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FlyingFourFun
Enthusiast
FlyingFourFun
Enthusiast
Activity
‎Sep 02, 2025
05:42 PM
@_nicdean fingers crossed for you and all of us! This is a legit request... BTW I tried to upvote, but upvotes are really hit and miss - if Adobe is looking for upvotes to prioritize these sorts of things, I think the inconsistent action of the voting button will make it hard to get a real sense of the interest in anything. @Francis-Crossman Thank you for taking it up, and getting an project manager assigned to get this coded 🙂 I am looking forward to testing it.
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‎Sep 02, 2025
05:38 PM
This is not fixed in Sept 2 builds either, still broken. I have a feeling its broken when you enable the new premier project file for AI object masks - but I cant go back and test this now..... Versions: Media Encoder 25.6.050 Sept 2 Premier Pro 25.6.0.040 Sept 2 Versions are synced and error persists. ------------------------------------------------------------ - Source File: C:\Users\XXX\AppData\Local\Temp\XXX 2025.prproj - Output File: H:\Ready For Plex\School XXX First Day Year 2 XXX Sep 1 2025\School UoT First Day Year 2 XXX Sep 1 2025.mp4 - Preset Used: H265 Export TK - Video: Based on source, Hardware Encoding, Nvidia Codec - Audio: AAC, 320 kbps, 48 kHz, Stereo - Bitrate: VBR, 1 pass, Target 50.00 Mbps - Encoding Time: 00:00:00 09/02/2025 06:30:57 PM : Encoding Failed ------------------------------------------------------------ Could not read from the source. Please check if it has moved or been deleted. ------------------------------------------------------------ LOG shows the following non helpfull information:
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‎Sep 02, 2025
02:28 PM
@Stanley Arthur Its way too soon to present this to the public the way it is, and it seems you are also thinking that's the case. For something that's just being shown now, its actually not bad, and has uses cases even in the current state. What I think the issue is that the AI model they are are using to track/trace the object is too small. I think they are building it for a 8gb GOU base hoping it works - because it seems there is very little GPU memory use when the process is selecting/tracking each frame. They should consider offering a larger better trained model for those with more GPU memory, and explicitly tell people they need more memory. One of the failing Adobe seems to have is trying to set really low hardware targets - and I think this is a mistake. With that said, I also think that this feature can work better than it currently is with even a 8GB AI model - I have provided some sample footage to them as I didn't think it was too complex for the AI to handle, but it was. However, how it failed was not in how I would have expected it to - and at the same time, it would do other things like track a growing shadow coming into frame from my selection that was rather small properly. It was doing a good job of tracking a horse with a person on it, and not grabbing the shadow when I left it out (tracking separate). I don't see any evidence that the AI model they are using uses any other tracked data to build a new track. In mocha for example, I can track a easy part of the video frame, turn it off, and other tracks seem to do better because there is that one solid track already. But Mocha is more for paper doll roto style, and honestly their ML track is also not great right now. I am hopeful that Adobe puts the work into this and gets something very usable - it feels like its close with tweaking of the training models - with that said, and maybe I am wrong, Adobe needs to stop catering to 'non ideal' hardware and for these advanced features needs to call out exactly what they want/need - trying to get it to work on anything/everything is going to cause them reputation damage. (building for the lowest common thing is always bad news for the Professionals). if Adobe wants I can test (and I am sure many others will) models up to 24gb GPU support right now (and I hope to get a 5090FE some day for even more memory) - I am convinced that a larger model and more varied training data will be helpful - but finding that training data will be difficult. I think Runway had the luxury of starting it early and maybe (in my opnion) everything people uploaded was used to train their models, I'm not sure with the coverage Adobe got on AI model training they have had the courage to try something like that if only to train the tools - aka only train these tools and not for generative uses. Overall, this tool shows promise, and its only in Beta, I'm inclined to be open to where this might go - but of course they need to feel the pressure of clients and competition like to be be motivated to spend blood, sweat and treasure to develop it.
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‎Sep 01, 2025
12:56 PM
1 Upvote
The following Error is happening since updating to Media Encoder 25.6.0.049, the prev build was working with with the same version of premier beta. The export project can be successful exported with Premier with no errors. ------------------------------------------------------------ - Source File: C:\Users\USER\AppData\Local\Temp\Wagon test_1.prproj - Output File: D:\Downloads\20250711_161742000_iOS.MOV_1.mp4 - Preset Used: H265 Export - Video: Based on source, Hardware Encoding, Nvidia Codec - Audio: AAC, 320 kbps, 48 kHz, Stereo - Bitrate: VBR, 1 pass, Target 50.00 Mbps - Encoding Time: 00:00:00 09/01/2025 01:52:43 PM : Encoding Failed ------------------------------------------------------------ Could not read from the source. Please check if it has moved or been deleted. ------------------------------------------------------------
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‎Sep 01, 2025
12:48 PM
@MyerPj thanks for the tip on holding ALT... I was going to attach a video, but didn'tt as I don'tt have a file share setup for it... hopefully my description makes sense. Zooming to center works exactly as what I would expect... I tried to show the zooming to mouse position, and it really doesn't seem logical for me, it sorta goes towards to mouse pointer, but it moves the image around. I think what I was expecting is that the zoom would be to exactly where the mouse printer is, and if your doing several zooms levels, it would still be to the same spot. The way it works right now, if I center on say a person, see about 21 second mark, the zoom in doesn't go to the mouse position, and if I want to keep zooming into the same spot, I have to move the mouse pointer in odd ways. What ever is exactly going on, I was hoping to have it be able to continuously zoom into the mouse location as a target, without having to reposition every time I zoom a level. This zoom method doesn't seem natural to me....
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‎Sep 01, 2025
11:45 AM
I can confirm that the handtool (shortcut H) works. What I would prefer is by default the handtool became active when your on the program monitor. Right now, you have to change to selection mod (shortcut V) when you want to go back into the timeline to do something. However, you can turn on scroll bars still, with the wrench icon on the bottom left of the program monitor then the menu selection below (this is from the beta version and I know the menus have been 'cleaned up' so non beta users may find it in a slightly different place. I also don't like how zooming in, doesn't for me anyway, zoom into where the mouse pointer is. If anyone knows how to deal with that please advise.
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‎Sep 01, 2025
11:24 AM
Found something else; trying to remove something that is selected in error; and while holding Alt to remove to it the following error comes up: The part I am trying to remove from the mask is the little bit of grass in the top right corner of this picture. Trying to add a missing section of this lamp post also generated the same error, and there was no way for me to add it to the mask to be included: Trying to select this missing bit of the other lamp post always selects the windows and never the missing bit of lamp post: These would all be a good use case for a brush tool I suspect where I can manually select the area. It would link to the other detected masks, and use those to stay in sync if it was having a hard time tracking it (use relative planar data to stay locked on) Another thing that is a workflow issue, is there needs to be markers for where the mask is drawn, and what part of the clip is tracked and not, and you should be able to use those to find your way back to the correct frame where the mask was created, and to skip to untracked portions of the clip. Just found out the hard way by hitting the spacebar in error and it started playing the video, how hard it was to come back to where i was building the mask.
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‎Sep 01, 2025
10:48 AM
1 Upvote
@Arnold Nitin thanks for the feedback and response. I have shared with you the sample footage with the horse and wagons so you may use it to test with also. Apologies, I think I missed that helpx link in the original post - blew right past it to start testing I guess! It was a helpful post, it confirmed a few things for me. Also great to see that you expressly state your store the object data in its own file/folder and not inside the project file (thank you so much for making that decision, it will help with load times, and file corruption issues a great deal!). As for the object selection tool, I think that needs to be expanded better or maybe I'm just thinking of how other tools worked too much and taking a second to switch my thinking. allowing the object tool to detect other objects in whole might be something worth exploring, such as click on it, and tries to determine the object. I will admit, this doesn't work great in another tool I am using to create garbage matte with, and it may turn out that using the pen to limit the auto detect object area is more ideal. Could be worth looking at it closer, but its very usable with the pen, and circle selection tool modalities also. I started using the rectangle tool, not the object selection, and then tried the pen tool - thinking that's what you meant - was about to write that didn't work - then after reading the the word "modalities" in the post, I tried the object selection tool again, but treated it like a rectangle, and wow! it works as you described... It took me a minute to understand that you could use the object tool, but treat it like a pen/rectangle.... not sure if there is a better way to denote that for users so we know it has those multiple ways of selection. I used it to clean up and add to faulty masks - I am not enjoying the working in the program monitor - maybe you are thinking of a way to bring out the clip and allow more precise control etc , with a object mask workspace, or something - but working inside the program monitor is a little frustrating when you need detailed work - I hope you have some ideas around this. there are a few other little bits such as not being able to move the viewport inside the program monitor while the tracking is happening to follow an object and zoom in and see the work its doing - it seems that when tracking starts all other processes are locked out. It would be nice to see a stabilize feature to allow the program monitor stay locked on to the tracked object the whole time its processing also, and still retain the ability to zoom in and out while tracking. I really hope you find a way to allow object track to be used a video stabilize feature, I have not played with it, maybe that's already possible - but it can be very powerful to track and object and stabilize video against it (foreground and background). I'm going to play with this somemore, but so far its a very strong first (public) appearance of the feature.
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‎Sep 01, 2025
10:16 AM
1 Upvote
So small bit of feedback, beeing focused on the Beta these days, and they have a new feature in the public beta for masks... and guess what - they are storing the mask data externaly! This is great news, and I hope they do the same thing with warp data also; All I can say is Bravo - moves like this start to restore my faith in the devolopment - not only is this new mask tool really promising - but the very logical decision to have a folder for object masks and good documention around this a good step forward that I hoep they apply to warp stabilize now also.
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‎Sep 01, 2025
10:09 AM
1 Upvote
Crazy all these years later and this post keeps helping poeple - nice to see the forum posts still helping people even years later with this little glitches. @jasonh80851833 welcome to the community.
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‎Aug 31, 2025
08:20 PM
it seems like you can create multiple objects and rename them if after tracking them, you convert it to opacity mask for example, and then they show up as different tracks: and then each object you tracked shows up as a seperate tracked item: I dont belive these are doing oclusion based tracking (meaning that a object already tracked can be cut out of the object/ignored for the new item beign tracked liek you can with Mocha for example). Again, impressive - and I'm sure the more time you have with this feature and its tweaking it will get much better too.... A full how to video may reveal some things about how to use it that I have not discovered yet, hopefully someone is working on that for us 🙂 As an aside, if you would like I an willing to provide a short clip of some horses and wagons with people etc if this helps the testing process, just tell mw where to upload it to. As an aside, I tried this with a less complex clip, where I had someone talking in front of a barn door, and the track was really good. There is still considerable jittery edges, and a setting to reduce the edge jitters would be ideal, but actualy very impressive and fast. It was doign 12 frames per second on the person, and about 6 frames with tracking a horse with a person on it.
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‎Aug 31, 2025
07:34 PM
I had a chance to try this, and it is impressive, but the selection tool and its refinement needs some seriose work. I was tryign to track a horse, and it would select everythign fine, and when tracking started, it would pickup other parts of the video no where near even the horse. When you removed a section, and retracked, it would make things worse. When you added a section that was prev workign fine, it would remove other perfectly tracked sections. The tool needs a brush tool, and maybe a way fro multiple objects to have there own track (maybe multi object tracks are already there, but I have not found it yet). Over all, its a really solid start, but the unexpected object selctions, lost tracking and the random like changes when adding in something later removes something that was workign fine before. I assume the AI training used can/will be improved, so this is still very exciting. But please add a resizable brush to it, and muti object tracks that can be locked down when they are good. I assume at some point you will also be able to select obects that are not auto detected? so far it seems to be focused on forground objects it detects, and not background objects. Compliments to the team working on this, it shows significant promise.
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‎Aug 31, 2025
07:03 PM
This is legit exciting.... if you end up with a how too video, please post it - I would love to watch one to get into the object mask properly exercised. I opened a project to work on, and this will now have me side tracked and my project will be delayed, but I am legit excited for object masking in prem pro....
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‎Aug 31, 2025
12:29 PM
Warp doesn't like doing 3 at a time, and worse, if you do a bunch in a row, there seems to be a memory leak, and you have to restart premier to get decent performance again from future clips you process or just deal with the slower processing on future clips. Not to mention, what I think is a very poor decision, to add warp data into the project file! My last video project, with about 50 min of warp applied, was massive! about 1.5gb for the project file, with literally nothing more than warp data for 104 clips. The load time is horrific.... even after it loads, the program monitor doesn't display for a few more min until something happens in the background (I have no idea what). The save time is also horrible! I then render and replace clips, and save as a new project but delete all the warp clips so I don't have to try and save all that data over and over again and it loads way faster without. Not to mention the autosave impacts are also very high while working on the project. At the end of the day, the warp stabilize feature seems to a carry over with little attention over the years (yes I know they made the processing faster, but that was not enough improvements. The so many ways warp clips impact the premiers performance are massive. Workarounds make it bearable, but they need to give it some attention. With that said, I think I'm going back to Mocha for the stabilize. It does way more stuff that often I don't need, but it works, its faster too..... I was messing with Warp first time in years now, and its all coming back to me why I stopped using it before. Thanks for the input @R Neil Haugen - there are some many places where premier could benifit from moderization.... I hope they pay some attention to these areas.
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‎Aug 31, 2025
11:12 AM
@Warren Heaton I don't use Aftereffects in almost anyway, on occasion something small maybe - but super weak in aftereffects skills. almost everything I do is within premier. As for the resizing, I'm not too fussy so long you can resize the window. If the progress, and estimated time etc and the video frame currently rendered were all in one one, and they used a concept like response design, to allow you to dock/undock as needed, and then treat the window as its own so you can put it anywhere at any size hit my expectations. In that case one could make the encoding/render window what ever size makes sense for the user, and there display topology without adobe having to think too much about all those options. I hope that helps explain it better.
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‎Aug 31, 2025
10:53 AM
@R Neil Haugen my experience with warp is that it really crushes the user interface, and it hates doing multiple clips at the same time. The issue for me is that I can have 40 clips I want to do, that each take 5 to 15 min to do, and hang around waiting for each one to complete to que up the next one. If nothing more than getting warp stabilize to do one at a time in order of application, it would get me 90% of the way there. But by extension, if you can que up different clips, and have them start after the one prior is completed, then I would also like a user definable option that says, do one at a time, or do two, or three. let the user have some input. What happens to me now is the user interface will run very poor with even one warp processing running. so, I will in fact force a second or 3rd clip to start processing, and that can get me to 80% CPU utilization. Premier interface is running very poorly and takes a long time for mouse clicks and other elements to update - but the clips process in the background, and eventually get done, and I can do something else. In fact, there is plenty of resources left over, depending on exactly how many warp clips are processing, for me to use the NVENC encoder to transcode video to ProRes, or at times, I will in fact run topaz, and have it process clips for noise reduction normally at the same time. Overnight, it would be ideal if the system doesn’t have any free time and it’s always doing something, not waiting on that simple click to do the next task. My main point is let me que up tasks so the system can be busy with something to do, at or near 100% utilization - so when I'm on the phone, or at a meeting, sleeping, watching a hockey game - it’s still chugging along at whatever max utilization I want to be at. But over and above that, there are simple things that can be fixed without too much architecture design, such as warp process should not come to stand still when a render and replace is requested! Some of the other ideas to add in a small visual token mark on the clip to show if warp is applied, in progress, stopped or completed is helpful too. There are considerable ways in which to improve these small things. I hope to get some ideas out, so that Adobe can consider them at least. Frankly it doesn’t stop one from getting work done, but it sure does make it a little harder - when you’re doing stuff that takes so long to process, but that process finishes when you’re in a meeting, or a conf call, it would be nice that it could start the next thing for you so you strand the time between calls/meetings/sleeping, driving as unused by your system when all it needed was someone to 'click' on something for the next task to start. Maybe I'm not explaining it well enough, but I hope the main concept of the avoiding of idle time for the system, but giving it the power to do things in an order - is what comes across well enough - to avoid system idle time when there is work to do.
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‎Aug 31, 2025
10:36 AM
I think I love it! I of course would like to be able pull on the corners for normal window expansion, which I assume is what you had in mind also; but I like the zoom bar also as an alternate method. If you can undock, float, and put it on alternate displays while you go do something else it would be perfect. Thanks for both the mockup and support.
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‎Aug 30, 2025
01:41 PM
1 Upvote
I think I would find value in a feature that would allow me to expand the preview window in media encoder to an undocked resizable window and/or second display. Mainly because Id like to see some ore detail while its processing so that while it works in the background, and I am doign something else, I can maybe catch something that doesnt look right. As an example, I am exporting a 50 min video right now, with some heavy effects, media encoder is running for an estimated 7 hours to process this. I would love to be able to see the preview window expandable incase soemthing happens I was not expecting. Currently undocking doesnt seem to allow you to make the preview of the video resizable.
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‎Aug 25, 2025
08:26 PM
@R Neil Haugen I dont know what you mean by Warp Stabilize being a massive CPU/GPU hit, I can literaly run 4 clips at the same time, and not hit 80% utilization on CPU or GPU - 18 cores (36 logical) for the CPU and a 3090RTX. I can let Warp tun, and have Media encoder transcoding in the background (started with a different process) and not run out of capacity for the system to process it. It does break down at 5+ clips being processed at the same time, but not even right away, it seems to be a memory leak over some time, and then it falls apart, so I tend to run 3 bigger clips and look for much smaller 4th clip that will run for a few min at a time if I want to push my luck. As for the workflow, that is exactly what i am doing, I run warp, then render replace and run other process/effects on top of that as needed. If I need to run noise removal, I actualy have Topaz process that as yet another thread, but limit it to 1 to 3 clips at the same time. after noise removal is done, I import into premier and do whats needed to them I feel like your nto seeing the same peformance capability, because I feel like I'm leaving tons of capacity not used. Id like to get to the poitn with permier that I can send work off to do heaving procoessing in the background, while I make creative decisions with the stuff thats ready, thats all I was saying. Things like doing a render and replace should not cancell a warp stabilzie process - thats absurd, it should run in the background with the render and replace happens if the user feels thier machine can handle it. I'm goign to be upgrading (next year I hope) to somethign with way more cores, and I really think I should be able to get more work out. Also, when I am watchign them I would like to be able to see it all in one place, a list of active processes, done, failed, etc..... I realy feel this design change needs to take place, we cant go off lookign all over the place for info on whats done or not.
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‎Aug 25, 2025
04:40 PM
Premier really needs to add a few things to level up its performance and avoid breaking the creative flow. 1) When running warp stabilize, there are so many ways for the process to be stopped, such as doing a render and replace, that seems to stop any active warp stabilize - I dont normaly do Warp stabilize, but I have a 50 min video recorded with a gimbal that was slighty not as nice as I wanted, and it had some sharp direction changes, so I found a quyick test setting that allowed me to take the sharp gimbal movement I wanted, with only a 5% zoom which was good enough for this project. However there are 104 clips in the 50 min and every one needed this treatment. You cant actualy start them all as this crashes the system I can to do about 3 or 4 at a time and pace myself. When you are running a warp stabilize and render and replace, the warp stabilize stops, no notification it stopped either Way in the world can we not have render and replace as a media encoder process so I can continue to edit. Every modern machine has plenty of power to do this. consuming premier as a forground task for render and replace is silly. There should be a que system for warp stabilize and probably a ton of other things, have them all qued up, and the user can decide how many the system is allowed to do at the same time, show which ones are done. Also, if you use media encoder for this, PLEASE do not only allow one task to run at a time, something like a warp stabilze can run while a render and replace can run, also allow me to chain commands, like after a warp stabilize, render and replace. The warp stabilize data needs to come out of the main project file. use a concept like you are using for media intellegence and create a seperate warp stabilize file outside the main project file, because if you have 50 min of warp stabilize data in the project it takes a VERY long time to save the file, load the file, and when loaded, it takes a huge amoung of time before you can start working after the file 'appears to be loaded'. Not to mention, the warp data seems very sensative, and can be lost under some circumstances within the project, and it would be nice to protect that data, and if you use the clip in other projects, have that data available without processing it again. Clips with Warp stabilze applied really need to have have an indicator on them (small shaky hand icon thats green, red or yellow - so we know whats going on when we are in the timeline, without having to click on the clip to load the effects panel, and look at the effects status for each clip. Render and replaced clips also need so some sort of visual indicator also, like the proxy indicator, currently they add the _rendered text the clip name but that is only visable when you are zoomed in enough the read the clip name not actualy usefull when scanning a moderetly sized project, and it also doesnt follow the same design langauge as a proxt is kind of like a render and replace, and it has a nice icon to know. I'm sure there are lots of other things, this happens to be on mind mine because I'm active in a project that these things are haunting me.
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‎Aug 14, 2025
01:08 PM
Its eems version 25.4 is out today if someone ones to try it with the latest drivers and see if they accidently fixed this issue 🙂 Full change log here: Latest release of Premiere Pro, new features summary
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‎Aug 12, 2025
08:32 PM
I have been playing with the feature some more, the two things I mentioned for improvement work I think can be addressed much better; 1) the way in which you trim forward a clip with the ripple edit needs to behave just like the way if you are pulling the start of the clip to the trim point, and then close the gap when your done, and keep the playhead on the frame it was on before the trim. I think this would work better as it just feels so unnatural to to me the way ripple edit is setup when trimming forward (I like the way it trims backwards). I see why it was done this way, but still feels unnatural. The second thing, the snapping icon needs to be improved (Screen shot below) when you have all the movement, and a decently tight target area fro the snap to take effect, having a more visible "its snapping" icon would be ideal - maybe consider moving it down (or duplicated it) to the clips position and a brighter color so you can see its snapping. Maybe your GUI team can think of something better, but not really likely the way it is right now for snapping indicator and ripple trim forward behaviour.
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‎Aug 12, 2025
08:05 PM
@amiable_ocean8560 thats unfortunte, It was looking promising for a little bit. Hopefully there is an offcial update with progress soon on this.
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‎Aug 12, 2025
12:35 PM
For those on windows 11, it might be worth doing the windows updates that came out today, they report stability and performance fixes. There is a small chance this update may help, lots in the gaming community were noting the driver and windows update as the root of issues for them that aligned to the troubles in premier. No reports from any sources yet on how this windows update is responding, other than enough users are reporting the install getting stick at 6% for reason. despite my screen shot showing 6%, it's already way past that when this post was published as an FYI. This update specifically (KB5063878) (26100.4946)
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‎Aug 12, 2025
09:05 AM
1 Upvote
New driver reeleased today, I cant test it as I dont have a 5000 series card (yet still waiting!). Not sure if anyone is brave enough yet to try it out Studio 580.97 Released Aug 12, 2025 There are specific HD audio driver updates in this bundle as an FYI And something unexpected, when installing it, it requires a restart, never had that before in any driver update from Nvidia.
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‎Aug 11, 2025
10:47 PM
not sure if something specific has been done to correct this, but it is no longer happening in the latest build: Beta 26.6.0 Build 25
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‎Aug 11, 2025
10:45 PM
1 Upvote
This effect works really well / fast... I think this might be something one can depend on more often, it can be played back real time which is pretty impressive.
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‎Aug 07, 2025
09:21 AM
Steps to reproduce: 1. Playing Video in Premier, clip is a Prores LT file, there is a nested seq in the same clip. 2. In the background Microsoft Edge is playing a youtube video (at 2x Speed if it matters, I only tested at this speed as I dont watch slower) 3. With Premier active, and the program window is playing the video closing Premier with "X" will cause a system blue screen and foreced system restarted. 4. You can see a couple of different messages show up but too fast for me to capture them, such as some sort of system pool error, and another time I saw a security message flash up, but could not see exactly what it was saying before the system forced restarted down to bios. 5. Premier knows it was forced shut down on restart, and offers to re open project 6. This DOESNT happen if premier is runnign without EDGE playing a youtube video 7. Tested it about 10 times, 5 with youtube playing in background at 2x and 5 without. In every case, the blue sfreen happens with the youtube video playing within 1 second of hitting the close window "X" on the applicaiton, and exactyl zero times when you tube is not playing in background. 8. Confirmed that the blue screen DOESNT happen when premier is playing the video and you close it in the same manner. Result: System crashs when closing down prem in this manner Expected: Premier to terminate without blue screen. System info Application: Premiere Pro (Beta) v25.6.0.17 OS: Windows v10.0.26100, RAM: 127.69 GB GB, CPUs (logical): 36 Entry from WIndows LOG Fault bucket , type 0 Event Name: BlueScreen Response: Not available Cab Id: 0 Problem signature: P1: 139 P2: 3 P3: ffff9a0d3b78dfc0 P4: ffff9a0d3b78df18 P5: 0 P6: 10_0_26100 P7: 0_0 P8: 256_1 P9: P10: Attached files: \\?\C:\WINDOWS\Minidump\080725-22296-01.dmp \\?\C:\WINDOWS\SystemTemp\WER-22296-0.sysdata.xml \\?\C:\ProgramData\Microsoft\Windows\WER\Temp\WER.cdc318a6-8def-49f7-b0f8-28b65113999c.tmp.WERInternalMetadata.xml \\?\C:\ProgramData\Microsoft\Windows\WER\Temp\WER.2ede6709-8fbe-4cdb-9cd9-72618710a68f.tmp.csv \\?\C:\ProgramData\Microsoft\Windows\WER\Temp\WER.5fa9b1d8-9ea6-4372-9de9-6c8fa9601e97.tmp.txt Failed to GetUserSid. hr: 0x8001012d A provider, IntelMEProv, has been registered in the Windows Management Instrumentation namespace root\Intel_ME to use the LocalSystem account. This account is privileged and the provider may cause a security violation if it does not correctly impersonate user requests. A provider, IntelMEProv, has been registered in the Windows Management Instrumentation namespace root\Intel_ME to use the LocalSystem account. This account is privileged and the provider may cause a security violation if it does not correctly impersonate user requests. \\?\C:\ProgramData\Microsoft\Windows\WER\Temp\WER.ad86fbf7-c335-4e9d-94f6-adb2e20465e9.tmp.xml These files may be available here: \\?\C:\ProgramData\Microsoft\Windows\WER\ReportQueue\Kernel_139_fe5995455eac41ee42c228a928dd5299275e93e_00000000_c79d7cf9-b90f-42f4-a13e-bec06e7ec7a7 Analysis symbol: Rechecking for solution: 0 Report Id: f4874415-ece4-464c-a948-1b444166a701 Report Status: 2049 Hashed bucket: Cab Guid: 0 A provider, IntelMEProv, has been registered in the Windows Management Instrumentation namespace root\Intel_ME to use the LocalSystem account. This account is privileged and the provider may cause a security violation if it does not correctly impersonate user requests. The Open procedure for service ".NETFramework" in DLL "C:\WINDOWS\system32\mscoree.dll" failed with error code Access is denied.. Performance data for this service will not be available. The Open procedure for service "ESENT" in DLL "C:\WINDOWS\system32\esentprf.dll" failed with error code Access is denied.. Performance data for this service will not be available. The Open procedure for service "WmiApRpl" in DLL "C:\WINDOWS\system32\wbem\wmiaprpl.dll" failed with error code The device is not ready.. Performance data for this service will not be available. If there is a better way to capture something you need to look into please advise, seems very easy for me to duplicate this condition.
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‎Aug 07, 2025
08:08 AM
As a matter of fact I deleted everything in that directory this morning to test, despite the mapping not being the same as the on screen prompt, it seems to have cleared the error. When Media Encoder started processing, the 4.3 folder was created in the same folder mapping that pre-existed on the system drive.... It seems to be processing without presenting the error now. I'm letting it finish the export to know for sure, but don't expect any errors at this point.
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‎Aug 06, 2025
10:10 PM
This error shows up, clicking on it, it returns a few times, then proceeds to render the export and a mind numbing slow pace.... Premier Beta 25.6.0 Build 17 Media Encoder Beta 25.6 Built 23 The exported Clip is a basic 1 min clip, Metadata Burnin effect, and BCC Magic Sharp applied. There is no such directory in the system after c:\users\public - the documents in the file system is actualy ' public documents ' so this is likly why this error happens: If you go into public documents you will continue to find a matching directory structure with these directories (The Metadata burn is on a transparent video layer)
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