Camera Raw

I just update ACR this morning to the latest releasse V15.1.1.1329...I love, love, love the masking options and local adjustments that have evolved over the recent months and years and I find I can do a lot more in ACR and have to do less in PS.BUT, with each new releasse of ACR it seems to me that the masking runs a bit slower (possibly a subjective opinion). I know my hardware is dated, and I have in my plans to build a new PC soon. Currently running an i7-6800 with 32GB and a NIVIDIA Quadro M2000 GPU.Here is my suggestion: While masking a local adjustment, especially compositing together different masks (i.e. paint in and out bits of a Select Sky mask) I would like to be able to temporarily turn off the adjustments but leave the mask visable. As it is now if I do a Slect Sky and make some adjustments and then decide I have to panit in, or paint out bits of the mask I believe that in addition to computing the changes to the mask, that adjustments need to be computed at the same time.

Meu Pc não suporta a última versão do CR pois não tenho acelerador de processador gráfico. Como retorno a versão anterior?

I notice in ACR under the Optics menu, that for my Nikon Z8 with Nikkor Z 24-120mm f/4 lens, that the built in lens profile is automatically applied by ACR.Is there anyway to turn off this lens profile? Was used to being able to control the correction amounts or completely disable the lens profile for my other cameras/lenses, but I can't see how to do this for the Nikkor Z lens. Toggling the "use profile corrections" does not seem to do anything obvious.Peter

Meu Camera Raw esta desabilitado, e diz que nao e compativel com o meu sitema mas isso nao pode ser pq o meu imac e 4k 

We create yearbook photos and images always have variation in tone and color in the background.  The background masking works wonders now on an individual image but is there a way to batch balance the background on multiple images so they are near the same tone and color?  I'm attaching a contact sheet with 4 images before and after. This is what I'm doing manually and while not perfect, obviously much closer.  Is there anyway to batch automate this process or get it somewhat close?  I would gladly by a coffee for anyone that can help find a solution for this, if there is 🙂 

In the **scam email address**x webpage called "cameras supported by camera raw," there is a chart with the column-heading, "Camera Matching Profile Available." What is this column about?

Hello everyone, I hope you are doing well. I am having a particular issue with Camera RAW and PREVIEW.   I just purchased a new Mac Studio and installed Sonoma 14.2.1 I have Lightroom and photoshop at the latest version I have Camera Raw 16.1 I also have several camera, old ones, like 1- Lumix LX-100 (RW2 RAW files) 2- Nikon D800 (NEF RAW Files) 3- Nikon D300 (NEF RAW Files) And I see all the images in my Finder no problem, I can open them easily with the space bar and they show perfectly well on PREVIEW.   BUT I just purchased a Lumix S5iiX also using RW2 files for their RAW and I cannot see them at all in Finder/Preview. I can see the image in Photoshop or Lightroom but NOT in Finder/Preview and I use this all the time to quickly look at an image.NOTE: FIRMWARE  of my Lumix is at the latest (1.4)   Anyone has a solution ? I tried rebooting, I tried re-installing Camera Raw, nothing fix this issue. I even opened a ticket at Panasonic, so far they have no solution.

I have read a few post trying to find a solution but nothing seems to work for me. Here is the difference between camera raw and the psd file. I have no idea why but when i make a print screen, camera raw gets very bright. But even then, the difference between the color is quite big. The red is better looking in camera raw than in the psd. I hope someone knows how to fix this.

Does Lightroom plan to support heic/avif with SMPTE ST 2084 PQ and P3/Rec.2020 color gamut HDR files in both import and export?

Bonjour je ne ne trouve pas la pipette balance des blancs sur camera raw 16.1.  comment l'installer ?

I appreciate Sharpness is used in masks in ACR and the amount can be varied - but what is it actually doing?  Is it similar to Texture and Clarity?If Sharpening is used in ACR it can be selective and the various parameters can be suited to taste.I am trying to determine which will prove better for finner detail.

Dear Adobe Support   Use Case & Setup I own a Nikon Z 7 II with a kit lens, the Nikkor Z f/4 24-70mm, which I use a lot when travelling. Typically, I would shoot a lot of images at 70mm and build panoramas, which is why I need vignetting to be eliminated completely, as the bright, respectively dark vignetting on the original pictures can otherwise be seen in the final resulting panorama.   The problem It seems like there is no way currently to automatically correct the lens profile to remove vignetting using the NIKKOR Z f/4 24-70mm kit lens.   The process I typically import my images in .NEF and first convert the to .dng (with lossy compression). I assume this step has no impact but I'm mentioning it here for completeness. I have seen similar posts on this forum but they don't seem to answer exactly this question. More on this later. Here is what I see, to give you an example: After importing and without profile corrections enabled, you can clearly see vignetting j

Por las notas de Adobe 10723 y otra relativa a máscas del primer semestre, y la propia experiencia, a pesar de tener activado en preferencias "Varios" si aplico máscaras desaparecen opciones como los mencionados en el asunto.  Y aparece alguna otra distinta. Es como si tuviésemos dos menús, uno para trabajar sin máscaras y otro para trabajar con ellas.Es farragoso. Yo lo solucciono desactivando máscaras y volviendo a ellas alternativamente. Todo ello salvo algún error de interpretación por mi parte. Supongo que hay razones de índole técnica que lo justifican. Pero, entiendo, no es lo deseable.   Muchas gracias

There is a big bug in the update!Camera Raw 16.1 HDR without data and small size which is not possible, so I will not update for the time being as long as that bug is there... and it has been that way for a long time since the update... 😞

y a t il une personne qui pourrait m'expliquer comment obtenir la barre d'outil audessus de l'image comme visible sur de nombreux tutos.  sur photoshopje cherche entre autre la pipette permettant de fair un blanc 

I want to use Superresolution in Adobe Camera RAW 13.2.  Adobe help says to "right click on the Filmstrip" in RAW 13.2  to open the new Super-resolution menu. (I use Command-Shift-A to get to RAW)My problem is that I never ever see a filmstrip in RAW, only the single image I  work on in Photoshop. How do I get to a filmstrip so that I can click on it?? thanks www

I like to convert my raw files to dng for the simple reason ... the sidecar files, i dont like those.  Is it better to use adobe lightroom or capture one for that matter to convert raw files to dng, or is it better to use adobe dng converter?  alot of my dng files just show as dng icon in my mac finder window as u can see in the attachment.

The Panasonic S5 Mark 2 was allegedly supported shortly after release, however, i have lost id say about 15-20% of all imports to unspecific 'error's with the images up until most recent updates.This frustrating issue as with all things Panasonic has resulted in hot potato between Adobe and Panasonic, with neither party admitting fault nor responsibility. Frustratingly lost some fantastic shots from my travels.

what those "errors" when running Adobe DNG Converter in command line mode ( v16.0.0.1677 on Windows 10x64 ) might be ?*** Error: Exception in GetRuntimeModelZooPaths (). ****** GPU Warning: GPU3 disabled via cr_config at init time. ****** Error: ComputeRawDepthModelKey () model #1 not present ****** Error: ComputeRawDepthModelKey () model #2 not present ****** Error: ComputeBaseLayeredDepthModelKey () - mask-guided refinement model not present ****** Error: ComputeBaseFocalMatteModelKey () model not present ***DNG file still created, but why the messages ?they are silently written to logs in C:\Users\Administrator\AppData\Roaming\Adobe\CameraRaw\Logs ( user = Administrator in this case )  creating 2 filesDNG Converter Log Latest v0.txtDNG Converter Log Latest v1.txtwhen I use dng converter just in a command line in Windows however when I run the command line from within Matlab it pollutes the system ( Matlab function : [status,cmdout] = system(command) )  output to

I have the same problem, but in Photoshop, when I use the camera raw filter the photo changes color, I have already disabled the performance but it didn't help

Hello,When I am increasing dehaze value on my pictures, the colors change drastically. Is this a bug or natural occurance? And how can I prevent/correct this?Examples:Dehaze value 50Dehaze value 25Dehaze value 0

Possible Bug.   ACR 16.1Mac OS Sonoma 14.2.1Happens in both LRc and PS - no surprise there.Profile Corrections turned OFF Following images taken with a Nikon Z9.  Look on left and right side for differences.NX Studio first shows correct file size per Nikon 8256x5504.Next image is Fast Raw Viewer which shows file size as larger 8280x5520Here's the rub though - look at the left side first and see how pixels to the left of small silver Bialetti are missing.  It's not the proflie/lens correction that is off and I tried the different crop modes.  Also looks at the right sixe and you see a brown wood handle in the NX Studio and FRV image that is missing from ACR.  ACR with no profile correction. LRc with no lens correction