Bug Reports

Description: I’m experiencing a bug in the current Premiere Pro Beta (version 25.6.0) related to manual masking and keyframe animation.When I draw a mask using the Pen tool or shape tools and attempt to animate it using Mask Path keyframes, the mask does not respond to changes. Even after enabling the stopwatch and adjusting the mask on different frames, the animation does not register—both keyframes remain identical, and the mask stays static.I’ve confirmed this behavior in multiple projects and tried the following workarounds:Toggling the Mask Path stopwatchManually adjusting the mask shape on different framesUsing different effects (Gaussian Blur, Lumetri Color)Resetting workspaces and preferencesNone of these resolved the issue. It seems the new masking system in the Beta is not properly linking manual mask adjustments to keyframe animation.System Info:Premiere Pro Beta v25.6.0Windows 11 Pro 64GPU: Nvidia GeForce RTX 3080 LaptopThis bug is blocking my workflow, especially for subtl

This relates to Premiere Beta.I have recently worked out how to apply colour correction to multiple clips at the same time (74 clips on my current timeline).Once I have done this, when I change from Colour to Edit, it takes several seconds before the screen responds. Also, when trying to colour grade, I move the cursor, but it takes several seconds for the screen to react (it is usually instant).Then, when I trim a clip and delete the unwanted part, the remaining bit of the clip appears blank in the timeline. If I save and close the project and then reopen it, the clip appears, but the issue reoccurs as I contine to trim clips.Windows 11 26H2Premiere 27.1.0 Beta, build 31Nvidia GeForce RTX 4090 version 610.88

Ai Assistant Crashs, Its not working properly

Hey Guys, I'm trying to export this effect as shown in the program view where the background of a dancing couple is b&w and blurry but when I export the mask gets ignored completely and the effect is added to the whole clip. Program view: Exported clip: Efffects settings:

In the beta version of Premiere Pro, while using the new Color Mode, I noticed that the color shifts / changes when the clip is playing. When it’s paused, I grade the clip to where I want it to be. Then when it starts playing, it shifts. Watching the scopes, I see it change. The clip is relatively static where the background doesn’t change. But the scope shows it changing. And the color temperature and or tint shifts which is noticeable. This is a bug in my opinion as the clip’s grading should not change between being paused and playing. 

when going back to edit from color the folders in the project panel are closed. this is annoying when you want to go back to the clip you are working on.

keeps loading. not able to send to media encoder as well

If I select AI Assistant from the Window menu, nothing happens. If I switch my workspace to All Panels,  AI Assistant panel does not open. There is seemingly no way to open the AI Assistant panel at all.System info    Application: Premiere Pro (Beta) v27.1.0.31    OS: Windows v10.0.26200, RAM: 127.91 GB, CPUs (logical): 32

Subject: Critical Caption Export Bug in Premiere Pro 27.1 on macOSHello Adobe Premiere Pro Team,After updating Premiere Pro and macOS, I encountered a serious issue with captions.Captions created through the Text panel → Captions are visible in the editing timeline and in the editing preview, but they completely disappear during export. They are also missing from the exported MP4 file.Here are the troubleshooting steps I performed:Updated both Premiere Pro and macOS. Tested the issue in a completely new project. Tested different fonts, including Lucida Grande and Arial. Confirmed that the caption track is enabled and visible. Confirmed that "Burn Captions into Video" is selected in export settings. Changed caption text colors, but the issue persisted. Confirmed that regular Type Tool text graphics export correctly.The workaround that solved the problem:Using Graphics and Titles → Upgrade Caption to Graphic converts the captions into regular graphic layers, and they then appear correctl

I have a 12 minute clip on a sequence and for some reason, the program did not generate a transcript for almost half of the clip.  The audio is clear and recognizable, but it did not generate a transcript.  

I appreciate Adobe providing complimentary AI Assistant usage during the Premiere beta. However, the current usage limits are so restrictive that they are preventing me from meaningfully testing the product.In my case, I exhausted the available Assistant capacity within essentially one day of working on a relatively simple project: a roughly 108-second sequence made up of 433 still images. This was not a heavy post-production project involving multicam footage, complex audio, large amounts of video analysis or sophisticated compositing. Much of the work was repetitive timeline editing and applying straightforward effect settings.During that single project I encountered a per-response tool-call limit, a daily limit and ultimately a weekly processing limit. Once the weekly limit was reached, I could no longer continue testing the Assistant at all.I understand why Adobe needs limits during a public beta and I appreciate that the usage is complimentary. But a limit this low undermines the

Hola, comunidad de Adobe:Estoy teniendo un problema al corregir el color de un clip. Cuando creo o activo una máscara para aplicar un ajuste a una zona específica de la imagen, por ejemplo alrededor de una persona, el contenido del video cambia y aparece otro momento de la misma toma.Para aclararlo: el problema ocurre con las máscaras, no al crear una capa de ajuste. Me sucede al utilizar máscaras con pluma, elipse y selección de objeto.¿Qué sucede exactamente?Tengo un clip editado con el fragmento que quiero utilizar. Al crear o activar una máscara durante la corrección de color, la imagen salta a otro momento del material original, como si se hubiera desplazado el fragmento seleccionado o hubieran cambiado sus puntos de entrada y salida.Como ejemplo ilustrativo: si elegí el fragmento comprendido entre los segundos 1,5 y 2,7 de una toma, al activar la máscara parece mostrar un fragmento posterior, como el comprendido entre los segundos 4,2 y 5,6. Estos tiempos son únicamente un ejempl

Steps to reproduce:Add an adjustment layer above some video Add a Cross Dissolve to fade out the adjustment layerResult:Underlying video fades to blackExpected:The effect of the adjustment layer should fade out. For example, if I add an adjustment layer with a Hue/Saturation effect and set the saturation to -100, if I then add a cross dissolve to the end of the adjustment layer, the underlying video should fade from greyscale back to its original full colour as we reach the end of the adjustment layer. But that does not happen - the underlying video fades to black, then jumps back to full opacity once we reach the end of the cross dissolve.The workaround is to keyframe the opacity of the adjustment layer from 100% to 0%...but adding a cross dissolve should really achieve exactly the same thing. With some effects, I can of course keyframe the values, but if I have something like a Lumetri > Curves effect applied, that’s not keyframeable.System info    Application: Premiere Pro (Beta)

yea its gone. not available.  I would post the photos of the sequence menu tab and the wrench menu icon but its not letting me post pics because one of the photos I posted had a custom track setting that started with the “f” word so now adobe forums wont let me post images 

Hi,The same Sony Burano X-OCN LT clip (.mxf, S-Log3 / S-Gamut3.Cine) looks noticeably flatter in Premiere (Beta) than in Premiere Pro 2026: lifted blacks, lower contrast and less saturation. All the color management settings are identical in both versions.VersionsPremiere Pro 2026: Premiere (Beta) macOS Settings (identical in both)Color Manage Auto Detected Log and Raw Media: ON Source Clip: Use Media Color Space → Sony S-Log3/S-Gamut3.Cine Input LUT: None, Preserve RGB: OFF Sequence Color Setup: Direct Rec. 709 (SDR), Output: Rec. 709 Sequence Clip: S-Log3/S-Gamut3.Cine → Rec. 709, Luminance Preserving gamut compression, Hue Preservation tone mapping, Highlight Saturation 0.5 Display Color Management: OFF in both No effects applied, Source Settings unavailable (greyed out) in bothSteps to reproduceCreate a new project in both versions. Import the same X-OCN LT clip. Create a sequence from the clip. Compare the Program Monitor.Expected: same result as Premiere Pro 2026.Actual: the Beta

When adding a vignette in new color mode, the preview video in multicamera mode moves halfway off screen

See regular forum: I’m posting this bug report in the Beta forum to focus what I believe are the underlying issues. At least 2 changes have been made to the fields in the caption/graphics txt/csv exports during the 25.x and 26.x cycles. What I believe are the correct fields were present in the 24.6.5 version. I am unsure whether any of the changes are by design, since I thought the reasoning that led to the 24.6.5 fields should be the same. My comment in that forum thread included the problem in 25.6.4 with the exports there: “In 25.6.4, the fields became the same for caption export and graphics export: Speaker name, Start Time, End Time, and Text. Perhaps there was a plan to export speaker information to captions, but a) the Video Track and Layer ID fields should not have been removed and b) a further change was made the time of update to 26.2.2, now making the fields for caption and graphics export the same as the caption export in 24.6.5: Start Time, End Time, Text, and Layer ID.” S

Edit 12/18/25: I corrected the original post to say that this change occurred AFTER 25.5.0. I downgraded and checked this today. As of today, there is no change in Beta 26.1.1.4.   Original post: Sometime after release 25.5.0, the text panel csv and txt imports changed, mostly to mimic transcript export. This has been partly corrected by Beta 26.1.0.2. Build 10 is messed up, and I do not have access to Build 12 yet, where those issues are fixed.   See this regular forum report: https://community.adobe.com/t5/premiere-pro-discussions/there-is-a-problem-with-the-text-tab-export-to-csv/td-p/15613541   I tested in 24.6.5, 25.6.3, and Beta 26.1.0.2. I looked at captions, graphics text, and captions upgraded to graphics. I can provide the detailed results.   My summary conclusions are:   25.6.3 csv caption export header adds Speaker as field 1 and removes Layer ID as last field. This has been corrected in Beta 26.1.0.2 or before.25.6.3 csv caption export content give

i downloaded the beta version of premier and the HEVC codec inst installed 

Quando prova a fare una maschera nel pannello color continua a darmi errori e a dirmi che non trova un oggetto selezionabile 

Product: Adobe Premiere Pro (Beta) (Build 21)Version: 27.1 BetaOperating System: macOSSeverity: Functionality regression affecting editing workflow1. SummaryThe two-up frame preview in the Program Monitor no longer appears when moving Time Remapping speed-transition keyframes in Premiere Pro Beta 27.1.Instead of displaying the frames associated with the speed transition, the Program Monitor continues to display the frame at the current playhead position. This makes it difficult to visually identify and position the frames at which speed transitions begin and end.2. Steps to ReproduceOpen Premiere Pro Beta 27.1.Create a new sequence.Add a video clip to the timeline.Right-click the clip and select Show Clip Keyframes → Time Remapping → Speed.Create a speed keyframe on the Time Remapping speed line.Split the speed keyframe to create the two halves of a speed transition.Click and drag one half of the speed keyframe.3. Expected BehaviourWhen dragging either half of the speed-transition keyf

I'm experiencing an issue with the AI Assistant in Adobe Premiere Pro Beta.When I open the AI Assistant and click on the "Skills" section, there is no option available to add, upload, or create a new custom skill.I would expect to see an option to add custom skills, but the interface doesn't provide any way to do so.Could you please confirm whether this functionality is currently supported in Premiere Pro Beta or if this is a known bug?Thank you for your assistance.

System Details Computer: Mac Mini M4 Pro Memory: 24GB RAM Application: Adobe Premiere Pro 26.5.2 Camera: DJI Air 2S Codec: H.265 / HEVC Resolution: 5472 × 3078 File example: DJI_0236.MP4 File duration: 8 seconds Storage: Internal Mac SSD Steps to Reproduce Launch Adobe Premiere Pro 26.5.2. Create a new project. Import a single DJI Air 2S H.265 clip. Observe the application immediately freezing in the Timeline and Program Monitor. Expected ResultThe clip should import normally, as it did previously.Actual ResultThe Timeline and Program Monitor freeze when importing the DJI footage.Troubleshooting Already Attempted Cleared Media Cache. Disabled hardware-accelerated decoding. Tested the same footage in QuickTime Player; it works correctly. Tested the same footage in Premiere Pro Beta; it works smoothly. Confirmed that footage from other cameras imports normally in the stable version. RequestCould the Premiere Pro engineering team investigate a possible versio

I can only change a color if I add a hex number after this mornings update. 

I suddenly can no longer open most of my projects. It seems like saving them is actually corrupting the project files, and I get the “An unknown error occurred while opening the project.”I can retrieve a working copy from the auto-save, which is horrible cause every time I lose some work and need to redo it, but then I can’t open it again after I save it.This is an urgent issue, please fix, specially that now beta is at 27 so I can no longer revert my projects to Premiere.System info    Application: Premiere Pro (Beta) v27.1.0.18    OS: Windows v10.0.26300, RAM: 255.69 GB GB, CPUs (logical): 20