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Adobe, make the Shift edge option predictable, moving ANY edge by an equal amount. I decided to check Select & Mask - Shift edge option on 2 simple masks to understand how it actually works.I can't effectively use this in my workflow, because it has almost no effect on my masks and now it’s clear why... So, I created two solid color layers, the top one with a mask of 2 simple shapes done with the same Brush, Hardness 0 and 100. Let's open the mask in Select & mask window and Shift the edge to -100%.Boooom!hard edge has remained almost unchanged, soft edge has become half the sizeboth became semi-transparent (not neutral 128, but close to it) Let's undo and Shift the edge to +100%.Boooom!hard edge remained almost unchanged again, soft edge became twice as large As we see, the Shift edge option is very specific - it's more effective for the soft edged masks and useless for hard edges... Since I often use the Pen tool for cut outs, I find this a probl
I need to be able to export indiviual files from lightroom cc (web) to photoshop cc (web) edit them and have the changes save in lightroom cc (web) but thats only available using the actual desktop apps. This type of functionality would be a game changer!
I haven't used Adobe Firefly extensively, but I noticed the tip "convert my sketch to vector artwork". But, it is not clear where or how to do that. I had a look at Adobe Firefly, and added an "image to match", several of pixel art, and one of a sketch drawing of mine, and asked it:"convert my artwork to a digital painting style, with the help of watercolors"What it came up with was not even remotely like my original image. From a nature scene, I got a girl sitting and drawing mostly, maybe with a pet, or a single pot plant. If I'm going about the process wrong, it's not clear how to do it correctly.I tried the same thing with generative fill in Photoshop. Highlighted an image of pixel art, and asked it:"convert to digital painting style"What I got was blurred paint sploshes all over the screen. At this point, it's not very clear to me how to use the AI to get the kind of use cases I want, so here are things I would like the AI to be able to do, to make it useful to me, and for it
Please make it possible/easier to exchange text, vectors and pixels (rasterized content) between Photoshop, InDesign and Illustrator. It turns out that it takes an enormous amount of time to put a simple layout from Photoshop with pixels, some vectors and text into InDesign, and it usually ends up having to recreate it completely. Simply placing .psd-file makes text not editable, vectors do not become vectors in Indesign etc. It's possible to always start a design in InDesign. But the problem with starting in or switching to Indesign early is that you may still want to adjust the Photoshop (photo)composition, ie. with several transparent photographic elements. When placing text, you then have to keep switching back to Photoshop, and adjust your composition there. Then again you can't see what happens to the text because that is already in Indesign. In this age of AI, why should it be so difficult to convert those to another format? They are just pixels and vectors and te
I think having a smoothing slider (not the hardness slider, stroke smoothing)just like the one in the brush tool would make precise selections with lasso tools much easier. Yes there is already a pen tool to select accurately but using lasso can speed up the process a lot when using a tablet.
I suggest adding a tiny info panel for the Eyedropper tool (so that we don't need to open the main Info panel and look across the entire monitor back and forth). Would be very handy. Here's how users are checking the values now without the feature.
Moin, die vollwertige native Umsetzung von Photoshop für Android / Tablet Geräte (z.B.: Tab S8 Basic / Plus / Ultra) wäre ein fantastisches Feature.
My suggestions for the Select & mask Brush tool 1. Add the Opacity slider.We can just choose the Hardness, but the Opacity is always 100%.Not good for precise work as some areas may need a bit of transparency. 2. Add the Blend modes.Pro editors often use the Soft light & Overlay modes for mask adjustments.It preserves the darkest/lightest pixels and helps to clean up the mask easier & faster. P.S. Yep, those manual adjustments can be done outside the Select & mask window, but since there's a Brush tool, why not to have its full functionality?
It would greatly enhance the functionality if users had the option to convert a "Smart Filter" into a separate layer, just like the existing "Create Layer" feature for layer effects.
Is it possible to remove the descriptions that pop up when using every single toggle in the liquify tool? It's to the point where it blocks the U.I, these huge beige boxes with generic self explanitory descriptions.
Hello Adobe...the share icon to airdrop from Mac to iPhone has been removed in the 2024 version of PS. That single feature makes the life of Mac users stress-free. Kindly return the feature, I am begging you in the name of God.
can introduce ai based colour/light exposure in camera raw setting
it would be very useful an option in the auto-align layers menu which allows you to choose kinda "locked layer" so that the other layers align to it without changing its dimensions and perspective.
In the past hour I have accidentally deleted a preset in camera raw three times because the trashcan icon is sitting over on the right side of the presets. Can you please either remove that and make it so you have to go into the menu to delete them, or can you make it ask if I am sure I want to delete, or can you please keep a trashcan history of previously deleted presets? This has been super frustrating. Thanks!
Does anyone know if it's possible to change the color of the Replacement Tool cursor in Photoshop CC 25.1.0 I would prefer a different color than the violet / purple that's default. Also the color seems to be more pastel in the latest version and is sometimes hard to see. Thanks for your help.
It would be great in Photoshop if it had the After Effects Corner Pin function.
Un'idea sarebbe quella di poter condividere dei progetti aperti e lavorarci insieme contemporaneamente.
Right now if you want to purchase Photoshop the price is $19.99 (Photography Plan which also includes Lightroom) or standalone at $20.99. This price point is worth the price for any professional using Photoshop daily for hours together. But as a home user wanting to use Photoshop or Lightroom once in a while, it makes no sense to pay close to $240 per year. Why doesn't Adobe launch a Home Plan? Under that you can say offer 365 hours of Photoshop + Lightroom use per year at say 39.99 a year. Once the 365 hours of usage are complete they can renew their subscription again. You may say there is already Photoshop Express for free or at a lower price point. Yes, but it does not give the tools which are there in the main Photoshop version (thats why I wrote Pro) where in we have additional tools. So I think many home users who are using some other tool right now, may shift to Adobe products if the entry price is reasonable. Who knows many may even
If there isn't already, please add an "alt text" field in Photoshop.
Adobe's oversight is quite significant.While the Auto Recover feature is a lifeline for many users, it falls short by restricting its functionality to system or application crashes. This limitation misses a golden opportunity to salvage files that are inadvertently closed due to accidental selection errors during the "save" prompt. Allow me to illustrate with a personal example: I was working on an exquisitely beautiful project, simultaneously managing multiple files (three, to be exact). When prompted to save, I mistakenly chose not to, unaware that I had selected the wrong file. This resulted in the closure of my priceless work, leaving me utterly disappointed.I earnestly request an expansion of the recovery option to include ONE last saved state, even if the user opts not to save. This would be invaluable for rectifying accidental errors when dealing with multiple open files, where it can be easy to misinterpret which file is being prompted for saving. I am certain that many others
Because I use photoshop mainly for illustrating alongside Fresco, I would love if there was the same ability to make a straight line in Photoshop like in fresco, by drawing the line and then holding.
I love generative fill! It's an amazing feature. One improvement would to be to keep the bar stationary. Everytime I use it to remove hair, the bar jumps right up to the hair so I have to move it everytime I want to see the results. It's minor, but an extra move I have to do with every use of it. Thanks for listening!
A partir de una newsletter que recibo de Adobe, he tomado conocimiento de la existencia de la Teoría de la carga cognitiva y me ha llevado a leer sobre el asunto. Veo que es algo ya con cierto grado de avance y con conclusiones ya aplicables a la didáctica, asunto delque he hablado alguna vez en esta comunidad por las dificultades de transmitir formación. Me alegro de enterarme por Adobe porque eso significará que pronto tendremos mejores tutoriales y notas técnicas sobre sus programas y, sobre todo, a los que a mi me interesan. O sea, que como en Gladiator, "fueerza y honor"
CS6: May I suggest to use the middle mouse button as hand tool? So pressing down middle mouse button will drag the image. This will be more convenient because we can drag the image using simply the mouse, instead of having to use the current method of both keyboard+mouse.
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