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Hi,Just upgraded to 25.2.2 and I am having a strange issue with adding layers its like it randomly clips or switches color space from one frame to the next. Only started happening after upgrading AE and NVIDIA.The screenshots are from the same project just different frames, as you will see it also affects the scopes. Only effect used is 'Fast Box Blur'Switching to 'Software Only' fixes the issue
Ever since version 25.2 we have been noticing a weird bug.We work in 32bit ACES exclusively.Every now and then we come across a composition that just clamps all the HDR values down to 1.I've managed to isolate a comp like that and the problem itself:- AE ver 25.2 or later (even Beta)- comp has minimum 3 layers- at least two layers must be in Add mode - both have to have motion blur turned on- motion blur in the comp is on The problem fixes itself in any of the following cases:- one of the layers gets hidden - so that only one additive layer remains- you disable motion blur in the comp- you disable motion blur on one of the layers, so that only 1 layer has motion blur- you switch renderer from GPU to software- you open the same project in AE 25.1 This occurs rarely, but if we find a comp like that it bugs out on all our machines- rtx 4xxxx or rtx5xxxx- win10 or win11- throughout the last year we've reinstalled gpu drivers 3-4 times already I have an example project - I can upload it, ju
I attempt to launch After Effects, but it reaches “scanning folder usdGeom” or some other “usd” file, and then it creates two “crash files” on my desktop and stops launching. I have attempted to launch it in “safe-mode”, “reset preferences”, “manage plugins” etc. to the same result. I am not currently running any plugins. Restarting my computer didn't change anything. Pressing the “update” button in creative cloud for AE didn’t seem to launch anything.Recently, I received a message from Photoshop that the scratch-disk was full, so perhaps I have accidentally deleted something important while trying to remove temporary files in the adobe files. However, Photoshop ran fine after removing some large files from my computer. I must have this program for work! Please help me resolve this.
Does anyone remember the good old days when software worked?Have made some good work with Trapcode Form in the past - pushed it quite far exploring it’s capabilities and use-cases.Now it seems, on my Mac at least, to be be extremely unstable - to the point of un-useable on latest After Effects
Red Giant Trapcode Suite 버전은 15.1.8 이고 정식 라이센스도 보유 중입니다.After Effects 버전은 2026 입니다. Trapcode Suite 설치하면 다른 건 다 잘 깔리는데, Particular만 설치가 안 됩니다. 답변 부탁드립니다. I have Red Giant Trapcode Suite version 15.1.8 and also hold a full license.The version of After Effects is 2026. When I install Trapcode Suite, everything else installs fine, but Particular doesn't.
Hi there. Maybe it is a bug but I noticed strange behaviour.My compositions are set to 25fps, every .png sequence imported is set to 25fps. My Preview windows is set to 25fps. However when I import .wav file it is being interpret as 30fps. When I try to playback it in Footage windows it is pitched down. When I change framerate in Preview window to 30fps it plays exactly as it is suppose to, but then preview of my comp is pitched and sped up.When I manually adjust timecode of the .wav file in Interpret Footage window it says “… Base 30”. I assume that it automatically interpret footage as 30fps when I am trying to handle it outside the comp. When I add it to the comp and play it back in 25fps it works fine. What sucks is that I need to override timecode according to the inner timecode of the footage and cut it in exact frame. However I cannot to that because of 30fps vs 25fps.Is there a way to change Base framerate?
They open up with a white green noise and there are 2/5 of the composition screen two-bar glitch at the bottom Providing the link to some test footage of .CRM from Canon C50: https://drive.google.com/drive/folders/1hJBx_KVy20I0wjVHAtCzzhE_orua7zrx?usp=sharing
Whenever I apply 3D animation to any of my videos, it gets stuck at the 'initializing' stage and doesn't proceed any further.
I'm running into what feels like a workflow dead end in After Effects, and I'm wondering how experienced users deal with this.Here's my setup: I have multiple levels of nested precomps. Deep inside those precomps are vector shape layers with effects applied (for example CC Bend It, used to animate things like plants or grass bending in the wind). My top-level precomp is placed inside the main composition and treated as a 3D layer. The issue appears when I animate a 3D camera.Without Continuously Rasterize, everything works correctly, but as soon as the camera gets closer, the entire precomp becomes soft/blurry (Depth of Field is disabled). I understand that's expected because AE is treating the precomp like a rasterized image.If I enable Continuously Rasterize on the precomp, the image stays perfectly sharp, which is exactly what I want. However, this creates two new problems: The internal transforms of the nested layers can change, although enabling 3D on the appropriate precomps
Hi,Hopefully I can describe this correctly…I’m essentially looking to pair/join the bottom anchor points of the green rectangle with the top anchor points of the orange rectangle, so that I can animate the boxes changing their depth up and down whilst the overall group never changes height or width.Does that make sense?Can anyone help with this?CheersSteve
Please add safezone options for current social media platforms to After Effects and Premiere!99% of the videos I create professinally are for social media campaigns, yet there are only guides in AE for broadcast safezones.
Hi everyone, ever since I updated AE to version 26.0.0 I have experienced render times as much as ten times slower than it used to be in version 25.x.x. For now, I have rolled back installation to a 25 version, but I would very much like to keep up with the versions, including all new features.I read somewhere that I'm not the only one bumping into this problem.What can I do to solve it? To be clear: I can create a project in v 2026 and it renders terribly slow; when I save it as 25.x version and then switch to AE v2025 everything works at proper render times.Will there be an update for v 2026 that solves this problem?
I'm a learner, but I'm pretty sure it is not supposed to work like this. First off, I'm on Windows 11 using the most updated version of AE. To the best of my knowledge, the settings in my AE are the default, "fresh out of the oven" AE settings. The issue: I had made a simple track matte animation and was exploring with the pre-comp feature. The animation itself was a very simple move-from-position-A-to-position-B animation and there was a matte applied to it so that it would appear to scroll into a selected region. Now, I had precomposed this and selected a region of interest in the new precomp. After deciding I didn't like the region I had selected, I hit ctrl+Z. That undid the animation though, not the last action performed that was the selected region of interest. I can fiddle around with this and get back to the original state it was in, but is this how it's supposed to work? I guess I could see it, but it seems rather incovenient.
ADOBE PLEASE FIX THIS AS IT IS A PITA!!!!!!!!! DOES ANYONE HAVE THIS PROBLEM??? So I open a file through either Recent or from selecting a file on the Welcome screen when I open AE… and make edits, do work, and save this file with new filename date (which is how I work - new day sees update file with _Sep4 (today)) so that I have daily backups, and go to save it, and it saves into the last folder I had used from a previous different client job. If I am not paying attention because I ASSUME WHEN I OPEN THE FILE THROUGH THE WELCOME SCREEN OR THAT HOME SCREEN WHERE IT LISTS LATEST/RECENT FILES THAT IT WOULD KNOW WHERE THAT FILE CAME FROM, BUT NO. This has been a PITA for years now. PLEASE FIX!
I have found a reproducible After Effects file-import problem when using an SMB network volume on the macOS Golden Gate beta.When I try to import a PNG file from a network path containing Icelandic characters, After Effects displays:After Effects error: File exists but couldn't be open for reading (3 :: 0) Example failing path:/Volumes/markadsdeild/Markadsdeild/Sjónvarp/06 On-Air grafík/01 SÝN/Vatnsmerki/01 Renders/01 Taka 2/01 Hvítt/Syn-vatnsmerki-hvitt_00025.png The file is visible in Finder and can be copied to my local Desktop. After copying it locally, After Effects imports it successfully.I also tested the same file on the same network volume using an ASCII-only folder and filename:/Volumes/markadsdeild/AE_test/test_00025.png That version imports successfully into After Effects.This suggests that After Effects may be encountering a path or Unicode-normalization problem when accessing files through an SMB volume. The problem appears to involve Icelandic characters such as í, ó,
We really need improved and reliable audio playback. I am struggling right now on a project that needs precise audio syncing and the audio stops or stutter or disappear even on a full-green timeline.We’ve lived with this for years, I think it’s time to give the audio playback some attention, it’s a very important part of every project and must be reliable. So I’d like to see: improbed audio playback and maybe some audio improvements like some way to quickly manage audio transitions/fades (no keyframe at -60db anymore please!) or some way to add automation with points in the waveform for quick audio editing directly in after effects like in NLE editors. Also waveform loading and display can be improved (now very slow and not very clear waveform).I hope one day I can stop to rely on premiere for all the audio editing and do most of the job direcly in after effects. Now it’s not reliable enough.
Align to the middle (vertically) doesn't work with masked video (AE 26)
Having issues with randomly not being able to make cryptomatte selections, the cursor simply doesnt change as it should when cryptomatte effect is selected. This can happen in projects which have worked well for days and suddenly it breaks and then i stays broken.Furthermore Im having trouble gettin cryptomatte working in already established AE projects - its like I HAVE to make my comp with the cryptomatte effect as one of the first comps in a project - otherwise same issue - cursor doesnt change when cryptomatte effect selected.My cryptomattes are generated with 3dsmax and vray and Im quite confident they are containing correct data its just the effect inside AE which stops working.Any ideas how to fix this?
The Object Matte tool initially worked correctly in this project and I was able to identify and isolate several cars in the footage very accurately. After working for a while, however, it suddenly stopped functioning properly.Now, when I hover over a car, After Effects still appears to recognise the object and highlights it correctly. But when I click to confirm the selection, one of two things happens: The entire frame/layer becomes outlined in purple, as if Object Matte has selected the whole image instead of the car. Nothing happens at all and no object matte is created. The same problem can also occur when using the brush selection.I have already tried restarting After Effects, reopening the project, clearing memory and disk cache, reopening the footage in the Layer panel, switching tools, resetting preferences and trying again from frames where the tool had previously worked. None of this has resolved the issue.This is particularly frustrating because the exact same footage and
Why is the Object matte SO MUCH BETTER in Premiere than it is in AE? I feel like it should be the opposite. Its a welcome change from Roto brush, but hopefully it bogs down AE less soon. I am an AE lifer, with an AE tattoo, so I’m not complaining, just curious why its worse in AE.
I am wondering if I an asking too much of this tool. I have 14000 frames of 4K footage. And the client wanted (last minuet) to cut out speaker in front of some diagrams. Using the normal footage. (obviously without a green screen) Below is a small sample of of the image. You can see there isn’t much difference between between the hair and the shade of the blue curtains. Initially I tried the same (new) tool in premiere 2026, but the darkness of the curtains where still bleeding into the hair. I have now tried to roto using the the object matte (4.0) in after-effects. It is working quite well however it is just so slow, I’m not sure it will ever render. I am now trying to freeze the Object matte, but, again painfully slow. Hoping to be able to render. In the setting, I have tried switching off some refinement settings and dialling down the search area. Gemmi and Lama4 reckon it can be done. So I am wondering if I am not doing something right? Thank you.
AE 26.5 Install… open. ..crash. Rinse and repeat.MacOS 27.2 BetaThat is all.
Good evening everyone.I'm using ChatGPT because my English isn't very good.Like many other users, i've been experiencing major issues with the latest version of After Effects. Despite working on a PC with 128 GB of RAM, a 32-core CPU, an RTX 4090, and an ultra-fast SSD dedicated to the cache, After Effects has become practically unusable.Not only am i constantly running into "Out of Memory" errors, but the entire system eventually becomes unstable and unresponsive. It's been a complete disaster.After searching all over the internet, i finally managed to get things working again by applying the following changes. i have no idea whether all of them are related to the fix or if only one of them is actually responsible, but it certainly doesn't hurt to try:Disable idle caching in the Composition Preview: Composition > Preview > Cache Frames When Idle. Disable Enable Compressed Frames in the Disk Cache options. Reduce the Idle Delay value in Preferences > Preview to a very low numb
After Effects 26.5 does not start, it crashes on the splash screen or the loading screen when I press open After Effects, and deleting the microsoft.ai.machinelearning.dll file located in: C:\Program Files\Common Files\Adobe\Plug-Ins\CC\File Formats did not fix the problem.
AE expressions currently support the following interpolation types: linear, ease, ease in and ease out.To provide better control over the easing curve, I propose implementing an additional interpolation type: Bezier. A matrix of 4 values would be used to define a cubic bezier (similar to how this is handled in CSS animation) Something like this:bezier(t, tMin, tMax, value1, value2, [0.4, 0.14, 0.3, 1]) A nice little enhancement, which would allow greater creative control over expression based animation. Thanks for your consideration.
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