 Mbps 7.5 Mbps 480p 2.5 Mbps 4 Mbps 360p 1 Mbps 1.5 Mbps Recommended video bitrates for HDR uploads Type Video Bitrate, Standard Frame Rate (24, 25, 30) Video Bitrate, High Frame Rate (48, 50, 60) 2160p (4k) 44-56 Mbps 66-85 Mbps 1440p (2k) 20 Mbps 30 Mbps 1080p 10 Mbps 15 Mbps 720p 6.5 Mbps 9.5 Mbps 480p Not supported Not supported 360p Not supported Not supported Recommended audio bitrates for uploads Type Audio Bitrate Mono 128 kbps Stereo 384 kbps 5.1 512 kbps ----------------------------------------------------------------------------------------------------
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‎Sep 06, 2018
04:53 PM
3 Upvotes
LIke Bryon said, managing motion blur can be amazing. Controlling the native motion blur exists in your COMPOSITION SETTINGS window under the ADVANCED tab. Here is a possible list of solutions to this issue: #1 - Don't export directly to H.264 with animated media. Everyone does it--and your stuff can look good--but it is a bad, bad habit. This alone can directly contribute to motion issues, artifacting and other compression based issues. You should be exporting your animation to a lossless codec or a codec with "less" compression. Output to Animation, Prores, DNxHD/HR, or Cineform as a High-Bitrate Master file and then use that flattened file to re-encode to H.264 or any other compressed file you wish. Even if don't notice a huge difference for some projects--this workflow solves many, many quality issues including the ones you are describing. #2 - If you are using any time-remapping and/or mixing media with different framerate--Frame Blending or Optical Flow can solve some issues (then again, they can add other issues). #3 - Video Card Issues - Some video cards have weaknesses when outputting certain types of animation or media. Have you tried outputting on another computer with a different video card? Problems with motion can also be due to a card that hasn't been updated. On the flip side, it could also be due to a card that has been updated and you may need to roll your card drivers back to an earlier version to fix it. #4 - You have already been experimenting with Frame Rates changes--however, higher framerates can solve some motion issues because there are more frames per second to interpret the motion. #5 - Problem like this can be caused by corrupted frames and cached media that AE outputs regardless of settings. These things are not supposed to affect final output but we've had really weird things happen. If you suspect something like this, use EDIT > PURGE > ALL MEMORY & DISK CACHE Anyways, good luck!
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‎Sep 05, 2018
06:44 PM
Not always, but it can. Whenever frames are dropped, it can be choppy. Then again, it might be just fine. The higher the HFR, the more problems can happen. If your HFR is is smaller...like 60fps, it will be smoother. Once again, no harm in dropping a 120fps into a 24fps timeline and seeing if it works for you. Luckily Premiere is almost entirely a non-destructive application! We have dropped 120fps footage into a 24fps timeline and it looked amazing. Premiere generally does an excellent job with this. If not, we can take the next step. The more advanced levels of this would involve bringing your clip(s) into After Effects or dynamically throwing them over to After Effects from Premiere and using the FILE INTERPRETATION feature in AE to control the frame rate change and pulldown and re-outputting for Premiere. To answer your second question, it is best to shoot in whatever your delivery frame rate will be unless you have specific needs for things like Slow Motion, Visual Effects, etc. Shooting everything in 120fps would require massive amounts of hard drive space in a normal project with a lot of clips and the processing of the footage could potentially drive you crazy. You would be creating an extraordinary amount of unnecessary work for yourself.
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‎Sep 05, 2018
06:17 PM
2 Upvotes
If you are using true HFR footage at 120fps and you want SLOW MOTION do the following: Import your video clip(s) and then SELECT them in your PROJECT WINDOW/BIN. Go to CLIP > MODIFY > INTERPRET FOOTAGE Under FRAME RATE, select ASSUME THIS FRAME IS and make it 24fps (or whatever frame your sequence will be). This will give you true slow motion at 24fps. Now you can edit your clips in a 24fps sequence and your clips will be in slow-mo. Note: HFR clips modified this way will make your clips longer. If you want your clips to play at 24fps with no slow motion, just throw your HFR clips into a 24fps timeline. This will "throw out" the extra frames to accommodate the timelines frame rate. There are some tricks you can play with to smooth playback or control your footage pull-down within After Effects for Premiere if your footage isn't playing back smoothly. EXTRA NOTES: The process above does not work if your camera PRE-PROCESSES the HFR. For example, if you shoot with the Panasonic GH5/GH5s, you can shoot up to 180fps--however, the camera will internally process the HFR and the resulting file will be whatever the final frame rate settings are. So, if you set your camera to shoot 24fps and then you change the variable frame rate setting to 180fps--the final clip will be 24fps and the slow motion will be "baked in".
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‎Sep 03, 2018
10:36 PM
2 Upvotes
AE can be pretty much any size of video. 1280x720 tends to be more on the corporate side in my work. 2550x4200 (4200 x 2550?) would be fine if that fits your output. We work in so many sizes UHD, 3840 x 2160p, DCI, 4096 x 2160 and any customized sizes.FYI--The size you listed is basically portrait--like a vertical mobile device or phone. Is this correct? Once again, yes--AE can handle this. We create videos for IGTV at 1080 x 1920 and 2160 x 3840 all the time. 1. If your media is a different size than your format, you can just create your 1280 x 720 or 1920 x 1080 or ANY frame size composition and then just drag your imported Photoshop media into the new Composition. Because the Photoshop Aspect Ratio of your file may be different, just use SCALE under TRANSFORMS to re-size and crop your Photoshop file until fits the frame dimensions perfectly. SIDE NOTE: If you want to import your Photoshop and use the full 2550x4200, just DRAG the Photoshop media into the NEW COMPOSITION button to create a composition at the exact size of your media. You can always go to COMPOSITION > NEW COMPOSITION and create your composition from scratch as well. 2. If you are going to be SCALING your Photoshop media in AE--or will be using Camera(s) to fly in and out of your media in AE--vector media would be better (Note: make sure that the vector layers have the Re-Rasterize button selected to keep your vector media clean). If you remain with the Photoshop media, you should be designing much higher resolution media to prevent too many problems caused by cameras and scaling. For example, if your design is 2550x4200, I would at least design out to 5100 x 8400. While it won't be vector--you will have a better time scaling and using cameras. 3. Mockups: Your question depends on what you are mocking up. If you can do your mockups in AE that would be good. If your mockups require a lot of complex textures, etc--Photoshop would be the place to start. But, once again, it depends on what and how you wish to animate in AE. Photoshop can be extremely powerful and useful--or useless if it is something easy to accomplish in AE.
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‎Aug 30, 2018
01:14 PM
1 Upvote
Video card issues like corrupted or outdated drivers or even corrupted frames/codecs can cause this issue. You might need to update your video card or reinstall new drivers. The displays in Premiere can be choking on corrupted frames which can be caused by many things like hard drive issues as well. Your media might play perfectly in other applications even with corruption and then crash within Premiere. Not saying this is the issue, but this can happen. I've seen it. Here are some things to try: Clear all cache in PREFERENCES > MEDIA CACHE Double-Check Memory setting in PREFERENCES > MEMORY (make sure memory assignments are correct) Update your Video Drivers. If you already have, you might need to roll your video drivers to a older version Check the health of your media drive. Turn Off GPU in FILE > PROJECT SETTINGS > GPU RENDERER ( Select Software Only) Re-Install Premiere using Creative Cloud Cleaner Tool --Use the Creative Cloud Cleaner Tool to solve installation problems Good luck!
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‎Aug 08, 2018
10:25 AM
1 Upvote
Like Neil said screen grabs would be excellent! It could be the way your monitor is configured. Sometimes your seeing artifacts and compression that aren't really there. Have you tried exporting to see if the pixelization is still there? It could also be the Video Resolution drop down menu in the bottom right corner of your Program Monitor. If this is set lower than FULL--it is reducing the resolution and you may see a degraded video and other issues.
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‎Aug 07, 2018
04:13 PM
2 Upvotes
Just curious what format you are exporting. H.264/MP4 or other? I have the computer with those exact stats. If you have video during the edit and then you export and and lose the video--it's possibly your video card (needs updating) or its the File Format/Codec. If its the file format you are exporting--it's possible that the codec is corrupt or non-existent. I know its fundamental but always make sure that EXPORT VIDEO is checked:
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‎Jun 25, 2018
07:38 PM
1 Upvote
What version are you on? It is true that the tools were re-grouped like Photoshop. The tools with a little white triangle on them will expand revealing more tools in 2017+. Left-Click and hold your mouse button down on the TRACK SELECT FORWARD TOOL and it should reveal the TRACK SELECT BACKWARD. Do this on the RIPPLE EDIT TOOL and it will reveal the ROLLING EDIT TOOL and the RATE STRETCH TOOL. Missing Tools Premiere CC 2017
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‎Jun 25, 2018
07:22 PM
Blend Modes in Photoshop, Premiere and other applications work by one layer blending directly with the layer(s) below it. If, for example, you have a Blend Mode on Video Layer 2 blending with Video Layer 1, and you nested Video Layer 2, that kills the Blend Mode. The layer with the Blend Mode and the layers you want to blend it with need to be together in the nest. Blend modes in nested sequences can't affect tracks below them in the main sequence. If necessary, you may need to re-add the Blend Mode to the nest. You have to get creative in some situations if you need some blend layers to exist outside of the nest. If you are already combining all layers in the nest and it is somehow deactivating the Blend Mode...that may be another issue.
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‎Jun 10, 2018
03:29 PM
1 Upvote
Usually when it locks up during the splash screen it means that one of the elements it is trying to load at the beginning is corrupt or incompatible. This could be elements it shares with other installed apps as well. Here are some things to try: OTHER ADOBE APPS: If you have other Adobe apps, re-install those as well with the Cleaner Tool. Also, if you have other versions of Photoshop on your system--this can sometimes present issues. CHECK VIDEO CARD DRIVERS: Make sure your video drivers are up to date. Corrupted video card drives is a big factor in file creation and loading applications. WORST CASE SCENARIO: Wipe out and reinstall your entire operating system and load Adobe Photoshop first. If it works well--there is probably conflict with another software and/or corrupted file formats/codecs on your system. Good luck!
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‎Jun 09, 2018
10:33 PM
When you reinstalled, did you use he Creative Cloud Cleaner Tool? It has been known to fix a lot of stubborn problems. It is far superior to a standard install because it "deep roots" when it uninstalls. Use the Creative Cloud Cleaner Tool to solve installation problems
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‎May 30, 2018
09:02 AM
This happened to me and I just reinstalled the application using the Creative Cloud Cleaner Tool. Sometimes the old install gets in the way of the new--even if you aren't keeping the older install. Usually the cause of an application not opening is due to a corruption in the application or module that it needs to load to run and other times its a bug in the software. So far, my Premiere is running perfectly.
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‎May 23, 2018
10:06 PM
I'm not sure what you have tried already but one thing this could be is a mistranslated clip. First off, could you give more information about the format/codec of the media, etc. Here is one thing you can try in the meantime: Right-click one of your imported clips in the Project window, and go to MODIFY > INTERPRET. If your clip was imported incorrectly by Premiere, you may be able to correct a handful of properties. Make sure that the frame rate you intended for the clip is correctly selected as well. If it is incorrect, click on Assume this frame rate and enter in the correct value. Like you had mentioned, there could be a problem with the latest update and that particular media. I have not run into any issues in the last update and would like to know more about your issue. Thx for your question and we look forward to getting more info about your issue.
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‎Apr 25, 2018
09:03 AM
Most of my Adobe contacts have told me that some may get it to run, however, those on Windows 7 should not be updating to Premiere 2018. I'm working with several government agencies media departments and they were told not to update to Premiere 2018 if you are on Windows 7 as well. Once again, some may be successful but it is highly unstable or just won't run. From Adobe Requirements pages: Microsoft Windows 7 with Service Pack 1 (64 bit) or Windows 8.1 (64 bit), or Windows 10 (64 bit). However Windows 10 is recommended Every client I am working with with Windows 7 have major issues right now. Our Windows 10 systems are running flawlessly.
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‎Apr 25, 2018
08:32 AM
I have had this happen before with footage that Premiere should read and process well. For whatever reason, we were able to import and view in source, but then dragging to the timeline--the whole program crashed. The first time this happened, we re-encoded the footage and everything worked fine through the rest of the footage. The second time it happened this did not fix--so we reinstalled Premiere and everything started working again. If you are still having issues, those two solutions could possibly fix that. I am curious though as to what type of footage+specs you are working with as well. Premiere is excellent at ready so many camera formats--but a few are still a little bumpy. Good luck!
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‎Mar 23, 2018
09:22 PM
2 Upvotes
Erase the 'door' in your Find Effect input. This is giving you only transitions with the word 'door' in them. There are a lot more transitions in the transition category. In fact, if you dip in the Immersive transitions (meant only for VR) you can do some pretty cool stuff now as well. It is true the aside from this Premiere is deficient when it comes to transitions. This is mostly because they heavily rely on 3rd party companies. If you are looking for some really great transitions for broadcast/social, check out: filmimpact.net It's the best and cheapest I've found. Outside of this there are some free ones out as well. Good luck!
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‎Mar 08, 2018
11:07 PM
2 Upvotes
I own the GH5 and it is true that the format still runs a little rough in Premiere. Kevin is correct on the Prores, transcoding is your best option. We use mostly Cineform or Prores and everything works way better. We actually use a lot of Cineform because it seems to run even smoother on our machines. We also discovered that it is mainly the 10-Bit that causes the most pain. Lagging timelines and overall poor performance seems to be the result.
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‎Feb 28, 2018
08:11 PM
2 Upvotes
This was originally happening to me a few versions back. The way we solved this was to re-encode to the same and/or a different format. If you are getting no video--its possible that the video codec is corrupt on those files. I would re-enocode as test through MPEG Streamclip if Media Encoder is not reading those files either. As I remember in our situation, the larger files were corrupted because the size was over a file size limit on a drive partition. I'm not sure what codec you are using in the MP4 (perhaps H.264). If its H.265, people are having issues with this codec in my profession. To review, here are some possible solutions: Re-Encode using H.264 in Media Encoder. This will use an MP4 wrapper. Re-Encode using Quicktime ( with Prores422 or Cineform YUV 10-Bit codec) in Media Encoder Re-Encode using H.264 in MPEG Streamclip if Media Encoder is also not reading this file correctly.
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‎Feb 09, 2018
04:01 PM
1 Upvote
You stated that your projects are becoming corrupt after opening on Mac#3. So the other systems (Mac#1 and Mac#2) are opening the projects and media fine with or without glitches? If you are not migrating the Cache from system to system, Premiere has to regenerate a lot of those missing previews, peaks, etc. If they are larger projects you might get Media Pending for a while. If it never resolves and media pending seems to never end, there can be issues with the install, video card if using GPU Acceleration or even issues with the drive that your using. Checklist: If GPU acceleration is on Mac#3, try temporarily disabling the GPU Acceleration under your Project Settings. Restart Project/System and try opening fresh project again. The different GPU's across the 3 Mac might be causing some sort of issues. One might be corrupting files. Also check that your GPU drivers are updated on all machines. Mac's can be little touchy with the GPU thing. Run Drive check/repair on the drives you are using to verify there is not an issues with a corrupt or failing drive. It is possible to have a corrupt install, use the Creative Cloud Cleaner Tool to completely removed Premiere and related software and then do a fresh install. Use the Creative Cloud Cleaner Tool to solve installation problems I've worked media from those camera before and they should be very stable, however, if there was some type of mixed media issue, transcoding your media all to one format and FPS tends to smooth out a lot of workflows and fix a lot of issues.
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‎Jan 13, 2018
03:37 PM
2 Upvotes
If I understand you correctly, you drag your media into the Timeline which automatically creates your sequence based on your Red footage settings and when you add additional sequences you are just creating them using the New Item button and choosing a preset? It's better to drag footage into the NEW ITEM button at the bottom of your Project panel instead of dragging into the Timeline and all your sequences should match perfectly. The New Sequence Presets represent only a handful of camera presets and the list is not comprehensive for every camera. Now, you can always SAVE A NEW PRESET in your SEQUENCE SETTINGS and set it up exactly like the Sequence you want for delivery. About your second question, using Proxies helps keep your workflow pure and at the highest quality because your sequences should have the same specs as your original media...8K Raw, etc--and you will eventually replace your Prores media with the originals. Remember that Premiere has the Proxy Toggle feature (map the button in your Program monitor's transport controls). The Proxy Toggle button will allow you to switch back and forth between the Proxy media and the Raw media. Hope this helps! If I've misinterpreted something shoot us more questions! Good luck!
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‎Jan 13, 2018
02:38 PM
1 Upvote
This has actually happened to me as well. It is definitely a Window 10 issue and something that can happen to anyone using any Graphic Intensive application--including Gamers and Graphic Animators, etc. It is not exclusively an Adobe thing. Here is some information about ESE. Wikipedia can explain this part better than I: "ESE provides transacted data update and retrieval. A crash recovery mechanism is provided so that data consistency is maintained even in the event of a system crash. Transactions in ESE are highly concurrent making ESE suitable for server applications. ESE caches data intelligently to ensure high performance access to data. In addition, ESE is lightweight making it suitable for auxiliary applications." FYI--My computer has similar specs to yours except I have GTX980. When I got this error--it was after the last Fall Update. First thing I did was update my graphic drivers. When that didn't work--I rolled back the drivers to an earlier driver. This didn't work--though it may in your case. Re-installing my entire system and apps did work. With the exception of the last item on the list, the following didn't work for me but has worked for others with this exact error. Ultimately it is something that Microsoft needs to fix. Update or rollback your video card drivers Update or rollback the Windows Updates (though they force you update sometimes) Re-install All Adobe Application (delete all files, all registry entries). Use the Creative Cloud Cleaner Tool for complete Removal Scan and Repair your hard drive(s) Clean re-install your operating system and apps (completely install) Once again, the last work for me but should be a last resort. Good luck!
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‎Jan 09, 2018
01:58 PM
2 Upvotes
There are several ways to do this that aren't always straightforward. Here is the short list: Make size of the GIF smaller Use Save For Web (Legacy) and tweak settings, color, and color algorithm (Perceptual, Selective, Adaptive,etc) to reduce size Make length of your animation shorter (reduce the number of frames) Use 3rd Party solutions that come in the form of plugins or online applications ( EZ GIF , GIF optimizer | GIFGIFs )
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‎Jan 09, 2018
09:31 AM
1 Upvote
The new feature to open multiple projects takes a bit of management but will be improved in future updates. The power of this has to do with the management of large-scale projects--like feature films or heavier episodic material. As you stated, we did have the ability to move items between projects by importing a project into other projects. This worked but was a little clunky because you had to bring/import entire sequences/projects into a project to transfer a single simple asset (depending on the asset). This had the potential of weighing down the program. Opening multiple projects simultaneously is actually cleaner and more efficient for file transfer. I completely understand--it is not perfect, there are parts of this that are rough--but we are headed to a much, much better place as this feature gets refined.
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