It's a mess, isn't it? And while Apple certainly mucked things up worse than they already were, the differences screen to screen are not nearly a minor thing.   As in ... you can't get visually identical images on two "identical" monitors side-by-side in a room, heavily calibrated and profiled to check the calibrations ... running the same data from the breakout device. So how can you get visually close images across operating systems, screens, user settings, the displays applying their own things to "enhance the viewing experience" ... and of course, being viewed in entirely different viewing environments, which also heavily affects the perceived image.   On a Mac without Reference Modes set to HDTV, use VLC or Potplayer to check the image outside of Premiere. Those apps apply the proper standard Rec.709 display transforms. ... View more

Excellent sleuthing! Unfortunately not good behavior though of Premiere .  ... View more

The 840 card is simply too old to be of use anymore ... sorry!   At this point, you could select the troubled parts, right-click/Render & Replace, to say ProRes422, and you would have replacement media that should include all effects you had applied ... and can be reversed simply by "restore unrendered" if you need to go back and redo something. ... View more

I think your problem is the file was encoded as YUV (technically Y/Cb-Cr) and also as Full range ... while by the standards of the format, Rec.709/YUV files are expected to be encoded as legal range.   There is ABSOLUTELY no difference in the data levels between the two mathematical encoding processes, but Premiere expects YUV media to follow the rules ... and be encoded as legal range. Which is of course then always displayed full. That's how the whole thing is designed to work.   Premiere doesn't have a switch to handle this conversion, so there's a couple things to do ... one might work, the other should work.   The first is set the Display Color Management, auto detect log, and auto tonemapping to on. See if that fixes this.   Alternatively, in the Effects Presets Lumetri section, there are conversion presets that change 8 or 10 bit files from full to legal or the other way around. Drop a 10 bit full to legal on the file in the bin, and Premiere should handle it correctly. ... View more

Weird! When I've tried that, I just typed the text, then grabbed that from the FilmImpact extension panel ...  dropped it on the text ... and voila! ... animated text.   Puzzled as to what isn't working on that rig of yours. Hoping that someone has an idea ... ... View more

The entire 50 series Nvidia cards are problematic across all video post apps, not just Adobe.   To the point that for the first time I've ever seen, an official Nvidia rep posted in this forum ... back about 15 September, that they were going to have a new studio driver out on the 30th that would fix their cards.   Unfortunately, all we got on the 30th was a new game-ready driver, that did not fix the majority of video-post issues. But they have now promised a Studio driver on October 14.   Sigh. ... View more

From hours of talking with senior staffers through general devs over the years, I'm rather familiar with the crowd. They are all serious video post people in their own time, nearly all had careers going as editors, sound people, whatever. They also have a team that specifically works with the huge high-end "Hollywood" shops that is of course tied into the general dev stuff also.   So no, they aren't going down the road of whatever's popular ... I think it can be said that what they are trying to do is that same thing I've always had to do in my business over the last 40+ years ... be very aware of trends and changes in the clientele, as otherwise, you shortly do not have a business! ... and at the same time, work at fulfilling changing needs in as quality-driven a process as is practically possible.   And every group of humans will make different decisions as to how to do X ... that is the most common thing about being human, we are all different. ... View more

GPU is ... ? ... View more

As Stan said, there isn't one for the divider iteself. Idea request thing perhaps ... ... View more

100Mbps, IF going both ways, might work with 720x1280p media that's like ProRes , all intraframe, and if there's not too many track layers. They could "pin" clips to local storage for difficult files.   250Mbps gets you to 1080p, and 400Mpbs to UHD. ... View more

Are you using a 50 series Nvidia GPU? ... View more

Sorry about that, as another user of course.   The multicam process in Premiere is rather ... well, capable of different things, depending on say whether you drag a multicam sequence to a timeline or right-click "open" in timeline and ... other seemingly minor things, that Premiere "reads" as the user wanting to do X.   But if you don't know that doing it this way is very different from that way, it's nearly impossible to figure out what the hay is going on.   It is totally useful to be able to do the different ways that Premiere handles multicams, for different circumstances and needs. But at the same time, it it totally baffling unless you really, really get a handle on how it works.   @Jarle Leirpoll has some on this on his blog, premierepro.net, and in his book, "The Cool Stuff in Premiere Pro", a 1200 page tome on every section of Premiere and how to get it to work as you need and go faster through the editing process. He also pops in here occasionally and is awesome at multicam help.   @Warren Heaton and @PaulMurphy are also very helpful there. ... View more

I believe there are already a couple other requests for this ... it's often wise to 'search' the Idea section, and upvote existing rather than adding new ones for the same thing. ... View more

Can't help, need information.    OS/CPU/GPU are standard troubleshooting data and needed in this situation.   Especially since the Nvidia 50 series GPUs are a horrible mess that Nvidia said they'd fix with a driver on September 30, but it was only a gaming driver and did not fix video post issues.    They've now said October 14. ... View more

In the Effects Control Panel, right-click and "cut" the mask, then paste it where you want it. ... View more

Not enough information to even guess for me. A bunch more information, plus screengrabs of the sequence in the Timeline panel, would be ever so useful. ... View more

Sadly that wasn't all that useful, as 'we' don't have a clue what codecs you're not able to import. And produced by what.   Premiere is designed primarily as a video NLE for camera produced media. And works with most camera made clips. Some of the raw clips, like BlackMagic, do require a plugin to use in Premiere.   Even most screen recording apps can make clips that work fine in Premiere as long as you don't choose certain options. I use OBS a lot for recording tutorials, and use the mp4 option there without troubles.   So ... what specific format/codecs are not working for you? ... View more

Thanks for the clarification.    Having worked with partner who is all Mac, we're all PC, we found there could be problems especially with external drives depending on how they were 'docked' on Macs, or named/setup in Windows. It can be a picky mine-field at times to get that sorted.   We ended up going to straight LucidLink hosting our joint projects, and setting up the virtual drives it makes on our computers. That is rock-solid, but ... it is certainly not available when the problem is within your own computer, like yours is.   Sadly. Hope you can get this sorted, it's some sort of drive/folder recognitions or permissions issue. Personally, I really don't like dealing with those. ... View more

On the Export page, there is a drop-down with options to export whole sequence, work-area bar, or in-out range. Which is selected for the export? That will control the export area. ... View more

You can set a wide array of timeline colors now. Go to the Preferences and try say Vivid, and you can modify to your heart's content. ... View more

Nearly the entire Nvidia "50" series GPUs have issues, across all video post apps, and the Nvidia rep that came onto this forum back in mid-September said they'd have a Studio driver out on September 30th that would fix things.   They only released a gaming driver, not a Studio one, on the 30th, and it works for at least a few but not nearly all users.   And now they've said the release for the Studio driver to fix the problems will be around October 14, another couple weeks. ... View more

Many items in the full color management setup are interactive ... so please, it would be useful to nail this down if you gave the full CM settings you are using ....   Screengrabs of the entire "twirled open" Lumetri Settings tab would be so useful, even if just to try and replicate the problem.   Everything from the Project down through Sequence and Clip, please!  And thank you ...  ... View more

User to user differences in UI "understandability" are simply a thing. I work in both Premiere and Resolve daily ... Premiere isn't so bad, Resolve ... a decade of working in it, and I still struggle to remember where all the context menus are hidden across the app. Among many other issues with the UI there.   But a good friend thinks the Resolve UI is the most amazingly wondrous, natural UI ever made. To him, it's freaking obvious where everything is, and why it's there and not elsewhere.   We look at each other and ... smile. We are never going to agree on UI construction. ... View more

I'm thinking it may be the difference between pre-multiplied or non-mutiplied alpha. I know Premier doesn't always like one but never remember which it is.  ... View more

Your points are well taken, but one clarification ... this is not an Adobe specific issue. It is happening across all the video post apps. It's Nvidia's mess, totally and completely. ... View more

I'm going to guess that if you used the ProRes proxies, this would not be an issue. Due to the massive computing difference between actual video frames in the file (ProRes) and bits and pieces of frames here & there that need putting together, in a string of 9-70 or more frames at a time, just to display the next frame on the screen. ... View more

Thankfully I don't have a 50. But they only released the gaming driver, not the full Studio driver needed by Premiere. Sadly. ... View more

That gets into the weeds far enough I hope a staffer will chime in.   The 'normal' thing is for the originals to be added, then proxies either added (if camera produced) or created by Premiere. Working starting from proxies, going to originals later, is a different process.    I wonder if the old method of offlining to relink would be the better process here ... if everyone has the proxies, using them as the originals, expecting to select all/offline, then relink to the actual originals.   I do know that for some teams, the 'owner' has the originals, everyone else the proxies. I haven't personally worked that way in 5-6 years, so I'm not comfortable commenting on how to do it. We once upon a time did that successfully though.   For the last four years, we've used the Productions mode via LucicLInk for all 'team' remorte work, so my use of TP is kind of ancient at this time. ... View more

Please go to the documentation for Team Projects and closely read the section on media management.   Media management in TP's is not exactly the same as 'normal' stuff, although it's not as completely different as it was five years ago.   But still, if you don't do it correctly according to the way it's set to work, you can not only screw up your own but other's linkings also. ... View more

When you get a timestamp for an error, go to that timestamp.   Sometimes you need to rebuild that short section, or reapply an effect. Or nest the clip then apply the effect that was on it, which can solve process order errors. ... View more