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I'm a real estate photographer, and I think this idea come to life would solve all my problems forever. With interior and exterior still photos there's almost always some color cast. Example - solar panels look blue instead of gray from sky reflection, ceilings and walls in rooms with hardwood floors and wood cabinets look orange/yellow. Now imagine if I could go in, brush over the blue tinted solar panels I want to change to gray, and be able to drag the blue saturation slider down WITHOUT affecting the sky?! This would seriously be a god-send. I live in Camera Raw. As of now I use the sponge tool to desaturate one thing without affecting the other. What do you think?
Congrats! Nice version! Add Polygon mask, please! And some items of top menu.
Eye dropper in krita has a blend setting where you can set the eye dropper to 50% blend and instead of getting the color, you get the mix of your current color and the color from the canvas. its a great feature. It is possible to add it to photoshop?
My suggestion is if you have something masked in photoshop you will see the background and the frame of the image. The background could have color or be transparent. The frame has asset information and a ruler if needed. See Normal Working area screenshot attached.What if you could make the background and the frame see through? To see perhaps another application running or the desktop? I use "see through" not to confuse the word transparent. See Suggested working area screenshot attached. If I were needing some image from another app or desktop one way I would make a screenshot or open another image and stack in layers under the outlined image. It will still be incased in the frame. If I was able to "see through" the frame and background, I could use photoshop in so many new ways.What are your thoughts on this?Thanks, TR
I would like to suggest that Adobe add the MKV format to Premiere so you do not have to convert MKV files to MP4 files before you can edit them.
I feel like this has probably been requested before – but let me just say that it'd be great to be able to more easily pick colors from a CC library when the Layer Style dialogue is open. Almost any time I'm adding a stroke, or outer glow, I intend to use a color from a shared library. Currently, I use the eyedropper tool and click/drag over the library palette, but this method is clumsy. Draggin the eyedropper over the canvas toward the library palette pans the artboard across the screen, often to its edge. It works... but it isn't as intuitive as the app could be. I'd love to see the color picker include a tab for Libraries, so that these colors could be acessed more seamlessly outside of the main interface palette.
In Adobe Camera Raw (ACR), the HSL tab can be expanded to view and adjust everything at once. It would be nice if it could be done on the tab of the adjustmet layer of Photoshop. Curve or Level (RGB, R, G, B) So that can see and change it at once. Also, This is extra, but it will be more intuitive if the color of each channel is reflected in the histogram, as is the curve at the level. It's not necessary, but there's no reason why it shouldn't be applied.
How will the feature help your workflow? When dealing with multiple PSDC files shared team-wide for review, a significant quantity of emails are received with notifications that there are "New comments" on file xxxxxxxxxxx. The file names are always truncated. Because the team uses long file names where the beginning of the file name is more likely to be shared global features of the file and the end of the file name is where the specific identifying features of the file name are described, the notifications emails from Adobe are less useful than they could be because, at a glance in the email the end of the file name is never seen and so it is not clear in each of the emails which file is actually being alluded to. Although the subject line understandably has limitaions on length, there is no value to users in having file names truncated within the body of an email where there less concern about number of characters. There is plenty of white space within the body
I make posters which require me to create various versions for different media sizing within the same document. Instagram, facebook, print etc. I would be nice if within the same document I could differentiate guides for different media. So for example, I have a set of guides for instagram that I can switch on or off, then a set for facebook. This feature, or the ability to change the color of individual guides. Currently I have a document with so many guides on them and it's impossible to see which guide is related to which size of the poster. And I don't want to create a fresh PSD for each media size as the differences between them are only slightly positional differences.
Serait-il possible de supporter le format d'image QOI dans Photoshop ? Ce format de fichier est open source, spécifié par Dominic Szablewski depuis novembre 2021, et c'est une excellente alternative au format PNG (compression sans perte), avec un encodeur et décodeur très rapide. Les détails de l'implémentation tiennent en une seule page !Références :Site de Dominic Szablewski : https://qoiformat.org/Page Wikipédia : https://en.wikipedia.org/wiki/QOI_(image_format) EN:Would it be possible to add support within Photoshop for viewing/editing/saving QOI image files? This open source format was specified by Dominic Szablewski and is pretty new (first announced in November 2021), but it's a very good alternative to PNG (as it is lossless), with an extremely fast encoder and decoder. The implementation details fit in a single page!Please find the references here:Dominic Szablewski's website: https://qoiformat.org/Wikipedia page: https://en.wikipedia.org/wiki/QOI
If the UI can be split from the processing, could the UI components be translated to run in web assembly with the backend processing handled over grpc? It'd be great to get a fully featured environment in the cloud and I would personally pay more for it.
I use many tool presets and would like a simple way to organize and highlight my most frequently used tool presets. Similar to how Photoshop allows the user to Color identify Layers in the Layers panel - please allow users to add color identifiers to Tool Presets Window.
Hello,i am working with projects which use pantone colors... and not one adobe software can give me the same colors after merging pantone colors as they were before shown on my display...why can not photoshop or ilustrator or indesign just take each pixcel color and export it to rgb... (my display is showing current pantone colors in rgb so i should get the same resolut after merging or exporting view layer)i understand if you are merging pantone colors like you transfare color to rgb and than merge it than it can not work... so why adobe just does not take each pixcell color curently shown on display and instead of converting to rgb and than merging theese rgb layers... (this seems like what merging chanels do) So my idea would be to add button which will export current view in its resolution... it would also help people if they would like to export measurement lines or picture boarders... just something like screen shoot but in the same resolution as project is...You could make
I want to make an action that matches symmetry by selecting the exact middle of the face and reversing it. Is there a way? Please help me. Thank you. The picture I want is an id photo, so my face is standing upright.
I know Adobe offers Substance Sampler but It's so inconvenient in its evry aspect . Why not just let us construct our own filters for Photoshop in Substance Designer ? Or use sbsar as smart objects sampling beneath layers ot better layers of choise . It would solve the main Photoshop issue, an ancient layers only design and lack of flexibility . SBSR files as smart object would turn Photoshop in supeper advanced image editor not only for textures.I see so many options. dynamicly updating masks , depth aware CG images compositing, whatever filter forge is offering etc.
Some times when I work in Adjustment Curve/levels/ or other tools, I dont' go to adjustment layer, because may be not sure for result, but when is good, I want to save this as adjustment layer from any adjustment windows. Not sure I'm clear, but I think is not so difficult put one new button in any adjustment tool windows, like "save as adjustment layer".
Would be nice if after dropping an image file as a linked smart object for example we could get immediate access not only to RGB of that file but to alpha channels too. Maybe as auto generated layercomps or something or perhaps having not only RGB checkboxes in a layer style/ blending options but A too. It's possible in Affinity photo for example with its procedural live filter
Request to add a shortcut/hotkey for Crop orientation. There is a button in between the aspect ratio but a hotkey would be super nice.
Inside Camera RAW window when you load bunch of RAW files, create button to allow loading all selected raw files into Stack - single file with images as layers.
Can we please have a specific fade/blur edge tool. Something easier then the feather tool. Maybe a tool that could be freely drawn on the edge (or anywhere on an image). Thanks.
So It could be a one click solution. I mean a stack of filters and adjustments like levels and exposure . For example a height/depth image turned into normal map with gamma0.45>emboss>levels A stack of distortion and 1 pix displace filtes and so on.I know it could be done through actions but having it as styles would make it easier and convenient with a nice thumbnail preview vs actions which are hard to organise. Or make smart objects with smartfilters droppable into library panel so we could have a quick access
We need a feature that very clearly tells you how much time you've put into a file. I've seen some competitor creation programs that have this feature and they are extremely easy to access. Every time I try to figure out how to do this on photoshop, I'll get instructions to go into the file info and search there (this never works, and apparently you have to do it at the start of each file?) or I've also seen people install third-party apps to track this which is crazy to me since adobe is usually so great [Title edited by moderator for clarity]
This is the most important feature. If you are going to edit photos in photoshop, you need to be able to access your photos. It has access to creative cloud for some reason, but most photographers don't use creative cloud because it doesn't connect to lightroom. The photography plan you sell comes with Photoshop and Lightroom. They need to be connected.
I recently upgraded from PS 2020 to 2022 and I've so far not enjoyed the export/saving experience whatsoever. What used to be an easy process of your good ol' "save as..." is now a cumbersome export experience. Not to mention now every single time I click to export I have to be reminded that Adobe is on board with the NFT crowd which so many artists hate for good reasons. Honestly. Can you move that button somewhere else at least? I'm sick of the constant reminder of how much this company seems to be morally degrading. And while you're at it, the export function sucks. What was wrong with a simple dropdown in the save as menu?
let's say we are working on google dimensions as artboards via photoshop. A background image can be large. When moving or copying to another artboard, I have trouble placing it where I want and I am aware that this is due to the close proximity of artboards. but I couldn't find a way to do it. It would be very comforting if it was sensitive to the point where the mouse cursor is and sends it into the artboard it is on. I hope there will be an update on this. I wish everyone happy work 🙂
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