I have around 50 clips, some a few seconds and others one minute, from a number of recordings: one male and one female. I've run a 50Hz low pass filter across them, as well as a perceived loudness (legacy) which has helped get the loudness levels right. However, the male voice carries a lot more bass so, compared to the female voice, it doesn't appear to deliver the higher frequencies and annunciation gets lost in the lower frequencies.    I have tried Vocal Enhancer under parametric equaliser to cut more lower frequencies and lift the upper ones but this is subtle. When comparing the two they still sound distinctly different.    Is there a way of batch processing all clips so that the graphics are equalised? That is, the lower frequencies of the male match those of the female?   TIA ... View more

Hi, I'm getting pretty tired of this issue. I create my titles and lower thirds using specific fonts. They display as expected. Then after rendering, a default font has replaced them. This is especially annoying as my preferred fonts are sans serif yet the replacement font is serif. If I catch this in time, I end up just replacing all my lower thirds and subtitles with Aerial, which is a pretty poor workaround. Why does Premiere randomly switch my fonts, and why should it do this upon export? TIA ... View more

Hi,   One of the things that slows down my workflow is when I have a whole series of clips that require warp stabilisation (in this instance underwater slo-mo clips but that's irrelevant). Before composing I need to run warp stabiliser on up to 50 clips, each nested, and the restriction I'm finding is that I set warp stabiliser to work on one clip, which could take up to five minutes, but stops working when I move onto the next clip to edit. This is having a major impact on my time as I have to wait for the first clip to stablise before I can do anything else.   Interestingly this only happens on certain operations, mainly when opening windows on the next clip. It seems I can do basic operations like moving clips around, but if I try changing the speed of another clip, it stops the warp stabiliser on the previous clip.   I'm running 24.1.0 on a Windows 10 PC with AMD Ryzen 7 2700X and 32GB RAM. I don't see this being a processing issue but if anyone has a work-around I'd be very grateful because warp stabiliser has always done this.   TIA ... View more

Hi, I consistently have issues importing mp3 files into my project. Often these are stems coming from Epidemic Sound (I have messaged them too) but the behaviour is random. Sometimes all four stems import ok, other times at least one, sometimes two files error.     When I look at the file properties there is no difference between the importable tracks and the ones that error, and all are labelled similarly. There appears to be no consistency in the behaviour and this has happened across many versions of Premiere Pro (now running 24.1.0 build 85).   The only workaround is to rename the offending tracks, which is not a solution as this adds to my workflow. And this in itself is odd as I only have to add a character to the end of the file name and it imports ok. For example, I renamed ES_Beyond Atlantis STEMS DRUMS to ES_Beyond Atlantis STEMS DRUMSa and it imported successfully. This just doesn't make any sense.   Is this a known error? Is there a solution that doesn't add to my workflow?   TIA ... View more

Hi, I've just updated Pr to 24.1.0. I haven't changed any settings but I have this oddity when playing audio in my timeline. I am sure this is an easy fix but since I didn't make any changes I'm unsure where to look. Here's a screen grab when the audio track is on A1:   You can see the track has two channels, but it is only playing out the left channel. The other thing is that the audio monitor (the green bar to the right) is now showing four channels, not my normal two. I assume each of these represents each audio track on my timeline, but I don't normally have it set up this way. I only monitor whatever is playing and it only shows two bars, one for left, and one for right.   If I drag the audio clip onto track two, now the audio only comes out the right channel:   To solve this I have to centre the first dial in Audio Track Mixer:     So my question is, why has this now defaulted to this state? How do I ensure that all tracks play through both channels automatically? And how do I change my monitor back to show only the L&R green bars? I have no idea why it is now showing four bars or what they mean.   Any pointers appreciated, thanks. ... View more

Hi,   I've been recording podcasts for over a decade and when I started it was simple to edit as I used a Roland field recorder where the only talent speaking was me, and doing so on loction where background noise was desirable.   Now I record a podcast with my partner in a 'studio' (background noise not desirable), which we video as well. Audio is recorded via two lavs on two Tascam DR10L units. I sync these two channels to the camera's audio, and then go through the painstaking task of manually ducking each track. This means cutting track one when track two is speaking, and vice versa. It works well but an hour-long podcast takes literally hours to edit this way.   I've not done any auto-ducking on speech before and I am not sure if there is a feature in Premiere Pro or Audition that could assist me. Bear in mind the mics are picking each others' voices up, so I'm not sure an auto tool could differentiate between the talents, but before I go any further, is there a feature within Audition or Pr that might be worth a try?   Failing this, perhaps I should look at a field recorder. How reasonable is it to rig two mics up and record to a single track? Do field recorders auto-level the two inputs? Should I be using lav mics with XLR or are there field recorders that allow multiple TRS inputs? This is not an area I'm particularly familiar with.   I should mention that we are limited by space. We don't have a desk so we are not geared up for XLR mics on stands, desk-mounted mics etc. A field recorder mounted on a stand using the built-in mics could work, though I suspect it would be too far away to record two people sitting next to each other in conversation, and will probably end up recording lots of ambient noise.   That's about as far as I've got in my thinking of hardware. Ultimately I'm looking for a way to massively reduce that editing time, so any pointers gratefully received. ... View more

Here is a single waveform of an entire project from Premiere Pro, consisting of multiple audio tracks:   I've highlighted a couple of areas where the waveform has bias above the 0db line (it occurs in both left and right channels but I've just highlighted the left channel). I know there is a one-click solution to even out the waveform so that it looks more like the section between 3-10 minutes, but I don't remember what it is! Any pointers? TIA. ... View more