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getho
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getho
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‎Feb 04, 2018
04:40 PM
I'm still using corner pin to correct geometric distortions. Its not cuda accelerated. If Lens correction can fix curvature, this should be synch. Another way would using basic 3d effect and tilt - this seems quicker, but not sure about the quality, and I also have to zoom in to avoid black borders Is there another way? to this:
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‎Jan 30, 2018
09:05 PM
I usually look at the forums after a new release, you can get a sense of the level of problems by the tone of the posts and the number of issues. (Which was reinforced by my problems). But good to know it's working for you... I'll give it a go again.
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‎Jan 30, 2018
08:27 PM
I noticed there was an update but adobe seems to have removed version numbers from the CC app. Last time I checked the forum was filled with complaints about bugs. I used it for one project. then went back to 2017. TBH didn't think there was much in this release worth worrying about.
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‎Jan 22, 2018
06:01 PM
yep
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‎Jan 11, 2018
08:18 PM
from: ars technica (Here’s how, and why, the Spectre and Meltdown patches will hurt performance | Ars Technica ) The overhead of a few percent assumes that workloads are standard desktop workloads; browsers, games, productivity applications, and so on. These workloads don't actually call into the kernel very often, spending most of their time in the application itself (or idle, waiting for the person at the keyboard to actually do something). Tasks that use the disk or network a lot will see rather more overhead. This is very visible in TechSpot's benchmarks. Compute-intensive workloads such as Geekbench and Cinebench show no meaningful change at all. Nor do a wide range of games. But fire up a disk benchmark and the story is rather different. Both CrystalDiskMark and ATTO Disk Benchmark show some significant performance drop-offs under high levels of disk activity, with data transfer rates declining by as much as 30 percent. That's because these benchmarks do virtually nothing other than issue back-to-back calls into the kernel. Phoronix found similar results in Linux: around a 12-percent drop in an I/O intensive benchmark such as the PostgreSQL database's pgbench but negligible differences in compute-intensive workloads such as video encoding or software compilation.
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‎Jan 08, 2018
05:38 PM
January 2018 patch applied yesterday - windows 10. Editing today: 4k footage with no effects will not play back in realtime. I'd love it if someone could do some proper metrics
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‎Dec 18, 2017
07:39 PM
Anyone know a way to speed it up? Sometimes I think it would be quicker to export as jpegs, renumber them in bridge and re-import, or re-encode in AME. Also why is it so slow?
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‎Dec 18, 2017
05:32 PM
ANyone suffering should see my list of things to try at the bottom of this thread: What voodoo makes ppro export? But as I said above, if you are getting frequent crashes I cant reccommend enough getting a graphics card with lots of ram. My system is so much more stable now its not funny. or maybe it's halarious. one or the other.
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‎Dec 18, 2017
05:29 PM
Thought I'd share I posted a while ago about scrolling in the effects palette: if you have several lumetri effects applied its a total pain in the bum getting from the top to the bottom, Mouse scroll wheel takes forever - no keyboard shortcut, only option to grab the scoll bar. I just installed autohotkey. Overview here: Keep a Window on top with a handy AutoHotkey script instead of the script in that article I use this: !^WheelUp:: Loop 20 Click WheelUp return !^WheelDown:: Loop 20 Click WheelDown return I have no idea how shonky this code is, but it works. Pressing ctrl & alt and scrolling moves the window 20x the amount it would normally. allows me to go from top to bottom of lumetri effect with one mouse scroll, and from one section to the next with one mouse wheel tick.
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‎Dec 10, 2017
09:33 PM
I did it! So neil you were right that the alphabet comes into it: premiere looks for the first preset that corresponds to the sequence. It looks up the editing mode only from that preset, then it uses the first sequence preview preset it finds in that editing mode's folder - in alphabetical order. so the hack (and this is for me more than anyone else) is: 1. hack 4K HD 16x9 25.sqpreset with this: <VideoAllowLinearCompositing>true</VideoAllowLinearCompositing> <VideoUseMaxRenderQuality>false</VideoUseMaxRenderQuality> <VideoUseMaxBitDepth>true</VideoUseMaxBitDepth> <VideoPixelAspectRatio>1,1</VideoPixelAspectRatio> <PreviewPresetVideoCodec.Win>1128679492</PreviewPresetVideoCodec.Win> <PreviewPresetFileName.Win>Quicktime GoPro CineForm (YUV 10-bit)</PreviewPresetFileName.Win> <PreviewPresetVideoCodec.Mac>1128679492</PreviewPresetVideoCodec.Mac> <PreviewPresetFileName.Mac>Quicktime GoPro CineForm (YUV 10-bit)</PreviewPresetFileName.Mac> <EditingModeGUID.Win>9678af98-a7b7-4bdb-b477-7ac9c8df4a4e</EditingModeGUID.Win> <EditingModeGUID.Mac>9678af98-a7b7-4bdb-b477-7ac9c8df4a4e</EditingModeGUID.Mac> Premiere only looks at the GUID, but without the other stuff the file>new>sequence will spit the dummy. 2. Find the folder called "9678af98-a7b7-4bdb-b477-7ac9c8df4a4e" (ie the Custom editing mode folder). On my system it's here: \Program Files\Adobe\Adobe Premiere Pro CC 2017\Settings\EncoderPresets\SequencePreview 3.Duplicate Quicktime GoPro CineForm (YUV 10-bit).epr and rename it 1a-Quicktime GoPro CineForm (YUV 10-bit).epr This might seem like a massive waste of time, but I love my workflow. I have keyboard shortcuts setup, and having each clip as a new sequence means I can add warp stabiliser at their native resolution and pan and scan on a 1080 timeline.
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‎Dec 10, 2017
08:45 PM
this is what I learnt: the only thing its getting from that first preset is the GUID for the editing mode. If the GUID relates to custom (in the adobe editing modes.xml file), then the preview will be set to i-frame 1080. If I hack the red 4k preset to this: <PreviewPresetVideoCodec.Win>1096180840</PreviewPresetVideoCodec.Win> <PreviewPresetFileName.Win>DNxHR HQ UHD 25</PreviewPresetFileName.Win> <PreviewPresetVideoCodec.Mac>1096180840</PreviewPresetVideoCodec.Mac> <PreviewPresetFileName.Mac>DNxHR HQ UHD 25</PreviewPresetFileName.Mac> <EditingModeGUID.Win>CA2629AB-945F-43C5-9FB2-C4A304C54F9E</EditingModeGUID.Win> <EditingModeGUID.Mac>CA2629AB-945F-43C5-9FB2-C4A304C54F9E</EditingModeGUID.Mac> then the new sequence will be DNXHR. I cant find an editing mode though that uses GOPRO cineform. Anyone know of one?
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‎Dec 10, 2017
07:41 PM
Hi Neil, That must only be part of the story I think. WHen I hack the file it appears to be using (red 4k HD 25), and change this: <PreviewPresetVideoCodec.Win>1297107278</PreviewPresetVideoCodec.Win> <PreviewPresetFileName.Win>I-Frame Only MPEG</PreviewPresetFileName.Win> <PreviewPresetVideoCodec.Mac>1297107278</PreviewPresetVideoCodec.Mac> <PreviewPresetFileName.Mac>I-Frame Only MPEG</PreviewPresetFileName.Mac> <EditingModeGUID.Win>d8484cf3-c96c-4622-ab1f-ac1a16e196f9</EditingModeGUID.Win> <EditingModeGUID.Mac>d8484cf3-c96c-4622-ab1f-ac1a16e196f9</EditingModeGUID.Mac> to this: <PreviewPresetVideoCodec.Win>1128679492</PreviewPresetVideoCodec.Win> <PreviewPresetFileName.Win>Quicktime GoPro CineForm (YUV 10-bit)</PreviewPresetFileName.Win> <PreviewPresetVideoCodec.Mac>1128679492</PreviewPresetVideoCodec.Mac> <PreviewPresetFileName.Mac>Quicktime GoPro CineForm (YUV 10-bit)</PreviewPresetFileName.Mac> <EditingModeGUID.Win>9678af98-a7b7-4bdb-b477-7ac9c8df4a4e</EditingModeGUID.Win> <EditingModeGUID.Mac>9678af98-a7b7-4bdb-b477-7ac9c8df4a4e</EditingModeGUID.Mac> the only thing that happens is the editing mode changes from RED cinema to CUSTOM. There is another file: adobe editing modes.xml that contains the EditingModeGUID, for both of those, but I can't see that it specifies which preview codec to use. My guess is that there's another file somewhere or its hardcoded so that the default preview for the custom editing mode is I-frame mpeg.
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‎Dec 09, 2017
07:00 PM
Please re-read my post. I know how to create and use presets. I'm asking about creating a sequence from a clip where you do not get to choose the preset. More info: For my UHD clips it seems to be defaulting to RED HD 4k. I have hacked this file: 4K HD 16x9 25.sqpreset (Program Files\Adobe\Adobe Premiere Pro CC 2017\Settings\SequencePresets\RED R3D\HD 4K) to include some of the info from a custom preset that has my preview size and codec setup as I want it. Now when I use this preset: it almost correctly (after the hack!) creates this sequence: except that when I go bin>create new sequence from clip I get mpeg preview at 1080. IF anyone can point me at where else to hack, I'll have a go
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‎Dec 09, 2017
05:56 PM
1 Upvote
project bin> new sequence from clip I use this all the time, for practically every clip in my edit, and it creates a new sequence, but for 4k footage it defaults to editing mode: red cinema, with values I have to change each time if I want to render a preview, then export it. Being able to specify what custom preset is used for a new clip seems like a no-brainer. is there a way to do it, or a hack that would work?
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‎Dec 08, 2017
07:03 PM
We can now import and export from premiere (yay!), but bridge and lightroom will not thumbnail or play videos. Having to look elsewhere for asset management.
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‎Nov 29, 2017
08:34 PM
you mean like saving in the background? OR getting it to autosave 10 mins from the last save rather than 10 mins from the last autosave?
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‎Nov 28, 2017
06:17 PM
20 minutes from the last autosave Its the first time that premiere has attempted to save the file, and failed. Usually it just crashes and I have to go back to the autosave, or it tries to save the file and succeeds. My question is, where is the recovery file? is it possible there is something lurking in a temp folder that I can try to import into a new project?
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‎Nov 27, 2017
02:41 PM
1 Upvote
as I said in the first post I have done so: maybe 5 times? over the last year+
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‎Nov 27, 2017
02:39 PM
(had to start new reply because of the page jump bug - it happens when you paste anything apparently). 1. take a nested sequence, insert it onto timeline. 2. Double click on that nested sequence 3. Add another layer say halfway through that nested sequence, 4. Go back to your timeline and apply time remmapping (eg>300) Result: Sequence will go black before it reaches the end of the sequence. This vid below demonstrates that it is not the normal behavior of a time remmapped clip. Most of the time when I encounter this bug it is when the original footage is not the same res as the final sequence. Please note the sequence changes length on the timeline as you would expect. You cant expand it, as you would expect. THe sequence goes to black at the point the new layer starts. If you take the exact same nested sequence and simply change it's speed **IT WORKS AS EXPECTED**. I emphasize this to show that I'm not a total idiot who didn't realise that changing the speed of something makes it shorter.
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‎Nov 27, 2017
02:32 PM
also there is a bug on these forums that if you paste an external link (cant say all, but definitely with youtube), and then continue typing it jumps to the top of the page meaning you cant see what you're typing. (terrifiic). @jstrawn Sorry but I'm getting annoyed by people who havent understood the issue - as you said yourself - saying its expected behaviour. I can tell you its not, and assume that you don't understand it if you think it is. Here they are broken down again:
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‎Nov 27, 2017
02:28 PM
you need to read the thread, and you'll see 2 videos, premiere pro nested sequence time remapping bug - YouTube its a bug not a feature Video 2017 11 21 120138 - YouTube
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‎Nov 23, 2017
09:01 PM
I need to convert a word doc to subtitles, from what I've read premiere is not the quickest way to do this. Any suggestions?
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‎Nov 22, 2017
12:14 PM
1 Upvote
you can see in the vid I make the clip about half the length of the video layer below it, so no that's not the case. I don't know why or where the bug comes from but it's causing me a lot of faff and I wish somebody from adobe would at least look at it. hello... Adobe... Are you there?
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‎Nov 21, 2017
03:32 PM
Here is another video its a bug not a feature Video 2017 11 21 120138 - YouTube It clearly shows that the video cuts out at the point that the new layer kicks in, when I make the new layer start earlier, the time remmapped sequence goes to black earlier. The 2nd half of the clip shows me experimenting with what will make it fail. 1. Cutting the original clip in 2 still works 2. Duplicating the original clip still works 3. Adding a new clip on a new layer = fail 4. Inserting a dissolve in the cut clip, with no other layers present = fail.
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‎Nov 21, 2017
03:24 PM
99% of my problems went away when I upgraded to a 1080ti. I suspect its the amount of ram available rather than anything else, as the card would benchmark and stress test fine.
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‎Nov 20, 2017
03:10 AM
I can only assume that adobe are also assuming that this is by design. It is emphatically a bug. I do lots of remapping. This behaviour started last year, I dont remember which update exactly but it was one of the major ones. I used a graphic layer just for demo purposes, but it does the same thing if you introduce an adjustment layer, or sometimes even if you cut an existing layer and add a dissolve. It will also behave in the same way with another video clip inserted over the first,, or even the same clip duplicated.
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‎Nov 19, 2017
06:45 PM
thanks ann correct link: https://youtu.be/wc14zHwx11U (if a moderator could delete the original link that would be awesome )
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‎Nov 19, 2017
03:29 PM
17 Upvotes
I've submitted this bug several times now. 2 things: how do we know if adobe has acknowledged a bug? do they respond to let you know?
2nd thing, the bug itself:
take a nested sequence, insert it onto timeline. Add another layer in the nested sequence, apply time remmapping. Sequence will go black before it reaches the end of the sequence. This vid below demonstrates that it is not the normal behavior of a time remmapped clip. Most of the time when I encounter this bug it is when the original footage is not the same res as the final sequnce.
[hyper link removed by author request]
[Typo removed from title. — Mod.]
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‎Nov 09, 2017
08:15 AM
Hey rick could it be a framerate thing? I usually interpret slow mo footage in premiere. And the footage usually gets into AE by from premiere, but its possible that I sent some 25 fps interpreted footage from a 59fps timeline. I wish there was a way to set up AE to treat all footage as 25fps. Its caught me out before when it decided a jpeg sequence was 30fps.
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